The Complete Poetical Works of Percy Bysshe Shelley Part 4

THE REVOLT OF ISLAM.

A POEM IN TWELVE CANTOS.

Osais de Broton ethnos aglaiais aptomestha perainei pros eschaton ploon nausi d oute pezos ion an eurois es Uperboreon agona thaumatan odon.

Pind. Pyth. x.

[Composed in the neighbourhood of Bisham Wood, near Great Marlow, Bucks, 1817 (April-September 23); printed, with t.i.tle (dated 1818), "Laon and Cythna; or, The Revolution of the Golden City: A Vision of the Nineteenth Century", October, November, 1817, but suppressed, pending revision, by the publishers, C & J. Ollier. (A few copies had got out, but these were recalled, and some recovered.) Published, with a fresh t.i.tle-page and twenty-seven cancel-leaves, as "The Revolt of Islam", January 10, 1818. Sources of the text are (1) "Laon and Cythna", 1818; (2) "The Revolt of Islam", 1818; (3) "Poetical Works", 1839, editions 1st and 2nd--both edited by Mrs. Sh.e.l.ley. A copy, with several pages missing, of the "Preface", the Dedication", and "Canto 1" of "Laon and Cythna" is amongst the Sh.e.l.ley ma.n.u.scripts at the Bodleian. For a full collation of this ma.n.u.script see Mr. C.D.

Loc.o.c.k's "Examination of the Sh.e.l.ley Ma.n.u.scripts at the Bodleian Library". Oxford: Clarendon Press, 1903. Two ma.n.u.script fragments from the Hunt papers are also extant: one (twenty-four lines) in the possession of Mr. W.M. Rossetti, another (9 23 9 to 29 6) in that of Mr. H. Buxton Forman, C.B. See "The Sh.e.l.ley Library", pages 83-86, for an account of the copy of "Laon" upon which Sh.e.l.ley worked in revising for publication.]

AUTHOR'S PREFACE.

The Poem which I now present to the world is an attempt from which I scarcely dare to expect success, and in which a writer of established fame might fail without disgrace. It is an experiment on the temper of the public mind, as to how far a thirst for a happier condition of moral and political society survives, among the enlightened and refined, the tempests which have shaken the age in which we live. I have sought to enlist the harmony of metrical language, the ethereal combinations of the fancy, the rapid and subtle transitions of human pa.s.sion, all those elements which essentially compose a Poem, in the cause of a liberal and comprehensive morality; and in the view of kindling within the bosoms of my readers a virtuous enthusiasm for those doctrines of liberty and justice, that faith and hope in something good, which neither violence nor misrepresentation nor prejudice can ever totally extinguish among mankind.

For this purpose I have chosen a story of human pa.s.sion in its most universal character, diversified with moving and romantic adventures, and appealing, in contempt of all artificial opinions or inst.i.tutions, to the common sympathies of every human breast. I have made no attempt to recommend the motives which I would subst.i.tute for those at present governing mankind, by methodical and systematic argument. I would only awaken the feelings, so that the reader should see the beauty of true virtue, and be incited to those inquiries which have led to my moral and political creed, and that of some of the sublimest intellects in the world. The Poem therefore (with the exception of the first canto, which is purely introductory) is narrative, not didactic. It is a succession of pictures ill.u.s.trating the growth and progress of individual mind aspiring after excellence, and devoted to the love of mankind; its influence in refining and making pure the most daring and uncommon impulses of the imagination, the understanding, and the senses; its impatience at 'all the oppressions which are done under the sun;' its tendency to awaken public hope, and to enlighten and improve mankind; the rapid effects of the application of that tendency; the awakening of an immense nation from their slavery and degradation to a true sense of moral dignity and freedom; the bloodless dethronement of their oppressors, and the unveiling of the religious frauds by which they had been deluded into submission; the tranquillity of successful patriotism, and the universal toleration and benevolence of true philanthropy; the treachery and barbarity of hired soldiers; vice not the object of punishment and hatred, but kindness and pity; the faithlessness of tyrants; the confederacy of the Rulers of the World and the restoration of the expelled Dynasty by foreign arms; the ma.s.sacre and extermination of the Patriots, and the victory of established power; the consequences of legitimate despotism,--civil war, famine, plague, superst.i.tion, and an utter extinction of the domestic affections; the judicial murder of the advocates of Liberty; the temporary triumph of oppression, that secure earnest of its final and inevitable fall; the transient nature of ignorance and error and the eternity of genius and virtue. Such is the series of delineations of which the Poem consists. And, if the lofty pa.s.sions with which it has been my scope to distinguish this story shall not excite in the reader a generous impulse, an ardent thirst for excellence, an interest profound and strong such as belongs to no meaner desires, let not the failure be imputed to a natural unfitness for human sympathy in these sublime and animating themes. It is the business of the Poet to communicate to others the pleasure and the enthusiasm arising out of those images and feelings in the vivid presence of which within his own mind consists at once his inspiration and his reward.

The panic which, like an epidemic transport, seized upon all cla.s.ses of men during the excesses consequent upon the French Revolution, is gradually giving place to sanity. It has ceased to be believed that whole generations of mankind ought to consign themselves to a hopeless inheritance of ignorance and misery, because a nation of men who had been dupes and slaves for centuries were incapable of conducting themselves with the wisdom and tranquillity of freemen so soon as some of their fetters were partially loosened. That their conduct could not have been marked by any other characters than ferocity and thoughtlessness is the historical fact from which liberty derives all its recommendations, and falsehood the worst features of its deformity. There is a reflux in the tide of human things which bears the shipwrecked hopes of men into a secure haven after the storms are past. Methinks, those who now live have survived an age of despair.

The French Revolution may be considered as one of those manifestations of a general state of feeling among civilised mankind produced by a defect of correspondence between the knowledge existing in society and the improvement or gradual abolition of political inst.i.tutions. The year 1788 may be a.s.sumed as the epoch of one of the most important crises produced by this feeling. The sympathies connected with that event extended to every bosom. The most generous and amiable natures were those which partic.i.p.ated the most extensively in these sympathies. But such a degree of unmingled good was expected as it was impossible to realise. If the Revolution had been in every respect prosperous, then misrule and superst.i.tion would lose half their claims to our abhorrence, as fetters which the captive can unlock with the slightest motion of his fingers, and which do not eat with poisonous rust into the soul. The revulsion occasioned by the atrocities of the demagogues, and the re-establishment of successive tyrannies in France, was terrible, and felt in the remotest corner of the civilised world. Could they listen to the plea of reason who had groaned under the calamities of a social state according to the provisions of which one man riots in luxury whilst another famishes for want of bread? Can he who the day before was a trampled slave suddenly become liberal-minded, forbearing, and independent? This is the consequence of the habits of a state of society to be produced by resolute perseverance and indefatigable hope, and long-suffering and long-believing courage, and the systematic efforts of generations of men of intellect and virtue. Such is the lesson which experience teaches now. But, on the first reverses of hope in the progress of French liberty, the sanguine eagerness for good overleaped the solution of these questions, and for a time extinguished itself in the unexpectedness of their result. Thus, many of the most ardent and tender-hearted of the worshippers of public good have been morally ruined by what a partial glimpse of the events they deplored appeared to show as the melancholy desolation of all their cherished hopes.

Hence gloom and misanthropy have become the characteristics of the age in which we live, the solace of a disappointment that unconsciously finds relief only in the wilful exaggeration of its own despair. This influence has tainted the literature of the age with the hopelessness of the minds from which it flows. Metaphysics (I ought to except sir W. Drummond's "Academical Questions"; a volume of very acute and powerful metaphysical criticism.), and inquiries into moral and political science, have become little else than vain attempts to revive exploded superst.i.tions, or sophisms like those of Mr. Malthus (It is remarkable, as a symptom of the revival of public hope, that Mr. Malthus has a.s.signed, in the later editions of his work, an indefinite dominion to moral restraint over the principle of population. This concession answers all the inferences from his doctrine unfavourable to human improvement, and reduces the "Essay on Population" to a commentary ill.u.s.trative of the unanswerableness of "Political Justice".), calculated to lull the oppressors of mankind into a security of everlasting triumph. Our works of fiction and poetry have been overshadowed by the same infectious gloom. But mankind appear to me to be emerging from their trance. I am aware, methinks, of a slow, gradual, silent change. In that belief I have composed the following Poem.

I do not presume to enter into compet.i.tion with our greatest contemporary Poets. Yet I am unwilling to tread in the footsteps of any who have preceded me. I have sought to avoid the imitation of any style of language or versification peculiar to the original minds of which it is the character; designing that, even if what I have produced be worthless, it should still be properly my own. Nor have I permitted any system relating to mere words to divert the attention of the reader, from whatever interest I may have succeeded in creating, to my own ingenuity in contriving to disgust them according to the rules of criticism. I have simply clothed my thoughts in what appeared to me the most obvious and appropriate language. A person familiar with nature, and with the most celebrated productions of the human mind, can scarcely err in following the instinct, with respect to selection of language, produced by that familiarity.

There is an education peculiarly fitted for a Poet, without which genius and sensibility can hardly fill the circle of their capacities.

No education, indeed, can ent.i.tle to this appellation a dull and un.o.bservant mind, or one, though neither dull nor un.o.bservant, in which the channels of communication between thought and expression have been obstructed or closed. How far it is my fortune to belong to either of the latter cla.s.ses I cannot know. I aspire to be something better. The circ.u.mstances of my accidental education have been favourable to this ambition. I have been familiar from boyhood with mountains and lakes and the sea, and the solitude of forests: Danger, which sports upon the brink of precipices, has been my playmate. I have trodden the glaciers of the Alps, and lived under the eye of Mont Blanc. I have been a wanderer among distant fields. I have sailed down mighty rivers, and seen the sun rise and set, and the stars come forth, whilst I have sailed night and day down a rapid stream among mountains. I have seen populous cities, and have watched the pa.s.sions which rise and spread, and sink and change, amongst a.s.sembled mult.i.tudes of men. I have seen the theatre of the more visible ravages of tyranny and war, cities and villages reduced to scattered groups of black and roofless houses, and the naked inhabitants sitting famished upon their desolated thresholds. I have conversed with living men of genius. The poetry of ancient Greece and Rome, and modern Italy, and our own country, has been to me, like external nature, a pa.s.sion and an enjoyment. Such are the sources from which the materials for the imagery of my Poem have been drawn. I have considered Poetry in its most comprehensive sense; and have read the Poets and the Historians and the Metaphysicians (In this sense there may be such a thing as perfectibility in works of fiction, notwithstanding the concession often made by the advocates of human improvement, that perfectibility is a term applicable only to science.) whose writings have been accessible to me, and have looked upon the beautiful and majestic scenery of the earth, as common sources of those elements which it is the province of the Poet to embody and combine. Yet the experience and the feelings to which I refer do not in themselves const.i.tute men Poets, but only prepares them to be the auditors of those who are. How far I shall be found to possess that more essential attribute of Poetry, the power of awakening in others sensations like those which animate my own bosom, is that which, to speak sincerely, I know not; and which, with an acquiescent and contented spirit, I expect to be taught by the effect which I shall produce upon those whom I now address.

I have avoided, as I have said before, the imitation of any contemporary style. But there must be a resemblance, which does not depend upon their own will, between all the writers of any particular age. They cannot escape from subjection to a common influence which arises out of an infinite combination of circ.u.mstances belonging to the times in which they live; though each is in a degree the author of the very influence by which his being is thus pervaded. Thus, the tragic poets of the age of Pericles; the Italian revivers of ancient learning; those mighty intellects of our own country that succeeded the Reformation, the translators of the Bible, Shakespeare, Spenser, the Dramatists of the reign of Elizabeth, and Lord Bacon (Milton stands alone in the age which he illumined.); the colder spirits of the interval that succeeded;--all resemble each other, and differ from every other in their several cla.s.ses. In this view of things, Ford can no more be called the imitator of Shakespeare than Shakespeare the imitator of Ford. There were perhaps few other points of resemblance between these two men than that which the universal and inevitable influence of their age produced. And this is an influence which neither the meanest scribbler nor the sublimest genius of any era can escape; and which I have not attempted to escape.

I have adopted the stanza of Spenser (a measure inexpressibly beautiful), not because I consider it a finer model of poetical harmony than the blank verse of Shakespeare and Milton, but because in the latter there is no shelter for mediocrity; you must either succeed or fail. This perhaps an aspiring spirit should desire. But I was enticed also by the brilliancy and magnificence of sound which a mind that has been nourished upon musical thoughts can produce by a just and harmonious arrangement of the pauses of this measure. Yet there will be found some instances where I have completely failed in this attempt, and one, which I here request the reader to consider as an erratum, where there is left, most inadvertently, an alexandrine in the middle of a stanza.

But in this, as in every other respect, I have written fearlessly. It is the misfortune of this age that its Writers, too thoughtless of immortality, are exquisitely sensible to temporary praise or blame.

They write with the fear of Reviews before their eyes. This system of criticism sprang up in that torpid interval when Poetry was not.

Poetry, and the art which professes to regulate and limit its powers, cannot subsist together. Longinus could not have been the contemporary of Homer, nor Boileau of Horace. Yet this species of criticism never presumed to a.s.sert an understanding of its own; it has always, unlike true science, followed, not preceded, the opinion of mankind, and would even now bribe with worthless adulation some of our greatest Poets to impose gratuitous fetters on their own imaginations, and become unconscious accomplices in the daily murder of all genius either not so aspiring or not so fortunate as their own. I have sought therefore to write, as I believe that Homer, Shakespeare, and Milton wrote, with an utter disregard of anonymous censure. I am certain that calumny and misrepresentation, though it may move me to compa.s.sion, cannot disturb my peace. I shall understand the expressive silence of those sagacious enemies who dare not trust themselves to speak. I shall endeavour to extract, from the midst of insult and contempt and maledictions, those admonitions which may tend to correct whatever imperfections such censurers may discover in this my first serious appeal to the Public. If certain Critics were as clear-sighted as they are malignant, how great would be the benefit to be derived from their virulent writings! As it is, I fear I shall be malicious enough to be amused with their paltry tricks and lame invectives. Should the Public judge that my composition is worthless, I shall indeed bow before the tribunal from which Milton received his crown of immortality, and shall seek to gather, if I live, strength from that defeat, which may nerve me to some new enterprise of thought which may not be worthless.

I cannot conceive that Lucretius, when he meditated that poem whose doctrines are yet the basis of our metaphysical knowledge, and whose eloquence has been the wonder of mankind, wrote in awe of such censure as the hired sophists of the impure and superst.i.tious n.o.blemen of Rome might affix to what he should produce. It was at the period when Greece was led captive and Asia made tributary to the Republic, fast verging itself to slavery and ruin, that a mult.i.tude of Syrian captives, bigoted to the worship of their obscene Ashtaroth, and the unworthy successors of Socrates and Zeno, found there a precarious subsistence by administering, under the name of freedmen, to the vices and vanities of the great. These wretched men were skilled to plead, with a superficial but plausible set of sophisms, in favour of that contempt for virtue which is the portion of slaves, and that faith in portents, the most fatal subst.i.tute for benevolence in the imaginations of men, which, arising from the enslaved communities of the East, then first began to overwhelm the western nations in its stream. Were these the kind of men whose disapprobation the wise and lofty-minded Lucretius should have regarded with a salutary awe? The latest and perhaps the meanest of those who follow in his footsteps would disdain to hold life on such conditions.

The Poem now presented to the Public occupied little more than six months in the composition. That period has been devoted to the task with unremitting ardour and enthusiasm. I have exercised a watchful and earnest criticism on my work as it grew under my hands. I would willingly have sent it forth to the world with that perfection which long labour and revision is said to bestow. But I found that, if I should gain something in exactness by this method, I might lose much of the newness and energy of imagery and language as it flowed fresh from my mind. And, although the mere composition occupied no more than six months, the thoughts thus arranged were slowly gathered in as many years.

I trust that the reader will carefully distinguish between those opinions which have a dramatic propriety in reference to the characters which they are designed to elucidate, and such as are properly my own. The erroneous and degrading idea which men have conceived of a Supreme Being, for instance, is spoken against, but not the Supreme Being itself. The belief which some superst.i.tious persons whom I have brought upon the stage entertain of the Deity, as injurious to the character of his benevolence, is widely different from my own. In recommending also a great and important change in the spirit which animates the social inst.i.tutions of mankind, I have avoided all flattery to those violent and malignant pa.s.sions of our nature which are ever on the watch to mingle with and to alloy the most beneficial innovations. There is no quarter given to Revenge, or Envy, or Prejudice. Love is celebrated everywhere as the sole law which should govern the moral world.

DEDICATION.

There is no danger to a man that knows What life and death is: there's not any law Exceeds his knowledge; neither is it lawful That he should stoop to any other law.--CHAPMAN.

TO MARY -- --.

1.

So now my summer-task is ended, Mary, And I return to thee, mine own heart's home; As to his Queen some victor Knight of Faery, Earning bright spoils for her enchanted dome; Nor thou disdain, that ere my fame become _5 A star among the stars of mortal night, If it indeed may cleave its natal gloom, Its doubtful promise thus I would unite With thy beloved name, thou Child of love and light.

2.

The toil which stole from thee so many an hour, _10 Is ended,--and the fruit is at thy feet!

No longer where the woods to frame a bower With interlaced branches mix and meet, Or where with sound like many voices sweet, Waterfalls leap among wild islands green, _15 Which framed for my lone boat a lone retreat Of moss-grown trees and weeds, shall I be seen; But beside thee, where still my heart has ever been.

3.

Thoughts of great deeds were mine, dear Friend, when first The clouds which wrap this world from youth did pa.s.s. _20 I do remember well the hour which burst My spirit's sleep. A fresh May-dawn it was, When I walked forth upon the glittering gra.s.s, And wept, I knew not why; until there rose From the near schoolroom, voices that, alas! _25 Were but one echo from a world of woes-- The harsh and grating strife of tyrants and of foes.

4.

And then I clasped my hands and looked around-- --But none was near to mock my streaming eyes, Which poured their warm drops on the sunny ground-- _30 So without shame I spake:--'I will be wise, And just, and free, and mild, if in me lies Such power, for I grow weary to behold The selfish and the strong still tyrannise Without reproach or check.' I then controlled _35 My tears, my heart grew calm, and I was meek and bold.

5.

And from that hour did I with earnest thought Heap knowledge from forbidden mines of lore; Yet nothing that my tyrants knew or taught I cared to learn, but from that secret store _40 Wrought linked armour for my soul, before It might walk forth to war among mankind; Thus power and hope were strengthened more and more Within me, till there came upon my mind A sense of loneliness, a thirst with which I pined. _45

6.

Alas, that love should be a blight and snare To those who seek all sympathies in one!-- Such once I sought in vain; then black despair, The shadow of a starless night, was thrown Over the world in which I moved alone:-- _50 Yet never found I one not false to me, Hard hearts, and cold, like weights of icy stone Which crushed and withered mine, that could not be Aught but a lifeless clod, until revived by thee.

7.

Thou Friend, whose presence on my wintry heart _55 Fell, like bright Spring upon some herbless plain; How beautiful and calm and free thou wert In thy young wisdom, when the mortal chain Of Custom thou didst burst and rend in twain, And walked as free as light the clouds among, _60 Which many an envious slave then breathed in vain From his dim dungeon, and my spirit sprung To meet thee from the woes which had begirt it long!

8.

No more alone through the world's wilderness, Although I trod the paths of high intent, _65 I journeyed now: no more companionless, Where solitude is like despair, I went.-- There is the wisdom of a stern content When Poverty can blight the just and good, When Infamy dares mock the innocent, _70 And cherished friends turn with the mult.i.tude To trample: this was ours, and we unshaken stood!

9.

Now has descended a serener hour, And with inconstant fortune, friends return; Though suffering leaves the knowledge and the power _75 Which says:--Let scorn be not repaid with scorn.

And from thy side two gentle babes are born To fill our home with smiles, and thus are we Most fortunate beneath life's beaming morn; And these delights, and thou, have been to me _80 The parents of the Song I consecrate to thee.

10.

Is it that now my inexperienced fingers But strike the prelude of a loftier strain?

Or, must the lyre on which my spirit lingers Soon pause in silence, ne'er to sound again, _85 Though it might shake the Anarch Custom's reign, And charm the minds of men to Truth's own sway Holier than was Amphion's? I would fain Reply in hope--but I am worn away, And Death and Love are yet contending for their prey. _90

11.

And what art thou? I know, but dare not speak: Time may interpret to his silent years.

Yet in the paleness of thy thoughtful cheek, And in the light thine ample forehead wears, And in thy sweetest smiles, and in thy tears, _95 And in thy gentle speech, a prophecy Is whispered, to subdue my fondest fears: And through thine eyes, even in thy soul I see A lamp of vestal fire burning internally.

12.

They say that thou wert lovely from thy birth, _100 Of glorious parents thou aspiring Child.

I wonder not--for One then left this earth Whose life was like a setting planet mild, Which clothed thee in the radiance undefiled Of its departing glory; still her fame _105 Shines on thee, through the tempests dark and wild Which shake these latter days; and thou canst claim The shelter, from thy Sire, of an immortal name.

13.

One voice came forth from many a mighty spirit, Which was the echo of three thousand years; _110 And the tumultuous world stood mute to hear it, As some lone man who in a desert hears The music of his home:--unwonted fears Fell on the pale oppressors of our race, And Faith, and Custom, and low-thoughted cares, _115 Like thunder-stricken dragons, for a s.p.a.ce Left the torn human heart, their food and dwelling-place.

14.

Truth's deathless voice pauses among mankind!

If there must be no response to my cry-- If men must rise and stamp with fury blind _120 On his pure name who loves them,--thou and I, Sweet friend! can look from our tranquillity Like lamps into the world's tempestuous night,-- Two tranquil stars, while clouds are pa.s.sing by Which wrap them from the foundering seaman's sight, _125 That burn from year to year with unextinguished light.

NOTES.

_54 cloaking edition 1818. See notes at end.