Xenocide Part 2

"Technically, you know, I'm I'm the proprietor of this starship." the proprietor of this starship."

"What's yours is mine. I married you for your property."

She was inside the compartment now. He closed the door and sealed it.

"That's all I am to you?" she asked. "Real estate?"

"A little plot of ground where I can plow and plant and harvest, all in their proper season." He reached out to her; she stepped into his arms. His hands slid lightly up her back, cradled her shoulders. She felt contained in his embrace, never confined.

"It's late in the autumn," she said. "Getting on toward winter."

"Time to harrow, perhaps," said Jakt. "Or perhaps it's already time to kindle up the fire and keep the old hut warm before the snow comes."

He kissed her and it felt like the first time.

"If you asked me to marry you all over again today, I'd say yes," said Valentine.

"And if I had only met you for the first time today, I'd ask."

They had said the same words many, many times before. Yet they still smiled to hear them, because they were still true.

The two starships had almost completed their vast ballet, dancing through s.p.a.ce in great leaps and delicate turns until at last they could meet and touch. Miro Ribeira had watched the whole process from the bridge of his starship, his shoulders hunched, his head leaned back on the headrest of the seat. To others this posture always looked awkward. Back on Lusitania, whenever Mother caught him sitting that way she would come and fuss over him, insist on bringing him a pillow so he could be comfortable comfortable. She never seemed to grasp the idea that it was only in that hunched, awkward-seeming posture that his head would remain upright without any conscious effort on his part.

He would endure her ministrations because it wasn't worth the effort to argue with her. Mother was always moving and thinking so quickly, it was almost impossible for her to slow down enough to listen to him. Since the brain damage he had suffered pa.s.sing through the disruptor field that separated the human colony and the piggies' forest, his speech had been unbearably slow, painful to produce and difficult to understand. Miro's brother Quim, the religious one, had told him that he should be grateful to G.o.d that he was able to speak at all-- the first few days he had been incapable of communicating except through alphabetic scanning, spelling out messages letter by letter. In some ways, though, spelling things out had been better. At least then Miro had been silent; he hadn't had to listen to his own voice. The thick, awkward sound, the agonizing slowness of it. Who in his family had the patience to listen to him? Even the ones who tried-- his next-younger sister, Ela; his friend and stepfather, Andrew Wiggin, the Speaker for the Dead; and Quim, of course-- he could feel their impatience. They tended to finish his sentences for him. They needed to hurry hurry things. So even though they said they wanted to talk with him, even though they actually sat and listened as he spoke, he still couldn't speak freely to them. He couldn't talk about things. So even though they said they wanted to talk with him, even though they actually sat and listened as he spoke, he still couldn't speak freely to them. He couldn't talk about ideas ideas; he couldn't speak in long, involved sentences, because by the time he got to the end his listeners would have lost track of the beginning.

The human brain, Miro had concluded, just like a computer, can only receive data at certain speeds. If you get too slow, the listener's attention wanders and the information is lost.

Not just the listeners, either. Miro had to be fair-- he was as impatient with himself as they were. When he thought of the sheer effort involved in explaining a complicated idea, when he antic.i.p.ated trying to form the words with lips and tongue and jaws that wouldn't obey him, when he thought of how long long it would all take, he usually felt too weary to speak. His mind raced on and on, as fast as ever, thinking so many thoughts that at times Miro wanted his brain to shut down, to be it would all take, he usually felt too weary to speak. His mind raced on and on, as fast as ever, thinking so many thoughts that at times Miro wanted his brain to shut down, to be silent silent and give him peace. But his thoughts remained his own, unshared. and give him peace. But his thoughts remained his own, unshared.

Except with Jane. He could speak to Jane. She had come to him first on his terminal at home, her face taking form on the screen. "I'm a friend of the Speaker for the Dead," she had told him. "I think we can get this computer to be a little more responsive." From then on, Miro had found that Jane was the only person he could talk to easily. For one thing, she was infinitely patient. She never finished his sentences. She could wait wait for him to finish them himself, so that he never felt rushed, never felt that he was boring her. for him to finish them himself, so that he never felt rushed, never felt that he was boring her.

Perhaps even more important, he didn't have to form his words as fully for her as he did for human listeners. Andrew had given him a personal terminal-- a computer transceiver encased in a jewel like the one Andrew wore in his own ear. From that vantage point, using the jewel's sensors, Jane could detect every sound he made, every motion of the muscles in his head. He didn't have to complete complete each sound, he had only to begin it and she would understand. So he could be lazy. He could speak more quickly and be understood. each sound, he had only to begin it and she would understand. So he could be lazy. He could speak more quickly and be understood.

And he could also speak silently. He could subvocalize-- he didn't have to use that awkward, barking, yowling voice that was all his throat could produce now. So that when he was talking to Jane, he could speak quickly, naturally, without any reminder that he was crippled. With Jane he could feel like himself.

Now he sat on the bridge of the cargo ship that had brought the Speaker for the Dead to Lusitania only a few months ago. He dreaded the rendezvous with Valentine's ship. If he could have thought of somewhere else to go, he might have gone there-- he had no desire to meet Andrew's sister Valentine or anybody else. If he could have stayed alone in the starship forever, speaking only to Jane, he would have been content.

No he wouldn't. He would never be content again.

At least this Valentine and her family would be somebody new. On Lusitania he knew everybody, or at least everybody that he valued-- all the scientific community there, the people of education and understanding. He knew them all so well that he could not help but see their pity, their grief, their frustration at what had become of him. When they looked at him all they could see was the difference between what he was before and what he was now. All they could see was loss.

There was a chance that new people-- Valentine and her family-- would be able to look at him and see something else.

Even that was unlikely, though. Strangers would look at him and see less, not more, than those who had known him before he was crippled. At least Mother and Andrew and Ela and Ouanda and all the others knew that he had a mind, knew that he was capable of understanding ideas. What will new people think when they see me? They'll see a body that's already atrophying, hunched over; they'll see me walk with a shuffling gait; they'll watch me use my hands like paws, clutching a spoon like a three-year-old; they'll hear my thick, half-intelligible speech; and they'll a.s.sume, they'll know know, that such a person cannot possibly understand anything complicated or difficult.

Why did I come?

I didn't come. I went. I wasn't coming here, to meet these people. I was leaving there. Getting away. Only I tricked myself. I thought of leaving on a thirty-year voyage, which is only how it will seem to them. To me I've been gone only a week and a half. No time at all. And already my time of solitude is over. My time of being alone with Jane, who listens to me as if I were still a human being, is done.

Almost. Almost he said the words that would have aborted the rendezvous. He could have stolen Andrew's starship and taken off on a voyage that would last forever without having to face another living soul.

But such a nihilistic act was not in him, not yet. He had not yet despaired, he decided. There might yet be something he could do that might justify his continuing to live in this body. And perhaps it would begin with meeting Andrew's sister.

The ships were now joining, the umbilicals snaking outward and searching, groping till they met each other. Miro watched on the monitors and listened to the computer reports of each successful linkage. The ships were joining in every possible way so that they could make the rest of the voyage to Lusitania in perfect tandem. All resources would be shared. Since Miro's ship was a cargo vessel, it couldn't take on more than a handful of people, but it could could take some of the other ship's life-support supplies; together, the two ship's computers were figuring out a perfect balance. take some of the other ship's life-support supplies; together, the two ship's computers were figuring out a perfect balance.

Once they had calculated the load, they worked out exactly how fast each ship should accelerate as they made the park shift to get them both back to near-lightspeed at exactly the same pace. It was an extremely delicate and complicated negotiation between two computers that had to know almost perfectly what their ships carried and how they could perform. It was finished before the pa.s.sage tube between the ships was fully connected.

Miro heard the footsteps scuffing along the corridor from the tube. He turned his chair-- slowly, because he did everything slowly-- and saw her coming toward him. Stooped over, but not very much, because she wasn't that tall to begin with. Hair mostly white, with a few strands of mousy brown. When she stood he looked at her face and judged her. Old but not elderly. If she was nervous about this meeting it didn't show. But then, from what Andrew and Jane had told him about her, she had met a lot of people who were a good deal more fearsome than a twenty-year-old cripple.

"Miro?" she asked.

"Who else?" he said.

It took a moment, just a heartbeat, for her to process the strange sounds that came out of his mouth and recognize the words. He was used to that pause now, but he still hated it.

"I'm Valentine," she said.

"I know," he answered. He wasn't making this any easier, with his laconic replies, but what else was there to say? This wasn't exactly a meeting between heads of state with a list of vital decisions to make. But he had to make some effort, if only not to seem hostile.

"Your name, Miro-- it means 'I look,' doesn't it?"

"'I look closely closely.' Maybe 'I pay attention.'"

"It's really not that hard to understand you," said Valentine.

He was startled that she addressed the matter so openly.

"I think I'm having more problems with your Portuguese accent than with the brain damage."

For a moment it felt like a hammer in his heart-- she was speaking more frankly about his situation than anyone except Andrew. But then she was Andrew's sister, wasn't she? He should have expected her to be plainspoken.

"Or do you prefer that we pretend that it isn't a barrier between you and other people?"

Apparently she had sensed his shock. But that was over, and now it occurred to him that he probably shouldn't be annoyed, that he should probably be glad that they wouldn't have to sidestep the issue. Yet he was annoyed, and it took him a moment to think why. Then he knew.

"My brain damage isn't your your problem," he said. problem," he said.

"If it makes it hard for me to understand you, then it's a problem I have to deal with. Don't get p.r.i.c.kly with me already, young man. I have only begun to bother you, and you have only begun to bother me. So don't get steamed up because I happened to mention your brain damage as being somehow my my problem. I have no intention of watching every word I say for fear I'll offend an oversensitive young man who thinks the whole world revolves around his disappointments." problem. I have no intention of watching every word I say for fear I'll offend an oversensitive young man who thinks the whole world revolves around his disappointments."

Miro was furious that she had judged him already, and so harshly. It was unfair-- not at all what the author of Demosthenes' hierarchy ought to be like. "I don't think the whole world revolves around my disappointments! But don't you think you can come in here and run things on my ship!" That's That's what annoyed him, not her words. She was right-- her words were nothing. It was her att.i.tude, her complete self-confidence. He wasn't used to people looking at him without shock or pity. what annoyed him, not her words. She was right-- her words were nothing. It was her att.i.tude, her complete self-confidence. He wasn't used to people looking at him without shock or pity.

She sat down in the seat next to him. He swiveled to face her. She, for her part, did not look away. Indeed, she pointedly scanned his body, head to toe, looking him over with an air of cool appraisal. "He said you were tough. He said you had been twisted but not broken."

"Are you supposed to be my therapist?"

"Are you supposed to be my enemy?"

"Should I be?" asked Miro.

"No more than I should be your therapist. Andrew didn't have us meet so I could heal you. He had us meet so you could help me me. If you're not going to, fine. If you are, fine. Just let me make a few things clear. I'm spending every waking moment writing subversive propaganda to try to arouse public sentiment on the Hundred Worlds and in the colonies. I'm trying to turn the people against the fleet that Starways Congress has sent to subdue Lusitania. Your Your world, not mine, I might add." world, not mine, I might add."

"Your brother's there." He was not about to let her claim complete altruism.

"Yes, we both have family there. And we both are concerned about keeping the pequeninos from destruction. And we both know that Ender has restored the Hive Queen on your world, so that there are two alien species that will be destroyed if Starways Congress gets its way. There's a great deal at stake, and I am already doing all that I can possibly do to try to stop that fleet. Now, if spending a few hours with you can help me do it better, it's worth taking time away from my writing in order to talk with you. But I have no intention of wasting my time worrying about whether I'm going to offend you or not. So if you're going to be my adversary, you can sit up here all by yourself and I'll get back to my work."

"Andrew said you were the best person he ever knew."

"He reached that conclusion before he saw me raise three barbarian children to adulthood. I understand your mother has six."

"Right."

"And you're the oldest."

"Yes."

"That's too bad. Parents always make their worst mistakes with the oldest children. That's when parents know the least and care the most, so they're more likely to be wrong and also more likely to insist that they're right."

Miro didn't like hearing this woman leap to conclusions about his mother. "She's nothing like you."

"Of course not." She leaned forward in her seat. "Well, have you decided?"

"Decided what?"

"Are we working together or did you just unplug yourself from thirty years of human history for nothing?"

"What do you want from me?"

"Stories, of course. Facts I can get from the computer."

"Stories about what?"

"You. The piggies. You and and the piggies. This whole business with the Lusitania Fleet began with you and the piggies, after all. It was because you interfered with them that--" the piggies. This whole business with the Lusitania Fleet began with you and the piggies, after all. It was because you interfered with them that--"

"We helped helped them!" them!"

"Oh, did I use the wrong word again?"

Miro glared at her. But even as he did, he knew that she was right-- he was being oversensitive. The word interfered interfered, when used in a scientific context, was almost value-neutral. It merely meant that he had introduced change into the culture he was studying. And if it did have a negative connotation, it was that he had lost his scientific perspective-- he had stopped studying the pequeninos and started treating them as friends. Of that he was surely guilty. No, not guilty-- he was proud proud of having made that transition. "Go on," he said. of having made that transition. "Go on," he said.

"All this began because you broke the law and piggies started growing amaranth."

"Not anymore."

"Yes, that's ironic, isn't it? The descolada virus has gotten in and killed every strain of amaranth that your sister developed for them. So your interference was in vain."

"No it wasn't," said Miro. "They're learning."

"Yes, I know. More to the point, they're choosing choosing. What to learn, what to do. You brought them freedom. I approve wholeheartedly of what you decided to do. But my job is to write about you to the people out there in the Hundred Worlds and the colonies, and they they won't necessarily see things that way. So what I need from you is the story of how and why you broke the law and interfered with the piggies, and why the government and people of Lusitania rebelled against Congress rather than send you off to be tried and punished for your crimes." won't necessarily see things that way. So what I need from you is the story of how and why you broke the law and interfered with the piggies, and why the government and people of Lusitania rebelled against Congress rather than send you off to be tried and punished for your crimes."

"Andrew already told you that story."

"And I've already written about it, in larger terms. Now I need the personal things. I want to be able to let other people know these so-called piggies as people. And you, too. I have to let them know you you as a person. If it's possible, it would be nice if I could bring them to like you. Then the Lusitania Fleet will look like what it is-- a monstrous overreaction to a threat that never existed." as a person. If it's possible, it would be nice if I could bring them to like you. Then the Lusitania Fleet will look like what it is-- a monstrous overreaction to a threat that never existed."

"The fleet is xenocide."

"So I've said in my propaganda," said Valentine.

He couldn't bear her self-certainty. He couldn't bear her unshakable faith in herself. So he had to contradict her, and the only way he could was to blurt out ideas that he had not yet thought out completely. Ideas that were still only half-formed doubts in his mind. "The fleet is also self-defense."

It had the desired effect-- it stopped her lecture and even made her raise her eyebrows, questioning him. The trouble was, now he had to explain what he meant.

"The descolada," he said. "It's the most dangerous form of life anywhere."

"The answer to that is quarantine. Not sending a fleet armed with the M.D. Device, so they have the capacity to turn Lusitania and everybody on it into microscopic interstellar dust."

"You're so sure you're right?"

"I'm sure that it's wrong for Starways Congress even to contemplate obliterating another sentient species."

"The piggies can't live without the descolada," said Miro, "and if the descolada ever spreads to another planet, it will destroy all life there. It will will."

It was a pleasure to see that Valentine was capable of looking puzzled. "But I thought the virus was contained. It was your grandparents who found a way to stop it, to make it dormant in human beings."

"The descolada adapts," said Miro. "Jane told me that it's already changed itself a couple of times. My mother and my sister Ela are working on it-- trying to stay ahead of the descolada. Sometimes it even looks like the descolada is doing it deliberately. Intelligently. Finding strategies to get around the chemicals we use to contain it and stop it from killing people. It's getting into the Earthborn crops that humans need in order to survive on Lusitania. They have to spray them now. What if the descolada finds a way to get around all our barriers?"

Valentine was silent. No glib answer now. She hadn't faced this question squarely-- no one had, except Miro.

"I haven't even told this to Jane," said Miro. "But what if the fleet is right? What if the only way to save humanity from the descolada is to destroy Lusitania now?"

"No," said Valentine. "This has nothing to do with the purposes for which Starways Congress sent out the fleet. Their Their reasons all have to do with interplanetary politics, with showing the colonies who's boss. It has to do with a bureaucracy out of control and a military that--" reasons all have to do with interplanetary politics, with showing the colonies who's boss. It has to do with a bureaucracy out of control and a military that--"

"Listen to me!" said Miro. "You said you wanted to hear my stories, listen to this one: It doesn't matter what their reasons are. It doesn't matter if they're a bunch of murderous beasts. I don't care. What matters is-- should should they blow up Lusitania?" they blow up Lusitania?"

"What kind of person are are you?" asked Valentine. He could hear both awe and loathing in her voice. you?" asked Valentine. He could hear both awe and loathing in her voice.

"You're the moral philosopher," said Miro. "You tell me me. Are we supposed to love the pequeninos so much that we allow the virus they carry to destroy all of humanity?"

"Of course not. We simply have to find a way to neutralize the descolada."

"And if we can't?"