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Principles of Orchestration Part 23

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* _Sadko_, Opera [[165]]--Juxtaposition and Superposition.

No. 154. _Sadko_ [[338]]--Same distribution.

No. 155. _Servilia_ [[73]] 3 Fl + 2 Ob., Cl./4 Horns.

* No. 156. _Legend of Kitesh_, before [[157]]--3 Flutes, 3 Trombones.

" " " final chord (cf. Table III of chords, Ex. 15).



* _The Golden c.o.c.kerel_, before [[219]]--Mixed timbre of wood-wind, 4 Horns.

b) Crossing.

* _The Christmas Night_, before [[53]]--Horn, f.a.g.

" " " [[107]]--Clar., Horn, f.a.g.

* _Legend of Tsar Saltan_, before [[62]]--Horn, f.a.g.

* _The Golden c.o.c.kerel_ [[220]]--3 Trombones, 2 f.a.g., C-f.a.g. (cf. Ex.

232).

* No. 157. _Antar_, before [[30]]--Wood-wind, Horns, then Trumpets.

c) Enclosure:

No. 158. _Ivan the Terrible_, Act I [[33]]--Flutes within horns; later horns within ba.s.soons.

No. 159. _Snegourotchka_ [[183]]--Trumpet/Fl., 2 Cl./Trumpet

* _Sadko_, symphonic tableau [[3]]--Cl. + f.a.g./4 Horns/Cl. + f.a.g.

* _Antar_ before [[37]]--f.a.g./2 Horns (+)/Cl.

* _Sadko_, Opera [[105]]--Harmonic basis; oboes within trumpets (cf.

Ex. 260).

* No. 160. _Sadko_, Opera, before [[155]]--Flutes within trumpets.

* _The Tsar's Bride_, end of Overture--Ba.s.soons within horns (cf.

Table III of chords, Ex. 14).

* No. 161. _Tsar Saltan_ [[50]]--Trumpets within wood-wind doubled.

No. 162. " " [[59]]--Flutes within trumpets; clarinets within horns.

* No. 163. _Legend of Kitesh_ [[82]]--Oboes and clarinets within trumpets.

The relationship which has been shown to exist between stopped horns and oboe or Eng. horn authorizes the simultaneous use of these instruments in one and the same chord, played _p_ or _sfp_:

[Music]

_Examples:_

* _The Christmas Night_ [[75]]--3 Horns (+) + Oboe.

_The Tsar's Bride_ [[123]]--Ob., Eng. horn, Horn (+) (cf. Ex. 240).

* _Legend of Kitesh_ [[244]]--Cl., 2 Fl., + 2 Ob., Eng. horn, 3 Horn (+).

* No. 164. _Legend of Kitesh_, before [[256]]--2 Ob., Eng. horn/3 Horns (+)] 8.

* Cf. also _Tsar Saltan_, before [[115]]--Horn (+)/2 Fl. + 2 f.a.g. (Ex.

110).

If trumpets and trombones take part in a chord, flutes, oboes and clarinets are better used to form the harmonic part above the trumpets. The following should be the arrangement:

[Music] etc.

[Music] etc.

_Examples:_

* _Sadko_, symphonic tableau [[20]].

* No. 165. _The May Night_, Act I [[Ee]]--3 Trombones, 2 Ob.

+ 2 Cl. + 2 f.a.g.

" " " p. 325.--Final chord, _C_ maj. (cf.

Table I of chords, Ex. 1).

* No. 166. _Snegourotchka_ [[198]]; cf. also [[200]] and before [[210]].

* _Sheherazade_, 1st movement [[E]], 2nd movement [[P]], 3rd movement [[M]], 4th movement p. 203 (cf. Ex. 195, 19, 210, 77).

No. 167. _The Christmas Night_ [[205]]; cf. also [[161]], [[212]], 14th bar. (Ex. 100, 153).

* _Mlada_, end of Act I (cf. Chord Table II, Ex. 13). Act II [[20]].

No. 168-169. _Sadko_, Opera, before [[249]], [[302]]; cf. also Ex.

120.

No. 170. _Sadko_, Opera [[244]]--Chord of widely extended range; ba.s.soons at the limit of low compa.s.s.

" " [[142]], [[239]]; cf. also [[3]] (Ex. 86).

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Principles of Orchestration Part 23 summary

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