Journeys Through Bookland Volume Iv Part 10

The publication in 1852 of Alice's _Clovernook Papers_ brought to her increasing recognition and new friends. These simple, original little sketches of rural scenery and rural life were just the things which Alice Cary knew best how to write, and they became very popular all over the country. Before 1856 the sisters had removed to the pretty house in Twentieth Street which was their home for the rest of their lives. Alice bought the house and the furnishings; indeed it was she who did most of the planning for the household, and who paid most of the bills. She worked early and late, driven always by the obligations to be met. A biographer says of her: "I have never known any other woman so systematically and persistently industrious as Alice Cary."

Phoebe worked indeed, but spasmodically--she waited on her moods.

The home life of the sisters was most pleasant and simple. They had no "society manners;" the witty Phoebe was as willing to flash out her brightest puns for Alice's enjoyment as she was for a drawing-room full of appreciative listeners; while Alice's gentleness and sweetness were shown constantly to her sister and were not reserved for company only.

Their great occasions were their Sunday evening receptions, and the people who gathered then under their roof were far from an ordinary company. Horace Greeley, Bayard Taylor, Richard and Elizabeth Stoddard, Justin McCarthy, Thomas Bailey Aldrich, Ole Bull, P. T. Barnum, Elizabeth Cady Stanton--these were but a part of the brilliant company which delighted to gather on Sunday evening and enjoy the sweetness and womanliness of Alice, and the wit of Phoebe.

Interrupted by the death of the beloved younger sister Elmina, this life in the Twentieth Street house went on for over twelve years, until in 1868 Alice Cary became a confirmed invalid. After she was confined to her room, however, she wanted life and brightness about her, and had the door of her room always left open, that she might hear the cheerful sounds of the household.

[Ill.u.s.tration: ALICE CARY 1820-1871]

During their life in New York, Phoebe had had numerous offers of marriage, but it had never cost her anything to say, "I don't want to marry anybody." Soon after the beginning of Alice's invalid days, however, Phoebe received an offer of marriage from a man whom she felt that she could love, and with whom she was sure she could be happy. She had always felt that in the home she was second to Alice, and she confessed once to a friend, "Sometimes I feel a yearning to have a life of my very own; my own house and work and friends; and to feel myself the center of all."

However, much as it cost her, she resolutely put away the thought of this possible happiness because she knew that her sister could not endure her absence in what were very clearly the last days of her life.

In February, 1870, Alice Cary died, and Phoebe from that time on seemed but half a person. To one of her friends she said pathetically: "For thirty years I have gone straight to her bedside as soon as I arose in the morning, and wherever she is, I am sure she wants me now." She tried to take up her work--indeed she felt that in her sister's absence she had double work to do; but it was of no use, and in a little more than a year after her sister's death she too died.

These two sisters, who were so constantly a.s.sociated for so many years, differed very decidedly in many respects. Alice, the frailer in body, was much the stronger in will power; indeed her ability to force herself to begin and to stick to anything which she thought was to be done was the marvel of her friends. This intense energy often jarred on the more easy-going Phoebe, just as Phoebe's refusal to do literary work unless she were exactly in the right mood, often jarred upon Alice. However, the two sisters never showed their irritation; they were always sweet and gentle in their dealings with each other.

Naturally, Alice's superior energy resulted in an output of literary work which was much larger than Phoebe's. There was a difference, too, besides that of quant.i.ty in the work of the sisters. Alice possessed a more objective imagination, that is, she could, in the ballads which she was so fond of writing, place herself in the position of those whom she was describing, and make their feelings her own. Phoebe, on the other hand, in her serious poems held more closely to her own experiences. Both the sisters were very fond of children, though in a different way, Alice feeling for them a sort of mother-love, while Phoebe always felt toward them as though they were comrades. It is the genuine love for children which makes the children's stories and poems of Alice and Phoebe Cary live.

Shortly after Phoebe died one of her friends wrote, "The wittiest woman in America is dead;" and constantly on all sides was heard the saying, "O, if I had only taken down the many wonderfully bright things that I heard her say!" Her parodies have rarely been excelled, and some of her humorous poems are irresistibly funny. The best known perhaps of her parodies is the one on Longfellow's _The Day Is Done_, of which a stanza may be quoted here. For the original stanza which runs:

"I see the lights of the village Gleam through the rain and the mist, And a feeling of sadness comes o'er me, That my soul cannot resist: A feeling of sadness and longing, That is not akin to pain, And resembles sorrow only As the mist resembles the rain,"

Phoebe Gary subst.i.tuted the words:

"I see the lights of the baker Gleam through the rain and the mist, And a feeling of hunger comes o'er me, That my soul cannot resist: A feeling of sadness and longing That is not like being sick And resembles sorrow only, As a brickbat resembles a brick."

However, more than for anything else, perhaps, Phoebe Cary will be remembered for her lyric, _One Sweetly Solemn Thought_. Not long before she died she heard a story of something which this little poem had accomplished, which made her very happy. A gentleman going to China was entrusted with a package for an American boy in China.

Arriving at his destination, he failed to find the boy, but was told that he might discover him in a certain gambling house. As he sat and waited, he watched with disgust and loathing the dreadful scenes going on about him. At a table near him sat a young boy and a man of perhaps forty, drinking and playing cards; they were swearing horribly and using the vilest language.

At length, while the older man shuffled and dealt the cards, the boy leaned back in his chair and half unconsciously began to hum, finally singing under his breath Phoebe Cary's hymn, _One Sweetly Solemn Thought_.

"Where did you learn that hymn?" cried the older gambler abruptly.

"At Sunday School at home," replied the boy, surprised.

The older man threw the cards on the floor. "Come, Harry," he said, "let's get out of this place. I am ashamed that I ever brought you here, and I shall do my best to keep you from entering such a place again."

Together the two pa.s.sed from the gambling house, and the man who watched them learned later that they were both true to their resolution to live a different life.

NEARER HOME

_By_ PHOEBE CARY

One sweetly solemn thought Comes to me o'er and o'er; I am nearer home to-day Than I ever have been before;

Nearer my Father's house, Where the many mansions be; Nearer the great white throne, Nearer the crystal sea;

Nearer the bound of life, Where we lay our burdens down; Nearer leaving the cross, Nearer gaining the crown!

But lying darkly between, Winding down through the night, Is the silent, unknown stream, That leads at last to the light.

Closer and closer my steps Come to the dread abysm: Closer Death to my lips Presses the awful chrism.

Oh, if my mortal feet Have almost gained the brink; If it be I am nearer home Even to-day than I think,

Father, perfect my trust; Let my spirit feel in death That her feet are firmly set On the rock of a living faith!

PICTURES OF MEMORY

_By_ ALICE CARY

Among the beautiful pictures That hang on Memory's wall Is one of a dim old forest, That seemeth best of all;

Not for its gnarled oaks olden, Dark with the mistletoe; Nor for the violets golden That sprinkle the vale below;

Not for the milk-white lilies That lean from the fragrant ledge, Coquetting all day with the sunbeams, And stealing their golden edge;

[Ill.u.s.tration: IN THAT DIM OLD FOREST]

Nor for the vines on the upland, Where the bright red berries rest, Nor the pinks, nor the pale sweet cowslip, It seemeth to me the best.

I once had a little brother, With eyes that were dark and deep; In the lap of that old dim forest He lieth in peace asleep:

Light as the down of the thistle, Free as the winds that blow, We roved there the beautiful summers, The summers of long ago;

But his feet on the hills grew weary, And, one of the autumn eves, I made for my little brother A bed of the yellow leaves.

Sweetly his pale arms folded My neck in a meek embrace, As the light of immortal beauty Silently covered his face;

And when the arrows of sunset Lodged in the tree-tops bright, He fell, in his saint-like beauty, Asleep by the gates of light.

Therefore, of all the pictures That hang on Memory's wall, The one of the dim old forest Seemeth the best of all.

THE ESCAPE FROM PRISON [Footnote: This selection is taken from _Cast Up By the Sea_. Paul Grey, smuggler, and owner of a trim little smuggling boat, the _Polly_, has come to the French coast to meet his French confederate, Captain Dupuis. He expects merely to exchange cargoes, as he has done in the past, and to run back, avoiding revenue cruisers; but Captain Dupuis, who owes Captain Grey money which he has no desire to pay, and whose fingers itch for the prize money to be gained by capturing a smuggler, sends out in his boat a pilot who guides the _Polly_ into a harbor where a French war vessel waits for her. d.i.c.k Stone, Grey's right-hand man, advises fighting, but Captain Grey sees the uselessness of this and allows himself and his men to be made prisoners. The selection begins at this point.]

_By_ SIR SAMUEL W. BAKER [Footnote: Sir Samuel W. Baker (1821-1893) was an English traveler and explorer. Besides _Cast Up by the Sea_, Baker wrote _The Rifle and the Hound in Ceylon_; _The Albert Nyansa_; _Wild Beasts and their Ways_, and other books.]