Six Moon Dance Part 8

"How'd you get into a History House?" she asked. "Tapped, or on purpose?"

"I was being tapped," he admitted. "I was attending school in town where family is living. There, in the school, I am being always ... what is called a laughjerker ...?"

"A clown?"

"You are knowing the exact word. Clown, yes. Everything is being a joke for the face and for the voice and for the legs, always being funny, always making the laughter, always falling down so much they are calling me Bao Bao Down. So many times I was having the settle-down speech, the school was getting tired of saying it. So, instead, they were giving me the test battery, and as soon as I was reaching twelve years, my family was being told I am born actor, born comic, born Kabuki dancer for women's parts-all Kabuki is dancing by men, you know ..."

"I didn't know. Why?"

"Oh, long ago s.e.x-workers were dancing Kabuki to be fetching customers, so Emperor was issuing decree that only men could be dancing. My life is being like your life. I am having foster uncle and three brothers also with miseries, and I am learning in the theater school, in the dance school. I am playing parts of women characters in Kabuki; princess so-so in j.a.panese drama; jokey fisherman wife in China Sea; fall-down silly daughter of man who is keeping cormorants." He shrugged. "That one is fun, much miming of being in rocking boat, making whole audience seasick. Now I am dancing most of time, and for rotation I am doing weird empress or being strange holy woman." He folded his arms, half closed his eyes and gazed directly ahead with a lofty, detached expression of infinite disdain. "Very wise. I am memorizing whole book of Confucian a.n.a.lects."

"Tell me an a.n.a.lect," she begged.

"Major principles suffer no transgression. Minor principles allow for compromise."

"What does it mean?"

"It must be meaning my dancing is a minor principle," he said, laughing. "For my career is being compromised."

"I guess that's how I feel, too."

"Then we are agreeing on two things."

"Two?"

"We are agreeing on what is minor and what is principle."

She sat back, suddenly relaxed. This duty might not be so bad. He seemed all right. The expression on her face was mirrored on his, and they both smiled, pleased to be with one another, beginning to antic.i.p.ate whatever it was that was coming. The server interrupted this calm to bring Gandro's sandwich, which he sniffed at, tasted, and p.r.o.nounced real-or so close as made no difference.

Though soothed, Ellin was not entirely willing to give up worrying. "You know, even though we're both History House contractees, even though we think we know the period, this Newholme could be totally different from anything we know about."

"Oh," he nodded, chewing, his face very serious, "I am having no doubt about that. I am sure it is being very, very strange."

15.

Meeting MarooI Mantelty.

West of Sendoph, the terraces were narrower and steeper than in the farmlands to the east, climbing from the river in a great stair flight that ended on a final set of wooded ridges where the homes of the elite were built, very near the wilderlands. There among others of its kind stood the mansion of Mistress Marool Mantelby-Monstrous Marool, as she was known to some-the youngest of eight sisters, whose parents had done Marool great services firstly by having had no sons, and secondly by having died along with their eldest daughter, after they had sold off six younger daughters but before they had been able to sell Marool herself.

Her prosperity had come upon her thuswise: Margon g'Mantelby the elder, Marool's grandfather, had dowered in for his son, Margon Jr., a very expensive daughter of the Rikajors, a family known to run to girls. Though the Rikajor girls had a high opinion of themselves, Margon Jr. was an acceptable if not intelligent candidate, and the Mantelby fortune, gained through the fiber trade, was large and growing. Margon g'Mantelby's offer was accepted, and Stella was dowered in to the Mantlebys.

In the first five years of their marriage Stella outdid herself in the production of five daughters, all born at home. Though the Margons, Sr. and Jr., gave every public evidence of pleasure in accepting the congratulations of their peers, they were heard to remark among friends that a male child would have been acceptable. The girls, after all, would be dowered away from the line. Where were the Margon sons to continue the line itself? Who would inherit? One did not want as heir a dowered-out n.o.body! One wanted a son as like oneself as possible!

Mayelan, the eldest daughter, and her two oldest sisters were much cosseted. The next two were not so much admired. Margon Sr. had died by the time numbers six and seven, twins, were born, and the last daughter, Marool, born three years after her next sister, was the straw-so Margon said in private-that f.u.c.ked the camel. It had been the last attempt to produce a son, as Margon and Stella had been married ten years, and Stella's contract provided that after that term she might select a Hunk to keep her company and take her about the city and do what Hunks were known to do so well.

Thus Marool was born into a house in which fortune was a.s.sured, domestic tranquility was without fault, and her father seldom talked with her mother. Or vice versa. The Hunk was very nice, but he was her mother's Hunk, and though Hunks were taught to cosset children, they were also cautioned not to overdo it. Girls could be ruined by too much charm too early in their lives, for the reality of marriage would then come as too great a shock.

In truth, the Hunk was not even tempted to cosset Marool. Unlike her sisters-tall, pale girls with blunted edges, like monuments of warm wax-Marool was dark and pudgy in the places she was not sharp, the first of her many contradictions. She was born angry. Her first words, to her heedless chatron-nanny, were "I hate you." In this, as in most of her later life, she was completely truthful, for she did not care enough about anyone's opinion to lie. When Marool was eight, her second oldest sister was dowered in by a wealthy family, followed by the next oldest sister, and so on each year until Marool was almost fourteen. At that point she became the only child left in the house except for Mayelan, the heiress, who had not yet found a man who was both willing to dower out and rich enough to tempt Stella and Margon. With the other daughters gone, family attention, long distracted, turned in Marool's direction. There was, her parents felt, no point in keeping her as a family member. Since she had been allowed to run rather wild, she would need some work before she could be offered for dower. They decided to hire a team of Hagger trainers to clean her up and teach her to behave in a civilized manner. If that didn't work out, they would offer her for Temple Service.

Rooly, as she called herself, was informed of these plans, at which point the resentment she had been stoking since she was in the nursery was ignited. There was a good deal of it to burn, and burn it did, with a sullen, consuming flame. She had been just another girl in an establishment where a son was desperately wanted. She was a disappointment. Well, so were they.

On her fourteenth birthday, Marool was reintroduced to her mother, who at first frowned at this dark changeling, trying to recall her name, and who then tried, during the ride to the Temple, to come up with a description of Marool that would appeal to the Hags. Many, many girls were picked for Temple Service; sometimes an only daughter was picked. Stella Rikajor, however, had thus far lost none of her daughters to the Temple, nor had her mother before her. The Rikajor family supported the Temple lavishly, and their generosity had been kept in mind.

Stella decided she would be honest about Marool and simply ask the Hags for a favor. While Stella was about this business, Marool herself slipped away into the Sanctuary to ask a few innocent-seeming questions. By the time she was rejoined by her disappointed mother-the Hags had not been responsive to Stella's needs-Marool had the information she needed.

The following morning, Marool returned to the Temple alone. Though she was not supposed to leave the Mantelby mansion, she had sneaked into town often enough to know the way.

"I want to see the directory of Hagions," she said to the two Hags on duty, D'Jevier and Onsofruct. Both were taken aback by this request from one so young and so unprepossessing in appearance. Marool was, in truth, very unkempt and disheveled, though, as D'Jevier remarked later, her manner forbade any motherly attempt to either kempt or hevel her. D'Jevier was not unkindly, and though she felt some antipathy toward the girl, she made herself be generous.

"What are you seeking, Marool? Perhaps it is something I can help you with?"

Marool sneered. "Unless you're one of eight sisters, you can help me with nothing, Madam. It is my right to see the directory of Hagions."

The cousins, though nettled at her manner, were rather intrigued by the request. The girl confronting them was bristling with anger, every tangle on end, like a burr-bit cat, puffed up out of all good sense. Very well, the Hags thought, sharing a knowing glance. Let her peruse the directory of Hagions. She would soon weary of it.

They went into the Temple proper. The seating area sloped down to an oval dais with a curved back wall against which stood the three effigies of the Hagions, marmoreal images four times the height of a woman, each the likeness of robes draped around a female figure, but with only an emptiness inside. The robe to the left shaped a slender form, the robe to the center a stouter one, the robe to the right was somewhat slumped, as though the one who wore it was aged. Where the faces might have shown beneath the hoods or where hands might have protruded from sleeves were only vacancies. Before each image were cushions to kneel upon, and at the center, as though at the focus of a dozen pairs of invisible eyes, stood a low lectern with a kneeling bench. Upon the lectern lay the directory of Hagions, the names of all the female deities ever worshipped by mankind, each with an account of her characteristics and rites.

Marool ignored the tabs that would have led to one of the more healthful, "normal" deities. Instead, she knelt at the directory and began to turn its pages, leaf by leaf. The Hags left her there. At noon, she went away, returning some time later to continue her perusal. When it grew too dark to see in the Temple, she left it, only to return on the following morning, and thus two days pa.s.sed. Late afternoon on the second day, she left the lectern and went to kneel before the center image.

D'Jevier, who had become interested in this process, was watching from the back of the Temple. She saw the hollow robe waver, as though something inside it moved. She closed her eyes, and when she opened them it was to see a fiery presence peering out of the hood, not at her, but at the kneeling girl, and a fiery hand held out, as though in welcome. She closed her eyes again, disbelieving, and when she opened them for a second time, she saw Marool rising from before the empty effigy. Though D'Jevier told herself she had imagined it, for a moment she was sure she saw that the carved marble around the opening of the hood had been blackened by fire.

As Marool pa.s.sed her, going up the aisle, D'Jevier kept her eyes slightly averted, though not so far averted that she did not see the terrible and triumphant smile which lent a horrid allure to the girl's features.

"A smile," she said to her sister Onsofruct, "such as a demon in h.e.l.l might wear. The smile of a fiend."

"What Hagion did she pray to?"

D'Jevier shook her head. "I didn't look."

"Is the book still open?"

"I think so."

They went to look. The name at the top of the page was not familiar to them: Morrigan. They read what was written below and turned toward one another with horrified expressions.

"Oh, by all the Hagions of life," whispered Onsofruct. "Why would a child of that age choose to worship the patroness of s.e.xual torture and death? Which image?"

D'Jevier indicated the center one, noticing there was, in fact, no blackening around the hood. "The strong one," she said. "The being in its greatest physical strength."

They closed the book. D'Jevier thought of cutting out the page. She could not, of course. Everything she had learned as a Hag instructed her that dark pages of death and destruction were part of the book, along with bright pages of pleasure and health. Still, she resolved to take the earliest opportunity to speak to Stella Rikajor g'Mantelby about her daughter.

Any speaking would have come too late, for Marool had left the Temple with Morrigan's name dissolving on her tongue like a poisonous candy, sweetly fatal, and she did not return home. Instead, she stalked down the stony stairs to the walkway beside the Giles and along it until she encountered a small group of those supernumes, losers and layabouts who lived beneath the bridges and viaducts of Sendoph and called themselves, unimaginatively enough, the Wasters. Though she had not met them before, she went to them unerringly and did not return to her parents again.

Among the Wasters, she continued to call herself Rooly, avoiding any use at all of the Mantelby name. Having access to money was not a good idea in this company. Those with money were victims. If she was known to come from a wealthy family, she could neither exist in happy a.s.sociation with her fellow predators nor take part in their forays, and Marool intended to be one of them in all respects.

She obtained a black knit garment that started above the b.r.e.a.s.t.s and ended above the knees and over this a collection of veils, cloths, drapes, or skins brought together more for their appearance of defiant dilapidation than for any purpose of warmth or protection. She poked bones through her ears and painted her face and body in ugly colors. Everyone around her wore similar garments, poked various things through their ears or other parts, and painted themselves, for this was their fashion, their statement, their comment upon society.

The Wasters weren't numerous, a few score at most. They found shelter where they might, under bridges, or in culverts, or in abandoned barns or falling-down warehouses or anywhere else that offered modest cover from the rain, which was frequent, and the snow, which was not. They sometimes stole their food, sometimes extorted it from pa.s.sers-by, sometimes traded for it the items they had looted. A few of them wore their hair twisted on top of their heads, the knot hidden inside the dried skull of a carrion bird and fastened there with thigh bones thrust through the eye holes to signify they would kill for what they wanted, and Marool soon and zealously joined this subgroup for, perhaps coincidentally, the carrion bird was the symbol of Morrigan.

The Wasters' lives were made tolerable and even amusing through the constant use of drugs, preferably one called Dingle, or Nosmell, an extract of the ubiquitous Dingleberry that grew anywhere a square inch of soil received one drop of rain. It could be smoked or drunk or eaten or even bathed in if one had enough of the leaves to steep a tubful. It had a long lasting euphoric effect and only a few minor side effects, one being a temporary loss of libido and fertility and another being the permanent loss of the sense of smell and taste, which, considering the way the Wasters lived, could be considered an a.s.set.

By the time she was fifteen, Rooly existed in a state of permanent Dingle-float interrupted by occasional and transitory rages. Her happiest times were when she was torturing someone or when she and her colleagues threw a bale of Dingle into a hot springs and soaked in it until the solution was too diluted to maintain the feeling of disembodied joy. Once in a while Marool thought about her parents and her intention to kill them. The G.o.ddess had promised her their deaths, but the time didn't yet seem ripe.

When Rooly was something over seventeen and well versed in ma.s.sacre, a new man introduced himself into the group. He was older than most of them, larger, certainly, with a thick, powerful body. He did not dress as the rest of them did, preferring tight trousers and a wellmade cloak of some water resistant fabric. He was also different in some way that Marool could not define, as though he had come from some other place or had, perhaps, once spoken some other language.

"Who is he?" Rooly asked her companion, Dirt, casually, not caring much.

"Ashes, his name is," said Dirt. "Blue s.h.i.t knows him."

"He's fat. He's got a bulge around his middle."

"He's not fat. He just carries a money belt or something."

"Well, if he's one of us, he'll get no fatter."

Which was true. Ashes got no fatter. He got no thinner, either, which might have been enough to create some suspicion if anyone in the group had been capable of rational and connected thought. Ashes came and went and came and went. The others commented that Ashes had something odd about him, his eyes, maybe, or the whip he kept wrapped around his waist under his coat. Ashes seemed uninterested in Dingle, but greatly interested in s.e.x.

All this Rooly noticed without caring one way or the other, and she was completely surprised when Ashes caught her by the arm one day and dragged her away into the woods where he had made a rough camp and where they might be, so he said, private. What happened next was astonishing, for Ashes gave her something other than Dingle to keep her happy, and he did not let her go back to the others. He kept her with him for a day, then another, and never during the course of those days did he cease stroking her and touching her, and putting his mouth on this part of her and that, and giving her more of the stuff he had, until she was in a frenzy she had never felt before.

"Oh, don't, don't," she pled. "Oh, stop, stop."

"Never," he said. "No. Now we'll do this. Now we'll do that," which he did, endlessly. Whenever she objected more strenuously, he merely fed her a bit of the stuff which was not Dingle and went on turning her tighter and tighter. Every breath became a game with what his fingers did, what his tongue did, what he did with that strange whip. Every time her body flamed, he quenched it only a little, then set about stoking it again.

He did nothing to release her from it. He built her l.u.s.t into a fire that burned hotter and hotter, never letting it come to culmination. Two full days of it, she had, until she begged him, at last, not to let her go but to get on with it, and only then he gave her what she pled for in a way she could not afterward quite remember. The whip was a great part of it, but she could not recollect how, and there were no scars.

The episode was repeated. It was the third or fourth time before she realized they were being observed, that all of it was being observed, from the first touch to the last, all of it was being noted by avid eyes, hungry for sensation, people hiding in the underbrush whom she could not quite see. She thought they were people. Perhaps they weren't people. She was too heated to care who watched. Besides, she had a sense that all of it was meant, planned, a part of some larger whole to which she was dedicated. Sometimes, during her couplings with Ashes, she would murmur Morrigan's name.

But then, in a tenday or two, Rooly found herself sick, really sick, vomiting and gasping like a fish, and any taste of the drug made her worse. Ashes took her by her ear and whispered deep into it, "That's my child you carry, lady. That's my daughter you bear. And I'll be back for her."

Then he went away.

Rooly had been pregnant several times, or thought she had, but each time she had miscarried. This time she did not miscarry, or at least she had not a short time later when the Mantelbys' men of business descended on her to tell her that her parents and her eldest sister were dead.

The Mantelby men extricated Rooly from among her fellows as they might an oyster from its sh.e.l.l, efficiently, quickly, not caring who got hurt in the process. Her parents and eldest sister, she was told, had gone for a picnic, though such entertainments were totally foreign to them. They had gone together, though Margon and Stella had gone nowhere together since the Hunk had come. They had gone to a high place, though Stella was afraid of heights, and then, somehow, all three of them had fallen from that height to their deaths. Everyone was surprised and shocked and disbelieving, except Rooly, who remained indifferent.

Margon Mantelby Sr. was dead, Margon Mantelby Jr. had no living brothers. Since Marool's eldest sister was now dead and her other sisters had been dowered into other families, Marool was the only Mantelby remaining. She inherited the name and the fortune, swollen as it was by the prices paid for six brides. Several of her sisters served notice they would contest this ruling on the grounds of moral incompetence. Marool was promiscuous; Marool was even then pregnant by the Hagions-knew-whom, and was therefore guilty of mismothering; she had done the Hagions-knew-what while among the Wasters and she was unfit to manage House Mantelby under the Mantelby name.

Marool-awakened by greed and a few days abstinence to an appreciation of the life she had long despised-denied it all. She went to the Temple, where she knelt before the same effigy as before. D'Jevier, fascinated despite herself, hovered near the curtained arch, observing. Marool was no longer a pudgy girl, but a woman lean as a snake, every plane of her face tight drawn around huge eyes that were dark and full of fire, casting the terrible allure that D'Jevier had noted before.

Once again the marble robe filled with fire and once again the fiery hand reached out to touch Marool, as though in blessing. When Marool came calmly from the Sanctuary, she told D'Jevier that she had vowed a religious pilgrimage to the Daughter House of the Hagions at the new city of Nehbe, along the coast to the east, a pilgrimage made in memory of her parents. Could D'Jevier a.s.sist her by appointing someone in Temple Service to look after the Mantelby estate in Marool's absence? At the usual rates, of course. Marool would, she said, be generous.

D'Jevier nodded, though she had to struggle to keep her face and voice calm. She agreed to send a factotum from the Temple plus an efficient Man of Businesss to keep everything running while Marool was away.

It was almost a year later when Marool returned in the company of several Haggers she had picked up somewhere. She came openly to the Temple and to the theater. She was clean, decently dressed, and certainly not pregnant. When her sisters sought witnesses to her alleged immorality or promiscuity or any of the rest of it, none could be found. The Wasters had disappeared. Marool's closest a.s.sociates, or at least those who had known most about her, were simply gone, no one knew where. No one knew anything about a child, there was no evidence of the rumored child itself and Marool could not be convicted of mismothering.

Marool's well-paid agents reported that all her former acquaintances had been taken care of-except for one. The man she had called Ashes could not be found, not in any city or town inhabited by mankind, and all of them had been searched. When her agents had reported this, Marool had felt a momentary pang of fear, quickly overcome. If he showed up, she said, see to him. If he never showed up, who cared. It was his word against hers, and she was a Mantelby. She had either forgotten or chosen not to remember those avid but anonymous eyes in the underbrush which denoted a host of witnesses.

Outwardly, currently, she was a woman reformed, settled down among her Haggers to the enjoyments afforded by the Mantelby estate, of which there were many. She was secretive, however, about many things: her pastimes, her pleasures, the odd, bulky shipments she received now and then from someone living near Nehbe. Inwardly, always, she was still the follower of Morrigan, Monstrous Marool.

16.

The Amatory Arts: Stories Women Tell.

Early on in House Genevois, Mouche had made two good friends, a dark, wiry and slightly older boy named Fentrys and a ruddy-haired, brown-skinned lad of his own age named Tyle who came up into the suites about the time Mouche himself did. Simon had housed the three of them close together in the suites, for he believed in friendship and solidarity and the three boys were alike in being rather bookish, a trait sneered at by many Hunks, though Madame encouraged the trait among those with a taste for it, finding it a saleable characteristic among her more discriminating customers. When a patroness grew weary of bedsports, she might enjoy a good book read in a wellschooled voice. And when, eventually, a patroness outlived bedsports, she had not necessarily outlived her enjoyment of a good show, a good fencing display, a good song, or a good tale.

The boys studied together. They found, as had generations before them, that the Amatory Arts practice cla.s.ses were more interesting than the theory lectures. In order to minimize study time, they divided the material into thirds, with each of them being responsible for part of it, feeling that if they volunteered often enough, they wouldn't be called upon.

Today they waited, poised, as Madame said: "Our job, in essence, is to make married women contented and happy. On other planets, married women, whether matched through arrangement or romance, usually rank lowest in contentment among gender and marital groups. Who can give me the reason for this?"

This was in Mouche's third of the reading material, and he raised his hand to receive her nod.

"Madame, married men are most content, for they are cared for by their wives. If a woman is unmarried, she is contented to care for herself. Some unmarried men maybe don't care for themselves that easily, but they have no other responsibilities. But a married woman usually has to care for her husband, her children, and her household, even if she has other work, and usually she receives little care in return. So, she is least contented of all."

"You are speaking historically?"

"Oh, yes, Ma'am. Historically." He bit his lip. As Madame said, it was necessary to keep in mind that what had had been done was not necessarily what been done was not necessarily what should should be done. be done.

"Here on Newholme, love is not considered a requisite of marriage," Madame continued. "If the couple is fortunate, their s.e.xual encounters will be not unpleasant, and if they are not fortunate in that regard, at least the unpleasantness will be infrequent and brief. We have medications that a.s.sist women in tolerating it.

"But as Mouche has said, women have many duties, some of which are painful, all of which are arduous, many of which are thankless. In consideration of this, the Hags have decreed that women are ent.i.tled to compensatory joys. Having done their duty to the family, they are ent.i.tled to the rewards of sensuality and romance, which is, of course, why you gentlemen are here.

"Tyle, discuss primary sensuality."

Tyle was busy taking notes. He wrote down, "Tyle, discuss," before he thought, then looked up flushing, to find half the cla.s.s sn.i.g.g.e.ring at him.

"Ah, Madame, well, ah, women respond to the sensuality they remember as babies or children. When a baby is tended it is cuddled and sung to and fed, and talked to ..."

"Endlessly," said Madame, severely. "Endlessly communicated with, if only in baby talk. There is playfulness in this and an innocent sensuality. Women who were well treated as infants remember the feeling of this warmth and acceptance, if only subconsciously. They like being sensuously cuddled and affectionately talked to. They like being given sweets or wine and playfully admired for their own accomplishments, even if these are minimal. Now, why do men not see this?

"Mouche?" she said, turning suddenly to give him a wicked look. "Why do men not see this?"

He flushed, scrambling through his memory of last night's reading. "Oh, Madame, the book says ... ah, it says ..." He stared at the ceiling for inspiration.

Tyle spoke up, "Men get ranked by their peers on the battleground, in business, or in games, where n.o.body gets cuddled and you have to be almost... heroic to be noticed at all."

Mouche grimaced and offered, "We know this is true, just from fencing cla.s.s. You have to be very, very good before the master says anything except, 'Next boy.' "