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Kenny, it developed, was thinking in similar vein.
"I take it there will be an interval of waiting before remorse will lead the kid to write to his sister," he said. "Otherwise I'd proceed to the farmhouse at once in a flying machine."
The romance of this seemed to strike him strongly for an interval.
Then, mercifully, he repeated his intention of tramping.
"And then?" said Garry.
"Then," said Kenny with the utmost optimism, "I'll pick up his trail at the farmhouse and from there I'll travel night and day until I overtake him."
"And then?"
"The lad will come home with me."
"And then?"
"Good G.o.d, Garry," thundered Kenny, "I never knew anybody with such an 'And then?' sort of mind as you seem to have. There's an 'And then?'
doubt after every glorious climax. He'll be home. That's sufficient."
"What about the sc.r.a.pbook?"
"I've already sent it."
Garry glanced hopelessly at the melee on the floor.
"I suppose," he said coldly, "that you plan to go sagging along the highway with a suit case in each hand and a bag or two on your back?"
"I plan," retorted Kenny, "to depart from here with one suit case which will eventually become a knapsack. The problem now is entirely one of elimination. Have you anything to do, Garry?"
"I have," said Garry distinctly.
Kenny looked hurt.
"I'm sorry," he said. "Because you're a jewel at eliminatin'. I mind me of the sketching trip we took together. You did all of the packing then in a marvelous way."
Hopelessly uncertain what he ought to do, Garry lingered. If by a word he could restrain this madcap penitent from roving off in a fit of sentimentality it must be spoken forcibly and at once.
"Brian," he said, "will never forgive me."
"Brian," said Kenny, "is a jewel for sense. He'll love you for it."
Garry flung himself into a chair with a muttered imprecation.
"Now, Kenny," he said, "I want you to tell me precisely what you plan to do."
Nothing loathe, Kenny obeyed. He liked to talk. Garry found his plans indefinite and highly romantic. It was plain the notion of footsore penance had taken vigorous hold of his imagination and his love of adventure. Characteristically, since the actor on the highway was himself, he saw no chance of failure. To Garry's curt "ifs" he turned a deaf ear and sulked.
In the end they quarreled badly. Garry, raging inwardly, went home in despair; and Kenny, after a tumultuous period of indecision, eliminated a floorful of luggage. In the rebound he took less than he should.
He was ready to go when the door opened and the head of Sidney Fahr appeared. Instantly his round eyes bulged with inquiry.
"Lord Almighty, Kenny," he said. "You--you're not off for anywhere, are you?"
"I am," said Kenny.
Sid came in and closed the door.
"I--I can't believe it!" he sputtered.
"Don't!" said Kenny. He was out of sorts. Garry, talking of honor and letters, had given him a bad interval of indecision and guilt.
"It--it's amazing!" went on Sid. "You were all right at breakfast--"
Kenny wheeled furiously.
"Sid," he snorted, "you're amazed when it rains. You're amazed when it snows. You're amazed when the sun's out and amazed when it isn't.
Thunder-and-turf! you're always amazed!" Whereupon he stalked out with his suit case and slammed the door.
Sid pursed his lips and shook his head, his gaze riveted upon the door panels in round-eyed incredulity. To him Kenny was an incomprehensible source of turbulence.
"The spark!" said Sid. "Wonder what it's been?"
Then sharing the club-feeling of guardianship where Kenny was concerned, the good-natured little painter embarked upon a tour of inspection, locked the studio windows and trotted upstairs, still amazed, to tell Jan all about it.
Thus Kenny departed from the Holbein Club, forgetting Fahr almost at once. He had recalled the tale of the Irish piper who added a phrase to some fairy music he heard below him in a hill; and the fairies, bursting forth in delight, had struck the hump from his back in reward.
Kenny himself had the same feeling of relief that the piper must have had thereafter. He too had lost his hump of worry.
CHAPTER IV
G.o.d'S GREEN WORLD OF SPRING
At a country inn the suit case became a knapsack. Kenny went forth into a world of old houses, apple blossoms and winding roads, likening himself to Peredur who had gone in search of the Holy Grail. The Grail in this case was the holy boon of his son's forgiveness.
He went with the break of day at a swinging stride, his penitential inspiration in the full flower of its freshness. If misgiving claimed him at all, it was merely a matter of shoes. They were the kind, built for walking, likely to be in a state of unromantic preservation at his journey's end. Kenny found in them a source of discontent and speculation.
For the pa.s.sion of life which to Brian's fancy haunted the highway, Kenny had delightful subst.i.tute, fairies quaffing nectar from flower-cups of dew or riding bridle paths of cloud on bits of straw.
In everything he chose to find an augury, from the night of birds to the way of the wind, the curl of smoke or the color of a cloud.
Thirsty he longed for the drinking horn of Bran Galed or better still of Finn, for Finn's horn held whatever you wanted. And for a pattern in moments of diversion, there was always the fairy Conconaugh, who made love to every pretty shepherdess and milkmaid he met. Many a farmer's daughter smiled and blushed at the gallant sweep of Kenny's cap.
So he tramped, peering delightedly under bushes for the green suits and red caps of the Clan Shee, and every cleft of rock became the portal to a fairy dwelling. At sunset he discovered a fairy battle in the clouds and when the moon rose, silhouettes, fairy-like and frail, scudded mystically across the face of it. Old Gaffer Moon, full-faced and silver!
Brian's world of spring had been the world of men and women; Kenny's world held Puck and Mab and Una. He called her Oonagh. If once he remembered with longing that Oonagh's jovial fairy husband, King Fionvarra, went to his revels on the back of a night-black steed with nostrils aflame, he dismissed it as disloyal. Brian too had been tired, though he called it "blissfully weary." That depended something on the viewpoint.
When at last beside the embers of his camp fire, he spread his oilskin and drew a blanket over him, the night sounds of the forest, a-crackle with mystery, became the woodland spirits of King Arthur's men, blowing their ghostly horns by the light of the moon. Likely the wee folk would come and dance beside the embers of his camp fire.
"By the powers of wildfire!" cried Kenny drowsily, "it is good to be alive!"