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SEVENTEEN.
I had taken a cab from Morton Street to Donna's place on East Seventeenth. Now I took another to Kim's building on Thirty-seventh. As I paid the driver I realized I hadn't made it to the bank. Tomorrow was Sat.u.r.day, so I'd have Chance's money on my hands all weekend. Unless some mugger got lucky.
I lightened the load some by slipping five bucks to the doorman for a key to Kim's apartment, along with some story about acting as the tenant's representative. For five dollars he was eager to believe me. I went up to the elevator and let myself in.
The police had been through the place earlier. I didn't know what they were looking for and couldn't say what they found. The sheet in the file Durkin showed me hadn't said much, but n.o.body writes down everything that comes to his attention.
I couldn't know what the officers on the scene might have noticed. For that matter, I couldn't be sure what might have stuck to their fingers. There are cops who'll rob the dead, doing so as a matter of course, and they are not necessarily men who are especially dishonest in other matters.
Cops see too much of death and squalor, and in order to go on dealing with it they often have the need to dehumanize the dead. I remember the first time I helped remove a corpse from a room in an SRO hotel. The deceased had died vomiting blood and had lain there for several days before his death was discovered. A veteran patrolman and I wrestled the corpse into a body bag and on the way downstairs my companion made sure the bag hit every single step. He'd have been more careful with a sack of potatoes.
I can still recall the way the hotel's other residents looked at us. And I can remember how my partner went through the dead man's belongings, scooping up the little cash he had to his name, counting it deliberately and dividing it with me.
I hadn't wanted to take it. 'Put it in your pocket,' he told me. 'What do you think happens to it otherwise? Somebody else takes it. Or it goes to the state. What's the state of New York gonna do with forty-four dollars? Put it in your pocket, then buy yourself some perfumed soap and try to get this poor f.u.c.ker's stink off your hands.'
I put it in my pocket. Later on, I was the one who bounced bagged corpses down the stairs, the one who counted and divided their leavings.
Someday, I suppose, it'll come full circle, and I'll be the one in the bag.
I spent over an hour there. I went through drawers and closets without really knowing what I was looking for. I didn't find very much. If she'd had a little black book full of telephone numbers, the call girl's legendary stock in trade, someone else had found it before I did. Not that I had any reason to a.s.sume she'd had such a book. Elaine kept one, but Fran and Donna had both told me they didn't.
I didn't find any drugs or drug paraphernalia, which proved little in and of itself. A cop might appropriate drugs just as he'd take money from the dead. Or Chance might have picked up any contraband that he found lying around. He'd said that he visited the apartment once after her death. I noticed, though, that he'd left the African masks. They glared at me from their spot on the wall, guarding the premises on behalf of whatever eager young wh.o.r.e Chance would install in Kim's place.
The Hopper poster was still in place over the stereo. Would that stay behind for the next tenant, too?
Her spoor was all over the place. I breathed it when I went through the clothes in her dresser drawers and in her closet. Her bed was unmade. I lifted the mattress, looked under it. No doubt others had done so before me. I didn't find anything and I let the mattress fall back into place, and her spicy scent rose from the rumpled bedclothing and filled my nostrils.
In the living room, I opened a closet and found her fur jacket, other coats and jackets, and a shelf full of wine and liquor bottles. A fifth of Wild Turkey caught my eye, and I swear I could taste that rich overproof bourbon, could feel the bite of it in my throat, the hot rush flowing down to my stomach, the warmth spreading clear to my toes and fingers. I closed the door, crossed the room and sat down on the couch. I hadn't wanted a drink, hadn't so much as thought of a drink in hours, and the unexpected glimpse of a bottle of booze had caught me unawares.
I went back to the bedroom. She had a jewelry box on the top of her dressing table and I went through it. A lot of earrings, a couple of necklaces, a string of unconvincing pearls. Several bangle bracelets, including an attractive one made of ivory and trimmed in what looked to be gold. A gaudy cla.s.s ring from LaFollette High in Eau Claire, Wisconsin. The ring was gold, stamped 14K on the inside, heavy enough by the feel of it to be worth something.
Who would get all of this? There had been some cash in her bag at the Galaxy Downtowner, four hundred bucks and change according to the note in her file, and that would probably wind up going to her parents in Wisconsin. But would they fly in and claim her coats and sweaters? Would they take possession of the fur jacket, the high school ring, the ivory bracelet?
I stayed long enough to make a few notes and managed to get out of there without again opening the front closet. I rode the elevator to the lobby, waved at the doorman and nodded at an entering tenant, an elderly woman with a small short-haired dog on a rhinestone-studded leash. The dog yipped at me, and I wondered for the first time what had become of Kim's little black kitten. I'd seen no traces of the animal, no litter pan in the bathroom. Someone must have taken it.
I caught a cab at the corner. I was paying it off in front of my hotel when I found Kim's key with my pocket change. I hadn't remembered to return it to the doorman, and he hadn't thought to ask me for it.
There was a message for me. Joe Durkin had called and left his number at the precinct. I called and was told he was out but was expected back. I left my name and number.
I went up to my room, feeling winded and tired. I lay down but I couldn't get any rest that way, couldn't turn off the tapes in my head. I went downstairs again, had a cheese sandwich and french fries and coffee. Over a second cup of coffee I took Donna Campion's poem out of my pocket. Something about it was trying to get through to me but I couldn't figure out what. I read it again. I didn't know what the poem meant; a.s.suming that it was intended to have any literal meaning. But it seemed to me that some element of it was winking at me, trying to get my attention, and I was just too brain damaged to catch on.
I went over to St. Paul's. The speaker told a horrible story in a chatty matter-of-fact fashion. Both his parents had died of alcoholism, his father of acute pancreat.i.tis, his mother of suicide committed while drunk. Two brothers and a sister had died of the disease. A third brother was in a state hospital with a wet brain.
'After I was sober a few months,' he said, 'I started hearing how alcohol kills brain cells, and I got worried about how much brain damage I might have. So I went to my sponsor and told him what was on my mind. "Well," he said, "maybe you've had some brain damage. It's possible. But let me ask you this. Are you able to remember where the meetings are from one day to the next? Can you find your way to them without any trouble?" "Yeah," I told him, "I can manage that all right." "Well then," he said, "you got all the brain cells you need for the time being." '
I left on the break.
There was another message from Durkin at the hotel desk. I called right back and he was out again. I left my name and number and went upstairs. I was having another look at Donna's poem when the phone rang.
It was Durkin. He said, 'Hey, Matt. I just wanted to say I hope I didn't give you the wrong impression last night.'
'About what?'
'Oh, things in general,' he said. 'Once in a while the whole business gets to me, you know what I mean? I have the need to break out, drink too much, run off at the mouth. I don't make a habit of it but once in awhile I have to do it.'
'Sure.'
'Most of the time I love the job, but there's things that get to you, things you try not to look at, and every now and then I have to get all that s.h.i.t out of my system. I hope I didn't get out of line there toward the end.'
I a.s.sured him that he'd done nothing wrong. I wondered how clearly he recalled the previous evening. He'd been drunk enough to be in a blackout, but not everybody has blackouts. Maybe he was just a little vague, and uncertain how I'd taken his outbursts.
I thought of what Billie's landlady had told him. 'Forget it,' I said. 'It could happen to a bishop.'
'Hey, I got to remember that one. It could happen to a bishop. And probably does.'
'Probably.'
'You getting anywhere with your investigation? Coming up with anything?'
'It's hard to tell.'
'I know what you mean. If there's anything I can do for you - '
'Matter of fact, there is.'
'Oh?'
'I went over to the Galaxy Downtowner,' I said. 'Talked to an a.s.sistant manager. He showed me the registration card Mr. Jones signed.'
'The famous Mr. Jones.'
'There was no signature on it. The name was handprinted.'
'Figures.'
'I asked if I could go through the cards for the past few months and see if there were any other hand-printed signatures, and how they compared to Jones's printing. He couldn't authorize it.'
'You should have slipped him a few bucks.'
'I tried. He didn't even know what I was getting at. But you could have him pull the printed cards. He wouldn't do it for me because I've got no official standing, but he'd hop to it if a cop made the request.'
He didn't say anything for a moment. Then he asked if I thought it was going to lead anywhere.
'It might,' I said.
'You think whoever did it stayed at the hotel before? Under some other name?'