Geography and Plays Part 50

A clever saucer, what is a clever saucer, a clever saucer is very likely practiced and even has toes, it has tiny things to shake and really if it were not for a delicate blue color would there be any reason for every one to differ.

The objection and the perfect central table, the sorrow in borrowing and the hurry in a nervous feeling, the question is it really a plague, is it really an oleander, is it really saffron in color, the surmountable appet.i.te which shows inclination to be warmer, the safety in a match and the safety in a little piece of splinter, the real reason why cocoa is cheaper, the same use for bread as for any breathing that is softer, the lecture and the surrounding large white soft unequal and spread out sale of more and still less is no better, all this makes one regard in a season, one hat in a curtain that in rising higher, one landing and many many more, and many more many more many many more.

ACT FIVE

(Two.)

A regret a single regret makes a door way. What is a door way, a door way is a photograph.

What is a photograph a photograph is a sight and a sight is always a sight of something. Very likely there is a photograph that gives color if there is then there is that color that does not change any more than it did when there was much more use for photography.

WHITE WINES

THREE ACTS

1. All together.

2. Witnesses.

3. House to house.

(5 women)

_All together._

Cunning very cunning and cheap, at that rate a sale is a place to use type writing. Shall we go home.

Cunning, cunning, quite cunning, a block a strange block is filled with choking.

Not too cunning, not cunning enough for wit and a stroke and careless laughter, not cunning enough.

A pet, a winter pet and a summer pet and any kind of a pet, a whole waste of pets and no more hardly more than ever.

A touching spoon a real touching spoon is golden and show in that color.

A really touching spoon is splendid, is splendid, and dark and is so nearly just right that there is no excuse.

The best way is to wave an arm, the best way is to show more used to it than could be expected.

Comfort a sudden way to go home, comfort that and the best way is known.

_All together._

Hold hard in a decision about eyes. Hold the tongue in a sober value as to bunches. See the indication in all kinds of rigorous landscapes.

Spell out what is to be expected.

Show much blame in order and all in there, show much blame when there is a breath in a flannel. Show the tongue strongly in eating. Puzzle anybody.

Violet and the ink and the old ulster, shut in trembling and a whole departure, flood the sunshine, terrorize the grown didy, mingle sweetness with communion.

_All together._

Change the sucking with a little sucking.

Modify the brave gallant pin wheel. Show the shout, worry with wounds, love out what is a pendant and a choke and a dress in together.

Punish the gra.s.shopper with needles and pins are plenty. Show the old c.h.i.n.k.

_All together._

Put the putty in before the door put the oil gla.s.s in with what is green. Put the mellow choice with all the test, rust with night and language in the waist. Praise the cat and show the twine the door, mention every sc.r.a.p of linen carpet, see the eagle and behold the west, win the day light with the hat unpressed, show it in a shudder and a limp, make a best container with no speed, and a jacket and a choice and beets, beets are what there are when bets are less. Bets are less in summer.

Single Witnesses

(I). A spread out case is so personal it is a mountain of change and any little piece is personal, any one of them is an exchange. No forethought is removed. Nothing, hindrances, b.u.t.ter, a safe smooth, a safe why is a tongue a season, why is a loin large by way of spoiling. There is no cake in front. A choking is an example.

_More witnesses._

It is true, it certainly is true and a coat any coat, any dress, all dress, a hat, many hats, all colors, every kind of coloring, all this makes shadows longer and birds, makes birds, just makes birds.

Not much limping is in the back, not much limping is in the front, not much limping is circular, a bosom, a candle, an elegant foot fall, all this makes daylight.

_Single Witnesses._

(2). A blunder in a charger is blue. A high pocket not higher than the wrist and the elbow, the pocket is not added.

A clutch, a real clutch is merry and a joke and a baby, a real clutch is such a happy way. A real clutch is so soon worried so easily made the same, so soon made so.

A real white and blue, blue and blue, blue is raised by being so and more much more is ready. At last a person is safe.

_More witnesses._

Pile in the windows, freeze with the doors, paint with the ceiling, shut in the floors, paint with the ceiling, paint with the doors, shut in the ceiling, shut out the doors, shut in the doors, shut in the floors, shut in the floors, shut in the doors.

_More Witnesses._

Put the patient goat away, put the patient boat away, put away the boat and put it, the boat, put it, put away that boat. Put away the boat.

_Single Witnesses._

(3). An army of invincible and ever ready mustaches and all the same mind and a way of winding and no more repertoire, not any more noise, this did increase every day.

A moon, a moon, a darkness and the stars and little bits of eels and a special sauce, not a very special sauce, not only that.

A wide pair that are not slippers, not a wide pair of slippers, not pressed to be any of that in that particular but surely, surely, surely a loan, surely every kind of a capital.