Poor, Dear Margaret Kirby and others Part 12

Do you, mother?"

"Well," said Alanna, getting red, "she is. She gave me a rag when I cut me knee, and one day she lifted the cup down for me when Mary Deane stuck it up on a high nail, so that none of us could get drinks, and when Sister Rose said, 'Who is talking?' she said Alanna Costello wasn't 'cause she's sitting here as quiet as a mouse!'"

"All that sounds very kind and friendly to me," said Mrs. Costello, soothingly.

"I expect that's Doctor Hammond's girl?" said the Mayor.

"No, sir," said Dan. "These are the Hammonds who live over by the bridge. There's just two kids, Marg'ret and Joe, and their father. Joe served the eight o'clock Ma.s.s with me one week,--you know, Jim, the week you were sick."

"Sure," said Jim. "Hammond's a nice feller."

Their father sc.r.a.ped his chin with a fat hand.

"I know them," he said ruminatively. Mrs. Costello looked up.

"That's not the Hammond you had trouble with at the shop, Frank?" she said.

"Well, I'm thinking maybe it is," her husband admitted. "He's had a good deal of bad luck one way or another, since he lost his wife." He turned to Teresa. "You be as nice as you can to little Marg'ret Hammond, Tess," said he.

"I wonder who the wife was?" said Mrs. Costello. "If this little girl is a 'grandchild,' I ought to know the mother. Ask her, Tess."

Teresa hesitated.

"I don't play with her much, mother. And she's sort of shy," she began.

"I'll ask her," said Alanna, boldly. "I don't care if she IS going on twelve. She goes up to the chapel every day, and I'll stop her to-morrow, and ask her! She's always friendly to me."

Mayor Costello had returned to his paper. But a few hours later, when all the children except Gertrude were settled for the night, and Gertrude, in a state of milky beat.i.tude, was looking straight into her mother's face above her with blue eyes heavy with sleep, he enlightened his wife further concerning the Hammonds.

"He was with me at the shop," said the Mayor, "and I never was sorrier to let any man go. But it seemed like his wife's death drove him quite wild. First it was fighting with the other boys, and then drink, and then complaints here and there and everywhere, and Kelly wouldn't stand for it. I wish I'd kept him on a bit longer, myself, what with his having the two children and all. He's got a fine head on him, and a very good way with people in trouble. Kelly himself was always sending him to arrange about flowers and carriages and all. Poor lad! And then came the night he was tipsy, and got locked in the warehouse--"

"I know," said Mrs. Costello, with a pitying shake of the head, as she gently adjusted the sleeping Gertrude. "Has he had a job since, Frank?"

"He was with a piano house," said her husband, uneasily, as he went slowly on with his preparations for the night. "Two children, has he?

And a boy on the altar. 'Tis hard that the children have to pay for it."

"Alanna'll find out who the wife was. She never fails me," said Mrs.

Costello, turning from Gertrude's crib with sudden decision in her voice. "And I'll do something, never fear!"

Alanna did not fail. She came home the next day br.i.m.m.i.n.g with the importance of her fulfilled mission.

"Her mother's name was Harmonica Moore!" announced Alanna, who could be depended upon for unfailing inaccuracy in the matter of names. Teresa and the boys burst into joyous laughter, but the information was close enough for Mrs. Costello.

"Monica Moore!" she exclaimed. "Well, for pity's sake! Of course I knew her, and a sweet, dear girl she was, too. Stop laughing at Alanna, all of you, or I'll send you upstairs until Dad gets after you. Very quiet and shy she was, but the lovely singing voice! There wasn't a tune in the world she wouldn't lilt to you if you asked her. Well, the poor child, I wish I'd never lost sight of her." She pondered a moment. "Is the boy still serving Ma.s.s at St. Mary's, Dan?" she said then.

"Sure," said Jim. For Dan was absorbed in the task of restoring Alanna's ruffled feelings by inserting a lighted match into his mouth.

"Well, that's good," pursued their mother. "You bring him home to breakfast after Ma.s.s any day this week, Jim. And, Tess, you must bring the little girl in after school. Tell her I knew her dear mother." Mrs.

Costello's eyes, as she returned placidly to the task of labelling jars upon shining jars of marmalade, shone with their most radiant expression.

Marg'ret and Joe Hammond were constant visitors in the big Costello house after that. Their father was away, looking for work, Mrs.

Costello imagined and feared, and they were living with some vague "lady across the hall." So the Mayor's wife had free rein, and she used it. When Marg'ret got one of her shapeless, leaky shoes cut in the Costello barn, she was promptly presented with shining new ones, "the way I couldn't let you get a cold and die on your father, Marg'ret, dear!" said Mrs. Costello. The twins' outgrown suits were found to fit Joe Hammond to perfection, "and a lucky thing I thought of it, Joe, before I sent them off to my sister's children in Chicago!" observed the Mayor's wife. The Mayor himself heaped his little guests' plates with the choicest of everything on the table, when the Hammonds stayed to dinner. Marg'ret frequently came home between Teresa and Alanna to lunch, and when Joe breakfasted after Ma.s.s with Danny and Jim, Mrs.

Costello packed his lunch with theirs, exulting in the chance. The children became fast friends, and indeed it would have been hard to find better playfellows for the young Costellos, their mother often thought, than the clever, appreciative little Hammonds.

Meantime, the rehearsals for Mother Superior's Golden Jubilee proceeded steadily, and Marg'ret, Teresa, and Alanna could talk of nothing else.

The delightful irregularity of lessons, the enchanting confusion of rehearsals, the costumes, programme, and decorations were food for endless chatter. Alanna, because Marg'ret was so genuinely fond of her, lived in the seventh heaven of bliss, trotting about with the bigger girls, joining in their plans, and running their errands. The "grandchildren" were to have a play, ent.i.tled "By Nero's Command," in which both Teresa and Marg'ret sustained prominent parts, and even Alanna was allotted one line to speak. It became an ordinary thing, in the Costello house, to hear the little girl earnestly repeating this line to herself at quiet moments, "The lions,--oh, the lions!" Teresa and Marg'ret, in their turn, frequently rehea.r.s.ed a heroic dialogue which began with the stately line, uttered by Marg'ret in the person of a Roman princess: "My slave, why art thou always so happy at thy menial work?"

One day Mrs. Costello called the three girls to her sewing-room, where a brisk young woman was smoothing lengths of snowy lawn on the long table.

"These are your dresses, girls," said the matron. "Let Miss Curry get the len'ths and neck measures. And look, here's the embroidery I got.

Won't that make up pretty? The waists will be all insertion, pretty near."

"Me, too?" said Marg'ret Hammond, catching a rapturous breath.

"You, too," answered Mrs. Costello in her most matter-of-fact tone.

"You see, you three will be the very centre of the group, and it'll look very nice, your all being dressed the same--why, Marg'ret, dear!"

she broke off suddenly. For Marg'ret, standing beside her chair, had dropped her head on Mrs. Costello's shoulder and was crying.

"I worried so about my dress," said she, shakily, wiping her eyes on the soft sleeve of Mrs. Costello's shirt-waist; when a great deal of patting, and much smothering from the arms of Teresa and Alanna had almost restored her equilibrium, "and Joe worried too! I couldn't write and bother my father. And only this morning I was thinking that I might have to write and tell Sister Rose that I couldn't be in the exhibition, after all!"

"Well, there, now, you silly girl! You see how much good worrying does," said Mrs. Costello, but her own eyes were wet.

"The worst of it was," said Marg'ret, red-cheeked, but brave, "that I didn't want any one to think my father wouldn't give it to me. For you know"--the generous little explanation tugged at Mrs. Costello's heart--"you know he would if he COULD!"

"Well, of course he would!" a.s.sented that lady, giving the loyal little daughter a kiss before the delightful business of fitting and measuring began. The new dresses promised to be the prettiest of their kind, and harmony and happiness reigned in the sewing-room.

But it was only a day later that Teresa and Alanna returned from school with faces filled with expressions of utter woe. Indignant, protesting, tearful, they burst forth the instant they reached their mother's sympathetic presence with the bitter tale of the day's happenings.

Marg'ret Hammond's father had come home again, it appeared, and he was awfully, awfully cross with Marg'ret and Joe. They weren't to come to the Costellos' any more, or he'd whip them. And Marg'ret had been crying, and THEY had been crying, and Sister didn't know what was the matter, and they couldn't tell her, and the rehearsal was no FUN!

While their feeling was still at its height, Dan and Jimmy came in, equally roused by their enforced estrangement from Joe Hammond. Mrs.

Costello was almost as much distressed as the children, and excited and mutinous argument held the Costello dinner-table that night. The Mayor, his wife noticed, paid very close attention to the conversation, but he did not allude to it until they were alone.

"So Hammond'll take no favors from me, Mollie?"

"I suppose that's it, Frank. Perhaps he's been nursing a grudge all these weeks. But it's cruel hard on the children. From his comin' back this way, I don't doubt he's out of work, and where Marg'ret'll get her white dress from now, I don't know!"

"Well, if he don't provide it, Tess'll recite the salutation," said the Mayor, with a great air of philosophy. But a second later he added, "You couldn't have it finished up, now, and send it to the child on the chance?"

His wife shook her head despondently, and for several days went about with a little worried look in her bright eyes, and a constant dread of the news that Marg'ret Hammond had dropped out of the exhibition.

Marg'ret was sad, the little girls said, and evidently missing them as they missed her, but up to the very night of the dress rehearsal she gave no sign of worry on the subject of a white dress.

Mrs. Costello had offered her immense parlors for the last rehearsal of the chief performers in the plays and tableaux, realizing that even the most obligingly blind of Mother Superiors could not appear to ignore the gathering of some fifty girls in their gala dresses in the convent hall, for this purpose. Alanna and Teresa were gloriously excited over the prospect, and flitted about the empty rooms on the evening appointed, buzzing like eager bees.

Presently a few of the nuns arrived, escorting a score of little girls, and briskly ready for an evening of serious work. Then some of the older girls, carrying their musical instruments, came in laughing.

Laughter and talk began to make the big house hum, the nuns ruling the confusion, gathering girls into groups, suppressing the hilarity that would break out over and over again, and anxious to clear a corner and begin the actual work. A tall girl, leaning on the piano, scribbled a crude programme, murmuring to the alert-faced nun beside her as she wrote:

"Yes, Sister, and then the mandolins and guitars; yes, Sister, and then Mary Cudahy's recitation; yes, Sister. Is that too near Loretta's song?

All right, Sister, the French play can go in between, and then Loretta.

Yes, Sister."