Journeys Through Bookland Volume Vii Part 20

And alone dwell for ever The kings of the sea."

But, children, at midnight, When soft the winds blow, When clear falls the moonlight, When spring-tides are low; When sweet airs come seaward From heaths starr'd with broom, And high rocks throw mildly On the blanch'd sands a gloom; Up the still, glistening beaches, Up the creeks we will hie, Over banks of bright seaweed The ebb-tide leaves dry.

We will gaze, from the sand hills, At the white, sleeping town; At the church on the hillside-- And then come back down.

Singing: "There dwells a lov'd one, But cruel is she!

She left lonely forever The kings of the sea."

[Ill.u.s.tration]

TOM AND MAGGIE TULLIVER

NOTE.--This account of Tom and Maggie Tulliver is taken from the early chapters of George Eliot's _The Mill on the Floss_. The book follows the fortunes of Tom and Maggie, whom at the opening of the story we find living with their parents at the old mill house on the Floss River, until they meet their death, in their early manhood and womanhood. We give here, however, only a part of the story of their childhood.

I

It was a heavy disappointment to Maggie that she was not allowed to go with her father in the gig when he went to fetch Tom home from the academy; but the morning was too wet, Mrs. Tulliver said, for a little girl to go out in her best bonnet. Maggie took the opposite view very strongly, and it was a direct consequence of this difference of opinion that when her mother was in the act of brushing out the reluctant black crop Maggie suddenly rushed from under her hands and dipped her head in a basin of water standing near, in the vindictive determination that there should be no more chance of curls that day.

"Maggie, Maggie!" exclaimed Mrs. Tulliver, sitting stout and helpless with the brushes on her lap, "what is to become of you if you're so naughty? I'll tell your aunt Glegg and your aunt Pullet when they come next week, and they'll never love you any more. Oh dear, oh dear! look at your clean pinafore, wet from top to bottom. Folks 'ull think it's a judgment on me as I've got such a child,--they'll think I've done summat wicked."

Before this remonstrance was finished, Maggie was already out of hearing, making her way toward the great attic that run under the old high-pitched roof, shaking the water from her black locks as she ran, like a Skye terrier escaped from his bath. This attic was Maggie's favorite retreat on a wet day, when the weather was not too cold; here she fretted out all her ill humors, and talked aloud to the worm-eaten floors and the worm-eaten shelves, and the dark rafters festooned with cobwebs; and here she kept a Fetish which she punished for all her misfortunes. This was the trunk of a large wooden doll, which once stared with the roundest of eyes above the reddest of cheeks; but was now entirely defaced by a long career of vicarious suffering. Three nails driven into the head commemorated as many crises in Maggie's nine years of earthly struggle; that luxury of vengeance having been suggested to her by the picture of Jael destroying Sisera in the old Bible. The last nail had been driven in with a fiercer stroke than usual, for the Fetish on that occasion represented aunt Glegg. But immediately afterward Maggie had reflected that if she drove many nails in she would not be so well able to fancy that the head was hurt when she knocked it against the wall, nor to comfort it, and make believe to poultice it, when her fury was abated; for even aunt Glegg would be pitiable when she had been hurt very much, and thoroughly humiliated, so as to beg her niece's pardon. Since then she had driven no more nails in, but had soothed herself by alternately grinding and beating the wooden head against the rough brick of the great chimneys that made two square pillars supporting the roof. That was what she did this morning on reaching the attic, sobbing all the while with a pa.s.sion that expelled every other form of consciousness,--even the memory of the grievance that had caused it.

[Ill.u.s.tration: TOM'S COMING HOME!]

As at last the sobs were getting quieter, and the grinding less fierce, a sudden beam of sunshine, falling through the wire lattice across the worm-eaten shelves, made her throw away the Fetish and run to the window. The sun was really breaking out; the sound of the mill seemed cheerful again; the granary doors were open; and there was Yap, the queer white-and-brown terrier, with one ear turned back, trotting about and sniffing vaguely, as if he were in search of a companion. It was irresistible.

Maggie tossed her hair back and ran downstairs, seized her bonnet without putting it on, peeped, and then dashed along the pa.s.sage lest she should encounter her mother, and was quickly out in the yard, whirling around like a Pythoness, and singing as she whirled, "Yap, Yap, Tom's coming home!" while Yap danced and barked round her, as much as to say, if there was any noise wanted he was the dog for it.

"Hegh, hegh, Miss! you'll make yourself giddy, an' tumble down i' the dirt," said Luke, the head miller, a tall, broad-shouldered man of forty, black-haired, subdued by a general mealiness, like an auricula.

Maggie paused in her whirling and said, staggering a little, "Oh no, it doesn't make me giddy, Luke; may I go into the mill with you?"

Maggie loved to linger in the great s.p.a.ces of the mill, and often came out with her black hair powdered to a soft whiteness that made her dark eyes flash out with new fire. The resolute din, the unresting motion of the great stones, giving her a dim, delicious awe as at the presence of an uncontrollable force; the meal forever pouring, pouring; the fine white powder softening all surfaces, and making the very spider-nets look like a fairy lace-work; the sweet, pure scent of the meal,--all helped to make Maggie feel that the mill was a little world apart from her outside everyday life. She was in the habit of taking this recreation as she conversed with Luke, to whom she was very communicative, wishing him to think well of her understanding, as her father did.

Perhaps she felt it necessary to recover her position with him on the present occasion, for, as she sat sliding on the heap of grain near which he was busying himself, she said, at that shrill pitch which was requisite in mill-society,--

"I think you never read any book but the Bible, did you, Luke?"

"Nay, Miss, an' not much o' that," said Luke, with great frankness. "I'm no reader, I aren't."

"But if I lent you one of my books, Luke? I've got many _very_ pretty books that would be easy for you to read; but there's 'Pug's Tour of Europe,'--that would tell you all about the different sorts of people in the world, and if you didn't understand the reading, the pictures would help you; they show the looks and ways of the people and what they do.

There are the Dutchmen, very fat, and smoking, you know, and one sitting on a barrel."

"Nay, Miss, I'n no opinion o' Dutchmen. There ben't much good i' knowin'

about _them_."

"But they're our fellow-creatures, Luke; we ought to know about our fellow-creatures."

"Not much o' fellow-creatures, I think, Miss; all I know--my old master, as war a knowin' man, used to say, says he, 'If e'er I sow my wheat wi'out brinin', I'm a Dutchman,' says he; an' that war as much as to say a Dutchman war a fool, or next door.

"Nay, nay, I aren't goin' to bother mysen about Dutchmen. There's fools enoo, an' rogues enoo, wi'out lookin' i' books for 'em."

"Oh, well," said Maggie, rather foiled by Luke's unexpectedly decided views about Dutchmen, "perhaps you would like 'Animated Nature' better; that's not Dutchmen, you know, but elephants and kangaroos, and the civet cat, and the sunfish, and a bird sitting on its tail,--I forgot its name. There are countries full of those creatures, instead of horses and cows, you know. Shouldn't you like to know about them, Luke?"

"Nay, Miss, I'n got to keep count o' the flour an' corn; I can't do wi'

knowin' so many things beside my work. That's what brings folks to the gallows,--knowin' everything but what they'n got to get their bread by.

An' they're mostly lies, I think, what's printed i' the books: them printed sheets are, anyhow, as the men cry i' the streets."

"Why, you're like my brother Tom, Luke," said Maggie, wishing to turn the conversation agreeably; "Tom's not fond of reading. I love Tom so dearly, Luke,--better than anybody else in the world. When he grows up I shall keep his house, and we shall always live together. I can tell him everything he doesn't know. But I think Tom's clever, for all he doesn't like books; he makes beautiful whipcord and rabbit pens."

"Ah," said Luke, "but he'll be fine an' vexed, as the rabbits are all dead."

"Dead!" screamed Maggie, jumping up from her sliding seat on the corn.

"Oh dear, Luke! What! the lop-eared one, and the spotted doe that Tom spent all his money to buy?"

"As dead as moles," said Luke, fetching his comparison from the unmistakable corpses nailed to the stable wall.

"Oh, Luke," said Maggie in a piteous tone, "Tom told me to be sure and remember the rabbits every day; but how could I, when they didn't come into my head, you know? Oh, he will be so angry with me, I know he will, and so sorry about his rabbits, and so am I sorry. Oh, what _shall_ I do?"

"Don't you fret, Miss," said Luke, soothingly; "they're nash things, them lop-eared rabbits; they'd happen ha' died, if they'd been fed.

Things out o' natur niver thrive: G.o.d A'mighty doesn't like 'em. He made the rabbits' ears to lie back, an' it's nothin' but contrairiness to make 'em hing down like a mastiff dog's. Master Tom 'ull know better nor buy such things another time. Don't you fret, Miss. Will you come along home wi' me, and see my wife? I'm a-goin' this minute."

The invitation offered an agreeable distraction to Maggie's grief, and her tears gradually subsided as she trotted along by Luke's side to his pleasant cottage, which stood with its apple and pear trees, and with the added dignity of a lean-to pigsty, at the other end of the Mill fields.

II

Tom was to arrive early in the afternoon, and there was another fluttering heart besides Maggie's when it was late enough for the sound of the gig wheels to be expected; for if Mrs. Tulliver had a strong feeling, it was fondness for her boy. At last the sound came,--that quick light bowling of the gig wheels,--and in spite of the wind, which was blowing the clouds about, and was not likely to respect Mrs.

Tulliver's curls and cap-strings, she came outside the door and even held her hand on Maggie's offending head, forgetting all the griefs of the morning.

"There he is, my sweet lad! But, Lord ha' mercy! he's got never a collar on; it's been lost on the road, I'll be bound, and spoilt the set."

Mrs. Tulliver stood with her arms open; Maggie jumped first on one leg and then on the other; while Tom descended from the gig, and said, with masculine reticence as to the tender emotions. "Hallo! Yap--what! are you there?"

Nevertheless he submitted to be kissed willingly enough, though Maggie hung on his neck in rather a strangling fashion, while his blue-gray eyes wandered toward the croft and the lambs and the river, where he promised himself that he would begin to fish the first thing tomorrow morning. He was one of those lads that grow everywhere in England, and at twelve or thirteen years of age look as much alike as goslings,--a lad with light-brown hair, cheeks of cream and roses, full lips, indeterminate nose and eyebrows,--face in which it seems impossible to see anything but boyhood; as different as possible from poor Maggie's phiz, which Nature seemed to have moulded and colored with the most decided intention. But that same Nature has the deep cunning which hides itself under the appearance of openness, so that simple people think they can see through her quite well, and all the while she is secretly preparing a refutation of their confident prophecies. Under these average boyish physiognomies that she seems to turn off by the gross, she conceals some of her most unmodified characters; and the dark-eyed, demonstrative, rebellious girl may after all turn out to be a pa.s.sive being compared with this pink-and-white bit of masculinity with the indeterminate features.

"Maggie," said Tom, confidentially, taking her into a corner, as soon as his mother was gone out to examine his box, and the warm parlor had taken off the chill he had felt from the long drive, "you don't know what I've got in _my_ pockets," nodding his head up and down as a means of rousing her sense of mystery.

"No," said Maggie. "How stodgy they look, Tom! Is it marls (marbles) or cobnuts?" Maggie's heart sank a little, because Tom always said it was "no good" playing with _her_ at those games, she played so badly.

"Marls! no; I've swopped all my marls with the little fellows, and cobnuts are no fun, you silly, only when the nuts are green. But see here!" He drew something half out of his righthand pocket.

"What is it?" said Maggie, in a whisper. "I can see nothing but a bit of yellow."

"Why, it's--a--new--guess, Maggie!"