Deathbird Stories Part 16

Inside--dim and candled at high noon--he was shown to a heavy wood booth, and there he had laid before him a pure white linen napkin, five pieces of silver, a crystal goblet in which fine water waited, and a promise. From the promise he selected nine-to- five winners, a long shot and the play number for the day.

A flocked velvet witch perched on a bar stool across from him turned, exposed thigh and smiled. He offered her silver, water, a promise, and they struck a bargain.

Charlie stared into her oiled teakwood eyes through the candle flame between them. All moistened saranwrap was her skin. All thistled gleaming were her teeth. All mystery of cupped hollows beneath cheekbones was she. Charlie had bought a television set once, because the redhead in the commercial was part of his dream. He had bought an electric toothbrush because the brunette with her capped teeth had indicated she, too, was part of his dream. And his great Eldorado, of course. That was the dream of the King of Tibet.

"What time is it?" But he received no answer and, drying his lips of the last of the peche flambe, he and the flocked velvet witch left the restaurant: he with his dream fraying, and she with no product save one to sell.

There was a party in a house on a hill.

When they drove up the asphalt drive, the blacktop beneath them uncoiled like the sooty tongue of a great primitive snake. "You'll like these people," she said, and took the sensitive face of the King of Tibet between her hands and kissed him deeply. Her fingernails were gunmetal silvered and her palms were faintly moist and plump, with expectations of tactile enrichments. They walked up to the house. Lit from within, every window held a color facet of light. Sounds swelled as they came toward the house. He fell a step behind her and watched the way her skin flowed. She reached out, touched the house, and they became one.

No door was opened to them, but holding fast to her hair he was drawn behind her, through the flesh of the house.

Within, there were inlaid ivory boxes that, when opened, revealed smaller boxes within. He became fascinated by one such box, sitting high on a pedestal in the center of an om rug. The box was inlaid with teeth of otters and puff adders and lynx. He opened the first box and within was a second box frosted with rime. Within the frost-box was a third, and it was decorated with mirrors that cast back no reflections. And next within was a box whose surface was a ma.s.s of intaglios, and they were all fingerprints, and none of Charlie's fit, and only when a pa.s.sing man smiled and caressed the lid did it open, revealing the next, smaller box. And so it went, till he lost count of the boxes and the journey ended when he could not see the box that fit within the dust-mote-size box that was within all the others. But he knew there were more, and he felt a great sadness that he could not get to them.

"What is it, precisely, you want?" asked an older woman with very good bones.

He was leaning against a wall whose only ornamentation was a gigantic wooden crucifix on which a Christ figure hung, head bowed, shoulders twisted as only shoulders can be whose arms have been pulled from sockets; the figure was made of ma.s.sive pieces of wood, all artfully stained: chunks of doors, bedposts, rowels, splines, pintels, joists, cross-ties, rabbet-joined bits of ma.s.sive frames.

"I want..." he began, then spread his hands in confusion. He knew what he wanted to say, but no one had ever ordered the progression of words properly for him.

"Is it Madelaine?" the older woman asked. She smiled as Aunt Jemima would smile, and targeted a finger across the enormous living room, bullseyed on the flocked velvet witch all the way over there by the fireplace. "She's here."

The King of Tibet felt a bit more relaxed.

"Now," the older woman said, her hand on Charlie's cheek, "what is it you need to know? Tell me. We have all the answers here. Truly."

"I want to know--"

The television screen went silver and cast a pool of light, drawing Charlie's attention. The possibilities were listed on the screen. And what he had wanted to know seemed inconsequential compared to the choices he saw listed.

"That one," he said. "That second one. How did the dinosaurs die."

"Oh, fine!" She looked pleased he had selected that one. "Shefti...?" she called to a tall man with gray hair at the temples. He looked up from speaking to several women and another man, looked up expectantly, and she said, "He's picked the second one. May I?".

"Of course, darling," Shefti said, raising his wine gla.s.s to her.

"Do we have time?"

"Oh, I think so," he said.

"Yes...what time is it?" Charlie asked.

"Over here," the older woman said, leading him firmly by the forearm. They stopped beside another wall. "Look." The King of Tibet stared at the wall, and it paled, turned to ice, and became translucent. There was something imbedded in the ice. Something huge. Something dark.

He stared harder, his eyes straining to make out the shape. Then he was seeing more clearly and it was a great saurian, frozen at the moment of pouncing on some lesser species.

"Gorgosaurus, " the older woman said, at his elbow. "It rather resembles Tyrannosaurus, you see; but the forelimbs have only two digits. You see?"

Thirty-two feet of tanned gray leather. The killing teeth. The nostriled snout, the amber smoke eyes of the eater of carrion. The smooth, sickening tuber of balancing tail, the crippled forelimbs carried tragically withered and useless. The musculature...the pulsing beat of iced blood beneath the tarpaulin hide. The...beat...

It lived.

Through the ice went the King of Tibet, accompanied by Circe-eyed older woman, as the sh.e.l.lfish-white living room receded back beyond the ice-wall. Ice went, night came.

Ice that melted slowly from the great hulk before him. He stood in wonder. "See,"

the woman said.

And he saw as the ice dissolved into mist and nightfog, and he saw as the earth trembled, and he saw as the great fury lizard moved in shambling hesitancy, and he saw as the others came to cl.u.s.ter unseen nearby. Scolosaurus came. Trachodon came.

Stephanosaurus came. Protoceratops came. And all stood, waiting.

The King of Tibet knew there were slaughterhouses where the beef was hung upside-down on hooks, where the throats were slit and the blood ran thick as motor oil.

He saw a golden thing hanging, and would not look. Later, he would look.

They waited. Silently, for its coming.

Through the Cretaceous swamp it was coming. Charlie could hear it. Not loud, but coming steadily closer. "Would you light my cigarette, please?" asked the older woman.

It was shining. It bore a pale white nimbus. It was stepping through the swamp, black to its thighs from the decaying matter. It came on, its eyes set back under furred browridges, jaw thrust forward, wide nostrils sniffing at the chill night, arms covered with matted filth and hair. Savior man.

He came to the lizard owners of the land. He walked around them and they stood silently, their time at hand. Then he touched them, one after the other, and the plague took them. Blue fungus spread from the five-p.r.o.nged marks left on their imperishable hides; blue death radiating from impressions of opposed thumbs, joining, spreading cilia and rotting the flesh of the great gone dinosaurs. The ice re-formed and the King of Tibet moved back through pearly cold to the living room.

He struck a match and lit her cigarette.

She thanked him and walked away.

The flocked velvet witch returned. "Did you have a nice time?" He thought of the boxes-within-boxes.

"Is that how they died? Was he the first?"

She nodded. "And did Nita ask you for anything?"

Charlie had never seen the sea. Oh, there had been the Narrows and the East River and the Hudson, but he had never seen the sea. The real sea, the thunder sea that went black at night like a pane of gla.s.s. The sea that could summon and the sea that could kill, that could swallow whole cities and turn them into myth. He wanted to go to California.

He suddenly felt fear that he would never leave this thing called Ohio here.

"I asked you: did Nita ask you for anything?"

He shivered.

"What?"

"Nita. Did she ask you for anything?"

"Only a light."

"Did you give it to her?"

"Yes."

Madelaine's face swam in the thin fluid of his sight. Her jaw muscles trembled.

She turned and walked across the room. Everyone turned to look at her. She went to Nita, who suddenly took a step backward and threw up her hands. "No, I didn't--"

The flocked velvet witch darted a hand toward the older woman and the hand seemed to pa.s.s into her neck. The silver tipped fingers reappeared, clenched around a fine sparkling filament. Then Madelaine snapped it off with a grunt.

There was a terrible minor sound from Nita, then she turned, watery, and stood silently beside the window, looking empty and hopeless.

Madelaine wiped her hand on the back of the sofa and came to Charlie. "We'll go now. The party is over."

He drove in silence back to town.

"Are you coming up?" he asked, when they parked the Eldorado in front of the hotel.

"I'm coming up."

He registered them as Prof. Pierre and Marja Sklodowska Curie and for the first time in his life he was unable to reach a climax. He fell asleep sobbing over never having seen the sea, and came awake hours later with the night still pressing against the walls.

She was not there.

He heard sounds from the street, and went to the window.

There was a large crowd in the street, gathered around his car.

As he watched, a man went to his knees before the golden Eldorado and touched it. Charlie knew this was his dream. He could not move; he just watched, as they ate his car.

The man put his mouth to the hood and it came away b.l.o.o.d.y. A great chunk had been ripped from the gleaming hide of the Cadillac. Golden blood ran down the man's jaws.

Another man draped himself over the top of the car, and even through the window the King of Tibet could hear the terrible sucking, s...o...b..ring sounds. Furrows were ripped in the top.

A woman pulled her dress up around her hips and backed, on all fours, to the rear of the car. Her face trembled with soft expectancy, and then it was inside her and she moved on it.

When she came, they all moved in on the car and he watched as his dream went inside them, piece by piece, chewed and eaten as he stood by helpless.

"That's all, Charlie," he heard her say, behind him. He could not turn to look at her, but her reflection was superimposed over his own in the window. Out there in darkness now, they moved away, having eaten.

He looked, and saw the golden thing hanging upside-down in the slaughterhouse, its throat cut, its blood drained away in onyx gutters.

Afoot, in Dayton, Ohio, he was dead of dreams. "What time is it?" he asked.

Suggesting that Christ had a h.o.m.os.e.xual relationship with Prometheus.

The Place with No Name

This is how legends are born.

Perhaps it was because Norman had never suffered from an excess of oily, curly hair that he had been unable to make it as a gigolo. Or as Norman had phrased it: "I can't stand patent-leather on my hair or my feet." So he had taken the easy way out: Norman Mogart had become a pimp.

Er, let's make the semantics more palatable. (In an era of garbage collectors who are Sanitation Disposal Engineers, truck drivers who are Transportation Facilitation Executives, and janitors who are Housing Maintenance Overseers, a spade is seldom a spade, Black Panthers please note.) Norman Mogart was an Entertainment Liaison Agent.

Pfui. Norman was a pimp.

Currently marketing a saucy item t.i.tled Marlene--a seventeen-year-old Puerto Rican voluptuary with a childlike delight in the carnal act and an insatiable craving for Juicy Fruit gum--Norman was doing nicely. Succinctly put, Norman was doing just whiz- bang. His alpaca coat had a velvet collar; his Porsche had recently been rebored; his Diners' Club account was up to date; and his $32-a-day habit was nicely in hand.

Norman Mogart was also an Artificial Stimulant Indoctrinaire.

Pfui. Norman was a junkie.

It is not true that cocaine addicts are more sensual than common garden-variety hopheads, vipers, stashhounds, potheads, speed freaks, crystal-s.p.a.ceouts, pill-droppers, acid-heads or blastbabies. It's just that c.o.ke hits like paresis after a while, and when a member of the opposite s.e.x begins to put on (as they used to say around the Brill Building) "the bee," the cocaine sniffer just doesn't have the wherewithal to say no.

Consequently, when Marlene--live wire that she was--felt compelled to snuggle up to her entrepreneur, Norman was too weak with happy to resist. It was this inability-- nay, rather this elasticity of moral fiber--on Norman's part, that brought about his terrible trouble, and the sudden pinching need for the bread to get turned on with. Marlene chose to snuggle up under a bush in Brooklyn's fabled Prospect Park, unfortunately, and it was one of New York's Finest (not to mention chicken-est) who felt honor-bound to bust her, chiefly because he had been called on the carpet only that morning by his Captain for having been caught catnapping (with pillow and alarm clock) in the rear of a police ambulance. The bust left Norman with not only his pants down, but his source of income cut off.

Three weeks and six hundred and seventy-two dollars later, Norman was out of money and out of dust. His connects smelled the nature of his impecunity and magically dried up. Norman was in a sorry way.

There comes a point in the downward slide of the human condition when a man ceases to be a man. He may still walk erect, but it is princ.i.p.ally a matter of skeletal arrangement, not ethics. Norman had reached that point...and pa.s.sed it: screaming. Like the Doppler effect of a train whistle as it fades past a fixed point. Norman was going insane. The hunger was no longer even localized; withdrawal was an ent.i.ty in itself. It clung to him like dark mud, it filled his mouth with rust. In a movie theater where he had fled to catch a few moments of peace and Chaplin's City Lights, he smelled the sick- sweet pungency of someone in the darkness tuning in on gra.s.s, and he wanted very much to puke. Instead, he lit his eighty-five-dollar GBD, the pipe Elyse had given him for his birthday, the year before she had gone off and married one of her tricks, a canning company executive from Steubenville, Ohio. The aromatic curlicues of tobacco blotted it out a trifle, and Norman was able to continue on his th.o.r.n.y path to furious darkness, unimpeded by the scents of lesser joys.

Inevitably, it came down to finding another hooker--for the ravishing Marlene had been sent to the Women's House of Detention at Sixth and Greenwich Avenues for a big one-twenty, it being her second bust. It came down to finding a new hooker, or boosting a drug store for its till and drug supplies. But: Norman was a Const.i.tutionally Incapacitated Swashbuckler.

Pfui. Norman was a G.o.ddam coward.

As for the former solution, it was luck-out there, as well: there were no other girls on the turf worth handling. For in his own way, and in his own pattern, Norman was a dealer in quality goods. Cheap or tawdry merchandise was a stink in his nostrils, inevitably bringing on a loss of reputation. In Norman's line of work, either solution was written in the hieroglyphics of bankruptcy.

Thus, view Norman Mogart, hung between the torture posts of his limitations and his desires. Swinging gently in a breeze of desperation.

The only climate that could have forced Norman to do what he did.

He accosted the woman as she turned to lock her car. It had been the only empty s.p.a.ce on Hudson Street, and Norman had known if he lurked for only a few moments in the dark doorway of the Chinese hand laundry, someone coming home late to one of the apartment buildings on Christopher or Bleecker would pull into it. He had been in the doorway no more than five minutes when the woman pulled in, backed and filled, and cut the ignition.

As she emerged, and turned to lock the door, Norman struck. He had a short length of pipe in his topcoat pocket, and he came up on her silently, and jammed it into the small of her back. "A gun, lady."

The woman didn't react as Norman had expected. With one sweeping movement she spun on the toe of her right foot, brought her arm around and directed the muzzle of the "gun" to the side. In two seconds Norman Mogart was grappling with a woman who had taken a course in street self-defense at the West Side YMHA. Norman found himself lifted on a stout hip, slung into the car, and sliding down its side. Then the woman kicked him. It was a very professional kick. It caught Norman directly under the heart and sent slivers of black gla.s.s up through his body into his brain. The next part he remembered only dimly: he grabbed her leg, pulled it out from under her and she fell with her skirt up around her hips, and her coat up around her skirt. Then he beat her solidly seven or eight times in the face with the length of pipe.

When the gla.s.s had dissolved in his brain and body, he was sitting on the dirty bricks of Hudson Street, half on top of a mound of dead meat.

He was still sitting there, a few minutes later, not quite believing what he had done, when the prowl car's searchlight speared him.

Norman Mogart scrambled to his knees and scuttled around the car. He dropped the pipe--which was now sticky--and crouching low, ran for his life. He ran into a man coming out of a narrow doorway leading up to cold-water flats, and caromed off him. He threw the man away from him and ran up Hudson Street. He kept running, with the squad car behind him, siren shrieking, gumball machine flickering angry red, searchbeam jabbing for him. He ran into Jane Street and kept going till he found a doorway. He ducked into the doorway and ran up a flight of stairs. And another flight. And another.

And then he climbed a ladder and came out through a trapdoor on the roof of a Greenwich Village tenement. It was a roof that locked with other roofs, and he fled across the roofs, catching himself in wash hung on poles-and-rope, and screamed because he didn't know what it was.

Then he found a fire escape, and clattered down the iron steps till he came to the drop-ladder, and it squeaked rustily, and he climbed down, dropping into another alley.