Lisa Jackson's Bentz And Montoya Bundle Part 84

Montoya floored the accelerator, ignoring the speed limit. He pa.s.sed other cars and trucks, his jaw set, his pulse pounding in his temple. The image of his aunt's body laid upon Billy Ray's corpse burned through his mind and his fingers curled more tightly over the steering wheel. What if the monster had gone after Abby? "f.u.c.k," he growled, shifting down and pa.s.sing a flat bed truck, spraying gravel as his back wheels. .h.i.t the shoulder.

At a straight stretch in the road, he grabbed his cell phone and speed dialed her home.

He counted the rings, his dread mounting. "Come on," he urged. "Come on!" But no one answered.

Fear pounded through his brain.

So what? She could be out.

Rapidly he punched in the number for her cell.

The call went directly to her d.a.m.ned voice mail.

He didn't like it. There could be a million reasons she wasn't picking up, none of which had to do with the murders that had taken place, but he was still nervous as h.e.l.l.

In his gut he knew that Faith Chastain's death had somehow led to the recent turn of deadly events. He just didn't know how, couldn't yet connect the dots. All he was certain of was that Abby was involved.

The countryside blew by in a blur of farmland and forest as he tried to keep panic at bay.

What the h.e.l.l was the connection between Faith Chastain's tragic plunge from the third floor window of a sanitarium and the deadly events that were happening now?

The wages of sin is death.

Why that that message? What did it mean? message? What did it mean?

Scowling through the windshield, his eyes narrowing on the burgeoning purple-bellied clouds that sc.r.a.ped the horizon, he thought of the first message received at WSLJ.

Repent.

For what? A sin? What sin? Slowing for a corner, ignoring the crackle of the police radio, fear chasing through his bloodstream, he tried like h.e.l.l to piece it together. The second message played through his head.

Atone.

As in make amends? For what? More transgressions? What were they? What was with all the religious references? Think! Put it together. You have to. Time is running out. And the killer is telling you something . . . it has to do with sin . . . Think! Put it together. You have to. Time is running out. And the killer is telling you something . . . it has to do with sin . . .

Why were the two victims posed together?

What were their sins?

A muscle worked in his jaw and his head ached he thought so hard. He was close to the answer, he could feel it. Each victim had been picked for a reason . . . for his or her transgression. Against whom? The killer? Mankind? G.o.d?

Jesus, Montoya figure this out!

He slowed as he spied the narrow bridge dead ahead. A motorcycle sped in the opposite direction, headlight glowing like one bright eye, exhaust pipes roaring as they pa.s.sed mid-center on the span.

Montoya's brain was still focused on the d.a.m.n notes from the killer.

The missives had been signed by Al W . . . no, A. L. W. There was a clue there. There had to be. What was the killer trying to say?

The obvious answer was simple: L for Luke.

A for Asa.

W for William.

Why not the female victims?

No C for Courtney.

No G for Gina.

No M for Maria.

Why the bridal dress on the Virgin Mary? Why all the cash strewn around Asa Pomeroy and Gina Jefferson? Why the blood red and black paint, the angry inscription on the wall of the scene with William and Maria, mother and son?

What were their sins?

And why was there so much rage evident at the last scene, so much anger? Such violence? When not at the others?

"d.a.m.n it all to h.e.l.l." He flipped on his blinker and pulled into the oncoming lane, flooring it as he pa.s.sed an old truck with a b.u.mper sticker that said, Honk If You Love Jesus. Honk If You Love Jesus.

As he swung into the right lane again, he picked up the phone to try and call Abby one more time. He needed to hear her voice, to a.s.sure himself that she was all right.

Punching her speed dial number, he glared through the bug-splattered windshield, listening to the phone ring on the other end of the connection while his mind grappled with the puzzle of the case. Uneven pieces, sharp clues, poked at him, prodding him, taunting him that he couldn't put it together. What the h.e.l.l was the twisted son of a b.i.t.c.h trying to convey?

What was the significance of yin and yang? Light and dark? Good and evil?

No!

Not necessarily good versus evil. More like sinner and saint!

He nearly stood on the brakes, skidding to the side of the road. As he pulled over, the pickup that had been on his b.u.mper honked loudly as it tore by. Montoya's heart was beating like a jackhammer. Wildly. Crazily. Sinner and saint . . . Luke Gierman, the loud-mouthed adulterer and Courtney LaBelle, the virgin. Asa Pomeroy the greedy industrialist and Gina Jefferson, the philanthropist. Billy Ray Furlough, not Maria's son . . . no, that was only icing on the cake. He was an angry, fire-and-brimstone preacher, railing on the wrath of G.o.d, while Maria was a soft spoken, true believer, a woman who trusted in a gentle, caring deity.

Could that be it?

That simple?

His phone was still connected to his last call and Abby's voice, instructing him to leave a message filled his ears. Oh, G.o.d, he hoped she was safe. He still felt as if she was somehow intimately involved in this horror.

As his Mustang idled at the side of the road, he instructed Abby to call him immediately, disconnected and speed-dialed the homicide department instead.

Seconds ticked by.

"Zaroster." Lynn answered on the second ring.

"It's Montoya. Are you near a computer?" he demanded, his mind running in circles as the first drops of rain hit the car's windshield.

"Yeah, right here. At my desk. Why?"

"I need a Google search. Or whatever search engine you use."

"Google. Sure . . . just give me a sec."

He heard her typing and about went out of his mind while he waited.

"Okay, got it," she said. "What do you want to search?"

"Start with the Seven Deadly Sins."

A pause. "The Seven Deadly Sins . . . Okay. . ."

The rain was picking up, splattering on the hood of his mustang, drizzling down the windshield. He flipped on the wipers as traffic rushed by. All the while he was impatiently listening to her type.

"Okay, I've got a lot of options here."

"Just go to one that lists them . . . use a Catholic website, if you can. Read them to me."

"Whatever floats your boat." More clicking. "Here we go. Got 'em," she said.

Adrenaline, fueled by dread, pumped through Montoya's blood. His knuckles showed white where he gripped the steering wheel.

"Let's see," she said. "We've got all the usual suspects here: Pride, Wrath, Envy, l.u.s.t, Gluttony, Sloth and Avarice."

"Okay. Good," he said, though his heart was drumming with fear. If what he was thinking was correct, if he'd finally understood what was happening, the worst was yet to come. "Years ago, when I went to Catechism, I learned about those sins. But there was more to it."

"Sorry, only seven."

"No, I mean, isn't there something about . . . virtues that counterbalance the sins?"

"Virtues?" she repeated. "You want to tell me where you're going with this?"

"As soon as I know," Montoya gritted out, dreading the answer. He heard the clicking of computer keys. "There should be seven of them."

"Virtues . . . as in Our Lady of Virtues?" she said and Montoya's fear only deepened.

"Yeah."

"Well, let's see . . ." More typing and a pause of a few long seconds. He thought he might go out of his mind. "Oh, here it is. Well, I'll be d.a.m.ned. Didn't know they existed. s.h.i.t. Look at this."

"What?"

"I've got a list of Seven Contrary Virtues listed here, one for each of the sins."

The heavens opened up and rain poured from the sky.

"What are they?"

"Well for pride, there's humility, for wrath, we've got meekness, envy's counterpart is charity, and chast.i.ty, of course for l.u.s.t. Then there's moderation for gluttony, zeal as opposed to sloth and generosity as opposed to-"

"Avarice," he said, throwing his car into gear again. Zaroster swept in a breath. "The letters. . . A, L, W? Avarice? l.u.s.t? Wrath?"

"Bingo." Why hadn't he seen it sooner? The clues were all there, the killer taunting him with the letters, not only for the victim's names, but because of their supposed sin or virtue. "I was just at the most recent murder scene and there was anger literally written all over that place. The other scenes showed no signs of rage. Just the opposite. Our killer is cold and clinical, so why the change? I thought maybe he was just unraveling, but then I remembered that Billy Ray Furlough was an angry minister and his given name, William, began with the letter W for Wrath. Contrarily, my aunt was the embodiment of meekness, her name was Maria-"

"M," Zaroster interrupted. "And Courtney LaBelle, our Virgin Mary was C, for Courtney and Chast.i.ty to Luke Gierman's L for l.u.s.t. Jesus, how sick is that?"

"Asa Pomeroy's sin was Avarice," Montoya said thinking of the greedy industrialist, "and Gina Jefferson was the epitome of philanthropy or generosity."

"A and G," she whispered. "If you're right about this, then he's not even half way through. There are seven sins, seven virtues-"

"Fourteen victims." Montoya pulled a quick one-eighty, then floored the car again, the tires chirping as they hit the pavement. "And it all starts with Our Lady of Virtues Hospital."

"s.h.i.t! That's where Simon h.e.l.ler worked," she said and he imagined the fury tightening the corners of her mouth. "He must be our guy. I just received a confirmation of his most recent address. Guess what? h.e.l.ler moved back to New Orleans three months ago. Rents a place in the Garden District."

Montoya's heart dropped. Anger rushed through his veins. "Send someone out there." Maybe they could stop the b.a.s.t.a.r.d before it was too late.

"I'm on my way," she said and he imagined she was already reaching for her jacket and sidearm.

"Take someone with you. And tell Bentz what's going on."

"I will."

"Be careful, Lynn. This guy's dangerous."

"Don't worry," she a.s.sured him. "So am I."

Rain pounded the roof of the asylum.

Nerves strung tight as piano wires, Abby stepped past the stained-gla.s.s window at the landing where the gloom of the day hardly dared pierce the colored panes. Her throat was dry as sand, her pulse pounding in her ears. She strained to hear the slightest sound and squinted into the darkness that the weak beam of her flashlight barely pierced.

Up the worn steps.

Into the pitch black hallway of the third floor.

Her mother's floor.

Where Faith's life had ended.

Outside the wind whistled, driving the rain, causing the skin at Abby's nape to p.r.i.c.kle. This was the very hallway where h.e.l.ler had crept, where he'd lurked outside the doorway.

In her mind's eye, Abby recalled pushing open the door and finding him there, his big hands upon her mother, fondling her b.r.e.a.s.t.s, maybe pinching. Abby had gasped. He'd turned quickly, his face flushed and hard, his eyes glinting, a vein throbbing at his temple, his erection visible beneath his lab coat.

Her stomach had twisted in revulsion and only her mother's pleading eyes, looking over h.e.l.ler's shoulder kept Abby from screaming.