The Lion and The Mouse Part 3

It is true that he has learned the trick of making money, but in the things which go to satisfy the soul he is still strangely lacking. He thinks he is enjoying life, when really he is ignorant of what life is. He admits it is not the American's fault, for he has never been taught how to enjoy life. One must be educated to that as everything else. All the American is taught is to be in a perpetual hurry and to make money no matter how. In this mad daily race for wealth, he bolts his food, not stopping to masticate it properly, and consequently suffers all his life from dyspepsia. So he rushes from the cradle to the grave, and what's the good, since he must one day die like all the rest?

And what, asks the foreigner, has the American hustler accomplished that his slower-going Continental brother has not done as well? Are finer cities to be found in America than in Europe, do Americans paint more beautiful pictures, or write more learned or more entertaining books, has America made greater progress in science? Is it not a fact that the greatest inventors and scientists of our time--Marconi, who gave to the world wireless telegraphy, Professor Curie, who discovered radium, Pasteur, who found a cure for rabies, Santos-Dumont, who has almost succeeded in navigating the air, Professor Rontgen who discovered the X-ray--are not all these immortals Europeans? And those two greatest mechanical inventions of our day, the automobile and the submarine boat, were they not first introduced and perfected in France before we in America woke up to appreciate their use? Is it, therefore, not possible to take life easily and still achieve?

The logic of these arguments, set forth in _Le Soir_ in an article on the New World, appealed strongly to Jefferson Ryder as he sat in front of the Cafe de la Paix, sipping a sugared Vermouth. It was five o'clock, the magic hour of the _aperitif_, when the glutton taxes his wits to deceive his stomach and work up an appet.i.te for renewed gorging. The little tables were all occupied with the usual before-dinner crowd. There were a good many foreigners, mostly English and Americans and a few Frenchmen, obviously from the provinces, with only a sprinkling of real Parisians.

Jefferson's acquaintance with the French language was none too profound, and he had to guess at half the words in the article, but he understood enough to follow the writer's arguments. Yes, it was quite true, he thought, the American idea of life was all wrong. What was the sense of slaving all one's life, piling up a ma.s.s of money one cannot possibly spend, when there is only one life to live? How much saner the man who is content with enough and enjoys life while he is able to. These Frenchmen, and indeed all the Continental nations, had solved the problem. The gaiety of their cities, and this exuberant joy of life they communicated to all about them, were sufficient proofs of it.

Fascinated by the gay scene around him Jefferson laid the newspaper aside. To the young American, fresh from prosaic money-mad New York, the City of Pleasure presented indeed a novel and beautiful spectacle. How different, he mused, from his own city with its one fashionable thoroughfare--Fifth Avenue--monotonously lined for miles with hideous brownstone residences, and showing little real animation except during the Sat.u.r.day afternoon parade when the activities of the smart set, male and female, centred chiefly in such exciting diversions as going to Huyler's for soda, taking tea at the Waldorf, and trying to outdo each other in dress and show. New York certainly was a dull place with all its boasted cosmopolitanism.

There was no denying that. Dest.i.tute of any natural beauty, handicapped by its cramped geographical position between two rivers, made unsightly by gigantic sky-sc.r.a.pers and that noisy monstrosity the Elevated Railroad, having no intellectual interests, no art interests, no interest in anything not immediately connected with dollars, it was a city to dwell in and make money in, but hardly a city to _live_ in. The millionaires were building white-marble palaces, taxing the ingenuity and the originality of the native architects, and thus to some extent relieving the general ugliness and drab commonplaceness, while the merchant princes had begun to invade the lower end of the avenue with handsome shops. But in spite of all this, in spite of its pretty girls--and Jefferson insisted that in this one important particular New York had no peer--in spite of its comfortable theatres and its wicked Tenderloin, and its Rialto made so brilliant at night by thousands of elaborate electric signs, New York still had the subdued air of a provincial town, compared with the exuberant gaiety, the multiple attractions, the beauties, natural and artificial, of cosmopolitan Paris.

The boulevards were crowded, as usual at that hour, and the crush of both vehicles and pedestrians was so great as to permit of only a snail-like progress. The clumsy three-horse omnibuses--Madeleine-Bastille--crowded inside and out with pa.s.sengers and with their neatly uniformed drivers and conductors, so different in appearance and manner from our own slovenly street-car rowdies, were endeavouring to breast a perfect sea of _fiacres_ which, like a swarm of mosquitoes, appeared to be trying to go in every direction at once, their drivers vociferating torrents of vituperous abuse on every man, woman or beast unfortunate enough to get in their way. As a dispenser of unspeakable profanity, the Paris _cocher_ has no equal. He is unique, no one can approach him. He also enjoys the reputation of being the worst driver in the world. If there is any possible way in which he can run down a pedestrian or crash into another vehicle he will do it, probably for the only reason that it gives him another opportunity to display his choice stock of picturesque expletives.

But it was a lively, good-natured crowd and the fashionably gowned women and the well-dressed men, the fakirs hoa.r.s.ely crying their catch-penny devices, the n.o.ble boulevards lined as far as the eye could reach with trees in full foliage, the magnificent Opera House with its gilded dome glistening in the warm sunshine of a June afternoon, the broad avenue directly opposite, leading in a splendid straight line to the famous Palais Royal, the almost dazzling whiteness of the houses and monuments, the remarkable cleanliness and excellent condition of the sidewalks and streets, the gaiety and richness of the shops and restaurants, the picturesque kiosks where they sold newspapers and flowers--all this made up a picture so utterly unlike anything he was familiar with at home that Jefferson sat spellbound, delighted.

Yes, it was true, he thought, the foreigner had indeed learned the secret of enjoying life. There was a.s.suredly something else in the world beyond mere money-getting. His father was a slave to it, but he would never be. He was resolved on that. Yet, with all his ideas of emanc.i.p.ation and progress, Jefferson was a thoroughly practical young man. He fully understood the value of money, and the possession of it was as sweet to him as to other men. Only he would never soil his soul in acquiring it dishonourably. He was convinced that society as at present organized was all wrong and that the feudalism of the middle ages had simply given place to a worse form of slavery--capitalistic driven labour--which had resulted in the actual iniquitous conditions, the enriching of the rich and the impoverishment of the poor. He was familiar with the socialistic doctrines of the day and had taken a keen interest in this momentous question, this dream of a regenerated mankind. He had read Karl Marx and other socialistic writers, and while his essentially practical mind could hardly approve all their programme for reorganizing the State, some of which seemed to him utopian, extravagant and even undesirable, he realised that the socialistic movement was growing rapidly all over the world and the day was not far distant when in America, as to-day in Germany and France, it would be a formidable factor to reckon with.

But until the socialistic millennium arrived and society was reorganized, money, he admitted, would remain the lever of the world, the great stimulus to effort. Money supplied not only the necessities of life but also its luxuries, everything the material desire craved for, and so long as money had this magic purchasing power, so long would men lie and cheat and rob and kill for its possession. Was life worth living without money? Could one travel and enjoy the glorious spectacles Nature affords--the rolling ocean, the majestic mountains, the beautiful lakes, the n.o.ble rivers--without money? Could the book-lover buy books, the art-lover purchase pictures? Could one have fine houses to live in, or all sorts of modern conveniences to add to one's comfort, without money? The philosophers declared contentment to be happiness, arguing that the hod-carrier was likely to be happier in his hut than the millionaire in his palace; but was not that mere animal contentment, the happiness which knows no higher state, the ignorance of one whose eyes have never been raised to the heights?

No, Jefferson was no fool. He loved money for what pleasure, intellectual or physical, it could give him, but he would never allow money to dominate his life as his father had done. His father, he knew well, was not a happy man, neither happy himself nor respected by the world. He had toiled all his life to make his vast fortune and now he toiled to take care of it. The galley slave led a life of luxurious ease compared with John Burkett Ryder. Baited by the yellow newspapers and magazines, investigated by State committees, dogged by process-servers, haunted by beggars, hara.s.sed by blackmailers, threatened by kidnappers, frustrated in his attempts to bestow charity by the cry "tainted money"--certainly the lot of the world's richest man was far from being an enviable one.

That is why Jefferson had resolved to strike out for himself. He had warded off the golden yoke which his father proposed to put on his shoulders, declining the lucrative position made for him in the Empire Trading Company, and he had gone so far as to refuse also the private income his father offered to settle on him. He would earn his own living. A man who has his bread b.u.t.tered for him seldom accomplishes anything he had said, and while his father had appeared to be angry at this open opposition to his will, he was secretly pleased at his son's grit. Jefferson was thoroughly in earnest. If needs be, he would forego the great fortune that awaited him rather than be forced into questionable business methods against which his whole manhood revolted.

Jefferson Ryder felt strongly about these matters, and gave them more thought than would be expected of most young men with his opportunities. In fact, he was unusually serious for his age. He was not yet thirty, but he had done a great deal of reading, and he took a keen interest in all the political and sociological questions of the hour. In personal appearance, he was the type of man that both men and women like--tall and athletic looking, with smooth face and clean-cut features. He had the steel-blue eyes and the fighting jaw of his father, and when he smiled he displayed two even rows of very white teeth. He was popular with men, being manly, frank and cordial in his relations with them, and women admired him greatly, although they were somewhat intimidated by his grave and serious manner. The truth was that he was rather diffident with women, largely owing to lack of experience with them.

He had never felt the slightest inclination for business. He had the artistic temperament strongly developed, and his personal tastes had little in common with Wall Street and its feverish stock manipulating. When he was younger, he had dreamed of a literary or art career. At one time he had even thought of going on the stage. But it was to art that he turned finally. From an early age he had shown considerable skill as a draughtsman, and later a two years' course at the Academy of Design convinced him that this was his true vocation. He had begun by ill.u.s.trating for the book publishers and for the magazines, meeting at first with the usual rebuffs and disappointments, but, refusing to be discouraged, he had kept on and soon the tide turned. His drawings began to be accepted. They appeared first in one magazine, then in another, until one day, to his great joy, he received an order from an important firm of publishers for six wash-drawings to be used in ill.u.s.trating a famous novel. This was the beginning of his real success. His ill.u.s.trations were talked about almost as much as the book, and from that time on everything was easy. He was in great demand by the publishers, and very soon the young artist, who had begun his career of independence on nothing a year so to speak, found himself in a handsomely appointed studio in Bryant Park, with more orders coming in than he could possibly fill, and enjoying an income of little less than $5,000 a year. The money was all the sweeter to Jefferson in that he felt he had himself earned every cent of it. This summer he was giving himself a well-deserved vacation, and he had come to Europe partly to see Paris and the other art centres about which his fellow students at the Academy raved, but princ.i.p.ally--although this he did not acknowledge even to himself--to meet in Paris a young woman in whom he was more than ordinarily interested--Shirley Rossmore, daughter of Judge Rossmore, of the United States Supreme Court, who had come abroad to recuperate after the labours on her new novel, "The American Octopus," a book which was then the talk of two hemispheres.

Jefferson had read half a dozen reviews of it in as many American papers that afternoon at the _New York Herald's_ reading room in the Avenue de l'Opera, and he chuckled with glee as he thought how accurately this young woman had described his father. The book had been published under the pseudonym "Shirley Green," and he alone had been admitted into the secret of authorship. The critics all conceded that it was the book of the year, and that it portrayed with a pitiless pen the personality of the biggest figure in the commercial life of America. "Although," wrote one reviewer, "the leading character in the book is given another name, there can be no doubt that the author intended to give to the world a vivid pen portrait of John Burkett Ryder. She has succeeded in presenting a remarkable character-study of the most remarkable man of his time."

He was particularly pleased with the reviews, not only for Miss Rossmore's sake, but also because his own vanity was gratified. Had he not collaborated on the book to the extent of acquainting the author with details of his father's life, and his characteristics, which no outsider could possibly have learned? There had been no disloyalty to his father in doing this. Jefferson admired his father's smartness, if he could not approve his methods. He did not consider the book an attack on his father, but rather a powerfully written pen picture of an extraordinary man.

Jefferson had met Shirley Rossmore two years before at a meeting of the Schiller Society, a pseudo-literary organization gotten up by a lot of old fogies for no useful purpose, and at whose monthly meetings the poet who gave the society its name was probably the last person to be discussed. He had gone out of curiosity, anxious to take in all the freak shows New York had to offer, and he had been introduced to a tall girl with a pale, thoughtful face and firm mouth. She was a writer, Miss Rossmore told him, and this was her first visit also to the evening receptions of the Schiller Society. Half apologetically she added that it was likely to be her last, for, frankly, she was bored to death. But she explained that she had to go to these affairs, as she found them useful in gathering material for literary use. She studied types and eccentric characters, and this seemed to her a capital hunting ground. Jefferson, who, as a rule, was timid with girls and avoided them, found this girl quite unlike the others he had known. Her quiet, forceful demeanour appealed to him strongly, and he lingered with her, chatting about his work, which had so many interests in common with her own, until refreshments were served, when the affair broke up. This first meeting had been followed by a call at the Rossmore residence, and the acquaintance had kept up until Jefferson, for the first time since he came to manhood, was surprised and somewhat alarmed at finding himself strangely and unduly interested in a person of the opposite s.e.x.

The young artist's courteous manner, his serious outlook on life, his high moral principles, so rarely met with nowadays in young men of his age and cla.s.s, could hardly fail to appeal to Shirley, whose ideals of men had been somewhat rudely shattered by those she had hitherto met. Above all, she demanded in a man the refinement of the true gentleman, together with strength of character and personal courage. That Jefferson Ryder came up to this standard she was soon convinced. He was certainly a gentleman: his views on a hundred topics of the hour expressed in numerous conversations a.s.sured her as to his principles, while a glance at his powerful physique left no doubt possible as to his courage. She rightly guessed that this was no _poseur_ trying to make an impression and gain her confidence. There was an unmistakable ring of sincerity in all his words, and his struggle at home with his father, and his subsequent brave and successful fight for his own independence and self-respect, more than substantiated all her theories. And the more Shirley let her mind dwell on Jefferson Ryder and his blue eyes and serious manner, the more conscious she became that the artist was encroaching more upon her thoughts and time than was good either for her work or for herself.

So their casual acquaintance grew into a real friendship and comradeship. Further than that Shirley promised herself it should never go. Not that Jefferson had given her the slightest hint that he entertained the idea of making her his wife one day, only she was sophisticated enough to know the direction in which run the minds of men who are abnormally interested in one girl, and long before this Shirley had made up her mind that she would never marry. Firstly, she was devoted to her father and could not bear the thought of ever leaving him; secondly, she was fascinated by her literary work and she was practical enough to know that matrimony, with its visions of slippers and cradles, would be fatal to any ambition of that kind. She liked Jefferson immensely--more, perhaps, than any man she had yet met--and she did not think any the less of him because of her resolve not to get entangled in the meshes of Cupid. In any case he had not asked her to marry him--perhaps the idea was far from his thoughts.

Meantime, she could enjoy his friendship freely without fear of embarra.s.sing entanglements.

When, therefore, she first conceived the idea of portraying in the guise of fiction the personality of John Burkett Ryder, the Colossus of finance whose vast and ever-increasing fortune was fast becoming a public nuisance, she naturally turned to Jefferson for a.s.sistance. She wanted to write a book that would be talked about, and which at the same time would open the eyes of the public to this growing peril in their midst--this monster of insensate and unscrupulous greed who, by sheer weight of his ill-gotten gold, was corrupting legislators and judges and trying to enslave the nation. The book, she argued, would perform a public service in awakening all to the common danger. Jefferson fully entered into her views and had furnished her with the information regarding his father that she deemed of value. The book had proven a success beyond their most sanguine expectations, and Shirley had come to Europe for a rest after the many weary months of work that it took to write it.

The acquaintance of his son with the daughter of Judge Rossmore had not escaped the eagle eye of Ryder, Sr., and much to the financier's annoyance, and even consternation, he had ascertained that Jefferson was a frequent caller at the Rossmore home. He immediately jumped to the conclusion that this could mean only one thing, and fearing what he termed "the consequences of the insanity of immature minds," he had summoned Jefferson peremptorily to his presence. He told his son that all idea of marriage in that quarter was out of the question for two reasons: One was that Judge Rossmore was his most bitter enemy, the other was that he had hoped to see his son, his destined successor, marry a woman of whom he, Ryder, Sr., could approve. He knew of such a woman, one who would make a far more desirable mate than Miss Rossmore. He alluded, of course, to Kate Roberts, the pretty daughter of his old friend, the Senator. The family interests would benefit by this alliance, which was desirable from every point of view.

Jefferson had listened respectfully until his father had finished and then grimly remarked that only one point of view had been overlooked--his own. He did not care for Miss Roberts; he did not think she really cared for him. The marriage was out of the question. Whereupon Ryder, Sr., had fumed and raged, declaring that Jefferson was opposing his will as he always did, and ending with the threat that if his son married Shirley Rossmore without his consent he would disinherit him.

Jefferson was cogitating on these incidents of the last few months when suddenly a feminine voice which he quickly recognised called out in English:

"h.e.l.lo! Mr. Ryder."

He looked up and saw two ladies, one young, the other middle aged, smiling at him from an open _fiacre_ which had drawn up to the curb. Jefferson jumped from his seat, upsetting his chair and startling two nervous Frenchmen in his hurry, and hastened out, hat in hand.

"Why, Miss Rossmore, what are you doing out driving?" he asked.

"You know you and Mrs. Blake promised to dine with me to-night. I was coming round to the hotel in a few moments."

Mrs. Blake was a younger sister of Shirley's mother. Her husband had died a few years previously, leaving her a small income, and when she had heard of her niece's contemplated trip to Europe she had decided to come to Paris to meet her and incidentally to chaperone her. The two women were stopping at the Grand Hotel close by, while Jefferson had found accommodations at the Athenee.

Shirley explained. Her aunt wanted to go to the dressmaker's, and she herself was most anxious to go to the Luxembourg Gardens to hear the music. Would he take her? Then they could meet Mrs. Blake at the hotel at seven o'clock and all go to dinner. Was he willing?

Was he? Jefferson's face fairly glowed. He ran back to his table on the _terra.s.se_ to settle for his Vermouth, astonished the waiter by not stopping to notice the short change he gave him, and rushed back to the carriage.

A dirty little Italian girl, shrewd enough to note the young man's attention to the younger of the American women, wheedled up to the carriage and thrust a bunch of flowers in Jefferson's face.

"_Achetez des fleurs, monsieur, pour la jolie dame?_"

Down went Jefferson's hand in his pocket and, filling the child's hand with small silver, he flung the flowers in the carriage. Then he turned inquiringly to Shirley for instructions so he could direct the _cocher_. Mrs. Blake said she would get out here. Her dressmaker was close by, in the Rue Auber, and she would walk back to the hotel to meet them at seven o'clock. Jefferson a.s.sisted her to alight and escorted her as far as the _porte-cochere_ of the modiste's, a couple of doors away. When he returned to the carriage, Shirley had already told the coachman where to go. He got in and the _fiacre_ started.

"Now," said Shirley, "tell me what you have been doing with yourself all day."

Jefferson was busily arranging the faded carriage rug about Shirley, spending more time in the task perhaps than was absolutely necessary, and she had to repeat the question.

"Doing?" he echoed with a smile, "I've been doing two things--waiting impatiently for seven o'clock and incidentally reading the notices of your book."

CHAPTER IV

"Tell me, what do the papers say?"

Settling herself comfortably back in the carriage, Shirley questioned Jefferson with eagerness, even anxiety. She had been impatiently awaiting the arrival of the newspapers from "home,"

for so much depended on this first effort. She knew her book had been praised in some quarters, and her publishers had written her that the sales were bigger every day, but she was curious to learn how it had been received by the reviewers.

In truth, it had been no slight achievement for a young writer of her inexperience, a mere tyro in literature, to attract so much attention with her first book. The success almost threatened to turn her head, she had told her aunt laughingly, although she was sure it could never do that. She fully realized that it was the subject rather than the skill of the narrator that counted in the book's success, also the fact that it had come out at a timely moment, when the whole world was talking of the Money Peril. Had not President Roosevelt, in a recent sensational speech, declared that it might be necessary for the State to curb the colossal fortunes of America, and was not her hero, John Burkett Ryder, the richest of them all? Any way they looked at it, the success of the book was most gratifying.

While she was an attractive, aristocratic-looking girl, Shirley Rossmore had no serious claims to academic beauty. Her features were irregular, and the firm and rather thin mouth lines disturbed the harmony indispensable to plastic beauty. Yet there was in her face something far more appealing--soul and character. The face of the merely beautiful woman expresses nothing, promises nothing. It presents absolutely no key to the soul within, and often there is no soul within to have a key to. Perfect in its outlines and coloring, it is a delight to gaze upon, just as is a flawless piece of sculpture, yet the delight is only fleeting. One soon grows satiated, no matter how beautiful the face may be, because it is always the same, expressionless and soulless. "Beauty is only skin deep," said the philosopher, and no truer dictum was ever uttered. The merely beautiful woman, who possesses only beauty and nothing else, is kept so busy thinking of her looks, and is so anxious to observe the impression her beauty makes on others, that she has neither the time nor the inclination for matters of greater importance. Sensible men, as a rule, do not lose their hearts to women whose only a.s.sets are their good looks.

They enjoy a flirtation with them, but seldom care to make them their wives. The marrying man is shrewd enough to realize that domestic virtues will be more useful in his household economy than all the academic beauty ever chiselled out of block marble.

Shirley was not beautiful, but hers was a face that never failed to attract attention. It was a thoughtful and interesting face, with an intellectual brow and large, expressive eyes, the face of a woman who had both brain power and ideals, and yet who, at the same time, was in perfect sympathy with the world. She was fair in complexion, and her fine brown eyes, alternately reflective and alert, were shaded by long dark lashes. Her eyebrows were delicately arched, and she had a good nose. She wore her hair well off the forehead, which was broader than in the average woman, suggesting good mentality. Her mouth, however, was her strongest feature. It was well shaped, but there were firm lines about it that suggested unusual will power. Yet it smiled readily, and when it did there was an agreeable vision of strong, healthy-looking teeth of dazzling whiteness. She was a little over medium height and slender in figure, and carried herself with that unmistakable air of well-bred independence that bespeaks birth and culture. She dressed stylishly, and while her gowns were of rich material, and of a cut suggesting expensive modistes, she was always so quietly attired and in such perfect taste, that after leaving her one could never recall what she had on.

At the special request of Shirley, who wanted to get a glimpse of the Latin Quarter, the driver took a course down the Avenue de l'Opera, that magnificent thoroughfare which starts at the Opera and ends at the Theatre Francais, and which, like many others that go to the beautifying of the capital, the Parisians owe to the much-despised Napoleon III. The cab, Jefferson told her, would skirt the Palais Royal and follow the Rue de Rivoli until it came to the Chatelet, when it would cross the Seine and drive up the Boulevard St. Michel--the students' boulevard--until it reached the Luxembourg Gardens. Like most of his kind, the _cocher_ knew less than nothing of the art of driving, and he ran a reckless, zig-zag flight, in and out, forcing his way through a confusing maze of vehicles of every description, pulling first to the right, then to the left, for no good purpose that was apparent, and averting only by the narrowest of margins half a dozen bad collisions. At times the _fiacre_ lurched in such alarming fashion that Shirley was visibly perturbed, but when Jefferson a.s.sured her that all Paris cabs travelled in this crazy fashion and nothing ever happened, she was comforted.

"Tell me," he repeated, "what do the papers say about the book?"

"Say?" he echoed. "Why, simply that you've written the biggest book of the year, that's all!"

"Really! Oh, do tell me all they said!" She was fairly excited now, and in her enthusiasm she grasped Jefferson's broad, sunburnt hand which was lying outside the carriage rug. He tried to appear unconscious of the contact, which made his every nerve tingle, as he proceeded to tell her the gist of the reviews he had read that afternoon.

"Isn't that splendid!" she exclaimed, when he had finished. Then she added quickly:

"I wonder if your father has seen it?"

Jefferson grinned. He had something on his conscience, and this was a good opportunity to get rid of it. He replied laconically: