The Log School-House on the Columbia Part 21

Each dancer has a masque. It may be an owl's head with mother-of-pearl eyes, or a wooden pelican's beak, or a wolf's head. It may be a wooden animal's face, which can be pulled apart by a string, and reveal under it an effigy of a human face, the first masque changing into great ears. The museum at Ottawa, Canada, contains a great number of such masques, and some missionaries in the Northwest make curious collections of them.

The whirling begins. Everywhere are whirling circles--round and round they go. The sight of it all would make a spectator dizzy. Cries arise, each more and more fearful; the whole mult.i.tude are at last shrieking with dizzy heads and wildly beating pulses. The cries become deafening; an almost superhuman frenzy pa.s.ses over all; they seem to be no longer mortal--the armies of the dead are believed to be about them; they think that they are reveling in the joys of the heroes' paradise. One by one they drop down, until the whole a.s.sembly is exhausted.

At midnight the great fires are kindled, and throw their lights and shadows over the frenzied sleepers. Such was the _Tamanous_-dance, and so ended the first night of the feast.

On the second night the old chief gave away his private possessions, and on the third the wedding ceremony was performed.

The wild and inhuman Death-dance, which the tribe demanded, was expected to end the festival at the going down of the shadowy moon. Could it be prevented after the traditions of unknown centuries, and at a time when the historical pride of the warriors was awakened to celebrate the barbarous deeds of their ancestors?

The wedding was simple. It consisted chiefly in gifts to the bride, Multoona. The girl was fantastically dressed, with ornaments of sh.e.l.ls and feathers, and she followed the young prince demurely. After the ceremony of the bridal gifts came the Fire-fly dance, in which light-torches gleamed out in vanishing spirals here and there, and over all the plain.

Then followed the _Tamanous_ or Spirit dance, in which a peculiar kind of frenzy is excited, as has been described. The excitement was somewhat less than usual this night, on account of the great orgies which were expected to follow.

The third and great night of the Potlatch came. It was the night of the full October moon. The sun had no sooner gone down in the crimson cloud-seas among the mountains, than the moon, like another sun, broad and glorious, lifted its arch in the distant blue of the serene horizon.

The Indians gathered on the glimmering plain in the early shadows of evening, besmeared with yellow ochre and war-paint. Every head was plumed.

There was a savagery in their looks that had not been seen before.

The wild dancers began their motions. The Spirit or _Tamanous_ dance awakened a frenzy, and all were now impatient for the dance of the Evil Spirits to begin.

The moon hung low over the plateau and the river. The fires were kindled, and the smoke presently gave a clouded gold color to the air.

The biters were out, running hither and thither after their manner, and filling the air with hideous cries.

All was expectation, when the old chief of the Cascades stepped upon the platform, and said:

"Listen, my children--listen, O sons of the warriors of old. Twice four times sixty seasons, according to the notch-sticks, have the wings of wild geese cleaved the sky, and all these years I have lived in peace. My last moon has arisen--I have seen the smile of the Great Spirit, and I know that the last moon hangs over my head.

"Warriors, listen! You have always obeyed me. Obey me once more. Dance not the dance of the Evil Spirits to-night. Let me die in peace. Let not blood stain my last days. I want you to remember the days of Umatilla as the days of corn and maize and the pipes of peace. I have given you all I have--my days are done. You will respect me."

There were mutterings everywhere, suppressed cries of rage, and sharp words of chagrin and disappointment. The old chief saw the general dissatisfaction, and felt it like a crushing weight upon his soul.

"I am going to light the pipe of peace," said he, "and smoke it now before you. As many of you as love Umatilla, light the pipes of peace."

Not a light glimmered in the smoky air. There were words of hate and suppressed cries everywhere. A circle was forming, it widened, and it seemed as though the dreaded dance was about to begin in spite of the command of the old chief.

Suddenly a form in white stood beside Umatilla. It was Gretchen. A white arm was raised, and the martial strain of the "Wild Hunt of Lutzow"

marched out like invisible hors.e.m.e.n, and caused every Indian to listen.

Then there were a few sharp, discordant strains, and then the _Traumerei_ lifted its spirit-wings of music on the air.

[Music: Tranmerei.

BY ROBERT SCHUMANN, SIMPLIFIED BY F. BRANDEIS.]

[Music]

[Music]

The murmurs ceased. The plain grew still. "Romance" followed, and then the haunting strain of the _Traumerei_ rose again. It ceased. Lights began to glimmer here and there. Peace-pipes were being lighted.

"You have saved your people," said Umatilla. "Play it again."

Again and again the dream-music drifted out on the air. The plain was now filled with peace-pipes. When the last blended tones died away, the whole tribe were seated on the long plateau, and every old warrior was smoking a pipe of peace.

Gretchen saw that her spirit, through the violin, had calmed the sea. She was sure now that she had rightly read her mission in life. Amid the scene of glimmering peace-pipes, a heavenly presence seemed near her. She had broken the traditions of centuries by the sympathetic thrill of four simple strings. She felt that Von Weber was there in spirit, and Schumann.

She felt that her father's soul was near her; but, more than all, she felt that she was doing the work of the Great Commission. She bowed her head on the instrument, thought of poor, terrorized Mrs. Woods in her lonely home, and wept.

A seen and unseen world had come to her--real life. She saw her power; the gates of that mysterious kingdom, in which the reborn soul is a new creation, had been opened to her. Her spirit seemed to rise as on new-created wings, and the world to sink beneath her. She had spiritual sight, ears, and senses--a new consciousness of Divine happiness. Her purpose became strong to live for the soul alone, and she sung, over and over again, amid the silence of the peace-pipes and the rising of those puffs of smoke in the silver illumination of the high moon--

"In the deserts let me labor, On the mountains let me tell."

CHAPTER XV.

THE TRAUMEREI AGAIN.

An hour pa.s.sed in this mysterious and strange tranquillity--the noon hour of night. The warriors seemed contented and satisfied. Many of them were old; some of them remembered the coming of the first ships to the Columbia, and a few of them the long visit of Vancouver. They knew the wisdom of Umatilla, and seemed proud that his will had been so readily obeyed.

But not so with the biters. They were young, and they had plotted on this night to begin hostilities against the settlers. Their plan had been to burn the log school-house and the house of the Woodses, and to make a captive of Mrs. Woods, whose hostile spirit they wished to break and punish. Soon after the quiet scene at midnight they began to be restless.

Their cries arose here and there about the margin of the plateau and along the river.

The old chief knew their feelings, and saw the stormy ripples here and there. He arose slowly, and called:

"My people, draw near."

The tribe gathered about the platform. The young braves knew what the old chief was about to say, and their cries of discontent grew loud and multiplied.

"The log school-house!" shrieked one, in a voice of rage.

"_Pil-pil!_" cried another. "_Pil-pil!_" echoed many voices. A tumult followed, and Gretchen started up from her reverie, and heard among the restless murmurs the name of Mrs. Woods.

She felt a nervous terror for a moment, but her spiritual sense and faith, which had come to her like a new-born life, returned to her.

She arose on the platform and took her violin, and looked down upon the sea of dusky faces in the smoky moonlight. She drew her bow. The music quivered. There was a lull in the excited voices. She played low, and there followed a silence.

The old chief came heavily up on the platform with a troubled face and stood beside her.

"Play the beautiful air." She played the _Traumerei_ again.

The chief arose, as the last strain died away, and said:

"My people, listen."

The plateau was silent. The Columbia could be heard flowing. The trees seemed listening. Benjamin came upon the platform, reeling, and seemed about to speak to his father, but the old chief did not heed.

"My people, listen," repeated the chief.