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The Moving Picture Girls in War Plays Part 18

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"Not one person in a hundred would object to the pulse being felt with the thumb," he explained afterward; "but the hundredth person in the audience would be a doctor, and he'd know right away that the director was at fault. It is the little things that count."

Ruth and Alice busied themselves ministering to the wounded who were made prisoners by the Confederates. The lieutenant was put in their carriage and driven away. That ended the scene at the place of the skirmish.

"Very well done!" Mr. Pertell told the girls, as they prepared for the next act, which was in a room of a Southern house, whither the wounded had been carried.

These were busy days at Oak Farm. With the arrival of the two regiments of the National Guard, pictures were taken every day, leading up to the big battle scene, which had been postponed. When they were not posing for the cameras, the guardsmen were drilling in accordance with the regulations of the annual state encampment under the direction of the regular army officers.

"Well, have you quite recovered from your wounds?" asked Alice of Lieutenant Varley one day, as she met him outside the farmhouse.

"Oh, yes, thanks to the care of your sister and yourself. By the way, I hope your friend Miss Brown is not angry with me."

"Why should she be?"

"Well, because I thought I had seen her before."

"I don't believe she is. I haven't heard her say. But here she comes now. You can ask her," and Estelle came around the turn of the path.

Seeing Alice talking with the lieutenant, she hesitated, but Alice called:

"Come on--we were just speaking about you."

"I wondered why my ears burned," laughed Estelle.

"Perhaps you two are going somewhere," said the officer, preparing to take his leave.

"Oh, to no place where you are not welcome," answered Alice, graciously, with a side look at her companion to see if Estelle objected. But the latter gave no sign, one way or the other.

"Thank you!" exclaimed the guardsman. "I have to take part in a little scene in about an hour, but I would enjoy a walk in the meanwhile. You are both made up, I see?"

"Yes, we are Southern belles to-day," laughed Alice.

"Belles every day," returned the lieutenant with a bow.

"Nicely said!" laughed Estelle. "You are improving!"

She and Alice wore the costumes of generations ago, big bonnets and hoopskirts.

"Let's go over and see what they're filming there," suggested Alice, pointing to where a crossroads store had been put up.

The scene at the store was one to represent a dispute among some Southerners and some Northern sympathizers. It was to end in a fight in which one man was to draw his revolver.

All went well up to the quarrel, and then it became too realistic, for, by some chance, there was a bullet in the revolver instead of a blank cartridge, and it entered the leg of one of the disputants. He fell and bled profusely.

"Get Dr. Wherry!" yelled Mr. Pertell.

"Dr. Wherry went into the village this morning to get some stuff," Russ said, "and he hasn't come back yet."

"Then somebody will have to go after him!" cried the director.

"I'll go!" offered Alice. "I can take this horse and carriage!" for a rig was. .h.i.tched outside the "store."

"I'll go with you!" cried Estelle, and then, in costume and made up for the pictures as they were, they got into the vehicle and drove off.

CHAPTER XIV

IN THE SMOKE

"Do you think he'll die?" asked Estelle, as she took the reins and flicked the horse lightly with the whip.

"I hope not," answered Alice.

"Did it make you faint to see the blood?"

"A little. Did it you?"

"Yes. I can't bear it! It makes me---- Oh, it makes me----"

Estelle closed her eyes, and Alice was surprised to see her turn pale, even under her rouge, and shudder.

"That's queer," Alice said. "I should have thought, being on a ranch as you were, you might have become used to accidents and scenes of violence."

"Who said I was on a ranch?"

"Why, you did!"

"I did?"

"Yes; don't you remember? That day when we were talking about branding cows----"

"Oh, maybe I did. I'd forgotten. Oh, dear! here comes an auto, and I'm not sure about this horse. I'm afraid he'll start to rear."

At this intimation that there might be trouble, Alice's face took on a worried look, and she fore-bore to press the questions she had been asking Estelle.

The horse showed some signs of fear as he pa.s.sed the automobile in the road, but the man driving the car was considerate enough to stop his machine and motion to the girls to pa.s.s. They did so, the horse getting as far to one side of the road as he could, his nostrils distended and his ears p.r.i.c.ked forward.

"There! Thank goodness that's over!" sighed Estelle. "Now to make speed and get that doctor. I hope the man doesn't die."

"I do too," acquiesced Alice. "Did you see how sharply the man looked at us?"

"Who, the man that was shot?"

"No, the one in the auto. He stared and stared!"

"Probably he wondered where in the world we got a horse in these days that was afraid of an auto. I wonder myself where this steed has been in hiding. There are so many cars now that it is a wonder horses aren't using gasoline as perfume."

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The Moving Picture Girls in War Plays Part 18 summary

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