Cicely and Other Stories Part 5

ELSIE'S "PALMISTRY EVENING"

As Helen Jaynes stood before the mirror in her room, putting the last touches to her toilet, there was a rap at the door.

"I'm ready, Jane," she called, thinking it was the maid who had come to tell her the carriage was ready. But instead, her fifteen-year-old sister Sara peeped into the room. "Oh, sister Helen!" she exclaimed, in a disappointed tone. "Are you going out? Olive and I wanted to ask you something very particularly."

"Come in, dear," answered Helen, nodding pleasantly to the rosy-cheeked girl who peered over Sara's shoulder. "What do you want?

I am at your service."

"What is it you want, Sara?" asked Helen again, as the girls seated themselves by the cozy, tiled fireplace, and looked round admiringly.

Sara hesitated. "I had planned to break it to you gently," she began, "but as you are going out there is no time to lead up to the subject gradually. I hope you'll not be shocked, but there is a clairvoyant at the Metropole this week. Some of the girls have been there, and they say it is simply wonderful how she can tell fortunes. She charges only fifty cents. Olive and I are wild to go, and we thought maybe you might take us Sat.u.r.day afternoon."

Helen b.u.t.toned her gloves as if considering. "Do you think it would make you any happier, little sister, to know what the future holds for you?"

"Oh, yes!" answered Sara, decidedly. "The clairvoyant told Addie Roberts things in her past life that positively n.o.body but Addie knew had happened. Then she told her that a large fortune is coming to her soon, and she has a long journey ahead of her. She is to fall in love with a young man whom her parents will oppose her marrying, but 'love will find out a way,' and all will end happily."

"Does Addie believe all that the clairvoyant told her?" asked Helen.

"I don't know," answered Sara, but Olive put in eagerly, "I am sure she does, for she talks so much about it, and says if the woman could tell her past so accurately, she cannot help thinking that there must be some truth in her predictions for the future."

"Sara," said Helen, gravely, "suppose that woman were to tell you that sometime you will quarrel with your family, and be driven from home, and finally die in a poorhouse. Wouldn't it make you miserable every time you thought of it?"

"No, indeed, sister," answered the girl, indignantly. "I hope I am not quite so weak-minded as to believe all that. I'd simply think that she had made a mistake. Imagine me quarrelling with my family!"

"But clairvoyants often tell people things that seem just as improbable. What is the use of wasting half a dollar to hear predictions that you might not be able to believe, or if you could believe them, would make you utterly miserable?"

"Oh, it is just for the fun of it, Helen," urged Sara. "Please take us. All the girls are going, and we have never had our fortunes told in our lives."

Before there was time for a reply, Jane came to the door. "The carriage is waiting, Miss Helen," she said. For a moment Helen stood irresolutely beside her dressing-table, stroking her m.u.f.f in an absent-minded sort of way. Then she said: "I shall have to think about it awhile before I can promise. I shall not be out long. If you girls have nothing planned for the afternoon, suppose you wait for me here.

Get out my old college chafing-dish and make yourselves some chocolate, string up my banjo, and I'll give you a package of old letters to read, telling of some of our pranks at school."

"Oh, that will be lovely, Miss Helen," cried Olive; "especially the letters;" and Sara ran to give her sister an impulsive hug.

Unlocking her desk, Helen selected a bundle of letters from one of the pigeonholes. It was tied with her cla.s.s colours and marked "From Sophia Gordon." "She was my best friend at school," explained Helen, "and my roommate for three years; but being in the cla.s.s just below me, she had to go through her senior year without me. These letters were written during that time. I have a reason for asking you to read them. Perhaps you will be able to discover it before I come back."

With a smile and nod to Olive, and a light kiss on Sara's cheek, she left them to amuse themselves during her absence in any way they chose.

"You read the letters aloud while I make the chocolate," said Sara, as the door closed behind her sister. "We can do the other things afterward."

"There is a photograph in this one, of a girl about your size, Sara,"

announced Olive, as she opened the first letter. "What's this written under it? 'Timoroso.' What a queer name! But see what a sweet face she has. I wonder who it can be?"

"The letter will probably tell," answered Sara, striking a match to light the alcohol-lamp. "Go on, I am ready to listen."

"My dearest Helen," read Olive. "Here I am back at school in our sunshiny old south room in Baxter Hall, with the same jolly set of girls popping their heads out of their doors, all along the corridor, to joke with each other; the same old teachers and furniture and surroundings; the same dear old everything, with one exception--my old roommate.

"I know you are dying to hear about my new roommate. She is a freshman by the name of Susannah Talbot, but we have never called her that since the first day. You will find her photograph enclosed, and can see for yourself what a shy little rabbit she is.

"Elsie Gayland came into our room while I was showing Susannah where to put her things as she unpacked. You know how regardlessly outspoken Elsie is, and how thoroughly saturated with her music. She is worse than ever this year, and talks almost entirely in musical terms.

"'How are you two going to chord?' she said, abruptly, to Susannah.

'If Sophia were a sheet of music, she would be marked on every score, _Fortissimo_, because she is so forcible and aggressive. But you are just the opposite; it seems to me that _Timoroso_ would just suit you.

You do not object to a nickname, I hope? Everybody has to put up with one here.'

"Susannah blushed and managed to stammer out that she didn't mind, and ever since then she has been 'Timoroso' to us all. You know Elsie Gayland. She is the same old Elsie. What the Pied Piper was to Hamelin town, she is to this school. We all still flock after her in spite of ourselves, and no matter what she chooses to pipe for us, we dance after her.

"She has a new fad now--palmistry. Yesterday she showed me a book on the subject, that she studied all vacation. It is the weirdest looking thing, bound in black, with white serpents crawling all over the cover. It made me creep to look at it. She says that she is going to give a 'Palmistry Evening' soon, whatever that may be, and tell our fortunes. Timoroso has just come in and says that Elsie is waiting for me, so with 'these few broken remarks,' and a heart full of love, I must leave you for the present. Devotedly,

"SOPHIA."

As Olive laid down the letter and took up another, Sara exclaimed, "I see now why sister wanted us to read them. It is something about fortune-telling."

"The next letter is dated a week later," said Olive, beginning to read again.

"It was so lovely of you, Helen, dearest, to write me that good long letter in answer to the sc.r.a.p I sent. I have put off answering it until I could tell you about our palmistry evening which Elsie gave us last night. She almost got into trouble by pa.s.sing round little slips of paper in cla.s.s, on which was written:

8# XXIV. Lc.

Palmistry.

"Miss Hill caught sight of one as it was being pa.s.sed to Timoroso, and called her up to the desk. Seeing that Tim was almost ready to faint from embarra.s.sment, Elsie spoke up quickly: 'It's mine, Miss Hill. It is just a reference. I had several slipped in here, between the leaves of my algebra.'

"Of course it was a reference. You can easily tell what it referred to when interpreted in the old way. _Eight o'clock sharp. Room 24.

Elsie._

"'A reference to what, Miss Gayland?' asked Miss Hill, in her most frigid tones.

"'To palmistry,' answered Elsie, calmly. 'A subject which I have been investigating for some time.'

"With that Miss Hill sent Tim back to her seat, and read us a lecture on the folly of such things, and the harm of allowing them to absorb our valuable time. Elsie was cross at some of the things she said, for she firmly believes in chiromancy. 'There can't be anything wrong in it,' she declared to us afterward, 'for papa would not have given me this big, expensive book about it, with all these fine plates. See!

Here is an impression of Gladstone's hand, and lots of celebrated people. Miss Hill has no right to cla.s.s all believers in palmistry with mountebanks and gypsies, and she certainly betrays her ignorance of a n.o.ble science when she mixes it up with clairvoyance and common fortune-telling.'

"Still, Miss Hill's remarks made some change in Elsie's plans, for when we gathered in her room at the appointed time, it looked just as usual, although she had intended to have it darkened and hung with black curtains.

"After we had all taken our seats, Elsie retired behind a heavy screen in the corner. She had previously cut two slits in it, through which we were to thrust our hands. She made us take off our rings, so that she could not recognise us by them, and commanded absolute silence.

The light was on her side of the screen, and the semi-darkness in which we sat, added to the breathless silence, made us unnaturally solemn. The girls motioned me to put my hands through the screen first; and I wish you could have seen the pantomime they went through as she enumerated my familiar traits of character. They nodded their heads in emphatic agreement, each one growing more eager every moment for her turn, as all recognised the truth of Elsie's reading. Some of us found that we had very odd propensities, but it was Timoroso who made the sensation of the evening. When her turn came I could see that she had become almost frightened at Elsie's remarkable power of discernment, and was much wrought upon by the impressive silence of the dimly lighted room.

"After a moment of careful examination Elsie began: 'This is a psychic hand which shows a delicate const.i.tution, great sensitiveness, and abnormal nervousness. The life line is very short, the head line good, but running too far down into the mount of Luna. That may indicate only unusual imaginative power, or if other lines confirm it, it may mean a tendency to insanity.' Then she gave a startled exclamation and paused a moment. 'Oh, girls!' she cried. 'How interesting! I have never found this mark in a hand before, but it is in one of the plates.'

"'What?' we cried in chorus, breaking the long-enforced silence.

"'_It is the suicide line!_'

"Poor little Timoroso jerked her hands away, and turned toward us with a frightened face gleaming through the dusk as white as her collar.

Her distress was pitiful.