The Glimpses of the Moon Part 14

The forgotten terms of their bridal compact came back to Nick: the absurd agreement on which he and Susy had solemnly pledged their faith.

But was it so absurd, after all? It had been Susy's suggestion (not his, thank G.o.d!); and perhaps in making it she had been more serious than he imagined. Perhaps, even if their rupture had not occurred, Strefford's sudden honours might have caused her to ask for her freedom....

Money, luxury, fashion, pleasure: those were the four cornerstones of her existence. He had always known it--she herself had always acknowledged it, even in their last dreadful talk together; and once he had gloried in her frankness. How could he ever have imagined that, to have her fill of these things, she would not in time stoop lower than she had yet stooped? Perhaps in giving her up to Strefford he might be saving her. At any rate, the taste of the past was now so bitter to him that he was moved to thank whatever G.o.ds there were for pushing that mortuary paragraph under his eye....

"Susy, dear [he wrote], the fates seem to have taken our future in hand, and spared us the trouble of unravelling it. If I have sometimes been selfish enough to forget the conditions on which you agreed to marry me, they have come back to me during these two days of solitude. You've given me the best a man can have, and nothing else will ever be worth much to me. But since I haven't the ability to provide you with what you want, I recognize that I've no right to stand in your way. We must owe no more Venetian palaces to underhand services. I see by the newspapers that Streff can now give you as many palaces as you want. Let him have the chance--I fancy he'll jump at it, and he's the best man in sight. I wish I were in his shoes.

"I'll write again in a day or two, when I've collected my wits, and can give you an address. NICK."

He added a line on the subject of their modest funds, put the letter into an envelope, and addressed it to Mrs. Nicholas Lansing. As he did so, he reflected that it was the first time he had ever written his wife's married name.

"Well--by G.o.d, no other woman shall have it after her," he vowed, as he groped in his pocketbook for a stamp.

He stood up with a stretch of weariness--the heat was stifling!--and put the letter in his pocket.

"I'll post it myself, it's safer," he thought; "and then what in the name of goodness shall I do next, I wonder?" He jammed his hat down on his head and walked out into the sun-blaze.

As he was turning away from the square by the general Post Office, a white parasol waved from a pa.s.sing cab, and Coral Hicks leaned forward with outstretched hand. "I knew I'd find you," she triumphed. "I've been driving up and down in this broiling sun for hours, shopping and watching for you at the same time."

He stared at her blankly, too bewildered even to wonder how she knew he was in Genoa; and she continued, with the kind of shy imperiousness that always made him feel, in her presence, like a member of an orchestra under a masterful baton; "Now please get right into this carriage, and don't keep me roasting here another minute." To the cabdriver she called out: "Al porto."

Nick Lansing sank down beside her. As he did so he noticed a heap of bundles at her feet, and felt that he had simply added one more to the number. He supposed that she was taking her spoils to the Ibis, and that he would be carried up to the deck-house to be displayed with the others. Well, it would all help to pa.s.s the day--and by night he would have reached some kind of a decision about his future.

On the third day after Nick's departure the post brought to the Palazzo Vanderlyn three letters for Mrs. Lansing.

The first to arrive was a word from Strefford, scribbled in the train and posted at Turin. In it he briefly said that he had been called home by the dreadful accident of which Susy had probably read in the daily papers. He added that he would write again from England, and then--in a blotted postscript--: "I wanted uncommonly badly to see you for good-bye, but the hour was impossible. Regards to Nick. Do write me just a word to Altringham."

The other two letters, which came together in the afternoon, were both from Genoa. Susy scanned the addresses and fell upon the one in her husband's writing. Her hand trembled so much that for a moment she could not open the envelope. When she had done so, she devoured the letter in a flash, and then sat and brooded over the outspread page as it lay on her knee. It might mean so many things--she could read into it so many harrowing alternatives of indifference and despair, of irony and tenderness! Was he suffering tortures when he wrote it, or seeking only to inflict them upon her? Or did the words represent his actual feelings, no more and no less, and did he really intend her to understand that he considered it his duty to abide by the letter of their preposterous compact? He had left her in wrath and indignation, yet, as a closer scrutiny revealed, there was not a word of reproach in his brief lines. Perhaps that was why, in the last issue, they seemed so cold to her.... She shivered and turned to the other envelope.

The large stilted characters, though half-familiar, called up no definite image. She opened the envelope and discovered a post-card of the Ibis, canvas spread, bounding over a rippled sea. On the back was written:

"So awfully dear of you to lend us Mr. Lansing for a little cruise. You may count on our taking the best of care of him.

"CORAL"

PART II

XIII

WHEN Violet Melrose had said to Susy Branch, the winter before in New York: "But why on earth don't you and Nick go to my little place at Versailles for the honeymoon? I'm off to China, and you could have it to yourselves all summer," the offer had been tempting enough to make the lovers waver.

It was such an artless ingenuous little house, so full of the demoralizing simplicity of great wealth, that it seemed to Susy just the kind of place in which to take the first steps in renunciation. But Nick had objected that Paris, at that time of year, would be swarming with acquaintances who would hunt them down at all hours; and Susy's own experience had led her to remark that there was nothing the very rich enjoyed more than taking pot-luck with the very poor. They therefore gave Strefford's villa the preference, with an inward proviso (on Susy's part) that Violet's house might very conveniently serve their purpose at another season.

These thoughts were in her mind as she drove up to Mrs. Melrose's door on a rainy afternoon late in August, her boxes piled high on the roof of the cab she had taken at the station. She had travelled straight through from Venice, stopping in Milan just long enough to pick up a reply to the telegram she had despatched to the perfect housekeeper whose permanent presence enabled Mrs. Melrose to say: "Oh, when I'm sick of everything I just rush off without warning to my little shanty at Versailles, and live there all alone on scrambled eggs."

The perfect house-keeper had replied to Susy's enquiry: "Am sure Mrs.

Melrose most happy"; and Susy, without further thought, had jumped into a Versailles train, and now stood in the thin rain before the sphinx-guarded threshold of the pavilion.

The revolving year had brought around the season at which Mrs. Melrose's house might be convenient: no visitors were to be feared at Versailles at the end of August, and though Susy's reasons for seeking solitude were so remote from those she had once prefigured, they were none the less cogent. To be alone--alone! After those first exposed days when, in the persistent presence of Fred Gillow and his satellites, and in the mocking radiance of late summer on the lagoons, she had fumed and turned about in her agony like a trapped animal in a cramping cage, to be alone had seemed the only respite, the one craving: to be alone somewhere in a setting as unlike as possible to the sensual splendours of Venice, under skies as unlike its azure roof. If she could have chosen she would have crawled away into a dingy inn in a rainy northern town, where she had never been and no one knew her. Failing that un.o.btainable luxury, here she was on the threshold of an empty house, in a deserted place, under lowering skies. She had shaken off Fred Gillow, sulkily departing for his moor (where she had half-promised to join him in September); the Prince, young Breckenridge, and the few remaining survivors of the Venetian group, had dispersed in the direction of the Engadine or Biarritz; and now she could at least collect her wits, take stock of herself, and prepare the countenance with which she was to face the next stage in her career. Thank G.o.d it was raining at Versailles!

The door opened, she heard voices in the drawing-room, and a slender languishing figure appeared on the threshold.

"Darling!" Violet Melrose cried in an embrace, drawing her into the dusky perfumed room.

"But I thought you were in China!" Susy stammered.

"In China... in China," Mrs. Melrose stared with dreamy eyes, and Susy remembered her drifting disorganised life, a life more planless, more inexplicable than that of any of the other ephemeral beings blown about upon the same winds of pleasure.

"Well, Madam, I thought so myself till I got a wire from Mrs. Melrose last evening," remarked the perfect house-keeper, following with Susy's handbag.

Mrs. Melrose clutched her cavernous temples in her attenuated hands. "Of course, of course! I had meant to go to China--no, India.... But I've discovered a genius... and Genius, you know...." Unable to complete her thought, she sank down upon a pillowy divan, stretched out an arm, cried: "Fulmer! Fulmer!" and, while Susy Lansing stood in the middle of the room with widening eyes, a man emerged from the more deeply cushioned and scented twilight of some inner apartment, and she saw with surprise Nat Fulmer, the good Nat Fulmer of the New Hampshire bungalow and the ubiquitous progeny, standing before her in lordly ease, his hands in his pockets, a cigarette between his lips, his feet solidly planted in the insidious depths of one of Violet Melrose's white leopard skins.

"Susy!" he shouted with open arms; and Mrs. Melrose murmured: "You didn't know, then? You hadn't heard of his masterpieces?"

In spite of herself, Susy burst into a laugh. "Is Nat your genius?"

Mrs. Melrose looked at her reproachfully.

Fulmer laughed. "No; I'm Grace's. But Mrs. Melrose has been our Providence, and...."

"Providence?" his hostess interrupted. "Don't talk as if you were at a prayer-meeting! He had an exhibition in New York... it was the most fabulous success. He's come abroad to make studies for the decoration of my music-room in New York. Ursula Gillow has given him her garden-house at Roslyn to do. And Mrs. Bockheimer's ball-room--oh, Fulmer, where are the cartoons?" She sprang up, tossed about some fashion-papers heaped on a lacquer table, and sank back exhausted by the effort. "I'd got as far as Brindisi. I've travelled day and night to be here to meet him," she declared. "But, you darling," and she held out a caressing hand to Susy, "I'm forgetting to ask if you've had tea?"

An hour later, over the tea-table, Susy already felt herself mysteriously reabsorbed into what had so long been her native element.

Ellie Vanderlyn had brought a breath of it to Venice; but Susy was then nourished on another air, the air of Nick's presence and personality; now that she was abandoned, left again to her own devices, she felt herself suddenly at the mercy of the influences from which she thought she had escaped.

In the queer social whirligig from which she had so lately fled, it seemed natural enough that a shake of the box should have tossed Nat Fulmer into celebrity, and sent Violet Melrose chasing back from the ends of the earth to bask in his success. Susy knew that Mrs. Melrose belonged to the cla.s.s of moral parasites; for in that strange world the parts were sometimes reversed, and the wealthy preyed upon the pauper.

Wherever there was a reputation to batten on, there poor Violet appeared, a harmless vampire in pearls who sought only to feed on the notoriety which all her millions could not create for her. Any one less versed than Susy in the shallow mysteries of her little world would have seen in Violet Melrose a baleful enchantress, in Nat Fulmer her helpless victim. Susy knew better. Violet, poor Violet, was not even that. The insignificant Ellie Vanderlyn, with her brief trivial pa.s.sions, her artless mixture of amorous and social interests, was a woman with a purpose, a creature who fulfilled herself; but Violet was only a drifting interrogation.

And what of Fulmer? Mustering with new eyes his short st.u.r.dily-built figure, his nondescript bearded face, and the eyes that dreamed and wandered, and then suddenly sank into you like claws, Susy seemed to have found the key to all his years of dogged toil, his indifference to neglect, indifference to poverty, indifference to the needs of his growing family.... Yes: for the first time she saw that he looked commonplace enough to be a genius--was a genius, perhaps, even though it was Violet Melrose who affirmed it! Susy looked steadily at Fulmer, their eyes met, and he smiled at her faintly through his beard.

"Yes, I did discover him--I did," Mrs. Melrose was insisting, from the depths of the black velvet divan in which she lay sunk like a wan Nereid in a midnight sea. "You mustn't believe a word that Ursula Gillow tells you about having pounced on his 'Spring Snow Storm' in a dark corner of the American Artists' exhibition--skied, if you please! They skied him less than a year ago! And naturally Ursula never in her life looked higher than the first line at a picture-show. And now she actually pretends... oh, for pity's sake don't say it doesn't matter, Fulmer!

Your saying that just encourages her, and makes people think she did. When, in reality, any one who saw me at the exhibition on varnishing-day.... Who? Well, Eddy Breckenridge, for instance. He was in Egypt, you say? Perhaps he was! As if one could remember the people about one, when suddenly one comes upon a great work of art, as St.

Paul did--didn't he?--and the scales fell from his eyes. Well... that's exactly what happened to me that day... and Ursula, everybody knows, was down at Roslyn at the time, and didn't come up for the opening of the exhibition at all. And Fulmer sits there and laughs, and says it doesn't matter, and that he'll paint another picture any day for me to discover!"

Susy had rung the door-bell with a hand trembling with eagerness--eagerness to be alone, to be quiet, to stare her situation in the face, and collect herself before she came out again among her kind.

She had stood on the door-step, cowering among her bags, counting the instants till a step sounded and the door-k.n.o.b turned, letting her in from the searching glare of the outer world.... And now she had sat for an hour in Violet's drawing-room, in the very house where her honey-moon might have been spent; and no one had asked her where she had come from, or why she was alone, or what was the key to the tragedy written on her shrinking face....

That was the way of the world they lived in. n.o.body questioned, n.o.body wondered any more-because n.o.body had time to remember. The old risk of prying curiosity, of malicious gossip, was virtually over: one was left with one's drama, one's disaster, on one's hands, because there was n.o.body to stop and notice the little shrouded object one was carrying.

As Susy watched the two people before her, each so frankly unaffected by her presence, Violet Melrose so engrossed in her feverish pursuit of notoriety, Fulmer so plunged in the golden sea of his success, she felt like a ghost making inaudible and imperceptible appeals to the grosser senses of the living.

"If I wanted to be alone," she thought, "I'm alone enough, in all conscience." There was a deathly chill in such security. She turned to Fulmer.

"And Grace?"

He beamed back without sign of embarra.s.sment. "Oh, she's here, naturally--we're in Paris, kids and all. In a pension, where we can polish up the lingo. But I hardly ever lay eyes on her, because she's as deep in music as I am in paint; it was as big a chance for her as for me, you see, and she's making the most of it, fiddling and listening to the fiddlers. Well, it's a considerable change from New Hampshire." He looked at her dreamily, as if making an intense effort to detach himself from his dream, and situate her in the fading past. "Remember the bungalow? And Nick--ah, how's Nick?" he brought out triumphantly.