The Young Acrobat of the Great North American Circus Part 25

"Very well," he said. "I'll go along with Mrs. Bickford. Don't keep me waitin', for it's gettin' late."

The blacksmith and his wife took up their march to the place where their team had been hitched. They found it safe, and untied the horse.

"We're goin' to have a dark ride home, mother," he said.

"Yes, Aaron, but you've done a good evening's work."

"That's so, Sarah. I expected I'd have more trouble with the boy."

"There's nothing like being firm, Aaron. When he saw you were in earnest, he gave up."

"I mean to keep a tight rein on him, Sarah. He's a boy that likes to have his own way, if I ain't greatly mistaken. We must break his will."

The horse was unhitched, and still Kit had not arrived. Mr. Bickford began to fear that he had been tricked after all, when two figures, contrasting strongly with each other, appeared. One was the giant, in his ample height, and the other was a boy.

"There they are, Aaron!" said Mrs. Bickford, who was the first to descry the oddly a.s.sorted pair.

"Where is the boy to sit?" asked Achilles.

"In the back seat. Mother and I will sit in front."

"All right! There you are!" said Mr. Henderson, lifting the boy in his arms, as easily as if he were a kitten, and putting him on the rear seat.

"Good-by, Kit!" he said. "I'm sorry you're going to leave us. Perhaps Mr. Bickford will let you off if we show anywhere near here."

"The boy will be at work, and can't be let off," said the blacksmith, stiffly. "But it is time we were off."

"Good-by, then, Kit!"

"Good-by!" said the supposed Kit, in a low tone, for he feared that the difference in his voice would be recognized. But Mr. Bickford had no suspicions. He was anxious to get started, for he and his wife were always in bed by this time ordinarily.

So the team started, and Achilles Henderson, suppressing a laugh, strode away to the circus cars, which were already being prepared for a midnight journey to the next place. It may be explained here that the circus of to-day generally owns its own cars, which are used for the conveyance of all connected with it, their luggage, the tents, the animals, and all the paraphernalia of the show. As soon as the show is ended, the canvas men set to work to take down and fold up the tents.

All the freight is conveyed to the cars, and the razorbacks, already referred to, set about loading them. The performers, ticketmen, and candy butchers seek their berths in the sleeping cars and are often in the land of dreams before the train starts.

While Mr. Bickford was driving in the darkness to Oakford with the supposed Kit on the back seat, the real Kit was in his berth in the circus cars, preparing for a refreshing night's rest.

CHAPTER XVIII.

MR. BICKFORD'S MORTIFYING DISCOVERY.

Mr. Bickford was in excellent spirits. He had enjoyed the evening, and although he had been compelled to disburse a dollar for two circus tickets, a sum which to him seemed large, he was disposed to acknowledge that he had received his money's worth. Besides, and this seemed to him the greatest triumph of all, he had recovered his runaway apprentice, or thought he had. He inwardly resolved that Kit should smart for his past insubordination, though he had not yet decided in what way he would get even with him. The unexpected submissiveness shown by Kit elated him, and confirmed him in the idea he had long entertained that he could manage boys a good deal better than the average of men.

"Talk about hard cases," he said one day to his wife. "I'd like to see the boy that can get the start of Aaron Bickford. He'll have to get up unusually airly in the mornin'."

Mr. Bickford felt a little like crowing over his captive, and turned his head partly round to survey the boy on the back seat. Fortunately for William the darkness was so great that there was small chance of his detecting the imposture.

"I reckon you didn't expect to be ridin' back to Oakford along of me this evenin'," he observed.

"No, sir," muttered William in a voice scarcely audible.

"Ho, ho, you feel kind of grouty, eh?" said the blacksmith. "Well, I ain't much surprised. You thought you could have your own way with Aaron Bickford, but you're beginnin' to see your mistake, I reckon?"

"Yes, sir," replied the supposed Kit, in a meek voice.

"Ho, ho! That's the way boys ginerally come out when they try to buck agin' their elders. Not but you might have succeeded with some men, but you didn't know the man you had to deal with this time."

There was a sort of gurgle, for William was trying hard not to laugh, as he was picturing to himself the rage and mortification of Mr. Bickford when he discovered the deceit that had been practiced upon him. But the blacksmith misunderstood the sound, and thought Kit was sobbing.

"You needn't take on!" he said, magnanimously. "It ain't so bad as it might be. You'll be a good deal better off learnin' a good trade than trampin' round the country with the circus. I hope this'll be a lesson to you. You'd better not try to run away ag'in, for it won't be no use.

You won't always have that long-legged giant to help you. If I'd done right, I should have had him took up for 'sault and battery. He needn't think because he's eight feet high, more or less, that he can defy the laws of the land. I reckon he got a little skeered of what he done, or he wouldn't have acted so different this evening."

William did not reply to this. He was rather in hopes Mr. Bickford would stop addressing him, for he did not like to run the risk of answering, as it might open the eyes of the blacksmith to the fact that he had the wrong boy in the wagon.

The distance to Oakford steadily diminished, though Mr. Bickford's horse was a slow one. At length it had dwindled to half a mile.

"Now I don't care if he does find out who I am," thought William. "It ain't but a little way home now, and I shouldn't mind walking." Still his own house was rather beyond Mr. Bickford's, and it was just as well to ride the whole way, if he could escape detection so long.

"Where did you learn them circus performances, Christopher?" suddenly asked the blacksmith, turning once more in his seat.

By this time they were within a few rods of the blacksmith's yard, and William became bold, now that he had nothing to lose by it.

"My name isn't Christopher," he answered in his usual tone.

"Your name isn't Christopher? That's what your uncle told me."

"I think you are mistaken," said William quietly.

"What's got into the boy? Is he goin' to deny his own name? What is your name, then?"

"My name is William Morris," was the distinct response.

"What!" exclaimed the blacksmith in amazement.

"I think you ought to know me, Mr. Bickford. I worked for you some time, you know."

"Take off your hat, and let me look at your face!" said Aaron Bickford, sternly.

William laughed as he complied with the request. It was now rather lighter, and the blacksmith, peering into his face, saw that it was indeed true--that the boy on the back seat was not Kit Watson at all, but his ex-apprentice, William Morris.

"It's Bill Morris, by the living jingo!" he exclaimed. "What do you say to that, Sarah?"

"You're a master hand at managing boys, Aaron," said his wife sarcastically.

"How came you in the wagon, Bill Morris?" demanded Bickford, not caring to answer his wife.