The Rosary Part 4

Garth, notwithstanding the pale violet shirt and dark violet tie, was quite unconscious of his own appearance; and, dazzled by the golden sunlight, was also unconscious of Jane's look.

"Oh, I say, Miss Champion!" he cried, boyishly. "Isn't it nice that they have all gone in? I have been wanting a good jaw with you. Really, when we all get together we do drivel sometimes, to keep the ball rolling. It is like patting up air-b.a.l.l.s; and very often they burst, and one realises that an empty, shrivelled little skin is all that is left after most conversations. Did you ever buy air-b.a.l.l.s at Brighton?

Do you remember the wild excitement of seeing the man coming along the parade, with a huge bunch of them--blue, green, red, white, and yellow, all shining in the sun? And one used to wonder how he ever contrived to pick them all up--I don't know how!--and what would happen if he put them all down. I always knew exactly which one I wanted, and it was generally on a very inside string and took a long time to disentangle.

And how maddening it was if the grown-ups grew tired of waiting, and walked on with the penny. Only I would rather have had none, than not have the one on which I had fixed my heart. Wouldn't you?"

"I never bought air-b.a.l.l.s at Brighton," replied Jane, without enthusiasm. Garth was feeling seven again, and Jane was feeling bored.

For once he seemed conscious of this. He took his coat from the back of the chair where he had hung it, and put it on.

"Come along, Miss Champion," he said; "I am so tired of doing nothing.

Let us go down to the river and find a boat or two. Dinner is not until eight o'clock, and I am certain you can dress, even for the ROLE of Velma, in half an hour. I have known you do it in ten minutes, at a pinch. There is ample time for me to row you within sight of the minster, and we can talk as we go. Ah, fancy! the grey old minster with this sunset behind it, and a field of cowslips in the foreground!"

But Jane did not rise.

"My dear Dal," she said, "you would not feel much enthusiasm for the minster or the sunset, after you had pulled my twelve stone odd up the river. You would drop exhausted among the cowslips. Surely you might know by now that I am not the sort of person to be told off to sit in the stern of a tiny skiff and steer. If I am in a boat, I like to row; and if I row, I prefer rowing stroke. But I do not want to row now, because I have been playing golf the whole afternoon. And you know perfectly well it would be no pleasure to you to have to gaze at me all the way up and all the way down the river; knowing all the time, that I was mentally criticising your stroke and marking the careless way you feathered."

Garth sat down, lay back in his chair, with his arms behind his sleek dark head, and looked at her with his soft shining eyes, just as he had looked at the d.u.c.h.ess.

"How cross you are, old chap," he said, gently. "What is the matter?"

Jane laughed and held out her hand. "Oh, you dear boy! I think you have the sweetest temper in the world. I won't be cross any more. The truth is, I hate the d.u.c.h.ess's concerts, and I don't like being the d.u.c.h.ess's 'surprise-packet.'"

"I see," said Garth, sympathetically. "But, that being so, why did you offer?"

"Ah, I had to," said Jane. "Poor old dear! She so rarely asks me anything, and her eyes besought. Don't you know how one longs to have something to do for some one who belongs to one? I would black her boots if she wished it. But it is so hard to stay here, week after week, and be kept at arm's length. This one thing she asked of me, and her proud old eyes pleaded. Could I refuse?"

Garth was all sympathy. "No, dear," he said thoughtfully; "of course you couldn't. And don't bother over that silly joke about the 'surprise packet.' You see, you won't be that. I have no doubt you sing vastly better than most of them, but they will not realise it. It takes a Velma to make such people as these sit up. They will think THE ROSARY a pretty song, and give you a mild clap, and there the thing will end. So don't worry."

Jane sat and considered this. Then: "Dal," she said, "I do hate singing before that sort of audience. It is like giving them your soul to look at, and you don't want them to see it. It seems indecent. To my mind, music is the most REVEALING thing in the world. I shiver when I think of that song, and yet I daren't do less than my best. When the moment comes, I shall live in the song, and forget the audience. Let me tell you a lesson I once had from Madame Blanche. I was singing Bemberg's CHANT HINDOU, the pa.s.sionate prayer of an Indian woman to Brahma. I began: 'BRAHMA! DIEU DES CROYANTS,' and sang it as I might have sung 'DO, RE, MI.' Brahma was nothing to me. 'Stop!' cried Madame Blanche in her most imperious manner. 'Ah, vous Anglais! What are you doing?

BRAHMA, c'est un Dieu! He may not be YOUR G.o.d. He may not be MY G.o.d.

But he is somebody's G.o.d. He is the G.o.d of the song. Ecoutez!' And she lifted her head and sang: 'Brahma! Dieu des croyants! Maitre des cites saintes!' with her beautiful brow illumined, and a pa.s.sion of religious fervour which thrilled one's soul. It was a lesson I never forgot. I can honestly say I have never sung a song tamely, since."

"Fine!" said Garth Dalmain. "I like enthusiasm in every branch of art.

I never care to paint a portrait, unless I adore the woman I am painting."

Jane smiled. The conversation was turning exactly the way she had hoped eventually to lead it.

"Dal, dear," she said, "you adore so many in turn, that we old friends, who have your real interest at heart, fear you will never adore to any definite purpose."

Garth laughed. "Oh bother!" he said. "Are you like all the rest? Do you also think adoration and admiration must necessarily mean marriage. I should have expected you to take a saner and more masculine view."

"My dear boy," said Jane, "your friends have decided that you need a wife. You are alone in the world. You have a lovely home. You are in a fair way to be spoiled by all the silly women who run after you. Of course we are perfectly aware that your wife must have every incomparable beauty under the sun united in her own exquisite person.

But each new divinity you see and paint apparently fulfils, for the time being, this wondrous ideal; and, perhaps, if you wedded one, instead of painting her, she might continue permanently to fulfil it."

Garth considered this in silence, his level brows knitted. At last he said: "Beauty is so much a thing of the surface. I see it, and admire it. I desire it, and paint it. When I have painted it, I have made it my own, and somehow I find I have done with it. All the time I am painting a woman, I am seeking for her soul. I want to express it on my canvas; and do you know, Miss Champion, I find that a lovely woman does not always have a lovely soul."

Jane was silent. The last things she wished to discuss were other women's souls.

"There is just one who seems to me perfect," continued Garth. "I am to paint her this autumn. I believe I shall find her soul as exquisite as her body."

"And she is--?" inquired Jane.

"Lady Brand."

"Flower!" exclaimed Jane. "Are YOU so taken with Flower?"

"Ah, she is lovely," said Garth, with reverent enthusiasm. "It positively is not right for any one to be so absolutely flawlessly lovely. It makes me ache. Do you know that feeling, Miss Champion, of perfect loveliness making you ache?"

"No, I don't," said Jane, shortly. "And I do not think other people's wives ought to have that effect upon you."

"My dear old chap," exclaimed Garth, astonished; "it has nothing to do with wives or no wives. A wood of bluebells in morning sunshine would have precisely the same effect. I ache to paint her. When I have painted her and really done justice to that matchless loveliness as I see it, I shall feel all right. At present I have only painted her from memory; but she is to sit to me in October."

"From memory?" questioned Jane.

"Yes, I paint a great deal from memory. Give me one look of a certain kind at a face, let me see it at a moment which lets one penetrate beneath the surface, and I can paint that face from memory weeks after.

Lots of my best studies have been done that way. Ah, the delight of it!

Beauty--the worship of beauty is to me a religion."

"Rather a G.o.dless form of religion," suggested Jane.

"Ah no," said Garth reverently. "All true beauty comes from G.o.d, and leads back to G.o.d. 'Every good gift and every perfect gift is from above, and cometh down from the Father of lights.' I once met an old freak who said all sickness came from the devil. I never could believe that, for my mother was an invalid during the last years of her life, and I can testify that her sickness was a blessing to many, and borne to the glory of G.o.d. But I am, convinced all true beauty is G.o.d-given, and that is why the worship of beauty is to me a religion. Nothing bad was ever truly beautiful; nothing good is ever really ugly."

Jane smiled as she watched him, lying back in the golden sunlight, the very personification of manly beauty. The absolute lack of self-consciousness, either for himself or for her, which allowed him to talk thus to the plainest woman of his acquaintance, held a vein of humour which diverted Jane. It appealed to her more than buying coloured air-b.a.l.l.s, or screaming because the d.u.c.h.ess wore a mushroom hat.

"Then are plain people to be denied their share of goodness, Dal?" she asked.

"Plainness is not ugliness," replied Garth Dalmain simply. "I learned that when quite a small boy. My mother took me to hear a famous preacher. As he sat on the platform during the preliminaries he seemed to me quite the ugliest man I had ever seen. He reminded me of a grotesque gorilla, and I dreaded the moment when he should rise up and face us and give out a text. It seemed to me there ought to be bars between, and that we should want to throw nuts and oranges. But when he rose to speak, his face was transfigured. Goodness and inspiration shone from it, making it as the face of an angel. I never again thought him ugly. The beauty of his soul shone through, transfiguring his body.

Child though I was, I could differentiate even then between ugliness and plainness. When he sat down at the close of his magnificent sermon, I no longer thought him a complicated form of chimpanzee. I remembered the divine halo of his smile. Of course his actual plainness of feature remained. It was not the sort of face one could have wanted to live with, or to have day after day opposite to one at table. But then one was not called to that sort of discipline, which would have been martyrdom to me. And he has always stood to my mind since as a proof of the truth that goodness is never ugly; and that divine love and aspiration shining through the plainest features may redeem them temporarily into beauty; and, permanently, into a thing one loves to remember."

"I see," said Jane. "It must have often helped you to a right view to have realised that so long ago. But now let us return to the important question of the face which you ARE to have daily opposite you at table.

It cannot be Lady Brand's, nor can it be Myra's; but, you know, Dal, a very lovely one is being suggested for the position."

"No names, please," said Garth, quickly. "I object to girls' names being mentioned in this sort of conversation."

"Very well, dear boy. I understand and respect your objection. You have made her famous already by your impressionist portrait of her, and I hear you are to do a more elaborate picture 'in the fall.' Now, Dal, you know you admire her immensely. She is lovely, she is charming, she hails from the land whose women, when they possess charm, unite with it a freshness and a piquancy which place them beyond compare. In some ways you are so unique yourself that you ought to have a wife with a certain amount of originality. Now, I hardly know how far the opinion of your friends would influence you in such a matter, but you may like to hear how fully they approve your very open allegiance to--shall we say--the beautiful 'Stars and Stripes'?"

Garth Dalmain took out his cigarette case, carefully selected a cigarette, and sat with it between his fingers in absorbed contemplation.

"Smoke," said Jane.

"Thanks," said Garth. He struck a match and very deliberately lighted his cigarette. As he flung away the vesta the breeze caught it and it fell on the lawn, flaming brightly. Garth sprang up and extinguished it, then drew his chair more exactly opposite to Jane's and lay back, smoking meditatively, and watching the little rings he blew, mount into the cedar branches, expand, fade, and vanish.

Jane was watching him. The varied and characteristic ways in which her friends lighted and smoked their cigarettes always interested Jane.

There were at least a dozen young men of whom she could have given the names upon hearing a description of their method. Also, she had learned from Deryck Brand the value of silences in an important conversation, and the art of not weakening a statement by a postscript.

At last Garth spoke.