The Memoirs of Jacques Casanova de Seingalt Volume III Part 77

"The last thirty-six stanzas of the twenty-third canto, where the poet describes in detail how Roland became mad. Since the world has existed no one has discovered the springs of madness, unless Ariosto himself, who became mad in his old age. These stanzas are terrible, and I am sure they must have made you tremble."

"Yes, I remember they render love dreadful. I long to read them again."

"Perhaps the gentleman will be good enough to recite them," said Madame Denis, with a side-glance at her uncle.

"Willingly," said I, "if you will have the goodness to listen to me."

"You have learn them by heart, then, have you?" said Voltaire.

"Yes, it was a pleasure and no trouble. Since I was sixteen, I have read over Ariosto two or three times every year; it is my pa.s.sion, and the lines naturally become linked in my memory without my having given myself any pains to learn them. I know it all, except his long genealogies and his historical tirades, which fatigue the mind and do not touch the heart. It is only Horace that I know throughout, in spite of the often prosaic style of his epistles, which are certainly far from equalling Boileau's."

"Boileau is often too lengthy; I admire Horace, but as for Ariosto, with his forty long cantos, there is too much of him."

"It is fifty-one cantos, M. de Voltaire."

The great man was silent, but Madame Denis was equal to the occasion.

"Come, come," said she, "let us hear the thirty-six stanzas which earned the author the t.i.tle of divine, and which are to make us tremble."

I then began, in an a.s.sured voice, but not in that monotonous tone adopted by the Italians, with which the French so justly reproach us.

The French would be the best reciters if they were not constrained by the rhyme, for they say what they feel better than any other people. They have neither the pa.s.sionate monotonous tone of my fellow-countrymen, nor the sentimentality of the Germans, nor the fatiguing mannerisms of the English; to every period they give its proper expression, but the recurrence of the same sounds partly spoils their recitation. I recited the fine verses of Ariosto, as if it had been rhythmic prose, animating it by the sound of my voice and the movements of my eyes, and by modulating my intonation according to the sentiments with which I wished to inspire my audience. They saw how hardly I could restrain my tears, and every eye was wet; but when I came to the stanza,

"Poiche allargare il freno al dolor puote, Che resta solo senza altrui rispetto, Giu dagli occhi rigando per le gote Sparge un fiume de lacrime sul petto,"

my tears coursed down my cheeks to such an extent that everyone began to sob. M. de Voltaire and Madame Denis threw their arms round my neck, but their embraces could not stop me, for Roland, to become mad, had to notice that he was in the same bed in which Angelica had lately been found in the arms of the too fortunate Medor, and I had to reach the next stanza. For my voice of sorrow and wailing I subst.i.tuted the expression of that terror which arose naturally from the contemplation of his fury, which was in its effects like a tempest, a volcano, or an earthquake.

When I had finished I received with a sad air the congratulations of the audience. Voltaire cried,

"I always said so; the secret of drawing tears is to weep one's self, but they must be real tears, and to shed them the heart must be stirred to its depths. I am obliged to you, sir," he added, embracing me, "and I promise to recite the same stanzas myself to-morrow, and to weep like you."

He kept his word.

"It is astonishing," said Madame Denis, "that intolerant Rome should not have condemned the song of Roland."

"Far from it," said Voltaire, "Leo X. excommunicated whoever should dare to condemn it. The two great families of Este and Medici interested themselves in the poet's favour. Without that protection it is probable that the one line on the donation of Rome by Constantine to Silvester, where the poet speaks 'puzza forte' would have sufficed to put the whole poem under an interdict."

"I believe," said I, "that the line which has excited the most talk is that in which Ariosto throws doubt on the general resurrection.

Ariosto," I added, "in speaking of the hermit who would have hindered Rhodomonte from getting possession of Isabella, widow of Zerbin, paints the African, who wearied of the hermit's sermons, seizes him and throws him so far that he dashes him against a rock, against which he remains in a dead swoon, so that 'che al novissimo di forse fia desto'."

This 'forse' which may possibly have only been placed there as a flower of rhetoric or as a word to complete the verse, raised a great uproar, which would doubtless have greatly amused the poet if he had had time!

"It is a pity," said Madame Denis, "that Ariosto was not more careful in these hyperbolical expressions."

"Be quiet, niece, they are full of wit. They are all golden grains, which are dispersed throughout the work in the best taste."

The conversation was then directed towards various topics, and at last we got to the 'Ecossaise' we had played at Soleure.

They knew all about it.

M. de Voltaire said that if I liked to play it at his house he would write to M. de Chavigni to send the Lindane, and that he himself would play Montrose. I excused myself by saying that Madame was at Bale and that I should be obliged to go on my journey the next day. At this he exclaimed loudly, aroused the whole company against me, and said at last that he should consider my visit as an insult unless I spared him a week at least of my society.

"Sir," said I, "I have only come to Geneva to have the honour of seeing you, and now that I have obtained that favour I have nothing more to do."

"Have you come to speak to me, or for me to speak to you?"

"In a measure, of course, to speak to you, but much more for you to speak to me."

"Then stay here three days at least; come to dinner every day, and we will have some conversation."

The invitation was so flattering and pressing that I could not refuse it with a good grace. I therefore accepted, and I then left to go and write.

I had not been back for a quarter of an hour when a syndic of the town, an amiable man, whom I had seen at M. de Voltaire's, and whose name I shall not mention, came and asked me to give him supper. "I was present," said he, "at your argument with the great man, and though I did not open my mouth I should much like to have an hour's talk with you." By way of reply, I embraced him, begging him to excuse my dressing-gown, and telling him that I should be glad if he would spend the whole night with me.

The worthy man spent two hours with me, without saying a word on the subject of literature, but to please me he had no need to talk of books, for he was a disciple of Epicurus and Socrates, and the evening was spent in telling little stories, in bursts of laughter, and in accounts of the various kinds of pleasure obtainable at Geneva. Before leaving me he asked me to come and sup with him on the following evening, promising that boredom should not be of the party.

"I shall wait for you," said I.

"Very good, but don't tell anyone of the party."

I promised to follow his instructions.

Next morning, young Fox came to see me with the two Englishmen I had seen at M. de Voltaire's. They proposed a game of quinze, which I accepted, and after losing fifty louis I left off, and we walked about the town till dinner-time.

We found the Duc de Villars at Delices; he had come there to consult Dr.

Tronchin, who had kept him alive for the last ten years.

I was silent during the repast, but at dessert, M. de Voltaire, knowing that I had reasons for not liking the Venetian Government, introduced the subject; but I disappointed him, as I maintained that in no country could a man enjoy more perfect liberty than in Venice.

"Yes," said he, "provided he resigns himself to play the part of a dumb man."

And seeing that I did not care for the subject, he took me by the arm to his garden, of which, he said, he was the creator. The princ.i.p.al walk led to a pretty running stream.

"'Tis the Rhone," said he, "which I send into France."

"It does not cost you much in carriage, at all events," said I.

He smiled pleasantly and shewed me the princ.i.p.al street of Geneva, and Mont Blanc which is the highest point of the Alps.

Bringing back the conversation to Italian literature, he began to talk nonsense with much wit and learning, but always concluding with a false judgment. I let him talk on. He spoke of Homer, Dante, and Petrarch, and everybody knows what he thought of these great geniuses, but he did himself wrong in writing what he thought. I contented myself with saying that if these great men did not merit the esteem of those who studied them; it would at all events be a long time before they had to come down from the high place in which the praise of centuries, had placed them.

The Duc de Villars and the famous Tronchin came and joined us.

The doctor, a tall fine man, polite, eloquent without being a conversationalist, a learned physician, a man of wit, a favourite pupil of Boerhaeve, without scientific jargon, or charlatanism, or self-sufficiency, enchanted me. His system of medicine was based on regimen, and to make rules he had to be a man of profound science.

I have been a.s.sured, but can scarcely believe it, that he cured a consumptive patient of a secret disease by means of the milk of an a.s.s, which he had submitted to thirty strong frictions of mercury by four st.u.r.dy porters.

As to Villars he also attracted my attention, but in quite a different way to Tronchin. On examining his face and manner I thought I saw before me a woman of seventy dressed as a man, thin and emaciated, but still proud of her looks, and with claims to past beauty. His cheeks and lips were painted, his eyebrows blackened, and his teeth were false; he wore a huge wig, which, exhaled amber, and at his b.u.t.tonhole was an enormous bunch of flowers, which touched his chin. He affected a gracious manner, and he spoke so softly that it was often impossible to hear what he said. He was excessively polite and affable, and his manners were those of the Regency. His whole appearance was supremely ridiculous. I was told that in his youth he was a lover of the fair s.e.x, but now that he was no longer good for anything he had modestly made himself into a woman, and had four pretty pets in his employ, who took turns in the disgusting duty of warming his old carcase at night.

Villars was governor of Provence, and had his back eaten up with cancer.

In the course of nature he should have been buried ten years ago, but Tronchin kept him alive with his regimen and by feeding the wounds on slices of veal. Without this the cancer would have killed him. His life might well be called an artificial one.