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"Then we quarantine Lusitania. Even if all the human beings on the planet die-- your family and mine-- we still don't destroy the pequeninos."
"Really?" asked Miro. "What about the Hive Queen?"
"Ender told me that she was reestablishing herself, but--"
"She contains within herself a complete industrialized society. She's going to build starships and get off the planet."
"She wouldn't take the descolada with her!"
"She has no choice. The descolada is in her already. It's in me me."
That was when he really got to her. He could see it in her eyes-- the fear.
"It'll be in you, too. Even if you run back to your ship and seal me off and keep yourself from infection, once you land on Lusitania the descolada will get into you and your husband and your children. They'll have to ingest the chemicals with their food and water, every day of their lives. And they can never go away from Lusitania again or they'll carry death and destruction with them."
"I suppose we knew that was a possibility," said Valentine.
"When you left, it was only a possibility. We thought that the descolada would soon be controlled. Now they aren't sure if it can ever be controlled. And that means that you can never leave Lusitania once you go there."
"I hope we like the weather."
Miro studied her face, the way she was processing the information he had given her. The initial fear was gone. She was herself again-- thinking. "Here's what I think," said Miro. "I think that no matter how terrible Congress is, no matter how evil their plans might be, that fleet might be the salvation of humanity."
Valentine answered thoughtfully, searching for words. Miro was glad to see that-- she was a person who didn't shoot back without thinking. She was able to learn. "I can see that if events move down one possible path, there might be a time when-- but it's very improbable. First of all, knowing all this, the Hive Queen is quite unlikely to build any starships that would carry the descolada away from Lusitania."
"Do you know know the Hive Queen?" demanded Miro. "Do you the Hive Queen?" demanded Miro. "Do you understand understand her?" her?"
"Even if she would would do such a thing," said Valentine, "your mother and sister are working on this, aren't they? By the time we reach Lusitania-- by the time the do such a thing," said Valentine, "your mother and sister are working on this, aren't they? By the time we reach Lusitania-- by the time the fleet fleet reaches Lusitania-- they might have found a way to control the descolada once and for all." reaches Lusitania-- they might have found a way to control the descolada once and for all."
"And if they do," said Miro, "should they use it?"
"Why shouldn't they?"
"How could they kill all all the descolada virus? The virus is an integral part of the pequenino life cycle. When the pequenino body-form dies, it's the descolada virus that enables the transformation into the tree-state, what the piggies call the third life-- and it's only in the third life, as trees, that the pequenino males can fertilize the females. If the virus is gone, there can be no more pa.s.sage into the third life, and this generation of piggies is the last." the descolada virus? The virus is an integral part of the pequenino life cycle. When the pequenino body-form dies, it's the descolada virus that enables the transformation into the tree-state, what the piggies call the third life-- and it's only in the third life, as trees, that the pequenino males can fertilize the females. If the virus is gone, there can be no more pa.s.sage into the third life, and this generation of piggies is the last."
"That doesn't make it impossible, it only makes it harder. Your mother and sister have to find a way to neutralize the descolada in human beings and the crops we need to eat, without destroying its ability to enable the pequeninos to pa.s.s into adulthood."
"And they have less than fifteen years to do it," said Miro. "Not likely."
"But not impossible."
"Yes. There's a chance. And on the strength of that chance, you want to get rid of the fleet?"
"The fleet is being sent to destroy Lusitania whether we control the descolada virus or not."
"And I say it again-- the motive of the senders is irrelevant. No matter what the reason, the destruction of Lusitania may be the only sure protection for all the rest of humanity."
"And I say you're wrong."
"You're Demosthenes, aren't you? Andrew said you were."
"Yes."
"So you thought up the Hierarchy of Foreignness. Utlannings are strangers from our own world. Framlings are strangers of our own species, but from another world. Ramen are strangers of another species, but capable of communication with us, capable of co-existence with humanity. Last are varelse-- and what are they they?"
"The pequeninos are not varelse. Neither is the Hive Queen."
"But the descolada is is. Varelse. An alien life form that's capable of destroying all of humanity ..."
"Unless we can tame it..."
"... Yet which we cannot possibly communicate with, an alien species that we cannot live with. You're the one who said that in that case war is unavoidable. If an alien species seems bent on destroying us and we can't communicate with them, can't understand them, if there's no possibility possibility of turning them away from their course peacefully, then we are justified in any action necessary to save ourselves, including the complete destruction of the other species." of turning them away from their course peacefully, then we are justified in any action necessary to save ourselves, including the complete destruction of the other species."
"Yes," said Valentine.
"But what if we must must destroy the descolada, and yet we destroy the descolada, and yet we can't can't destroy the descolada without also destroying every living pequenino, the Hive Queen, and every human being on Lusitania?" destroy the descolada without also destroying every living pequenino, the Hive Queen, and every human being on Lusitania?"
To Miro's surprise, Valentine's eyes were awash with tears. "So this is what you have become."
Miro was confused. "When did this conversation become a discussion of me me?"
"You've done all this thinking, you've seen all the possibilities for the future-- good ones and bad ones alike-- and yet the only one that you're willing to believe in, the imagined future that you seize upon as the foundation for all your moral judgments, is the only future in which everyone that you and I have ever loved and everything we've ever hoped for must be obliterated."
"I didn't say I liked liked that future--" that future--"
"I didn't say you liked it either," said Valentine. "I said that's the future you choose to prepare for. But I don't. I choose to live in a universe that has some hope in it. I choose to live in a universe where your mother and sister will find a way to contain the descolada, a universe in which Starways Congress can be reformed or replaced, a universe in which there is neither the power nor the will to destroy an entire species."
"What if you're wrong?"
"Then I'll still have plenty of time to despair before I die. But you-- do you seek out every opportunity to despair? I can understand the impulse that might lead to that. Andrew tells me you were a handsome man-- you still are, you know-- and that losing the full use of your body has hurt you deeply. But other people have lost more than you have without getting such a black-hearted vision of the world."
"This is your a.n.a.lysis of me?" asked Miro. "We've known each other half an hour, and now you understand everything about me?"
"I know that this is the most depressing conversation I've ever had in my life."
"And so you a.s.sume that it's because I I am crippled. Well, let me tell you something, Valentine Wiggin. I hope the same things am crippled. Well, let me tell you something, Valentine Wiggin. I hope the same things you you hope. I even hope that someday I'll get more of my body back again. If I didn't have hope I'd be hope. I even hope that someday I'll get more of my body back again. If I didn't have hope I'd be dead dead. The things I told you just now aren't because I despair. I said all that because these things are possible possible. And because because they're possible we have to think of them so they don't surprise us later. We have to think of them so that if the worst does come, we'll already know how to live in that universe." they're possible we have to think of them so they don't surprise us later. We have to think of them so that if the worst does come, we'll already know how to live in that universe."
Valentine seemed to be studying his face; he felt her gaze on him as an almost palpable thing, like a faint tickling under the skin, inside his brain. "Yes," she said.
"Yes what?"
"Yes, my husband and I will move over here and live on your ship." She got up from her seat and started toward the corridor leading back to the tube.
"Why did you decide that that?"
"Because it's too crowded on our ship. And because you are definitely worth talking to. And not not just to get material for the essays I have to write." just to get material for the essays I have to write."
"Oh, so I pa.s.sed your test?"
"Yes, you did," she said. "Did I pa.s.s yours?"
"I wasn't testing you."
"Like h.e.l.l," she said. "But in case you didn't notice, I'll tell you-- I did did pa.s.s. Or you wouldn't have said to me all the things you said." pa.s.s. Or you wouldn't have said to me all the things you said."
She was gone. He could hear her shuffling down the corridor, and then the computer reported that she was pa.s.sing through the tube between ships.
He already missed her.
Because she was right. She had had pa.s.sed his test. She had listened to him the way no one else did-- without impatience, without finishing his sentences, without letting her gaze waver from his face. He had spoken to her, not with careful precision, but with great emotion. Much of the time his words must surely have been almost unintelligible. Yet she had listened so carefully and well that she had understood all his arguments and never once asked him to repeat something. He could talk to this woman as naturally as he ever talked to anyone before his brain was injured. Yes, she was opinionated, headstrong, bossy, and quick to reach conclusions. But she could also listen to an opposing view, change her mind when she needed to. She could listen, and so he could speak. Perhaps with her he could still be Miro. pa.s.sed his test. She had listened to him the way no one else did-- without impatience, without finishing his sentences, without letting her gaze waver from his face. He had spoken to her, not with careful precision, but with great emotion. Much of the time his words must surely have been almost unintelligible. Yet she had listened so carefully and well that she had understood all his arguments and never once asked him to repeat something. He could talk to this woman as naturally as he ever talked to anyone before his brain was injured. Yes, she was opinionated, headstrong, bossy, and quick to reach conclusions. But she could also listen to an opposing view, change her mind when she needed to. She could listen, and so he could speak. Perhaps with her he could still be Miro.
Chapter 3
Clean Hands
The most unpleasant thing about human beings is that they don't metamorphose. Your people and mine are born as grubs, but we transform ourselves into a higher form before we reproduce. Human beings remain grubs all their lives. Human beings do metamorphose. They change their ident.i.ty constantly. However, each new ident.i.ty thrives on the delusion that it was always in possession of the body it has just conquered. Such changes are superficial. The nature of the organism remains the same. Humans are very proud of their changes, but every imagined transformation turns out to be a new set of excuses for behaving exactly as the individual has always behaved. You are too different from humans ever to understand them. You are too similar to humans for you ever to be able to see them clearly.
The G.o.ds first spoke to Han Qing-jao when she was seven years old. She didn't realize for a while that she was hearing the voice of a G.o.d. All she knew was that her hands were filthy, covered with some loathsome invisible slime, and she had to purify them.
The first few times, a simple washing was enough, and she felt better for days. But as time pa.s.sed, the feeling of filthiness returned sooner each time, and it took more and more scrubbing to remove the dirt, until she was washing several times a day, using a hard-bristled brush to stab at her hands until they bled. Only when the pain was unbearable did she feel clean, and then only for a few hours at a time.
She told no one; she knew instinctively that the filthiness of her hands had to be kept secret. Everyone knew that handwashing was one of the first signs that the G.o.ds were speaking to a child, and most parents in the whole world of Path watched their children hopefully for signs of excessive concern with cleanliness. But what these people did not understand was the terrible self-knowledge that led to the washing: The first message from the G.o.ds was of the unspeakable filthiness of the one they spoke to. Qing-jao hid her handwashing, not because she was ashamed that the G.o.ds spoke to her, but because she was sure that if anyone knew how vile she was, they would despise her.
The G.o.ds conspired with her in concealment. They allowed her to confine her savage scrubbing to the palms of her hands. This meant that when her hands were badly hurt, she could clench them into fists, or tuck them into the folds of her skirt as she walked, or lay them in her lap very meekly when she sat, and no one would notice them. They saw only a very well-behaved little girl.
If her mother had been alive, Qing-jao's secret would have been discovered much sooner. As it was, it took months for a servant to notice. Fat old Mu-pao happened to notice a b.l.o.o.d.y stain on the small tablecloth from Qing-jao's breakfast table. Mu-pao knew at once what it meant-- weren't b.l.o.o.d.y hands well known to be an early sign of the G.o.ds' attention? That was why many an ambitious mother and father forced a particularly promising child to wash and wash. Throughout the world of Path, ostentatious handwashing was called "inviting the G.o.ds."
Mu-pao went at once to Qing-jao's father, the n.o.ble Han Fei-tzu, rumored to be the greatest of the G.o.dspoken, one of the few so powerful in the eyes of the G.o.ds that he could meet with framlings-- offworlders-- and never betray a hint of the voices of the G.o.ds within him, thus preserving the divine secret of the world of Path. He would be grateful to hear the news, and Mu-pao would be honored for having been the first to see the G.o.ds in Qing-jao.
Within an hour, Han Fei-tzu had gathered up his beloved little Qing-jao and together they rode in a sedan chair to the temple at Rockfall. Qing-jao didn't like riding in such chairs-- she felt bad for the men who had to carry their weight. "They don't suffer," Father told her the first time she mentioned this idea. "They feel greatly honored. It's one of the ways the people show honor to the G.o.ds-- when one of the G.o.dspoken goes to a temple, he does it on the shoulders of the people of Path. "
"But I'm getting bigger every day," Qing-jao answered.
"When you're too big, either you'll walk on your own feet or you'll ride in your own chair," said Father. He did not need to explain that she would have her own chair only if she grew up to be G.o.dspoken herself. "And we try to show our humility by remaining very thin and light so we aren't a heavy burden to the people." This was a joke, of course, since Father's belly, while not immense, was copious. But the lesson behind the joke was true: The G.o.dspoken must never be a burden to the common people of Path. The people must always be grateful, never resentful, that the G.o.ds had chosen their world of all worlds to hear their voices.
Now, though, Qing-jao was more concerned with the ordeal that lay before her. She knew that she was being taken for testing. "Many children are taught to pretend that the G.o.ds speak to them," Father explained. "We must find out if the G.o.ds have truly chosen you."
"I want them to stop choosing me," said Qing-jao.
"And you will want it even more during the test," said Father. His voice was filled with pity. It made Qing-jao even more afraid. "The folk see only our powers and privileges, and envy us. They don't know the great suffering of those who hear the voices of the G.o.ds. If the G.o.ds truly speak to you, my Qing-jao, you will learn to bear the suffering the way jade bears the carver's knife, the polisher's rough cloth. It will make you shine. Why else do you think I named you Qing-jao?"
Qing-jao-- Gloriously Bright was what the name meant. It was also the name of a great poet from ancient times in Old China. A woman poet in an age when only men were given respect, and yet she was honored as the greatest of poets in her day. "Thin fog and thick cloud, gloom all day." It was the opening of Li Qing-jao's song "The Double Ninth." That was how Qing-jao felt now.
And how did the poem end? "Now my curtain's lifted only by the western wind. I've grown thinner than this golden blossom." Would this be her ending also? Was her ancestor-of-the-heart telling her in this poem that the darkness failing over her now would be lifted only when the G.o.ds came out of the west to lift her thin, light, golden soul out of her body? It was too terrible, to think of death now, when she was only seven years old; and yet the thought came to her: If I die soon, then soon I'll see Mother, and even the great Li Qing-jao herself.
But the test had nothing to do with death, or at least it was not supposed to. It was quite simple, really. Father led her into a large room where three old men knelt. Or they seemed like men-- they could have been women. They were so old that all distinctions had disappeared. They had only the tiniest wisps of white hair and no beards at all, and they dressed in shapeless sacks. Later Qing-jao would learn that these were temple eunuchs, survivors of the old days before Starways Congress intervened and forbade even voluntary self-mutilation in the service of a religion. Now, though, they were mysterious ghostly old creatures whose hands touched her, exploring her clothing.
What were they searching for? They found her ebony chopsticks and took them away. They took the sash from around her waist. They took her slippers. Later she would learn that these things were taken because other children had become so desperate during their testing that they had killed themselves. One of them had inserted her chopsticks into her nostrils and then flung herself to the floor, jamming the sticks into her brain. Another had hanged herself with her sash. Another had forced her slippers into her mouth and down her throat, choking herself to death. Successful suicide attempts were rare, but they seemed to happen with the brightest of the children, and most commonly with girls. So they took away from Qing-jao all the known ways of committing suicide.
The old ones left. Father knelt beside Qing-jao and spoke to her face to face. "You must understand, Qing-jao, that we are not really testing you you. Nothing that you do of your own free will can make the slightest difference in what happens here. We are really testing the G.o.ds, to see if they are determined to speak to you. If they are, they'll find a way, and we'll see it, and you'll come out of this room as one of the G.o.dspoken. If they aren't, then you'll come out of here free of their voices for all time. I can't tell you which outcome I pray for, since I don't know myself."
"Father," said Qing-jao, "what if you're ashamed of me?" The very thought made her feel a tingling in her hands, as if there were dirt on them, as if she needed to wash them.
"I will not be ashamed of you either way."
Then he clapped his hands. One of the old ones came back in, bearing a heavy basin. He set it down before Qing-jao.
"Thrust in your hands," said Father.
The basin was filled with thick black grease. Qing-jao shuddered. "I can't put my hands in there."
Father reached out, took her by the forearms, and forced her hands down into the muck. Qing-jao cried out-- her father had never used force with her before. And when he let go of her arms, her hands were covered with clammy slime. She gasped at the filthiness of her hands; it was hard to breathe, looking at them like that, smelling them.
The old one picked up the basin and carried it out.
"Where can I wash, Father?" Qing-jao whimpered.
"You can't wash," said Father. "You can never wash again."
And because Qing-jao was a child, she believed him, not guessing that his words were part of the test. She watched Father leave the room. She heard the door latch behind him. She was alone.
At first she simply held her hands out in front of her, making sure they didn't touch any part of her clothing. She searched desperately for somewhere to wash, but there was no water, nor even a cloth. The room was far from bare-- there were chairs, tables, statues, large stone jars-- but all the surfaces were hard and well-polished and so clean that she couldn't bear to touch them. Yet the filthiness of her hands was unendurable. She had to get them clean.
"Father!" she called out. "Come and wash my hands!" Surely he could hear her. Surely he was somewhere near, waiting for the outcome of her test. He must hear her-- but he didn't come.
The only cloth in the room was the gown she was wearing. She could wipe on that that, only then she would be wearing the grease; it might get on other parts of her body. The solution, of course, was to take it off-- but how could she do that without touching her filthy hands to some other part of herself?
She tried. First she carefully sc.r.a.ped off as much of the grease as she could on the smooth arms of a statue. Forgive me, she said to the statue, in case it belonged to a G.o.d. I will come and clean you after; I'll clean you with my own gown.
Then she reached back over her shoulders and gathered the cloth on her back, pulling up on the gown to draw it over her head. Her greasy fingers slipped on the silk; she could feel the slime cold on her bare back as it penetrated the silk. I'll clean it after, she thought.
At last she got a firm enough grasp of the fabric that she could pull off the gown. It slid over her head, but even before it was completely off, she knew that things were worse than ever, for some of the grease was in her long hair, and that hair had fallen onto her face, and now she had filth not just on her hands but also on her back, in her hair, on her face.
Still she tried. She got the gown the rest of the way off, then carefully wiped her hands on one small part of the fabric. Then she wiped her face on another. But it was no good. Some of the grease clung to her no matter what she did. Her face felt as if the silk of her gown had only smeared the grease around instead of lifting it away. She had never been so hopelessly grimy in her life. It was unbearable, and yet she couldn't get rid of it.
"Father! Come take me away! I don't want to be G.o.dspoken!" He didn't come. She began to cry.