Year's Best Scifi 8 Part 50

He looked up. She was so much closer now. Her wonderful beauty loomed over him. He gasped.

He refused to take a step back.

Those human lips were filled with the stored energy of ancient Mars as they smiled down at him. Oh, yes, Captain John MacShard. You are not here by accident. I did not send the Thennet to take the girl until I knew you were about to land at Old Mars Station. And it was I who let the father know you were the only creature alive that could find his daughter. And you did find her, didn't you?

You found me. You found Shienna Sha Shanakana who has been dust, who has not known this desire for uncountable millennia, who has not felt such need, such joyous l.u.s.t....

Now Captain John MacShard took that backward step, the great Banning cannon loose on its webbing, swinging as his hands sought something in his clothing. Now his fists were clenched at his sides.

The G.o.ddess licked her sublime lips.

Is that sweat I see on your manly brow, Captain John MacShard? A hand reached out and whisked lightly across his forehead. He felt as if a flaming knife had been drawn through his flesh. Yet he would have given his whole life to experience that touch again.

He tasted a tongue that was not a human tongue. It licked at his flesh. It reveled in his smell, the feel of his hard, muscular body, the racing blood, the pounding heart, the sight of his perfect manhood. He was everything humans or Martians could be; everything the female might desire in a male.

Her touch yielded to him, offered him a power he knew she would never really give up. He hadenjoyed the most expert seductresses, but this creature brought the experience of centuries, the instincts of her stolen body, the cravings of a female which had not known any kind of feeling, only a burning ambition, for longer than most of Earth's greatest civilizations had come and gone. And those cravings were centered on Captain John MacShard.

You will sire the new Martian race, she promised, as she moved her golden breastplates against his naked chest. You will die knowing that you have fulfilled your greatest possible destiny.

And Captain John MacShard believed her. He believed her to the depths of his being. He wanted nothing else. Nothing but to serve her in any way she demanded. The gun hung forgotten at his side. He reached out his arms to receive from her whatever she desired to give, to give to her whatever she needed to take. It was true. He was hers. Hers to use and then to bind so that later his own son might feed upon his holy flesh and become him. That was his destiny. The eternal life which lay before him.

But first, she whispered, you must entertain me .

Then he suddenly knew the son must be sired, the remains of the humans driven from the bodies and the blood mingled in the painful and protracted mating rituals of those first Martians.

She moved to enfold him in that final, lethal embrace.

CHAPTER SEVEN.

The Poisoned Chalice

They came upon the Earthling naked, somewhere in the Shifting Desert, almost a hundred versts from the Aghroniagh Hills. He had no armor, no weapons. His skin hung like filthy rags on his b.l.o.o.d.y, blistered flesh. Both his legs had long, deep red lines running from thigh to heel, as if a white-hot sword blade had been placed on the limbs. He could see, but his eyes were turned inward. He was mumbling to himself. There was foam on his mangled lips. He was raving, seemingly empty of ident.i.ty and will, and the noises that came occasionally from deep in his chest were the sounds a wild beast might make. At other times, he seemed amused.

The patrol which found him had been looking for Venusian chuff runners and couldn't believe anything lived in his condition. They were superst.i.tious fellows. They thought at first he was a ghost. Then they decided he had fallen among ghosts, within the influence of those mythical Martians frozen in jewels and dreaming deep within the planet. Some of the customs people had seen Earthling explorers who had returned from expeditions in a state not much better than this.

But then one of the patrol recognized Captain John MacShard and they knew that whatever enemy he had met out here, it must have been a powerful one. They identified the long scars down his legs and on his hands as burns from Thennet venom. But how had they gotten there? The marks did not look typical of Thennet torture.

They began to take him back to Old Mars Station where there was a doctor, but he roused himself, gathered his senses and pointed urgently toward the Aghroniaghs. It seemed he had a companion.

They had gone seventy versts before their instruments detected a human figure lying in the shade of a rock, a small bottle nearby. Indications were that the figure was barely alive.

Captain John MacShard sank back into the craft as soon as he saw Mercedes Morricone. He let go.

He allowed oblivion at last to overcome him.

He would never deliberately recall and would never tell anyone what Shienna Sha Shanakana, Sorceress of the Silent Citadel, had made him do, as she took hold of his mind. He would never admit what he had allowed her to do in order to ensure the success of a desperate, maybe suicidal, plan.

She knew she could not fully control him and it had whetted her curiosity, made her test her powers in ways she had never expected to test them. She fed off him. She tasted at his brain the way a wealthy woman might take a delicate bite of a chocolate to see if it suited her. Some of what she took from him she discarded as so much waste. Memories. Affections. Pride.

But then she had become puzzled. Her own power seemed to ebb and flow. He was naked, and hehad torn his own flesh for her amus.e.m.e.nt, had capered and drooled for her amus.e.m.e.nt. John MacShard was no longer a thinking being. She had sucked him dry of everything she herself lacked. Dry of everything human.

Or so it had seemed...

For Captain John MacShard had learned all he had needed to learn from the veteran priest he had talked to in Old City before he left. He had kept some of his wits by tapping the venom from the Thennet he had killed, keeping it in crushable vials until the moment came when he needed that level of pain to keep his mind from the likes of Shienna Sha Shananaka's seductions. It had been her embrace that had seared them both. But he intended to reverse her spell. He had reversed the path of most of the energy she had been drawing from her compatriots in their crystal prisons. He had absorbed it in the gun.

For the gun didn't merely expel energy, it also attracted energy. It processed its own power from the planet's energy, wherever that energy was to be found. The blood and soul she had sucked from him was still under his control. He had let her draw him in, let her take his very soul, somehow keeping his own consciousness as he was absorbed into her, somehow linking with that other terrified fragment of soulmind that was the girl to whom he was able to give strength, a chance at life.

Somewhere in that ruined, apparently lunatic skull, there was a battle still taking place, through the twists and turns of an alien s.p.a.ce and time-a battle for control of a human creature that had perished so that a G.o.ddess might survive. It was not only Captain John MacShard's vigorous blood she had sucked, nor his diamond-hard mind, but his will. A will which, ironically, she could not control. A will strong enough to take possession of a demiG.o.ddess.

Captain John MacShard was still there. Actually inside her. Actually working to destroy her. There had never been an individual more ruggedly determined to maintain its ident.i.ty against all odds. He had summoned everything he possessed as she embraced him and had broken the vials containing the venom he had gathered from the Thennet. The venom burned his body as well as hers. The girl's body became useless to her. She began to remove herself from it. And Captain John MacShard, the skin of his hands and legs bubbling as the venom ate into them, kept his will directed to his goal.

She had been astonished to discover a mind as powerful as her own-as thoroughly trained as her own in the Martian forms of mental control and counter-control which Earthers had nicknamed "brain-brawling" and which more subtle observers knew as a combination of mental fencing and mental chess whose outcome could annihilate the defeated.

But the searing venom kept his mind free enough from her dominance and ultimately allowed him to break from her embrace. She had advanced on him, a roaring, shouting thing of raw energy, the ruined human body abandoned.

Then Captain John MacShard forced himself toward his fallen Banning cannon. The gun lay in a heap of clothing and circuitry which he had stripped from his own body before beginning to strip the flesh as she had demanded.

But all the while his iron will had kept the crucial parts of himself free. Now he had the gun in his hands and the golden whirlwind that was the true form of Shienna Sha Shanakana, Sorceress of the Silent Citadel, was advancing toward him, triumphant in the knowledge that the gun had already failed to break the crystal coffins in which her kin-folk were still imprisoned.

But Captain John MacShard knew more about the people who had made the Banning than she did.

Her folk had merely killed them. Captain John MacShard had examined the culture they had left behind in their great, empty ship. Captain John MacShard had a human quality which the ancient Martians, for all their powers, always lacked and which would always undo them. They had no curiosity about those they fed upon. Captain John MacShard had the curiosity of the Venusian saber-tooth whose reactions matched his own. He had learned so much from The d.u.c.h.ess of Malfi.

He had never meant to destroy the crystal tombs with his gun. That would have released even more of the greedy immortals from their already fragile captivity. Instead he had used the gun's powering devices, the cells which sucked in energy of cosmic proportions, which in turn powered the gun when it was needed. The instrument in his hands could contain the raw power of an entire universe-and expel that same power wherever it was directed. The gun hadn't failed to break the crystals, but it had absorbed their enormous energy.

It had gathered the power of the silent crystals into the gun so that the Sorceress could no longer call upon it. Her energy, uncontained, began to dissipate. She began to return to the body of the girl. But she had reckoned without the power of the Banning cannon.

She was held in balance between her own desperate l.u.s.t for flesh and the relentless draw of the Banning.

MacShard's last act had been to take the girl's apparently lifeless body and carry it through the winding, filthy tunnels of the Thennet, who had all long since fled, and somehow get her up to the surface as a G.o.ddess shrilled and boomed in the crystal chamber. The whole planet seemed to shake with her frustrated attempts to draw more strength from her imprisoned brothers and sisters.

She was outraged. Not because she knew she might actually die, but because a puny little halfling threatened to best her. She could not bear the humiliation.

He saw an intense ball of light pursue him for a few moments and then become a face. Not the face he had seen before but a face at once hideous and obscenely beautiful. She was being dragged down to him, down to where the alien gun sucked at her very soul. Then she stopped resisting it. She might have lived on, as she had lived for millennia, but she chose oblivion. She let go of her consciousness. Only her energy remained in the gun's energy cells. But Captain John MacShard would never be sure.

Nothing but natural hazards blocked his progress to the top. At last he was stretched, gasping on the thin, sour air, staring upward.

Suddenly a sad wind began to stretch a curtain of dark blue across the sky. It seemed for a moment that Mars lived again, lived when the seas washed her wealthy, mysterious beaches.

At the surface, Captain John MacShard realized he would have to leave the Banning behind if he was to get the girl to safety. He must risk it. It had enough charge to do extraordinary damage. If mishandled, it would not only destroy any living thing within a hundred yards, it would probably destroy a good-sized portion of the planet or worse. He suspected that it was as safe from the Thennet as it was from the Sorceress of the Silent Citadel. He hoped to cross the Paradise before he smelled human again.

It had not been until the following night that he had stopped. The girl was just conscious, a shoulder and leg raw from Thennet venom, though her face, by a miracle, had not been touched. He had left her what little water he had brought and had stumbled on. He had been walking toward the Old City when the customs patrol found him.

The port doctors shook their heads. They could see no hope of saving him. But then Morricone stepped in. He flew Captain John MacShard to Phobos and the famous Clinique Al Rhabia, where his daughter was already recovering. They had worked on him. A billion deen had been spent on him, and they had saved him.

And in saving Captain John MacShard they instilled the germ of a new kind of anger, a profound understanding of the injustice which could let crippled boys beg in the Martian dust but fly the privileged to Phobos and the finest new medicine science could create.

He wasn't ungrateful to Morricone. Morricone had kept his bargain, paid the price and better. He didn't blame Morricone for his failure to understand, for not having the imagination to see that for every hero's life he saved, there were millions of ordinary people who would never be given the chance to be heroes.

They found his gun for him. n.o.body dared handle it, but they picked it out of a dune with their waldos and brought it to him in a sealed canister.

Captain John MacShard saw Mercedes Morricone a couple of times after he left the Clinique and was waiting for his ship to be recircuited according to his new instructions. Plastic surgery had rid her of most of the scars. She was more than grateful to him. She knew him in a way no woman had ever known him before. And she loved him. She couldn't help herself. She understood Captain John MacShard had nothing to offer her now that he had given her back her life.

Yet maybe there was something. A clear feeling of affection, almost a father's love for a daughter. He realized, to his own surprise, that he cared about her. He even let her come along when he took the kid aboard The d.u.c.h.ess of Malfi and showed him the wild, semistable gases and gemstones which wereher controls. He wanted the boy to remember that the ship could be understood and handled. And Mercedes had fallen in love all over again, for the ship had a beauty that was unique.

Pretending to joke, she said they could be a hardy little pioneer family, the three of them, setting off for the worlds beyond the stars. How marvelous it would be to stand at his side as he took the alien ship into the echoing corridors of the multiverse, following fault lines created in the impossibly remote past through the infinitely layered realities of intraspatial matter. How marvelous it would be to see the sights that he would see.

He was loading the heavy canister down into a cradle he'd made for it and which fitted beside his compression bed. He had commissioned himself a new power suit. It rippled against his body, outlining muscles and sinews as he moved gracefully to his familiar tasks, checking screens and globes, columns of glittering force.

The boy was content to look, wide-eyed. And maybe he understood. Maybe he just pretended.

And maybe Captain John MacShard pretended not to understand her when she spoke of that impossible future. He didn't tell her what you had to become to steer The d.u.c.h.ess through time and s.p.a.ce. What you must cease to be. What you must learn never to desire, never to think about.

He was gentle when he escorted her home from the s.p.a.ceport, took her and the boy to her father's big front door, kissed her cheek, and bade her good-bye for the last time.

She held the boy's hand tight. He was her link to her dream. He might even become her best dream.

She was going to get him educated, she said, as best you could these days.

The girl and the boy watched Captain John MacShard leave.

His perfect body was suddenly outlined against the huge, scarlet sun as it settled on the Martian horizon. Ribbons of red dust danced around his feet as he strode back up the drive of her father's mansion, between the artificial cedars and the holograph fountains. He walked to the gates, seemed about to turn, changed his mind, and was gone.

The girl and the boy were standing there again in the morning at Old Mars Station as The d.u.c.h.ess blasted off en route for the new worlds beyond Pluto where Captain John MacShard thought he might find what he was looking for.

He had gained something more than the cosmic power which resided in his gun. He now knew what love-ordinary, decent, celebratory human love-was. He had felt it. He still felt it.

The ship was cruising smoothly, her own intelligence taking over. He turned away from his instruments and poured himself a much-needed shot of Vortex Water.

Staring up at the great tapestry of stars, thinking about all the worlds and races which must inhabit them, Captain John MacShard turned away from his instruments.

Like the wild creature that he was, he shook off the dust and the horror and the memory of love.

By the time his alien ship was pa.s.sing Jupiter, Captain John MacShard was his old self again. He patted the gun in its special case; his Banning was now powered by the life-stuff of the G.o.ds.

Soon he could start hunting the really big game.

The interstellar game.

About the Editors David G. Hartwell is a senior editor at Tor/Forge Books. He is the author of Age of Wonders and the editor of many anthologies, including The Dark Descent, The World Treasury of Science Fiction, and a number of Christmas anthologies. He has won the Eaton Award, the World Fantasy Award, and the Science Fiction Chronicle Poll and has been nominated for the Hugo Award twenty-eight times to date.

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Kathryn Cramer, writer and anthologist, won a World Fantasy Award for best anthology for The Architecture of Fear, co-edited with Peter Pautz. She is on the editorial board of The New York Review of Science Fiction and has been nominated for the Hugo Award ten times.This is a collection of fiction. Names, characters, places, and incidents are products of the author's imagination or are used fict.i.tiously and are not to be construed as real. Any resemblance to actual events, locales, organizations, or persons, living or dead, is entirely coincidental.

YEAR'S BEST SF 8.

"In Paradise" by Bruce Sterling, copyright 2002 by Bruce Sterling. First published in F&SF, September 2002.

"Slow Life" by Michael Swanwick, copyright 2002 by Michael Swanwick. This story originally appeared in a.n.a.log.

"Knapsack Poems" by Eleanor Arnason, copyright 2002 by Eleanor Arnason. First published in Asimov's. Reprinted by permission of the author and the author's agents, the Virginia Kidd Agency, Inc.

"At Dorado" by Geoffrey A. Landis, copyright 2002 by Geoffrey A. Landis. First published in Asimov's.

"Coelacanths" by Robert Reed, copyright 2002 by Spilogale, Inc. First published in F&SF, March 2002. Reprinted by permission of the author.

"Flight Correction" by Ken Wharton, copyright 2002 by Ken Wharton. First published in a.n.a.log.

"Shoes" by Robert Sheckley, copyright 2002 by Robert Sheckley. First appeared in F&SF.

"The Diamond Drill" by Charles Sheffield, copyright 2002 by Charles Sheffield. First published in a.n.a.log.

"The Seasons of the Ansarac" by Ursula K. Le Guin, copyright 2002 by Ursula K. Le Guin. First appeared in Infinite Matrix. Reprinted by permission of the author and the author's agents, the Virginia Kidd Agency, Inc.

"A Few Kind Words for A. E. Van Vogt" by Richard Chwedyk, copyright 2002 by Richard Chwedyk. First published in Tales of the Unantic.i.p.ated.

"Halo" by Charles Stross, copyright 2002 by Charles Stross. First published in Asimov's.

"I Saw the Light" by Terry Bisson, copyright 2002 by Terry Bisson. First published in SciFi.com, Winter 2002. Reprinted by permission of the author and the author's literary agent, Susan Ann Protter.

"A Slow Day at the Gallery" by A. M. Dellamonica, copyright 2002 by A. M. Dellamonica. First published in Asimov's. Reprinted by permission of the author and the author's agents, the Virginia Kidd Agency, Inc.

"Ailoura" by Paul Di Filippo, copyright 2002 by Paul Di Filippo. First published in Once Upon a Galaxy.

"The Names of All the Spirits" by J. R. Dunn, copyright 2002 by J. R. Dunn. First appeared in SciFi.com. Reprinted by permission of the author.

"Grandma" by Carol Emshwiller, copyright 2002 by Carol Emshwiller. First published in F&SF.

"Snow in the Desert" by Neal Asher, copyright 2002 by Neal Asher. First published in Spectrum SF.

"Singleton" by Greg Egan, copyright 2002 by Greg Egan. First published in Interzone, #176, February 2002.

"Geropods" by Robert Onopa, copyright 2002 by Robert Onopa. First Published in F&SF.

"Afterlife" by Jack Williamson, copyright 2002 by Jack Williamson. First published in F&SF.