The Serapion Brethren Volume Ii Part 17

"By Saint Denis, you are right, Mademoiselle! No blind laws, touching the innocent and the guilty alike, shall shelter cowardice. Argenson and La Regnie must do their best."

Next morning La Martiniere enlarged upon the terrors of the time, painting them in glowing colours to her lady, when she told her all that had happened the previous night, and handed her the mysterious casket, with much fear and trembling. Both she and Baptiste (who stood in the corner as white as a sheet, kneading his cap in his hand from agitation and anxiety) implored her, in the name of all the saints, to take the greatest precautions in opening it. She, weighing and examining the unopened mystery in her hand, said with a smile, "You are a couple of bogies! The wicked scoundrels outside, who, as you say yourselves, spy out all that goes on in every house, know, no doubt, quite as well as you and I do, that I am not rich, and that there are no treasures in this house worth committing a murder for. Is my life in danger, do you think? Who could have any interest in the death of an old woman of seventy-three, who never persecuted any evil-doers except those in her own novels; who writes mediocre poetry, incapable of exciting any one's envy; who has nothing to leave behind her but the belongings of an old maid, who sometimes goes to Court, and two or three dozen handsomely-bound books with gilt edges. And, alarming as your account is, La Martiniere, of the apparition of this man, I cannot believe that he meant me any harm, so----"

La Martiniere sprang three paces backwards, and Baptiste fell on one knee with a hollow, "Ah!" as Mademoiselle Scuderi pressed a projecting steel k.n.o.b, and the lid of the casket flew open with a certain amount of noise.

Great was her surprise to see that it contained a pair of bracelets, and a necklace richly set in jewels. She took them out and as she spoke in admiration of the marvellous workmanship of the necklace, La Martiniere cast glances of wonder at the bracelets, and cried, again and again, that Madame Montespan herself did not possess such jewelry.

"But why is it brought to me?" cried Mademoiselle Scuderi. "What can this mean?" She saw, however, a little folded note at the bottom of the casket, and in this she rightly thought she would find the key to the mystery. When she had read what was written in the note, it fell from her trembling hands; she raised an appealing look to heaven, and then sank down half fainting in her chair. Baptiste and La Martiniere hurried to her, in alarm. "Oh!" she cried, in a voice stifled by tears, "the mortification! The deep humiliation! Has it been reserved for me to undergo this in my old age? Have I ever been frivolous, like some of the foolish young creatures? Are words, spoken half in jest, to be found capable of such a terrible interpretation? Am I, who have been faithful to all that is pure and good from my childhood, to be made virtually an accomplice in the crimes of this terrible confederation?"

She held her handkerchief to her eyes, so that Baptiste and La Martiniere, altogether at sea in their anxious conjectures, felt powerless to set about helping her, who was so dear to them, as the best and kindest of mistresses, in her bitter affliction.

La Martiniere picked up the paper from the floor. On it was written--

"Un amant qui craint les voleurs N'est point digne d'amour."

"Your brilliant intellect, most honoured lady, has delivered us, who exercise, on weakness and cowardice, the rights of the stronger, and possess ourselves of treasures which would otherwise be unworthily wasted, from much bitter persecution. As a proof of our grat.i.tude, be pleased to kindly accept this set of ornaments. It is the most valuable that we have been enabled to lay hands on for many a day. Although far more beautiful and precious jewels ought to adorn you, yet we pray you not to deprive us of your future protection and remembrance.--THE INVISIBLES."

"Is it possible," cried Mademoiselle Scuderi, when she had partially recovered herself, "that shameless wickedness and abandoned insult can be carried further by human beings?" The sun was shining brightly through the window curtains of crimson silk, and consequently the brilliants, which were lying on the table beside the open casket, were flashing a rosy radiance. Looking at them, Mademoiselle Scuderi covered her face in horror, and ordered La Martiniere instantly to take those terrible jewels away, steeped, as they seemed to be, in the blood of the murdered. La Martiniere, having at once put the necklace and bracelets back into their case, thought the best thing to do would be to give them to the Minister of Police, and tell him all that had happened.

Mademoiselle Scuderi rose, and walked up and down slowly and in silence, as if considering what it was best to do. Then she told Baptiste to bring a sedan chair, and La Martiniere to dress her, as she was going straight to the Marquise de Maintenon.

She repaired thither at the hour when she knew Madame de Maintenon would be alone, taking the casket and jewels with her.

Madame de Maintenon might well wonder to see this dear old lady (who was always kindness, sweetness and amiability personified), pale, distressed, upset, coming in with uncertain steps. "In heaven's name, what has happened to you?" she cried to her visitor, who was scarcely able to stand upright, striving to reach the chair which the Marquise drew forward for her. At last, when she could find words, she told her what a deep, irremediable insult and outrage the thoughtless speech which she had made in reply to the King had brought upon her.

Madame de Maintenon, when she had heard the whole affair properly related, thought Mademoiselle Scuderi was taking it far too much to heart, strange as the occurrence was--that the insult of a pack of wretched rabble could not hurt an upright, n.o.ble heart: and finally begged that she might see the ornaments.

Mademoiselle Scuderi handed her the open casket, and when she saw the splendid and valuable stones, and the workmanship of them, she could not repress a loud expression of admiration. She took the bracelets and necklace to the window, letting the sunlight play on the jewels, and holding the beautiful goldsmith's work close to her eyes, so as to see with what wonderful skill each little link of the chains was formed.

She turned suddenly to Mademoiselle Scuderi, and cried, "Do you know, there is only one man who can have done this work--and that is Rene Cardillac."

Rene Cardillac was then the cleverest worker in gold in all Paris, one of the most artistic, and at the same time extraordinary men of his day. Short, rather than tall, but broad-shouldered, and of strong and muscular build, Cardillac, now over fifty, had still the strength and activity of a youth. To this vigour, which was to be called unusual, testified also his thick, curling, reddish hair, and his ma.s.sive, shining face. Had he not been known to be the most upright and honourable of men, unselfish, open, without reserve, always ready to help, his altogether peculiar glance out of his grimly sparkling eyes might have brought him under suspicion of being secretly ill-tempered and wicked. In his art he was the most skilful worker, not only in Paris, but probably in the world at that time. Intimately acquainted with every kind of precious stones, versed in all their special peculiarities, he could so handle and treat them that ornaments which at a first glance promised to be poor and insignificant, came from his workshop brilliant and splendid. He accepted every commission with burning eagerness, and charged prices so moderate as to seem out of all proportion to the work. And the work left him no rest. Day and night he was to be heard hammering in his shop; and often, when a job was nearly finished, he would suddenly be dissatisfied with the form--would have doubts whether some of the settings were tender enough; some little link would not be quite to his mind--in fine, the whole affair would be thrown into the melting-pot, and begun all over again. Thus every one of his works was a real, unsurpa.s.sable _chef-d'[oe]uvre_, which set the person who had ordered it into amazement. But then, it was hardly possible to get the finished work out of his hands. He would put the customer off from one week to another, by a thousand excuses, ay, from month to month. He might be offered twice the price he had agreed upon, but it was useless; he would take no more; and when, ultimately, he was obliged to yield to the customer's remonstrances, and deliver the work, he could not conceal the vexation--nay, the rage--which seethed within him. If he had to deliver some specially valuable and unusually rich piece of workmanship, worth perhaps several thousand francs, he would get into such a condition that he ran up and down like one demented, cursing himself, his work, and every thing and person about him; but should, then, some one come running up behind him, crying, "Rene Cardillac, would you be so kind as to make me a beautiful necklace for the lady I am going to marry?" or "a pair of bracelets for my girl?" or the like, he would stop in a moment, flash his small eyes upon the speaker, and say, "Let me see what you have got." The latter would take out a little case, and say, "Here are jewels; they are not worth much; only every-day affairs; but in your hands----." Cardillac would interrupt him, s.n.a.t.c.h the casket from his hands, take out the stones (really not very valuable), hold them up to the light, and cry, "Ho!

ho! common stones you say! Nothing of the kind!--very fine, splendid stones! Just see what I shall make of them; and if a handful of Louis are no object to you, I will put two or three others along with them which will shine in your eyes like the sun himself!" The customer would say: "I leave the matter entirely in your hands, Master Rene; make what charge you please." Whether the customer were a rich burgher or a gallant of quality, Cardillac would then throw himself violently on his neck, embrace him and kiss him, and say he was perfectly happy again, and that the work would be ready in eight days' time. Then he would run home as fast as he could to his work-shop, where he would set to work hammering away; and in eight days' time there would be a masterpiece ready. But as soon as the customer would arrive, glad to pay the moderate price demanded, and take away his prize, Cardillac would become morose, ill-tempered, rude, and insolent. "But consider, Master Cardillac," the customer would say, "to-morrow is my wedding-day."

"What do I care?" Cardillac would answer; "what is your wedding-day to me? Come back in a fortnight." "But it is finished!--here is the money; I must have it." "And I tell you that there are many alterations which I must make before I let it leave my hands, and I am not going to let you have it to-day." "And I tell you, that if you don't give me my jewels--which I am ready to pay you for--quietly, you will see me come back with a file of D'Argenson's men." "Now, may the devil seize you with a hundred red-hot pincers, and hang three hundredweight on to the necklace, that it may throttle your bride!" With which he would cram the work into the customer's breast-pocket, seize him by the arm, push him out of the door, so that he would go stumbling all the way downstairs, and laugh like a fiend, out of window, when he saw the poor wretch go limping out, holding his handkerchief to his bleeding nose. It was not easy of explanation neither that Cardillac, when he had undertaken a commission with alacrity and enthusiasm, would sometimes suddenly implore the customer, with every sign of the deepest emotion--with the most moving adjurations, even with sobs and tears--not to ask him to go on with it. Many persons, amongst those most highly considered by the King and nation, had in vain offered large sums for the smallest specimen of Cardillac's work. He threw himself at the King's feet, and supplicated that, of his mercy, he would not command him to work for him; and he declined all orders of Madame de Maintenon's: once, when she wished him to make a little ring, with emblems of the arts on it, which she wanted to give to Racine, he refused with expressions of abhorrence and terror.

"I would wager," said Madame de Maintenon, "therefore, that even if I were to send for Cardillac, to find out, at least, for whom he had made those ornaments, he would somehow evade coming, for fear that I should give him an order; nothing will induce him to work for me. Yet he does seem to have been rather less obstinate of late, for I hear he is working more than ever, and allows his customers to take away their jewelry at once, though he does so with deep annoyance, and turns away his face when he hands them over."

Mademoiselle Scuderi, who was exceedingly anxious that the jewels which came into her possession in such an extraordinary manner should be restored to their owner as speedily as possible, thought that this wondrous Rene Cardillac should be informed at once that no work was required of him, but simply his opinion as to certain stones. The Marquise agreed to this; he was sent for, and he came into the room in a very brief s.p.a.ce, almost as if he had been on the way when sent for.

When he saw Mademoiselle Scuderi, he appeared perplexed, like one confronted with the unexpected, who, for the time, loses sight of the calls of courtesy; he first of all made a profound reverence to her, and then turned, in the second place, to the Marquise. Madame de Maintenon impetuously asked him if the jewelled ornaments--to which she pointed as they lay sparkling on the dark-green cover of the table--were his workmanship. Cardillac scarcely glanced at them, and, fixedly staring in her face, he hastily packed the necklace and bracelets into their case, and shoved them away with some violence.

Then he said, with an evil smile gleaming on his red face, "The truth is, Madame la Marquise, that one must know Rene Cardillac's handiwork very little to suppose, even for a moment, that any other goldsmith in the world made those. Of course, I made them." "Then," continued the Marquise, "say whom you made them for." "For myself alone," he answered. "You may think this strange," he continued, as they both gazed at him with amazement, Madame de Maintenon incredulous, and Mademoiselle Scuderi all anxiety as to how the matter was going to turn out, "but I tell you the truth, Madame la Marquise. Merely for the sake of the beauty of the work, I collected some of my finest stones together, and worked for the enjoyment of so doing, more carefully and diligently than usual. Those ornaments disappeared from my workshop a short time since, in an incomprehensible manner." "Heaven be thanked!"

cried Mademoiselle Scuderi, her eyes sparkling with joy. With a smile she sprang up from her seat, and going up to Cardillac quickly and actively as a young girl, she laid her hands on his shoulder, saying, "Take back your treasure, Master Rene, which the villains have robbed you of!" And she circ.u.mstantially related how the ornaments had come into her possession.

Cardillac listened in silence, with downcast eyes, merely from time to time uttering a scarcely audible "Hm! Indeed! Ah! Ho, ho!" sometimes placing his hands behind his back, again stroking his chin and cheeks.

When she had ended, he appeared to be struggling with strange thoughts which had come to him during her story, and seemed unable to come to any decision satisfactory to himself. He rubbed his brow, sighed, pa.s.sed his hand over his eyes--perhaps to keep back tears. At last he seized the casket (which Mademoiselle Scuderi had been holding out to him), sunk slowly on one knee, and said: "Esteemed lady! Fate destined this casket for you; and I now feel, for the first time, that I was thinking of you when I was at work upon it--nay, was making it expressly for you. Do not disdain to accept this work, and to wear it; it is the best I have done for a very long time." "Ah! Master Rene,"

said Mademoiselle Scuderi, jesting pleasantly, "how think you it would become me at my age to bedeck myself with those beautiful jewels?--and what should put it in your mind to make me such a valuable present?

Come, come! If I were as beautiful and as rich as the Marquise de Fontange, I should certainly not let them out of my hands; but what have my withered arms, and my wrinkled neck, to do with all that splendour?"

Cardillac had risen, and said, with wild looks, like a man beside himself, still holding the casket out towards her, "Do me the mercy to take it, Mademoiselle! You have no notion how profound is the reverence which I bear in my heart for your excellences, your high deserts. Do but accept my little offering, as an attempt, on my part, to prove to you the warmth of my regard."

As Mademoiselle Scuderi was still hesitating, Madame de Maintenon took the casket from Cardillac's hands, saying, "Now, by heaven, Mademoiselle, you are always talking of your great age. What have you and I to do with years and their burden? You are like some bashful young thing who would fain long for forbidden fruit, if she could gather it without hands or fingers. Do not hesitate to accept this good Master Rene's present, which thousands of others could not obtain for money or entreaty."

As she spoke she continued to press the casket on Mademoiselle Scuderi; and now Cardillac sank again on his knees, kissed her dress, her hands, sighed, wept, sobbed, sprang up, and ran off in frantic haste, upsetting chairs and tables, so that the gla.s.s and porcelain crashed and clattered together.

In much alarm, Mademoiselle Scuderi cried, "In the name of all the saints, what is the matter with the man?" But the Marquise, in particularly happy temper, laughed aloud, saying, "What it is, Mademoiselle; that Master Rene is over head and ears in love with you, and, according to the laws of _la galanterie_, begins to lay siege to your heart with a valuable present." She carried this jest further, begging Mademoiselle Scuderi not to be too obdurate towards this despairing lover of hers; and Mademoiselle Scuderi, in her turn, borne away on a current of merry fancies, said, "If things were so, she would not be able to refrain from delighting the world with the unprecedented spectacle of a goldsmith's bride of three-and-seventy summers, and unexceptionable descent." Madame de Maintenon offered to twine the bridal wreath herself, and give her a few hints as to the duties of a housewife, a subject on which such a poor inexperienced little chit could not be expected to know very much.

But, notwithstanding all the jesting and the laughter, when Mademoiselle Scuderi rose to depart, she became very grave again when her hand rested upon the jewel casket. "Whatever happens," she said, "I shall never be able to bring myself to wear these ornaments. They have, at all events, been in the hands of one of those diabolical men, who rob and slay with the audacity of the evil one himself, and are very probably in league with him. I shudder at the thought of the blood which seems to cling to those glittering stones--and even Cardillac's behaviour had something about it which struck me as being singularly wild and eery. I cannot drive away from me a gloomy foreboding that there is some terrible and frightful mystery hidden behind all this; and yet, when I bring the whole affair, with all the circ.u.mstances of it, as clearly as I can before my mental vision, I cannot form the slightest idea what that mystery can be--and, above all, how the good, honourable Master Rene--the very model of what a good, well-behaved citizen ought to be--can have anything to do with what is wicked or condemnable. But, at all events, I distinctly feel that I never can wear those jewels."

The Marquise considered that this was carrying scruples rather too far; yet, when Mademoiselle Scuderi asked her to say, on her honour, what she would do in her place, she replied, firmly and earnestly, "Far rather throw them into the Seine than ever put them on."

The scene with Master Rene inspired Mademoiselle Scuderi to write some pleasant verses, which she read to the King the following evening, at Madame de Maintenon's. Perhaps, for the sake of the picturing of Master Rene carrying off a bride of seventy-three--of unimpeachable quarterings--it was that she succeeded in conquering her feelings of the imminence of something mysterious and uncanny; but at all events she did so, completely--and the King laughed with all his heart, and vowed that Boileau Despreaux had met with his master. So La Scuderi's poem was reckoned the very wittiest that ever was written.

Several months had elapsed, when chance so willed it that Mlle. Scuderi was crossing the Pont Neuf in the gla.s.s coach of the d.u.c.h.esse de Montpensier. The invention of those delightful gla.s.s coaches was then so recent that the people came together in crowds whenever one of them made its appearance in the streets, consequently, a gaping crowd gathered about the d.u.c.h.esse's carriage on the Pont Neuf, so that the horses could hardly make their way along. Suddenly Mlle. Scuderi heard a sound of quarrelling and curses, and saw a man making a way for himself through the crowd, by means of fisticuffs and blows in the ribs, and as he came near they were struck by the piercing eyes of a young face, deadly pale, and drawn by sorrow. This young man, gazing fixedly upon them, vigorously fought his way to them by help of fists and elbows, till he reached the carriage-door, threw it open with much violence, and flung a note into Mademoiselle Scuderi's lap; after which, he disappeared as he had come, distributing and receiving blows and fisticuffs. La Martiniere, who was with her mistress, fell back fainting in the carriage with a shriek of terror as soon as she saw the young man. In vain Mademoiselle Scuderi pulled the string, and called out to the driver. He, as if urged by the foul fiend, kept lashing his horses till, scattering the foam from their nostrils, they kicked, plunged, and reared, finally thundering over the bridge at a rapid trot. Mademoiselle Scuderi emptied the contents of her smelling-bottle out over the fainting La Martiniere, who at last opened her eyes, and, shuddering and quaking, clinging convulsively to her mistress, with fear and horror in her pale face, groaned out with difficulty, "For the love of the Virgin, what did that terrible man want? It was he who brought you the jewels on that awful night." Mademoiselle Scuderi calmed her, pointing out that nothing very dreadful had happened after all, and that the immediate business in hand was to ascertain the contents of the letter. She opened it, and read as follows:--

"A dark and cruel fatality, which _you_ could dispel, is driving me into an abyss. I conjure you--as a son would a mother, in the glow of filial affection--to send the necklace and bracelets to Master Rene Cardillac, on some pretence or other--say, to have something altered, or improved. Your welfare---your very life--depend on your doing this.

If you do not comply before the day after to-morrow, I will force my way into your house, and kill myself before your eyes."

"Thus much is certain, at all events," said Mademoiselle Scuderi, when she had read this letter, "that, whether this mysterious man belongs to the band of robbers and murderers, or not, he has no very evil designs against me. If he had been able to see me and speak to me on that night, who knows what strange events, what dark concatenation of circ.u.mstances would have been made known to me, of which, at present, I seek, in my soul, the very faintest inkling in vain. But, be the matter as it may, that which I am enjoined in this letter to do, I certainly _shall_ do, were it for nothing else than to be rid of those fatal jewels, which seem to me as if they must be some diabolical talisman of the Prince of Darkness's very own. Cardillac is not very likely to let them out of his hands again, if once he gets hold of them."

She intended to take them to him next day; but it seemed as if all the _beaux esprits_ of Paris had entered into a league to a.s.sail and besiege her with verses, dramas, and anecdotes. Scarce had La Chapelle finished reading the scenes of a tragedy, and declared that he considered he had now vanquished Racine, when the latter himself came in, and discomfited him with the pathetic speech of one of his kings, until Boileau sent some of his fireb.a.l.l.s soaring up into the dark sky of the tragedies, by way of changing the subject from that eternal one of the colonnade of the Louvre, to which the architectural Dr. Perrault was shackling him.

When high noon arrived, Mademoiselle Scuderi had to go to Madame Montansier, so the visit to Rene Cardillac had to be put off till the following day. But the young man was always present to her mind, and a species of dim remembrance seemed to be trying to arise in the depths of her being that she had, somehow and somewhen, seen that face and features before. Troubled dreams disturbed her broken slumbers. It seemed to her that she had acted thoughtlessly, and delayed culpably to take hold of the hands which the unfortunate man was holding out to her for help--in fact, as if it had depended on her to prevent some atrocious crime. As soon as it was fairly light, she had herself dressed, and set off to the goldsmith's with the jewels in her hand.

A crowd was streaming towards the Rue Nicaise (where Cardillac lived), trooping together at the door, shouting, raging, surging, striving to storm into the house, kept back with difficulty by the Marechaussee, who were guarding the place. Amid the wild distracted uproar, voices were heard crying, "Tear him in pieces! Drag him limb from limb, the accursed murderer!" At length Desgrais came up with a number of his men, and formed a lane through the thickest of the crowd. The door flew open, and a man, loaded with irons, was brought out, and marched off amid the most frightful imprecations of the raging populace. At the moment when Mademoiselle Scuderi, half dead with terror and gloomy foreboding, caught sight of him, a piercing shriek of lamentation struck upon her ears. "Go forward!" she cried to the coachman, and he, with a clever, rapid turn of his horses, scattered the thick ma.s.ses of the crowd aside, and pulled up close to Rene Cardillac's door.

Desgrais was there, and at his feet a young girl, beautiful as the day, half-dressed, with dishevelled hair, and wild grief, inconsolable despair in her face, holding his knees embraced, and crying in tones of the bitterest and profoundest anguish, "He is innocent! he is innocent!" Desgrais and his men tried in vain to shake her off, and raise her from the ground, till at length a rough, powerful fellow, gripping her arms with his strong hands, dragged her away from Desgrais by sheer force. Stumbling awkwardly, he let the girl go, and she went rolling down the stone steps, and lay like one dead on the pavement.

Mademoiselle Scuderi could contain herself no longer. "In Christ's name!" she cried, "what has happened? What is going forward here?" She hastily opened the carriage-door and stepped out. The crowd made way for her deferentially; and when she saw that one or two compa.s.sionate women had lifted up the girl, laid her on the steps, and were rubbing her brow with strong waters, she went up to Desgrais, and with eagerness repeated her question.

"A terrible thing has happened," said Desgrais. "Rene Cardillac was found, this morning, killed by a dagger-thrust. His journeyman, Olivier, is the murderer, and has just been taken to prison."

"And the girl----" "Is Madelon," interrupted Desgrais, "Cardillac's daughter. The wretched culprit was her sweetheart, and now she is crying and howling, and screaming over and over again that Olivier is innocent--quite innocent; but she knows all about this crime, and I must have her taken to prison too." As he spoke he cast one of his baleful, malignant looks at the girl, which made Mademoiselle Scuderi shudder. The girl was now beginning to revive, and breathe again faintly, though still incapable of speech or motion. There she lay with closed eyes, and people did not know what to do, whether to take her indoors, or leave her where she was a little longer till she recovered.

Mademoiselle Scuderi looked upon this innocent creature deeply moved, with tears in her eyes. She felt a horror of Desgrais and his men.

Presently heavy footsteps came downstairs, those of the men bearing Cardillac's body. Coming to a rapid decision, Mademoiselle Scuderi cried out, "I shall take this girl home with me; the rest of the affair concerns you, Desgrais." A murmur of approval ran through the crowd.

The women raised the girl; every one crowded up; a hundred hands were proffered to help, and she was borne to the carriage like one hovering in air, whilst from every lip broke blessings on the kind lady who had saved her from arrest and criminal trial.

Madelon lay for many hours in deep unconsciousness, but at length the efforts of Seron---then the most celebrated physician in Paris--were successful in restoring her. Mademoiselle Scuderi completed what Seron had commenced, by letting many a gentle ray of hope stream into the girl's heart, till at length a violent flood of tears, which started to her eyes, brought her relief, and she was able to tell what had befallen, with only occasional interruptions, when the overmastering might of her sorrow turned her words into sobbing.

She had been awakened at midnight by a soft knocking at her door, and had recognised the voice of Olivier, imploring her to get up at once, as her father lay dying. She sprung up, terrified, and opened the door.

Olivier, pale and distorted, bathed in perspiration, led the way, with tottering steps, to the workshop; she followed. There her father was lying with his eyes set, and the deathrattle in his throat. She threw herself upon him, weeping wildly, and then observed that his shirt was covered with blood. Olivier gently lifted her away, and then busied himself in bathing a wound (which was on her father's left breast) with wound-balsam, and in washing it. As he was so doing her father's consciousness came back; the rattle in his throat ceased, and, looking first on her, and then on Olivier with most expressive glances, he took her hand and placed it in Olivier's, pressing them both together. She and Olivier then knelt down beside her father's bed; he raised himself with a piercing cry, immediately fell back again, and with a deep inspiration, departed this life. On this they both wept and lamented.

Olivier told her how her father had been murdered in his presence during an expedition on which he had accompanied him that night by his order, and how he had with the utmost difficulty carried him home, not supposing him to be mortally wounded. As soon as it was day, the people of the house--who had heard the sounds of the footsteps, and of the weeping and lamenting during the night--came up, and found them still kneeling, inconsolable by the father's body. Then an uproar commenced, the Marechaussee broke in and Olivier was taken to prison as her father's murderer. Madelon added the most touching account of Olivier's virtues, goodness, piety, and sincerity, telling how he had honoured his master as if he had been his own father, and how the latter returned his affection in the fullest measure, choosing him for his son-in-law in spite of his poverty, because his skill and fidelity were equal to the n.o.bleness of his heart. All this Madelon spoke right out of the fullness of her heart, and added that if Olivier had thrust a dagger into her father's heart before her very eyes, she would rather have thought it a delusion of Satan's than have believed that Olivier was capable of such a terrible and awful crime.

Mademoiselle Scuderi, most deeply touched by Madelon's nameless sufferings, and quite disposed to believe in poor Olivier's innocence, made inquiries, and found everything confirmed which Madelon had said as to the domestic relations between the master and his workman. The people of the house and the neighbours all gave Olivier the character of being the very model of good, steady, exemplary behaviour. No one knew anything whatever against him, and yet, when the crime was alluded to, every one shrugged his shoulders, and thought there was something incomprehensible about that.

Olivier, brought before the Chambre Ardente, denied--as Mademoiselle Scuderi learned--with the utmost steadfastness the crime of which he was accused, and maintained that his master had been attacked in the street in his presence, and borne down, and that he had carried him home still alive, although he did not long survive. This agreed with Madelon's statement.

Over and over again Mademoiselle Scuderi had the very minutest circ.u.mstances of the awful event related to her. She specially inquired if there had ever been any quarrel between Olivier and the father, whether Olivier was altogether exempt from that propensity to hastiness which often attacks the best tempered people like a blind madness, and leads them to commit deeds which seem to exclude all voluntariness of action; but the more enthusiastically Madelon spoke of the peaceful home-life which the three had led together, united in the most sincere affection, the more did every vestige of suspicion against Olivier disappear from her mind. Closely examining and considering everything, starting from the a.s.sumption that, notwithstanding all that spoke so loudly for his innocence, Olivier yet _had_ been Cardillac's murderer, Mademoiselle Scuderi could find, in all the realm of possibility, no motive for the terrible deed, which, in any case, was bound to destroy his happiness. Poor, though skilful, he succeeds in gaining the good will of the most renowned of masters; he loves the daughter--his master favours his love. Happiness, good fortune for the rest of his life are laid open before him. Supposing, then, that--G.o.d knows on what impulse--overpowered by anger, he should have made this murderous attack on his master, what diabolical hyprocrisy it required to conduct himself after the deed as he had done. With the firmest conviction of his innocence, Mademoiselle Scuderi came to the resolution to save Olivier at whatever cost.

It seemed to her most advisable, before perhaps appealing to the King in person, to go to the President, La Regnie, point out for his consideration all the circ.u.mstances which made for Olivier's innocence, and so, perhaps, kindle in his mind a conviction favourable to the accused which might communicate itself beneficially to the judges.