The Time of Roses Part 30

Things were going well now with Florence Aylmer. She was earning money, and it was unnecessary for her to live any longer in the top attic of Prince's Mansions. She had got over her first discomfort; her conscience no longer p.r.i.c.ked her; she took an interest in the situation, and sometimes laughed softly to herself. She knew that she was losing a good deal: that the worth and stability of her character were being slowly undermined. But she was winning success: the world was smiling at her just because she was successful, and she resolved to go on now, defying fate.

She wrote often to her mother and to Kitty Sharston, and told both her mother and Kitty of her successes. She never wrote to Bertha except about business. Bertha as a rule, enclosed directed envelopes to herself, so that Florence's writing should not be seen by Mrs. Aylmer or Trevor or any guests who might be staying in the house. Bertha was very wise in her generation, and when she did a wrong thing she knew at least how to do that wrong thing cleverly.

Florence was now quite friendly with Edith Franks. Edith took an interest in her; she still believed that there was something behind the scenes--something which she could not quite fathom--but at the same time she fully and with an undivided heart believed in Florence's great genius, as did also her brother Tom.

By Edith's advice Florence secured the room next to hers, and the girls were now constantly together. Tom often dropped in during the evenings, and took them many times to the play.

Florence began to own that life could be enjoyable even with a heavy conscience and tarnished honour. She was shocked with herself for feeling so. She knew that she had fallen a good many steps lower than she had fallen long ago when she was an inmate of Cherry Court School; nevertheless, there seemed no hope or chance of going back. She had to go forward and trust to her secret never being discovered.

Early in November, or, rather, the latter end of October, her first story was published in the _Argonaut_. It was sufficiently striking, terse, and original to receive immediate attention from more than one good review. She was spoken of as a young writer of great promise, and a well-known critic took the trouble to write a short paper on her story.

This mention gave her, as Tom a.s.sured her, a complete success. She was quoted in several society journals, and one well-known paper asked for her photograph. All the expectations of the _Argonaut_ were more than realised, and some people said that Florence was the coming woman, and that her writings would be quite as popular as those of the best-known American fiction writers. Hers was the first short story of any promise which had appeared in the English magazines for some time. The next from her pen was eagerly awaited, and it was decided that it was to be published in the December number.

Bertha, having provided Florence with the story, she carefully re-wrote it in her own hand, and it was sent to the editor. It was a better story than the first, but more critical. There was a cruel note about it. It was harrowing. It seemed to go right down into the heart, and to pierce it with a note of pain. It was a wonderful story for a girl of Florence's age to have written. The editor was charmed.

"I don't like the tone of the story," he said to Franks; "I don't think that I should particularly care to have its author for my wife or daughter, but its genius is undoubted. That girl will make a very big mark. We have been looking for someone like her for a long time. We have had no big stars in our horizon. She may do anything if she goes on as well as she has begun."

"And yet she does not look specially clever," said Franks, in a contemplative voice. "Her speech is nothing at all remarkable; in fact, in conversation I think her rather dull than otherwise."

"I was taken with her face on the whole," said the editor; "it was strong, I think, and, with all our knowledge, we can never tell what is inside a brain. She at least has a remarkable one, Franks. We must make much of her: I don't want her to be snapped up by other editors. We must raise her terms. I will give her three guineas a thousand words for this new story."

Franks called upon his sister and Florence Aylmer on the evening of the day when the editor of the _Argonaut_ made this remark: he found them both in his sister's comfortable room. Florence was reclining on the sofa, and Edith was busily engaged over some of her biological specimens.

"Oh, dear!" said Franks, as he entered the room; "why do you bring those horrors home, Edith?"

"They are all right; I keep them in spirit," she replied. "Don't interrupt me; go and talk to Florence: she is in a bad humour this evening."

"In a bad humour, are you?" said Franks. He drew a chair up, and sat at the foot of Florence's sofa.

She was nicely dressed, her hair was fashionably arranged, she had lost that look of hunger which had made her face almost painful to see, and she received Franks with a coolness which was new-born within her.

"I don't know why you should be depressed," he said; "anyhow, I hope to have the great pleasure of driving the evil spirits away. I have come with good news."

"Indeed!" answered Florence.

"Yes; my editor, Mr. Anderson, is so pleased with your second story, 'The Judas Tree,' that he is going to raise his terms. You are to receive three guineas a thousand words for your ma.n.u.script. It is, I think, exactly six thousand words in length. He has asked me to hand you a cheque to-night. Will you accept it?"

As Franks spoke, he took out his pocket-book and handed Florence a cheque for eighteen guineas.

"You will be a rich girl before long," he said.

"It seems like it," she answered. She glanced at the cheque without any additional colour coming to her face, and laid it quietly on a little table by her side.

"And now, Miss Aylmer, there is something I specially want you to do for me. I hope you will not refuse it."

"I will certainly do what I can," she answered.

"It is this. The _Argonaut_ is, of course, our monthly magazine. It holds the very first position amongst the six-pennies, and has, as you doubtless know, an enormous circulation. You will very soon be the fashion. We are about to issue a weekly paper, a sort of review. We trust it will eclipse even the _Spectator_ and the _Sat.u.r.day_, and we want a paper from your pen. We want it to be on a special subject--a subject which is likely to cause attention. Can you and will you do it?

Anderson begged of me to put the question to you, and I do so also on my own account."

"But what subject do you want me to write upon?" said Florence, feeling sick and faint, and yet not knowing at first how to reply.

"The subject is to be about women as they are. They are coming to the front, and I want you to talk about them just as you please. You may be satirical or not, as it strikes your fancy. I want you in especial to attack them with regard to the aesthetic craze which is so much in fashion now. If you like to show them that they look absolutely foolish in their greenery-yallery gowns, and their hair done up in a wisp, and all the rest of the thing, why, do so; then you can throw in a note about a girl like my sister."

"Oh, come!" exclaimed Edith, from her distant table, "that would be horribly unfair."

"Anyhow, I want you to write about woman in her improved aspects; that is the main thing," said Franks. "Will you do it or will you not?"

Florence thought for a wild moment. It would be impossible for Bertha to help her with this paper. She could not get information or subject-matter in time. Dare she do it?

"I would rather not," she said.

Franks face fell.

"That is scarcely kind," he said; "you simply must do it."

"You will not refuse Tom," said Edith, who had apparently not been listening, but who now jumped up and came forward. "What is it, Tom?

What do you want Florence to do?"

Tom briefly explained matters.

"It is for our new venture," he said. "Miss Aylmer is scarcely the fashion yet, but she soon will be. It is to be a signed article--'Woman in Her Many Crazes' can be the t.i.tle. No one can know more on the matter than she does."

"Oh, I'll prime you up with facts, if that is all," said Edith; "you must do it: it would be most ungenerous and unkind to refuse Tom after the way he has brought you to the front."

"But I must refuse," said Florence. She rose from the sofa; her face looked pale with desperation.

"That horrid secret, whatever it is, is beginning to awake once more,"

thought the astute Edith to herself. She looked at Florence with what Tom called her scientific face.

"Sit down," she said, "sit down. Why should you not do it?"

"Because I am no good at all with that cla.s.s of paper."

"But your style will be invaluable, and you need not say much," said Franks. "We want just the same simple terse, purely Saxon style. We want one or two of your ideas. You need not make it three thousand words long: it does not really matter. You will be well paid. I have the editor's permission to offer you twelve guineas. Surely you will not refuse such a valuable cheque."

Florence looked with almost vacant eyes at the cheque which was lying on the table near her. The whole thing seemed like black magic.

"I suppose I must try," she said; "I have never written any prose worth reading in my life. You will be dreadfully disappointed; I know you will."

"I am quite certain we shall not be disappointed; anyhow, I am going to risk it. You must not go back on your promise. Write your paper to-morrow morning when you are fresh; then post it to me in the evening.

Good-bye. I am awfully obliged to you."

The young journalist took his departure before Florence had time to realise what she had done. She heard his steps descending the stairs, and then turned with lack-leisure eyes to Edith.

"What have I done?" she cried.

"Done?" said Edith, in a tone of some impatience. "Why, your duty, of course. You could not refuse Tom after all his kindness to you. Where would you be but for him--but for me? Do you suppose that, just because you are clever, you would have reached the position you have done if it had not been for my brother? You must do your very best for him."