Strong as Death Part 10

Certainly, they were different, but at the same time so much alike that the latter was veritably a continuation of the former, made of the same blood, the same flesh, animated by the same life. Their eyes, above all, those blue eyes flecked with tiny black drops, of such a brilliant blue in the daughter, a little faded in the mother, fixed upon him a look so similar that he expected to hear them make the same replies. And he was surprised to discover, as he made them laugh and talk, that before him were two very distinct women, one who had lived and one who was about to live. No, he did not foresee what would become of that child when her young mind, influenced by tastes and instincts that were as yet dormant, should have expanded and developed amid the life of the world. This was a pretty little new person, ready for chances and for love, ignored and ignorant, who was sailing out of port like a vessel, while her mother was returning, having traversed life and having loved!

He was touched at the thought that she had chosen himself, and that she preferred him still, this woman who had remained so pretty, rocked in that landau, in the warm air of springtime.

As he expressed his grat.i.tude to her in a glance, she divined it, and he thought he could feel her thanks in the rustle of her robe.

In his turn he murmured: "Oh, yes, what a beautiful day!"

When they had taken up the d.u.c.h.ess, in the Rue de Varenne, they spun along at a swift pace toward the Invalides, crossed the Seine, and reached the Avenue des Champs-Elysees, going up toward the Arc de triomphe de l'Etoile in the midst of a sea of carriages.

The young girl was seated beside Olivier, riding backward, and she opened upon this stream of equipages wide and wondering eager eyes.

Occasionally, when the d.u.c.h.ess and the Countess acknowledged a salutation with a short movement of the head, she would ask "Who is that?" Bertin answered: "The Pontaiglin," "the Puicelci," "the Comtesse de Lochrist," or "the beautiful Madame Mandeliere."

Now they were following the Avenue of the Bois de Boulogne, amid the noise and the rattling of wheels. The carriages, a little less crowded than below the Arc de Triomphe, seemed to struggle in an endless race.

The cabs, the heavy landaus, the solemn eight-spring vehicles, pa.s.sed one another over and over again, distanced suddenly by a rapid victoria, drawn by a single trotter, bearing along at a reckless pace, through all that rolling throng, _bourgeois_ and aristocratic, through all societies, all cla.s.ses, all hierarchies, an indolent young woman, whose bright and striking toilette diffused among the carriages it touched in pa.s.sing a strange perfume of some unknown flower.

"Who is that lady?" Annette inquired.

"I don't know," said Bertin, at which reply the d.u.c.h.ess and the Countess exchanged a smile.

The leaves were opening, the familiar nightingales of that Parisian garden were singing already among the tender verdure, and when, as the carriage approached the lake, it joined the long file of other vehicles at a walk, there was an incessant exchange of salutations, smiles, and friendly words, as the wheels touched. The procession seemed now like the gliding of a flotilla in which were seated very well-bred ladies and gentlemen. The d.u.c.h.ess, who was bowing every moment before raised hats or inclined heads, appeared to be pa.s.sing them in review, calling to mind what she knew, thought, or supposed of these people, as they defiled before her.

"Look, dearest, there is the lovely Madame Mandeliere again--the beauty of the Republic."

In a light and dashing carriage, the beauty of the Republic allowed to be admired, under an apparent indifference to this indisputable glory, her large dark eyes, her low brow beneath a veil of dusky hair, and her mouth, which was a shade too obstinate in its lines.

"Very beautiful, all the same," said Bertin.

The Countess did not like to hear him praise other women. She shrugged her shoulders slightly, but said nothing.

But the young girl, in whom the instinct of rivalry suddenly awoke, ventured to say: "I do not find her beautiful at all."

"What! You do not think her beautiful?" said the painter.

"No; she looks as if she had been dipped in ink."

The d.u.c.h.ess, delighted, burst into laughter.

"Bravo, little one!" she cried. "For the last six years half the men in Paris have been swooning at the feet of that negress! I believe that they sneer at us. Look at the Comtesse de Lochrist instead."

Alone, in a landau with a white poodle, the Countess, delicate as a miniature, a blond with brown eyes, whose grace and beauty had served for five or six years as the theme for the admiration of her partisans, bowed to the ladies, with a fixed smile on her lips.

But Nanette exhibited no greater enthusiasm than before.

"Oh," she said, "she is no longer young!"

Bertin, who usually did not at all agree with the Countess in the daily discussions of these two rivals, felt a sudden irritation at the stupid intolerance of this little simpleton.

"Nonsense!" he said. "Whether one likes her or not, she is charming; and I only hope that you may become as pretty as she."

"Pooh! pooh!" said the d.u.c.h.ess. "You notice women only after they have pa.s.sed the thirtieth year. The child is right. You admire only _pa.s.see_ beauty."

"Pardon me!" he exclaimed; "a woman is really beautiful only after maturing, when the expression of her face and eyes has become fully developed!"

He enlarged upon this idea that the first youthful freshness is only the gloss of riper beauty; he demonstrated that men of the world were wise in paying but little attention to young girls in their first season, and that they were right in proclaiming them beautiful only when they pa.s.sed into their later period of bloom.

The Countess, flattered, murmured: "He is right; he speaks as an artist.

The youthful countenance is very charming, but it is always a trifle commonplace."

The painter continued to urge his point, indicating at what moment a face that was losing, little by little, the undecided grace of youth, really a.s.sumed its definite form, its true character and physiognomy.

At each word the Countess said "Yes," with a little nod of conviction; and the more he affirmed, with all the heat of a lawyer making a plea, with the animation of the accused pleading his own cause, the more she approved, by glance and gesture, as if they two were allied against some danger, and must defend themselves against some false and menacing opinion. Annette hardly heard them, she was so engrossed in looking about her. Her usually smiling face had become grave, and she said no more, carried away by the pleasure of the rapid driving. The sunlight, the trees, the carriage, this delightful life, so rich and gay--all this was for her!

Every day she might come here, recognized in her turn, saluted and envied; and perhaps the men, in pointing her out to one another, would say that she was beautiful. She noticed all those that appeared to her distinguished among the throng and inquired their names, without thinking of anything beyond the mere sound of the syllables, though sometimes they awoke in her an echo of respect and admiration, when she realized that she had seen them often in the newspapers or heard stories concerning them. She could not become accustomed to this long procession of celebrities; it seemed unreal to her, as if she were a part of some stage spectacle. The cabs filled her with disdain mingled with disgust; they annoyed and irritated her, and suddenly she said:

"I think they should not allow anything but private carriages to come here."

"Indeed, Mademoiselle!" said Bertin; "and then what becomes of our equality, liberty and fraternity?"

Annette made a moue that signified "Don't talk about that!" and continued:

"They should have a separate drive for cabs--that of Vincennes, for instance."

"You are behind the times, little one, and evidently do not know that we are swimming in the full tide of democracy. But, if you wish to see this place free from any mingling of the middle cla.s.s, come in the morning, and then you will find only the fine flower of society."

He proceeded to describe graphically, as he knew well how to do, the Bois in the morning hours with its gay cavaliers and fair Amazons, that club where everyone knows everyone else by their Christian names, their pet names, their family connections, t.i.tles, qualities, and vices, as if they all lived in the same neighborhood or in the same small town.

"Do you come here often at that hour?" Annette inquired.

"Very often; there is no more charming place in Paris."

"Do you come on horseback in the mornings?"

"Yes."

"And in the afternoon you pay visits?"

"Yes."

"Then, when do you work?"

"Oh, I work--sometimes; and besides, you see, I have chosen a special entertainment suited to my tastes. As I paint the portraits of beautiful women, it is necessary that I should see them and follow them everywhere."

"On foot and on horseback!" murmured Annette, with a perfectly serious face.

He threw her a sidelong glance of appreciation, which seemed to say: "Ah! you are witty, even now! You will do very well."

A breath of cold air from far away, from the country that was hardly awake as yet, swept over the park, and the whole Bois, coquettish, frivolous, and fashionable, shivered under its chill. For some seconds it caused the tender leaves to tremble on the trees, and garments on shoulders. All the women, with a movement almost simultaneous, drew up over their arms and chests their wraps lying behind them; and the horses began to trot, from one end of the avenue to the other, as if the keen wind had flicked them like a whip.

The Countess's party returned quickly, to the silvery jingle of the harness, under the slanting red rays of the setting sun.