Romain Rolland Part 13

THE WARDEN OF THE INHERITANCE

The events of August 2, 1914, broke Europe into fragments. Therewith collapsed the faith which the brothers in the spirit, Jean Christophe and Olivier, had been building with their lives. A great heritage was cast aside. The idea of human brotherhood, once sacred, was buried contemptuously by the grave-diggers of all the lands at war, buried among the million corpses of the slain.

Romain Rolland was faced by an unparalleled responsibility. He had presented the problems in imaginative form. Now they had come up for solution as terrible realities. Faith in Europe, the faith which he had committed to the care of Jean Christophe, had no protector, no advocate, at a time when it was more than ever necessary to raise its standard against the storm. Well did the poet know that a truth remains naught but a half-truth while it exists merely in verbal formulation. It is in action that a thought becomes genuinely alive. A faith proves itself real in the form of a public confession.

In _Jean Christophe_, Romain Rolland had delivered his message to this fated hour. To make the confession a live thing, he had to give something more, himself. The time had come for him to do what Jean Christophe had done for Olivier's son. He must guard the sacred flame; he must fulfil what his hero had prophetically foreshadowed. The way in which Rolland fulfilled this obligation has become for us all an imperishable example of spiritual heroism, which moves us even more strongly than we were moved by his written words. We saw his life and personality taking the form of an actually living conviction. We saw how, with the whole power of his name, and with all the energy of his artistic temperament, he took his stand against mult.i.tudinous adversaries in his own land and in other countries, his gaze fixed upon the heaven of his faith.

Rolland had never failed to recognize that in a time of widespread illusion it would be difficult to hold fast to his convictions, however self-evident they might seem. But, as he wrote to a French friend in September, 1914, "We do not choose our own duties. Duty forces itself upon us. Mine is, with the aid of those who share my ideas, to save from the deluge the last vestiges of the European spirit.... Mankind demands of us that those who love their fellows should take a firm stand, and should even fight, if needs must, against those they love."

For five years we have watched the heroism of this fight, pursuing its own course amid the warring of the nations. We have watched the miracle of one man's keeping his senses amid the frenzied millions, of one man's remaining free amid the universal slavery of public opinion. We have watched love at war with hate, the European at war with the patriots, conscience at war with the world. Throughout this long and b.l.o.o.d.y night, when we were often ready to perish from despair at the meaninglessness of nature, the one thing which has consoled us and sustained us has been the recognition that the mighty forces which were able to crush towns and annihilate empires, were powerless against an isolated individual possessed of the will and the courage to be free.

Those who deemed themselves the victors over millions, were to find that there was one thing which they could not master, a free conscience.

Vain, therefore, was their triumph, when they buried the crucified thought of Europe. True faith works miracles. Jean Christophe had burst the bonds of death, had risen again in the living form of his own creator.

CHAPTER II

FOREARMED

We do not detract from the moral services of Romain Rolland, but we may perhaps excuse to some extent his opponents, when we insist that Rolland had excelled all contemporary imaginative writers in the profundity of his preparatory studies of war and its problems. If to-day, in retrospect, we contemplate his writings, we marvel to note how, from the very first and throughout a long period of years, they combined to build up, as it were, a colossal pyramid, culminating in the point upon which the lightnings of war were to be discharged. For twenty years, the author's thought, his whole creative activity, had been unintermittently concentrated upon the contradictions between spirit and force, between freedom and the fatherland, between victory and defeat. Through a hundred variations he had pursued the same fundamental theme, treating it dramatically, epically, and in manifold other ways. There is hardly a problem relevant to this question which is not touched upon by Christophe and Olivier, by Aert and by the Girondists, in their discussions. Intellectually regarded, Rolland's writings are a maneuvering ground for all the incentives to war. He thus had his conclusions already drawn when others were beginning an attempt to come to terms with events. As historian, he had described the perpetual recurrence of war's typical accompaniments, had discussed the psychology of ma.s.s suggestion, and had shown the effects of wartime mentality upon the individual. As moralist and as citizen of the world, he had long ere this formulated his creed. We may say, in fact, that Rolland's mind had been in a sense immunized against the illusions of the crowd and against infection by prevalent falsehoods.

Not by chance does an artist decide which problems he will consider. The dramatist does not make a "lucky selection" of his theme. The musician does not "discover" a beautiful melody, but already has it within him.

It is not the artist who creates the problems, but the problems which create the artist; just as it is not the prophet who makes his prophecy, but the foresight which creates the prophet. The artist's choice is always pre-ordained. The man who has foreseen the essential problem of a whole civilization, of a disastrous epoch, must of necessity, in the decisive hour, play a leading part. He only who had contemplated the coming European war as an abyss towards which the mad hunt of recent decades, making light of every warning, had been speeding, only such a one could command his soul, could refrain from joining the baccha.n.a.lian rout, could listen unmoved to the throbbing of the war drums. Who but such a man could stand upright in the greatest storm of illusion the world has ever known?

Thus it came to pa.s.s that not merely during the first hour of the war was Rolland in opposition to other writers and artists of the day. This opposition dated from the very inception of his career, and hence for twenty years he had been a solitary. The reason why the contrast between his outlook and that of his generation had not hitherto been conspicuous, the reason why the cleavage was not disclosed until the actual outbreak of war, lies in this, that Rolland's divergence was a matter not so much of mood as of character. Before the apocalyptic year, almost all persons of artistic temperament had recognized quite as definitely as Rolland had recognized that a fratricidal struggle between Europeans would be a crime, would disgrace civilization. With few exceptions, they were pacifists. It would be more correct to say that with few exceptions they believed themselves to be pacifists. For pacifism does not simply mean, to be a friend to peace, but to be a worker in the cause of peace, an e?????p????, as the New Testament has it. Pacifism signifies the activity of an effective will to peace, not merely the love of an easy life and a preference for repose. It signifies struggle; and like every struggle it demands, in the hour of danger, self-sacrifice and heroism. Now these "pacifists" we have just been considering had merely a sentimental fondness for peace; they were friendly towards peace, just as they were friendly towards ideas of social equality, towards philanthropy, towards the abolition of capital punishment. Such faith as they possessed was a faith devoid of pa.s.sion.

They wore their opinions as they wore their clothing, and when the time of trial came they were ready to exchange their pacifist ethic for the ethic of the war-makers, were ready to don a national uniform in matters of opinion. At bottom, they knew the right just as well as Rolland, but they had not the courage of their opinions. Goethe's saying to Eckermann applies to them with deadly force. "All the evils of modern literature are due to lack of character in individual investigators and writers."

Thus Rolland did not stand alone in his knowledge, which was shared by many intellectuals and statesmen. But in his case, all his knowledge was tinged with religious fervor; his beliefs were a living faith; his thoughts were actions. He was unique among imaginative writers for the splendid vigor with which he remained true to his ideals when all others were deserting the standard; for the way in which he defended the European spirit against the raging armies of the sometime European intellectuals now turned patriots. Fighting as he had fought from youth upwards on behalf of the invisible against the world of reality, he displayed, as a foil to the heroism of the trenches, a higher heroism still. While the soldiers were manifesting the heroism of blood, Rolland manifested the heroism of the spirit, and showed the glorious spectacle of one who was able, amid the intoxication of the war-maddened ma.s.ses, to maintain the sobriety and freedom of an unclouded mind.

CHAPTER III

THE PLACE OF REFUGE

At the outbreak of the war, Romain Rolland was in Vevey, a small and ancient city on the lake of Geneva. With few exceptions he spent his summers in Switzerland, the country in which some of his best literary work had been accomplished. In Switzerland, where the nations join fraternal hands to form a state, where Jean Christophe had heralded European unity, Rolland received the news of the world disaster.

Of a sudden it seemed as if his whole life had become meaningless. Vain had been his exhortations, vain the twenty years of ardent endeavor. He had feared this disaster since early boyhood. He had made Olivier cry in torment of soul: "I dread war so greatly, I have dreaded it for so long.

It has been a nightmare to me, and it poisoned my childhood's days."

Now, what he had prophetically antic.i.p.ated had become a terrible reality for hundreds of millions of human beings. The agony of the hour was nowise diminished because he had foreseen its coming to be inevitable.

On the contrary, while others hastened to deaden their senses with the opium of false conceptions of duty and with the hashish dreams of victory, Rolland's pitiless sobriety enabled him to look far out into the future. On August 3rd he wrote in his diary: "I feel at the end of my resources. I wish I were dead. It is horrible to live when men have gone mad, horrible to witness the collapse of civilization. This European war is the greatest catastrophe in the history of many centuries, the overthrow of our dearest hopes of human brotherhood." A few days later, in still greater despair, he penned the following entry: "My distress is so colossal an acc.u.mulation of distresses that I can scarcely breathe. The ravaging of France, the fate of my friends, their deaths, their wounds. The grief at all this suffering, the heartrending sympathetic anguish with the millions of sufferers. I feel a moral death-struggle as I look on at this mad humanity which is offering up its most precious possessions, its energies, its genius, its ardors of heroic devotion, which is sacrificing all these things to the murderous and stupid idols of war. I am heartbroken at the absence of any divine message, any divine spirit, any moral leadership, which might upbuild the City of G.o.d when the carnage is at an end. The futility of my whole life has reached its climax. If I could but sleep, never to reawaken."

Frequently, in this torment of mind, he desired to return to France; but he knew that he could be of no use there. In youth, undersized and delicate, he had been unfit for military service. Now, hard upon fifty years of age, he would obviously be of even less account. The merest semblance of helping in the war would have been repugnant to his conscience, for his acceptance of Tolstoi's teaching had made his convictions steadfast. He knew that it was inc.u.mbent upon him to defend France, but to do so in another sense than that of the combatants and that of the intellectuals clamorous with hate. "A great nation," he wrote more than a year later, in the preface to _Au-dessus de la melee_, "has not only its frontiers to protect; it must also protect its good sense. It must protect itself from the hallucinations, injustices, and follies which war lets loose. To each his part. To the armies, the protection of the soil of their native land. To the thinkers, the defense of its thought.... The spirit is by no means the most insignificant part of a people's patrimony." In these opening days of misery, it was not yet clear to him whether and how he would be called upon to speak. Yet he knew that if and when he did speak, he would take up his parable on behalf of intellectual freedom and supranational justice.

But justice must have freedom of outlook. Nowhere except in a neutral country could the observer listen to all voices, make acquaintance with all opinions. From such a country alone could he secure a view above the smoke of the battle-field, above the mist of falsehood, above the poison gas of hatred. Here he could retain freedom of judgment and freedom of speech. In _Jean Christophe_, he had shown the dangerous power of ma.s.s suggestion. "Under its influence," he had written, "in every country the firmest intelligences felt their most cherished convictions melting away." No one knew better than Rolland "the spiritual contagion, the all-pervading insanity, of collective thought." Knowing these things so well, he wished all the more to remain free from them, to shun the intoxication of the crowd, to avoid the risk of having to follow any other leadership than that of his conscience. He had merely to turn to his own writings. He could read there the words of Olivier: "I love France, but I cannot for the sake of France kill my soul or betray my conscience. This would indeed be to betray my country. How can I hate when I feel no hatred? How can I truthfully act the comedy of hate?" Or, again, he could read this memorable confession: "I will not hate. I will be just even to my enemies. Amid all the stresses of pa.s.sion, I wish to keep my vision clear, that I may understand everything and thus be able to love everything." Only in freedom, only in independence of spirit, can the artist aid his nation. Thus alone can he serve his generation, thus alone can he serve humanity. Loyalty to truth is loyalty to the fatherland.

What had befallen through chance was now confirmed by deliberate choice.

During the five years of the war Romain Rolland remained in Switzerland, Europe's heart; remained there that he might fulfil his task, "de dire ce qui est juste et humain." Here, where the breezes blow freely from all other lands, and whence a voice could pa.s.s freely across all the frontiers, here where no fetters were imposed upon speech, he followed the call of his invisible duty. Close at hand the endless waves of blood and hatred emanating from the frenzy of war were foaming against the frontiers of the cantonal state. But throughout the storm, the magnetic needle of one intelligence continued to point unerringly towards the immutable pole of life--to point towards love.

CHAPTER IV

THE SERVICE OF MAN

In Rolland's view it was the artist's duty to serve his fatherland by conscientious service to all mankind, to play his part in the struggle by waging war against the suffering the war was causing and against the thousandfold torments entailed by the war. He rejected the idea of absolute aloofness. "An artist has no right to hold aloof while he is still able to help others." But this aid, this partic.i.p.ation, must not take the form of fostering the murderous hatred which already animated the millions. The aim must be to unite the millions further, where unseen ties already existed, in their infinite suffering. He therefore took his part in the ranks of the helpers, not weapon in hand, but following the example of Walt Whitman, who, during the American Civil War, served as hospital a.s.sistant.

Hardly had the first blows been struck when cries of anguish from all lands began to be heard in Switzerland. Thousands who were without news of fathers, husbands, and sons in the battlefields, stretched despairing arms into the void. By hundreds, by thousands, by tens of thousands, letters and telegrams poured into the little House of the Red Cross in Geneva, the only international rallying point that still remained.

Isolated, like stormy petrels, came the first inquiries for missing relatives; then these inquiries themselves became a storm. The letters arrived in sackfuls. Nothing had been prepared for dealing with such an inundation of misery. The Red Cross had no s.p.a.ce, no organization, no system, and above all no helpers.

Romain Rolland was one of the first to offer personal a.s.sistance. The Musee Rath was quickly made available for the purposes of the Red Cross.

In one of the small wooden cubicles, among hundreds of girls, women, and students, Rolland sat for more than eighteen months, engaged each day for from six to eight hours side by side with the head of the undertaking, Dr. Ferriere, to whose genius for organization myriads owe it that the period of suspense was shortened. Here Rolland filed letters, wrote letters, performed an abundance of detail work, seemingly of little importance. But how momentous was every word to the individuals whom he could help, for in this vast universe each suffering individual is mainly concerned about his own particular grain of unhappiness. Countless persons to-day, unaware of the fact, have to thank the great writer for news of their lost relatives. A rough stool, a small table of unpolished deal, the turmoil of typewriters, the bustle of human beings questioning, calling one to another, hastening to and fro--such was Romain Rolland's battlefield in this campaign against the afflictions of the war. Here, while other authors and intellectuals were doing their utmost to foster mutual hatred, he endeavored to promote reconciliation, to alleviate the torment of a fraction among the countless sufferers by such consolation as the circ.u.mstances rendered possible. He neither desired, nor occupied, a leading position in the work of the Red Cross; but, like so many other nameless a.s.sistants, he devoted himself to the daily task of promoting the interchange of news.

His deeds were inconspicuous, and are therefore all the more memorable.

When he was allotted the n.o.bel peace prize, he refused to retain the money for his own use, and devoted the whole sum to the mitigation of the miseries of Europe, that he might suit the action to the word, the word to the action. Ecce h.o.m.o! Ecce poeta!

CHAPTER V

THE TRIBUNAL OF THE SPIRIT

No one had been more perfectly forearmed than Romain Rolland. The closing chapters of _Jean Christophe_ foretell the coming ma.s.s illusion.

Never for a moment had he entertained the vain hope of certain idealists that the fact (or semblance) of civilization, that the increase of human kindliness which we owe to two millenniums of Christianity, would make a future war, comparatively humane. Too well did he know as historian that in the initial outbursts of war pa.s.sion the veneer of civilization and Christianity would be rubbed off; that in all nations alike the naked b.e.s.t.i.a.lity of human beings would be disclosed; that the smell of the shed blood would reduce them all to the level of wild beasts. He did not conceal from himself that this strange halitus is able to dull and to confuse even the gentlest, the kindliest, the most intelligent of souls.

The rending asunder of ancient friendships, the sudden solidarity among persons most opposed in temperament now eager to abase themselves before the idol of the fatherland, the total disappearance of conscientious conviction at the first breath of the actualities of war--in _Jean Christophe_ these things were written no less plainly than when of old the fingers of the hand wrote upon the palace wall in Babylon.

Nevertheless, even this prophetic soul had underestimated the cruel reality. During the opening days of the war, Rolland was horrified to note how all previous wars were being eclipsed in the atrocity of the struggle, in its material and spiritual brutality, in its extent, and in the intensity of its pa.s.sion. All possible antic.i.p.ations had been outdone. Although for thousands of years, by twos or variously allied, the peoples of Europe had almost unceasingly been warring one with another, never before had their mutual hatreds, as manifested in word and deed, risen to such a pitch as in this twentieth century after the birth of Christ. Never before in the history of mankind did hatred extend so widely through the populations; never did it rage so fiercely among the intellectuals; never before was oil pumped into the flames as it was now pumped from innumerable fountains and tubes of the spirit, from the ca.n.a.ls of the newspapers, from the retorts of the professors.

All evil instincts were fostered among the ma.s.ses. The whole world of feeling, the whole world of thought, became militarized. The loathsome organization for the dealing of death by material weapons was yet more loathsomely reflected in the organization of national telegraphic bureaus to scatter lies like sparks over land and sea. For the first time, science, poetry, art, and philosophy became no less subservient to war than mechanical ingenuity was subservient. In the pulpits and professorial chairs, in the research laboratories, in the editorial offices and in the authors' studies, all energies were concentrated as by an invisible system upon the generation and diffusion of hatred. The seer's apocalyptic warnings were surpa.s.sed.

A deluge of hatred and blood such as even the blood-drenched soil of Europe had never known, flowed from land to land. Romain Rolland knew that a lost world, a corrupt generation, cannot be saved from its illusions. A world conflagration cannot be extinguished by a word, cannot be quelled by the efforts of naked human hands. The only possible endeavor was to prevent others adding fuel to the flames, and with the lash of scorn and contempt to deter as far as might be those who were engaged in such criminal undertakings. It might be possible, too, to build an ark wherein what was intellectually precious in this suicidal generation might be saved from the deluge, might be made available for those of a future day when the waters of hatred should have subsided. A sign might be uplifted, round which the faithful could rally, building a temple of unity amid, and yet high above, the battlefields.

Among the detestable organizations of the general staffs, mechanical ingenuity, lying, and hatred, Rolland dreamed of establishing another organization, a fellowship of the free spirits of Europe. The leading imaginative writers, the leading men of science, were to const.i.tute the ark he desired; they were to be the sustainers of justice in these days of injustice and falsehood. While the ma.s.ses, deceived by words, were raging against one another in blind fury, the artists, the writers, the men of science, of Germany, France, and England, who for centuries had been cooperating for discoveries, advances, ideals, could combine to form a tribunal of the spirit which, with scientific earnestness, should devote itself to extirpating the falsehoods that were keeping their respective peoples apart. Transcending nationality, they could hold intercourse on a higher plane. For it was Rolland's most cherished hope that the great artists and great investigators would refuse to identify themselves with the crime of the war, would refrain from abandoning their freedom of conscience and from entrenching themselves behind a facile "my country, right or wrong." With few exceptions, intellectuals had for centuries recognized the repulsiveness of war. More than a thousand years earlier, when China was threatened by ambitious Mongols, Li Tai Peh had exclaimed: "Accursed be war! Accursed the work of weapons! The sage has nothing to do with these follies." The contention that the sage has naught to do with such follies seems to rise like an unenunciated refrain from all the utterances of western men of learning since Europe began to have a common life. In Latin letters (for Latin, the medium of intercourse, was likewise the symbol of supranational fellowship), the great humanists whose respective countries were at war exchanged their regrets, and offered mutual philosophical solace against the murderous illusions of their less instructed fellows. Herder was speaking for the learned Germans of the eighteenth century when he wrote: "For fatherland to engage in a b.l.o.o.d.y struggle with fatherland is the most preposterous, barbarism." Goethe, Byron, Voltaire, and Rousseau, were at one in their contempt for the purposeless butcheries of war. To-day, in Rolland's view, the leading intellectuals, the great scientific investigators whose minds would perforce remain unclouded, the most humane among the imaginative writers, could join in a fellowship whose members would renounce the errors of their respective nations. He did not, indeed, venture to hope that there would be a very large number of persons whose souls would remain free from the pa.s.sions of the time. But spiritual force is not based upon numbers; its laws are not those of armies. In this field, Goethe's saying is applicable: "Everything great, and everything most worth having comes from a minority. It cannot be supposed that reason will ever become popular.

Pa.s.sion and sentiment may be popularized, the reason will always remain a privilege of the few." This minority, however, may acquire authority through spiritual force. Above all, it may const.i.tute a bulwark against falsehood. If men of light and leading, free men of all nationalities, were to meet somewhere, in Switzerland perhaps, to make common cause against every injustice, by whomever committed, a sanctuary would at length be established, an asylum for truth which was now everywhere bound and gagged. Europe would have a span of soil for home; mankind would have a spark of hope. Holding mutual converse, these best of men could enlighten one another; and the reciprocal illumination on the part of such unprejudiced persons could not fail to diffuse its light over the world.

Such was the mood in which Rolland took up his pen for the first time after the outbreak of war. He wrote an open letter to Hauptmann, to the author whom among Germans he chiefly honored for goodness and humaneness. Within the same hour he wrote to Verhaeren, Germany's bitterest foe. Rolland thus stretched forth both his hands, rightward and leftward, in the hope that he could bring his two correspondents together, so that at least within the domain of pure spirit there might be a first essay towards spiritual reconciliation, what time upon the battlefields the machine-guns with their infernal clatter were mowing down the sons of France, Germany, Belgium, Britain, Austria-Hungary, and Russia.