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The Moving Picture Girls in War Plays Part 19

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"No, he wasn't looking at the horse," persisted Alice. "He was looking at us. Perhaps he knew you, Estelle."

"Why do you say that? I'm sure I never saw him before. Maybe it was you he was staring at."

"No, it was you he was staring at, but I don't blame him. You are very striking looking to-day."

"It's this dress. Isn't it quaint?"

"And pretty! Oh, but we mustn't talk so frivolously when that poor man may be dying. We must drive faster."

"Talking isn't going to make the horse go any slower. In fact, I think maybe he'll go quicker to get the trip over with sooner so he can be rid of our chatter. But I don't think the poor man is badly hurt. He may bleed a lot, but they can hold that in check until we get the doctor."

They drove on, and were presently in the village. They had been told where Dr. Wherry had gone--to a drugstore to get some medical supplies--and thither they made their way.

"Do you notice how every one is staring at us?" asked Alice, as they drove along the streets.

"They do seem to be," admitted Estelle, looking for the drugstore. "I guess it's the horse; he is so bony he has many fine points about him, as Russ said. And we're queer looking in these costumes ourselves."

When they alighted at the pharmacy and started in, they became aware of the growing sensation they were creating. For a little throng had gathered in front of the store, and more men and boys came running up, to form in two lines--a living lane--through which Alice and Estelle had to pa.s.s.

"We certainly are creating a sensation," gasped Alice, growing embarra.s.sed.

"Look! a regular bridal crowd," said Estelle in a low voice.

Though they undeniably presented a pretty picture in their paint, powder, curls and hoopskirts, they were also an unusual one for that little country village.

"Look at the society swells!" cried one boy.

"Dat's de new fashion--makin' your nose look like a flour barrel!" added another.

"Aren't those dresses sweet?" sighed a girl.

"They must be the latest New York style," added a companion. "I heard that full skirts were coming in again."

"Well, ours are certainly full enough," murmured Alice, looking down at her swaying hoops.

And then some one guessed the truth.

"They're actresses--the movie actresses!" came the cry, and this attracted more attention than ever, for if there is one person about whom the American public is curious, it is the actor.

"Oh my!" exclaimed Estelle, "now we are in for it. Hurry inside the store!"

The girls fairly ran into the friendly shelter, and some of the crowd attempted to follow, but the drug clerks barred the way, guessing what the excitement was about.

"Dr. Wherry!" gasped Alice. "Is he here?"

"Right back there--in the prescription department," a clerk said. "Which of you is ill?"

"Neither one!" cried Estelle. "We want him for a man out at Oak Farm.

He's been shot--an accident in the play. Tell him to hurry, please, and then show us some way of getting out through a side door. I can't face that crowd--this way," and she looked down at her elaborate hoop-skirted costume, which might have been all right in the days of sixty-three, but which was unique at the present time.

"What's the trouble?" asked Dr. Wherry, coming from behind the ground-gla.s.s part.i.tion. "Oh, Miss DeVere and Miss Brown!" he went on as he recognized the moving picture girls. "Is some one hurt?"

They told him quickly what the trouble was, and he cried:

"I'll go at once. You'd better come back with me in the auto if you don't want to run the gauntlet of the staring crowd. I'll bring my machine around to the side door."

"What about the horse we drove over?" asked Alice.

"I'll have Mr. Pertell send a man for that."

The girls, in their curiosity-exciting costumes, managed to slip out the side door and into the doctor's automobile without attracting the attention of the crowd. Then they made the trip back in good time and comfort.

"And to think we never for a moment thought of changing our things!"

cried Alice, when they were at Oak Farm again.

"Or even of rubbing off some of the make-up," added Estelle. "But we were so excited--at least I was--when I saw the poor fellow hurt. I hope it is not serious."

"No, he's lost a little blood, that's all," said Dr. Wherry. "But I thought you were used to such scenes, Miss Brown, coming from the West, as you did."

"I from the West? Oh, yes, I have been there. Come on, Alice, let's see if they still want us for anything, and, if they don't, we'll change our clothes," and Estelle seemed glad of a chance to hurry away.

"I wonder," said Alice to her sister afterward, "whether she is really so squeamish as she pretends, or if she doesn't want it known that she is from the West?"

"It's hard to say. Estelle is acting more and more queerly every day, I think."

"So do I. Though I am quite in love with her. She has such a sweet disposition."

"Yes, she is a lovely girl. I only wish there wasn't that bit of mystery about her."

"And it is a mystery," went on Alice. "Every once in a while I catch Lieutenant Varley looking at her, when he thinks he isn't observed, and he shakes his head as though he could not understand it at all."

"Then you think he still feels sure she is the girl he met in Portland?"

"I'm positive he does, and he isn't doing it to further his own ends and force an acquaintance with her, either. He honestly believes he has met her before."

"Well, it is very strange. But she doesn't seem to want to talk about anything connected with her past."

"No, and I suppose we should not try to force matters."

The man who was shot was soon out of danger, and, meanwhile, the taking of the war scenes went on with some one else in his place. A number of sham engagements had been fought, all working up to the big final battle, in which Ruth would play her part as an army nurse, and Alice would act as the spy. Estelle, too, had been given a rather important part, much to the annoyance of Miss Dixon, who had been expecting it.

The vaudeville actress made sneering and cutting remarks about "extra players b.u.t.ting in," and there were veiled insinuations concerning the missing ring, but Estelle took no notice, and Alice, Ruth and her other friends stood loyally by her.

"We'll film that burning barn scene to-day," said Mr. Pertell one morning at the breakfast table, when he had ascertained that the atmospheric conditions were right. "That's the one where you two DeVere girls are surprised on your little farm by the visit of some Union soldiers. You have been caring for a wounded cousin, who has escaped through the Union lines, and at the news that the Yankees are coming you hide him in the barn. Then the Unionists set fire to it, and you girls have to drag him out.

"There'll be no danger, of course, for the fire won't be near you--in fact, the barn won't burn at all--only a shack nailed to it. And the smoke will be from the regular bomb. You have plenty of them, haven't you, Pop Snooks?"

"Oh yes, plenty of smoke bombs, Mr. Pertell."

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The Moving Picture Girls in War Plays Part 19 summary

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