The Moving Picture Girls in War Plays Part 20

All was soon in readiness for the burning-barn scene. Ruth and Alice received the wounded cousin (an inside scene this) and then, when an old colored mammie (Mrs. Maguire) came panting with the news that the Yankees were coming, the wounded Confederate was carried out to the barn. Then came the visit of the Yankees, who, suspecting the presence of the escaped prisoner, made diligent search, but without success.

"Fire the barn, anyhow!" cried the captain.

Then came the spirited scene where Ruth and Alice got their wounded relative out. He was a slim young man, and they could easily carry him, for he was supposed to be overcome by the smoke.

"Ready, Alice?" asked Ruth, as they went through the action called for in the script.

"Yes, ready. You take his head and I'll take his heels. Don't be too stiff," Alice admonished the young man. "We can carry you better if you're limp."

"I'll be limp enough if I swallow any more of that smoke," choked the actor. "It's fierce!"

Indeed, Pop Snooks had been very liberal in the matter of smoke bombs.

Great clouds of the black vapor swirled here and there, and Ruth and Alice had to get free breaths whenever they could.

"Come on!" yelled the director through his megaphone. "Lively!"

Alice and Ruth, half carrying, half dragging, the wounded soldier, staggered out, Russ clicking away at the camera.

"Good! That's good! It's fine!" exclaimed the enthusiastic director.

Ruth was conscious that she was suddenly dragging more of the weight of the man's body than at first. But she thought one of Alice's hands had possibly slipped off, and she did not want to call a halt to get a better hold.

"My! But this is choking!" gasped Ruth.

Finally, she staggered out into the open, dragging the soldier by his shoulders. She slumped down on the ground, in a place free from smoke, and registered exhaustion.

"Where's Alice?" cried Paul, who was holding back in readiness for his appearance in the scene. "Where's Alice?"

"Isn't she there?" gasped Ruth, rising on her elbow.

"No, she isn't. She must be----"

"Hold that pose, Ruth! Don't stir or you'll spoil the scene!" yelled the director. "We'll get your sister!"

CHAPTER XV

THE HOSPITAL TENT

"The show must go on!" This is the motto of circus and theatrical performers the world over. No matter what happens, under what strain or pain the player labors, no matter what occurs short of death itself, the public must not be allowed to guess that anything is wrong. And sometimes even death itself has been no barrier--for players have gone through with their parts on the stage when, but the act previous, they have learned that some loved one had pa.s.sed away.

And more than one clown has bounded into the sawdust ring with merry quip and jest, with a smile on his painted face, while his heart was breaking with grief.

And so it was with Ruth DeVere. As she staggered out of the smoke clouds and saw that Alice had not followed, at once the dreadful thought came to her that her sister had been overcome by the fumes. And, although the smoke bombs were harmless as regards fire, the breathing of the chemical fumes for any length of time might mean death.

Thus, as Ruth was about to stagger to her feet to go back into the murky cloud to look for Alice, there came the director's orders to "hold that pose!"

The show must go on! That meant it would not do to spoil the scene, ruin the film, and necessitate a retake if, by any possibility, it could be avoided.

"Stay where you are, Ruth! Stop the camera, Russ! Hold the pose--both of you. We'll go on from there when we get Alice out!"

And Ruth, her heart torn with anguish, must remain. She was glad her father was not present.

"Get in there and get the girl!" cried Pop Snooks who was busy lighting more smoke bombs. "Get that girl, some of you fellows!" For he had guessed in an instant what had happened. It was not the first time one of the players had been overcome by the heavy fumes.

Into the cloud dashed some of the head property man's helpers. Russ and Paul, who could leave their posts while the camera was not in motion, also penetrated the murkiness.

Fortunately, Alice had been overcome when within a few feet of the clear atmosphere, and it was the work of but an instant for Paul to carry her outside, where she could breathe pure air.

"The poor dear!" cried Mrs. Maguire. "Here, give her this ammonia and water."

"Don't come too close to her, Mrs. Maguire!" warned the director. "Your black make-up will come off on her face, and it will show in the film."

The director had to think of all those things, though it might seem a bit heartless.

"I'll be careful," promised the motherly old woman. "I'll be careful."

Alice sipped the aromatic spirits of ammonia, and felt better.

"Did I faint?" she asked. "How silly of me!"

"Are you all right?" asked Ruth, still in her place by the side of the soldier, who was supposed to be unconscious.

"Yes, Ruth dear. I'm all right now. Oh, and did I leave you to carry him all alone? I'm so sorry!"

"It was all right. I dragged him."

"Yes, the scene is all right," said Mr. Pertell. "Now, Alice, I don't want to be heartless, but will you be ready to go on in this, or shall we abandon it and make a retake?"

"Oh, I'll go on. Just a moment, and I'll be all right."

After a minute or two the plucky girl recovered from the effects of the smoke, and, though she was weak and wan, managed to go through her part.

She and Ruth carried their "cousin" out of the burning barn which was then allowed to fall to ruins. Or rather, the extra part, built on for the purpose, was, Pop Snook's smoke bombs effectually concealing from the audience the fact that the real barn was not in the least harmed.

"Well, I'm glad that's over," said Alice with a sigh, as a little later she washed off her make-up and donned her ordinary clothes.

"Do you feel bad?" her sister asked.

"Yes, sort of choked."

"Then let's take a walk up on the hill where there is always a breeze."

On the gra.s.sy eminence with the fresh breezes blowing about them, Alice soon felt much better. But Mr. Pertell called off some of the scenes set down for next day, so that she might have a rest.

"We'll soon be ready for the big hospital scene, Ruth, and also for the one where you try to get away with the papers, Alice," said Mr. Pertell to the two girls one day. "And, in order that everything may run smoothly I've made a little change in the scenario. I'm going to have a preliminary hospital scene. In that you will be a sort of orderly, or a.s.sistant nurse, Ruth. And there comes an emergency in which you do so well that you are sent for to be a nurse in one of the big hospitals maintained near the front. That will make the story more logical.