Your United States Part 3

[Ill.u.s.tration: UNDER THE GREAT DOME OF THE CAPITOL]

Matters more serious awaited me. An old resident of Boston took me out for privacy onto the Common and whispered in my ear: "This is the most sn.o.bbish city in the whole world. There is no real democracy here.

The first thing people do when they get to know you is to show you their family tree and prove that they came over in the _Mayflower_." And so he ran on, cursing Boston up hill and down dale. Nevertheless, he was very proud of his Boston. Had I agreed with the condemnation, he might have thrown me into the artificial brook. Another great Bostonian expert, after leading me on to admit that I had come in order to try to learn the real Boston, turned upon me with ferocious gaiety, thus: "You will not learn the real Boston. You cannot. The real Boston is the old Back Bay folk, who gravitate eternally between Beacon Street and State Street and the Somerset Club, and never go beyond. They confuse New England with the created universe, and it is impossible that you should learn them. n.o.body could learn them in less than twenty years' intense study and research."

Cautioned, and even intimidated, I thought it would be safest just to take Boston as Boston came, respectfully but casually. And as the hospitality of Boston was prodigious, splendid, unintermittent, and most delightfully unaffected, I had no difficulty whatever in taking Boston as she came. And my impressions began to emerge, one after another, from the rich and cloudy confusion of novel sensations.

What primarily differentiates Boston from all the other cities I saw is this: It is finished; I mean complete. Of the other cities, while admitting their actual achievement, one would say, and their own citizens invariably do say, "They will be ..." Boston is.

Another leading impression, which remains with me, is that Boston is not so English as it perhaps imagines itself to be. An interviewer (among many) came to see me about Boston, and he came with the fixed and sole notion in his head that Boston was English. He would have it that Boston was English. Worn down by his persistency, I did, as a fact, admit in one obscure corner of the interview that Boston had certain English characteristics. The scare-head editor of the interviewing paper, looking through his man's copy for suitable prey, came across my admission. It was just what he wanted; it was what he was thirsting for.

In an instant the scare-head was created: "Boston as English as a m.u.f.fin!" An ideal scare-head! That I had never used the word "m.u.f.fin" or any such phrase was a detail exquisitely unimportant. The scare-head was immense. It traveled in fine large type across the continent. I met it for weeks afterward in my press-cuttings, and I doubt if Boston was altogether delighted with the comparison. I will not deny that Boston is less strikingly un-English than sundry other cities. I will not deny that I met men in Boston of a somewhat p.r.o.nounced English type. I will not deny that in certain respects old Kensington reminds me of a street here and there in Boston--such as Mount Vernon Street or Chestnut Street. But I do maintain that the Englishness of Boston has been seriously exaggerated.

And still another very striking memory of Boston--indeed, perhaps, the paramount impression!--is that it contains the loveliest modern thing I saw in America--namely, the Puvis de Chavannes wall-paintings on the grand staircase of the Public Library. The Library itself is a beautiful building, but it holds something more beautiful. Never shall I forget my agitation on beholding these unsurpa.s.sed works of art, which alone would suffice to make Boston a place of pilgrimage.

When afterward I went back to Paris, the painters' first question was: "_Et les Puvis a Boston--vous les avez vus? Qu'est-ce que vous en dites?_"

It was very un-English on the part of Boston to commission these austere and cla.s.sical works. England would never have done it. The nationality of the greatest decorative painter of modern times would have offended her sense of fitness. What--a French painter officially employed on an English public building? Unthinkable! England would have insisted on an English painter--or, at worst, an American. It is strange that a community which had the wit to honor itself by employing Puvis de Chavannes should be equally enthusiastic about the frigid theatricalities of an E.A. Abbey or the forbidding and opaque intricate dexterity of a John Sargent in the same building. Or, rather, it is not strange, for these contradictions are discoverable everywhere in the patronage of the arts.

It was from the Public Library that some friends and I set out on a little tour of Boston. Whether we went north, south, east, or west I cannot tell, for this was one of the few occasions when the extreme variousness of a city has deprived me definitely of a sense of direction; but I know that we drove many miles through magnificent fenny parks, whose roads were reserved to pleasure, and that at length, after glimpsing famous houses and much of the less centralized wealth and ease of Boston, we came out upon the sh.o.r.es of the old harbor, and went into a yacht-club-house with a glorious prospect. Boston has more book-shops to the acre than any city within my knowledge except Aberdeen (not North Carolina, but Scotland). Its book-shops, however, are as naught to its yacht clubs. And for one yacht club I personally would sacrifice many book-shops. It was an exciting moment in my life when, after further wandering on and off coast roads, and through curving, cobbled, rackety streets, and between thunderous tram-cars and under deafening elevated lines, I was permitted to enter the celestial and calm precincts of the Boston Yacht Club itself, which overlooks another harbor. The acute and splendid nauticality of this club, all fashioned out of an old warehouse, stamps Boston as a city which has comprehended the sea. I saw there the very wheel of the _Spray_, the c.o.c.kboat in which the regretted Sloc.u.m wafted himself round the world! I sat in an arm-chair which would have suited Falstaff, and whose tabular arms would have held all Falstaff's tankards, and gazed through a magnified port-hole at a six-masted schooner as it crossed the field of vision!

And I had never even dreamed that a six-masted schooner existed! It was with difficulty that I left the Boston Yacht Club. Indeed, I would only leave it in order to go and see the frigate _Const.i.tution_, the ship which was never defeated, and which a.s.suredly, after over a hundred and ten years of buoyant life, remains the most truly English thing in Boston. The afternoon teas of Boston are far less English than that grim and majestic craft.

[Ill.u.s.tration: THE PROMENADE--CITY POINT, BOSTON]

We pa.s.sed into the romantic part of Boston, skirting vast wool-warehouses and other enormous establishments bearing such Oriental signs as "Coffee and Spices." And so into a bewildering congeries of crowded streets, where every name on the walls seemed to be Italian, and where every corner was dangerous with vegetable-barrows, tram-cars, and perambulators; through this quarter the legend of Paul Revere seemed to float like a long wisp of vapor. And then I saw the Christopher Wren spire of Paul Revere's signal-church, closed now--but whether because the congregation had dwindled to six or for some more recondite reason I am not clear. And then I beheld the delightful, elegant fabric of the old State House, with the memories of ma.s.sacre round about it, and the singular spectacle of the Lion and the Unicorn on its roof. Too proudly negligent had Boston been to remove those symbols!

And finally we rolled into the central and most circular shopping quarter, as different from the Italian quarter as the Italian quarter was different from Copley Square; and its heart was occupied by a graveyard. And here I had to rest.

The second portion of the itinerary began with the domed State Capitol, an impressive sight, despite its strange coloring, and despite its curious habit of illuminating itself at dark, as if in compet.i.tion with such establishments as the "Bijou Dream," on the opposite side of the Common. Here I first set eyes on Beacon Street, familiar--indeed, cla.s.sic--to the European student of American literature. Commonwealth Avenue, I have to confess, I had never heard of till I saw it. These interminable and gorgeous thoroughfares, where each ma.s.sive abode is a costly and ceremonial organization of the most polished and civilized existence, leave the simple European speechless--especially when he remembers the swampy origin of the main part of the ground.... The inscrutable, the unknowable Back Bay!

Here, indeed, is evidence of a society in equilibrium, and therefore of a society which will receive genuinely new ideas with an extreme, if polite, caution, while welcoming with warm suavity old ideas that disguise themselves as novelties!

It was a tremendous feat to reclaim from ooze the foundation of Back Bay. Such feats are not accomplished in Europe; they are not even imaginatively conceived there. And now that the great business is achieved, the energy that did it, restless and unoccupied, is seeking another field. I was informed that Boston is dreaming of the construction of an artificial island in the midst of the river Charles, with the hugest cathedral in the world thereon, and the most gorgeous bridges that ever spanned a fine stream. With proper deference, it is to be hoped that Boston, forgetting this infelicitous caprice, will remember in time that she alone among the great cities of America is complete. A project that would consort well with the genius of Chicago might disserve Boston in the eyes of those who esteem a sense of fitness to be among the major qualifications for the true art of life. And, in the matter of the art of daily living, Boston as she is has a great deal to teach to the rest of the country, and little to learn. Such is the diffident view of a stranger.

Cambridge is separated from Boston by the river Charles and by piquant jealousies that tickle no one more humorously than those whom, theoretically, they stab. From the east bank Cambridge is academic, and therefore negligible; from the west, Boston dwindles to a mere quay where one embarks for Europe.

What struck me first about Cambridge was that it must be the only city of its size and amenity in the United States without an imposing hotel.

It is difficult to imagine any city in the United States minus at least two imposing hotels, with a barber's shop in the bas.e.m.e.nt and a world's fair in the hall. But one soon perceives that Cambridge is a city apart.

In visual characteristics it must have changed very little, and it will never change with facility. Boston is pre-eminently a town of traditions, but the traditions have to be looked for. Cambridge is equally a town of traditions, but the traditions stare you in the face.

My first halt was in front of the conspicuous home of James Russell Lowell. Now in the far recesses of the Five Towns I was brought up on "My Study Windows." My father, who would never accept the authority of an encyclopedia when his children got him in a corner on some debated question of fact, held James Russell Lowell as the supreme judge of letters, from whom not even he could appeal (It is true, he had never heard of Ste. Beuve, and regarded Matthew Arnold as a modern fad.) And there were the study windows of James Russell Lowell! And his house in its garden was only one of hundreds of similar houses standing in like old gardens.

It was highly agreeable to learn that some of the pre-Revolution houses had not yet left the occupation of the families which built them.

Beautiful houses, a few of them, utterly dissimilar from anything on the other side of the Atlantic! Did not William Morris always maintain that wood was and forever would be the most suitable material for building a house? On the side of the railroad track near Toledo I saw frame houses, whose architecture is debased from this Cambridge architecture, blown clean over by the gale. But the gale that will deracinate Cambridge has not yet begun to rage.... I rejoiced to see the house of Longfellow. In spite of the fact that he wrote "The Wreck of the _Hesperus_," he seems to keep his position as the chief minor poet of the English language.

And the most American and the most wistful thing in Cambridge was that the children of Cambridge had been guided to buy and make inalienable the land in front of his house, so that his descendant might securely enjoy the free prospect that Longfellow enjoyed. In what other country would just such a delicate, sentimental homage have been paid in just such an ingeniously fanciful manner?[1]

[Footnote 1: This story was related to me by a resident of Cambridge.

Mr. Richard H. Dana, Longfellow's son-in-law, has since informed me that it is quite untrue. I regret that it is quite untrue. It ought to have been quite true. The land in question was given by Longfellow's children to the Longfellow Memorial a.s.sociation, who gave it to the city of Cambridge. The general children of Cambridge did give to Longfellow an arm-chair made from the wood of a certain historic "spreading chestnut-tree," under which stood a certain historic village smithy; and with this I suppose I must be content.--A.B.]

[Ill.u.s.tration: THE BOSTON YACHT CLUB--OVERLOOKING THE RIVER]

After I had pa.s.sed the Longfellow house it began to rain, and dusk began to gather in the recesses between the houses; and my memory is that, with an athletic and tireless companion, I walked uncounted leagues through endless avenues of Cambridge homes toward a promised club that seemed ever to retreat before us with the shyness of a fawn.

However, we did at length capture it. This club was connected with Harvard, and I do not propose to speak of Harvard in the present chapter.

The typical Cambridge house as I saw it persists in my recollection as being among the most characteristic and comfortable of "real" American phenomena. And one reason why I insisted, in a previous chapter, on the special Americanism of Indianapolis is that Indianapolis is full of a modified variety of these houses which is even more characteristically American--to my mind--than the Cambridge style itself. Indianapolis being by general consent the present chief center of letters in the United States, it is not surprising that I, an author, knew more people from Indianapolis than from any other city. Indeed, I went to Indianapolis simply because I had old friends there, and not at all in the hope of inspecting a city characteristically American. It was quite startlingly different from the mental picture I had formed of it.

I think that in order to savor Indianapolis properly one should approach it as I approached it--in an accommodation-train on a single track, a train with a happy-go-lucky but still agreeable service in its restaurant-car, a train that halts at every barn-door in the vast flat, featureless fields of yellow stubble, rolling sometimes over a muddy, brown river, and skirting now and then a welcome wooded cleft in the monotony of the landscape. The scenes at those barn-doors were full of the picturesque and of the racy. A farmer with a gun and a brace of rabbits and a dog leaping up at them, while two young women talked to or at the farmer from a distance; a fat little German girl in a Scotch frock, cleaning outside windows with the absorbed seriousness of a grandmother; a group of boys dividing their attention between her and the train; an old woman driving a cart, and a negro gesticulating and running after the cart; and all of them, save the n.i.g.g.e.r, wearing gloves--presumably as a protection against the strong wind that swept through the stubble and shook the houses and the few trees. Those houses, in all their summariness and primitive crudity, yet reminded one of the Cambridge homes; they exhibited some remains of the pre-Revolution style.

And then you come to the inevitable State Fair grounds, and the environs of the city which is the capital and heart of all those plains.

And after you have got away from the railroad station and the imposing hotels and the public monuments and the high central buildings--an affair of five minutes in an automobile--you discover yourself in long, calm streets of essential America. These streets are rectangular; the streets of Cambridge abhor the straight line. They are full everywhere of maple-trees. And on either side they are bordered with homes--each house detached, each house in its own fairly s.p.a.cious garden, each house individual and different from all the rest. Few of the houses are large; on the other hand, none of them is small: this is the region of the solid middle cla.s.s, the cla.s.s which loves comfort and piques itself on its amenities, but is a little ashamed or too timid to be luxurious.

Architecturally the houses represent a declension from the purity of earlier Cambridge. Scarcely one is really beautiful. The style is debased. But then, it possesses the advantage of being modernized; it has not the air of having strayed by accident into the wrong century.

And, moreover, it is saved from condemnation by its sobriety and by its honest workmanship. It is the expression of a race incapable of looking foolish, of being giddy, of running to extremes. It is the expression of a race that both clung to the past and reached out to the future; that knew how to make the best of both worlds; that keenly realized the value of security because it had been through insecurity. You can see that all these houses were built by people who loved "a bit of property," and to whom a safe and dignified roof was the final ambition achieved. Why! I do believe that there are men and women behind some of those curtains to this day who haven't quite realized that the Indians aren't coming any more, and that there is permanently enough wood in the pile, and that quinine need no longer figure in the store cupboard as a staple article of diet! I do believe that there are minor millionaires in some of those drawing-rooms who wonder whether, out-soaring the ambition of a bit of property, they would be justified in creeping down-town and buying a cheap automobile!... These are the people who make the link between the academic traditionalism of Cambridge and such excessively modern products of evolution as their own mayor, Mr. Shanks, protector of the poor. They are not above forming deputations to parley with their own mayor.... I loved them. Their drawing-rooms were full of old silver, and book-gossip, and Victorian ladies apparently transported direct from the more aristocratic parts of the Five Towns, who sat behind trays and poured out tea from the identical tea-pot that my grandmother used to keep in a green bag.

In the outer suburbs of the very largest cities I saw revulsions against the wholesale barracky conveniences of the apartment-house, in the shape of little colonies of homes, consciously but superficially imitating the Cambridge-Indianapolis tradition--with streets far more curvily winding than the streets of Cambridge, and sidewalks of a strip of concrete between green turf-bands that recalled the original sidewalks of Indianapolis and even of the rural communities around Indianapolis. Cozy homes, each in its own garden, with its own clothes-drier, and each different from all the rest! Homes that the speculative builder, recking not of the artistic sobriety, had determined should be picturesque at any cost of capricious ingenuity! And not secure homes, because, though they were occupied by their owners, their owners had not built them--had only bought them, and would sell them as casually as they had bought.

The apartment-house will probably prove stronger than these throwbacks.

And yet the time will come when even the apartment-house will be regarded as a picturesque survival. Into what novel architecture and organization of living it will survive I should not care to prophesy, but I am convinced that the future will be quite as interestingly human as the present is, and as the past was.

IV

SOME ORGANIZATIONS

"What strikes and frightens the backward European as much as anything in the United States is the efficiency and fearful universality of the telephone. Just as I think of the big cities as agglomerations pierced everywhere by elevator-shafts full of movement, so I think of them as being threaded, under pavements and over roofs and between floors and ceilings and between walls, by millions upon millions of live filaments that unite all the privacies of the organism--and destroy them in order to make one immense publicity! I do not mean that Europe has failed to adopt the telephone, nor that in Europe there are no hotels with the dreadful curse of an active telephone in every room. But I do mean that the European telephone is a toy, and a somewhat clumsy one, compared with the inexorable seriousness of the American telephone. Many otherwise highly civilized Europeans are as timid in addressing a telephone as they would be in addressing a royal sovereign. The average European middle-cla.s.s householder still speaks of his telephone, if he has one, in the same falsely casual tone as the corresponding American is liable to speak of his motor-car. It is naught--a negligible trifle--but somehow it comes into the conversation!

"How odd!" you exclaim. And you are right. It is we Europeans who are wrong, through no particular fault of our own.

The American is ruthlessly logical about the telephone. The only occasion on which I was in really serious danger of being taken for a madman in the United States was when, in a Chicago hotel, I permanently removed the receiver from the telephone in a room designed (doubtless ironically) for slumber. The whole hotel was appalled. Half Chicago shuddered. In response to the prayer of a deputation from the management I restored the receiver. On the horrified face of the deputation I could read the unspoken query: "Is it conceivable that you have been in this country a month without understanding that the United States is primarily nothing but a vast congeries of telephone-cabins?" Yes, I yielded and admired! And I surmise that on my next visit I shall find a telephone on every table of every restaurant that respects itself.

[Ill.u.s.tration: AT MORN POURING CONFIDENCES INTO HER TELEPHONE]

It is the efficiency of the telephone that makes it irresistible to a great people whose pa.s.sion is to "get results"--the instancy with which the communication is given, and the clear loudness of the telephone's voice in reply to yours: phenomena utterly unknown in Europe. Were I to inhabit the United States, I too should become a victim of the telephone habit, as it is practised in its most advanced form in those suburban communities to which I have already incidentally referred at the end of the previous chapter. There a woman takes to the telephone as women in more decadent lands take to morphia. You can see her at morn at her bedroom window, pouring confidences into her telephone, thus combining the joy of an innocent vice with the healthy freshness of breeze and sunshine. It has happened to me to sit in a drawing-room, where people gathered round the telephone as Europeans gather round a fire, and to hear immediately after the e.j.a.c.u.l.a.t.i.o.n of a number into the telephone a sharp ring from outside through the open window, and then to hear in answer to the question, "What are you going to wear to-night?"

two absolutely simultaneous replies, one loudly from the telephone across the room, and the other faintlier from a charming human voice across the garden: "I don't know. What are you?" Such may be the pleasing secondary scientific effect of telephoning to the lady next door on a warm afternoon.

Now it was obvious that behind the apparently simple exterior aspects of any telephone system there must be an intricate and marvelous secret organization. In Europe my curiosity would probably never have been excited by the thought of that organization--at home one accepts everything as of course!--but, in the United States, partly because the telephone is so much more wonderful and terrible there, and partly because in a foreign land one is apt to have strange caprices, I allowed myself to become the prey of a desire to see the arcanum concealed at the other end of all the wires; and thus, one day, under the high protection of a demiG.o.d of the electrical world, I paid a visit to a telephone-exchange in New York, and saw therein what nine hundred and ninety-nine out of every thousand of the most ardent telephone-users seldom think about and will never see.

A murmuring sound, as of an infinity of scholars in a prim school conning their lessons, and a long row of young women seated in a dim radiance on a long row of precisely similar stools, before a long apparatus of holes and pegs and pieces of elastic cord, all extremely intent: that was the first broad impression. One saw at once that none of these young women had a single moment to spare; they were all involved in the tremendous machine, part of it, keeping pace with it and in it, and not daring to take their eyes off it for an instant, lest they should sin against it. What they were droning about it was impossible to guess; for if one stationed oneself close to any particular rapt young woman, she seemed to utter no sound, but simply and without ceasing to peg and unpeg holes at random among the thousands of holes before her, apparently in obedience to the signaling of faint, tiny lights that in thousands continually expired and were rekindled.

(It was so that these tiny lights should be distinguishable that the illumination of the secret and finely appointed chamber was kept dim.) Throughout the whole length of the apparatus the colored elastic cords to which the pegs were attached kept crossing one another in fantastic patterns.

We who had entered were ignored. We might have been ghosts, invisible and inaudible. Even the supervisors, less-young women set in authority, did not turn to glance at us as they moved restlessly peering behind the stools. And yet somehow I could hear the delicate shoulders of all the young women saying, without speech: "Here come these tyrants and taskmasters again, who have invented this exercise which nearly but not quite cracks our little brains for us! They know exactly how much they can get out of us, and they get it. They are cleverer than us and more powerful than us; and we have to submit to their discipline. But--" And afar off I could hear: "What are you going to wear to-night?" "Will you dine with me to-night?" "I want two seats." "Very well, thanks, and how is Mrs....?" "When can I see you to-morrow?" "I'll take your offer for those bonds." ... And I could see the interiors of innumerable offices and drawing-rooms.... But of course I could hear and see nothing really except the intent drone and quick gesturing of those completely absorbed young creatures in the dim radiance, on stools precisely similar.

I understood why the telephone service was so efficient. I understood not merely from the demeanor of the long row of young women, but from everything else I had seen in the exact and diabolically ingenious ordering of the whole establishment.