Wolfville Part 7

lieutenant nabs a pistol an' goes flutterin' from his limb. But this don't do them Greasers. They puts up a claim that some Americans tracks up on one of their outfit an' kills him off, they says, five days before.

They allows that, breakin' even on the deal, one of us is due to die. Tate offers to let 'em count the lieutenant, but they shakes their heads till the little bells on their sombreros tinkles, an'

declines the lieutenant emphatic. "'They p'ints out this yere lieutenant dies in his own game, on his own deal. It's no racket of theirs, an' it don't go to match the man they're shy. "'One of us six who's left has to die to count even for this Greaser who's been called in them five days ago. Tate can't move 'em; all he says is no use; so he quits,

an' as he's been talkin' Spanish--which the same is too muddy a language for the rest of us--Tate turns in an' tells us how the thing sizes up. "'"One of us is sh.o.r.ely elected to trail out after the lieutenant,"says Tate. "The rest they holds as pris'ners. Either way it's a hard, deep crossin', an' one's about as rough a toss as the other." "'This last

Tate stacks in to mebby win out a little comfort for the one the Mexicans cuts outen our bunch to kill. "'After a brief pow-wow the Greaser who's actin' range-boss for the outfit puts six beans in a buckskin bag. Five is white an' one's black. Them Greasers is on the gamble bigger'n wolves, an' they crowds up plenty gleeful to see us take a gambler's chance for our lives. The one of us who draws a black bean is to p'int out after the lieutenant. "'Sayin' somethin'

in Spanish which most

likely means" Age before beauty,"the Mexicans makes Willis an' me stand back while the four others searches one after the other into the bag for his bean. "'Tate goes first an' wins a white bean.

"'Then a shiftless, no-account party whom we-alls calls "Chicken Bill" reaches in. I sh.o.r.ely hopes, seein' it's bound to be somebody, that this Chicken Bill acquires the black bean. But luck's ag'in us; Chicken Bill backs off with a white bean. "'When the third gent turns out a white bean the shadow begins to fall across Jim Willis an' me. I looks at Jim; an' I gives it to you straight when I says that I ain't at that time thinkin' of myse'f so much as about Jim.

To see this yere deal, black as midnight, closin' in on Jim, is what's hurtin'; it don't somehow occur to me I'm likewise up ag'in the iron my se'f. "'"Looks like this yere amiable deevice is out to run its brand onto one of us,"says Jim to me; an' I looks at him.

"'An' then, as the fourth finds a white bean in the bag, an' draws a deep sigh an' stands back, Jim says: "Well, Sam, it's up to us."

Then Jim looks at me keen an' steady a whole lot, an' the Mexicans, bein' rather pleased with the situation, ain't goadin' of us to hurry up none.

"'When it's to Jim an' me they selects me out as the one to pull for the next bean. Jim's still lookin' at me hard, an' I sees the water in his eye.'

"'"Let me have your draw, Sam," he says.

"'"Sh.o.r.e,"I replies, standin' a step off from the bag." It's yours too quick."

"' But the Mexicans don't see it that a-way. It's my turn an' my draw, an' Jim has to take what's left. So the Mexicans tells Tate to send me after my bean ag'in.

"'"Hold on a second, Sam," says Jim, an' by this time he's steady as a church. "Sam," he goes on, "thar's no use you--all gettin' the short end of this. Thar's reasons for you livin', which my case is void tharof. Now let me ask you: be you up on beans? Can you tell a black from a white bean by the feel? "

"'"No," I says, "beans is all a heap the same to me."

"'"That's what I allows," goes on this Jim. "Now yere's where my sooperior knowledge gets in. If these Mexicans had let me draw for you I'd fixed it, but it looks like they has scrooples. But listen, an' you beats the deal as it is. Thar's a difference in beans same as in ponies. Black beans is rough like a cactus compared to white beans, which said last vegetable is sh.o.r.ely as smooth as gla.s.s. Now yere's what you--all does; jest grp[e an' scout 'round in that bag until you picks out the smooth bean. That's your bean; that's the white bean. Cinch the smooth bean an' the black one comes to me."

"When Jim says all this it seems like I'm in a daze an' sorter woozy. I never doubts him for a moment. Of course I don't take no advantage of what he says. I recalls the advice my old mother gives me; it's long enough ago now. The old lady says: "Samyool, never let me hear of you weakenin'. Be a man, or a mouse, or a long-tail rat."

So when Jim lays it off about them two beans bein' smooth an' rough that a-way, an' the white bein' the smooth bean, I nacherally searches out the rough bean, allowin' she'll sh.o.r.e be black; which shows my intellects can't cope with Jim's none.

"'The bean I brings to the surface is white. I'm pale as a ghost. My heart wilts like water inside of me, an' I feels white as the bean where it lays in my hand. Of course I'm some young them days, an' it don't need so much to stagger me. "'I recollects like it was in a vision hearin' Jim laugh. "Sam," he says, "I reads you like so much sunshine. An' I sh.o.r.ely fools you up a lot. Don't you reckon I allows you'll double on the trail, p'intin' south if I says 'north'

at a show like this? The white bean is allers a rough, sandy bean; allers was an' allers will be; an' never let no one fool you that a- way ag'in. An' now, Sam, ADIOS."

"'I'm standin' lookin' at the white bean. I feels Jim grip my other hand as lie says "ADIOS," an' the next is the" bang! "of the Mexicans's guns. Jim's dead then; he's out in a second; never bats an eye nor wags a y'ear.

"'Which now,' says Enright at the end, as he yanks his saddle 'round so he makes a place for his head, 'which now that you-alls is fully informed why I appears averse to Greasers, I reckons I'll slumber some. I never does see one, I don't think of that boy, Jim Willis; an' I never thinks of Jim but I wants to murder a Mexican.'

"Enright don't say no more; sorter rolls up in his blankets, drops his head on his saddle, an' lays a long time quiet, like he's asleep. Jack Moore an' me ain't sayin' nothin'; merely settin' thar peerin' into the fire an' listenin' to the coyotes. At last Enright lifts his head off the saddle.

"'Mebby it's twenty years ago when a party over on the Rio Grande allows as how Jim's aimin' to cold-deck me when he onfolds about the habits of them beans. It takes seven months, a iron const.i.tootion, an' three medicine-sharps--an' each as good as Doc Peets,--before that Rio Grande party is regarded as outen danger.'"

CHAPTER VI.

TUCSON JENNIES HEART.

"'Whyever ain't I married?' says you." The Old Cattleman repeated the question after me as he settled himself for one of our many "pow-wows," as he described them. "Looks like you've dealt me that conundrum before. Why ain't I wedded? The answer to that, son, is a long shot an' a limb in the way.

"Now I reckons the reason why I'm allers wifeless a whole lot is mainly due to the wide pop'larity of them females I takes after.

Some other gent sorter gets her first each time, an' nacherally that bars me. Bill Jenks's wife on that occasion is a spec'men case.

That's one of the disapp'intments I onfolds to you. Now thar's a maiden I not only wants, but needs; jest the same, Bill gets her.

An' it's allers sim'lar; I never yet holds better than ace-high when the stake's a lady.

"It's troo," he continued, reflectively puffing his pipe. "I was disp'sitioned for a wife that a-way when I'm a colt. But that's a long time ago; I ain't in line for no sech gymnastics no more; my years is 'way ag'in it.

"You've got to ketch folks young to marry 'em. After they gets to be thirty years they goes slowly to the altar. If you aims to marry a gent after he's thirty you has to blindfold him an' back him in.

Females, of course, ain't so obdurate. No; I s'pose this yere bein'

married is a heap habit, same as tobacco an' jig-juice. If a gent takes a hand early, it's a good game, I makes no sort of doubt. But let him get to millin' 'round in the thirties or later, an' him not begun none as yet; you bet he don't marry nothin'.

"Bar an onexplainable difference with the girl's old man," he went on with an air of thought, "I s'pose I'd be all married right now. I was twenty, them times. It's 'way back in Tennessee. Her folks lives about 'leven miles from me out on the Pine Knot Pike, an' once in two weeks I saddles up an' sorter sidles over. Thar's jest her old pap an' her mother an' her in the fam'ly, an' it's that far I allers made to stay all night. Thar's only two beds, an' so I'm put to camp along of the old man the times I stays.

"Them days I'm 'way bashful an' behind on all social plays, an' am plenty awe-struck about the old foiks. I never feels happy a minute where they be. The old lady does her best to make me easy an' free, too. Comes out when I rides up, an' lets down the bars for my hoss, an' asks me to rest my hat the second I'm in the door.

"Which matters goes on good enough ontil mebby it's the eighth time I'm thar. I remembers the night all perfect. Me an' the girl sets up awhile, an' then I quits her an' turns in. I gets to sleep a-layin'

along the aige of the bed, aimin' to keep 'way from the old man, who's snorln' an' thrashin' 'round an' takin' on over in the middle.

"I don't recall much of nothin' ontil I comes to, a-holdin' to the old man's y'ear with one hand an' a-hammerin' of his features with t'other. I don't know yet, why. I s'pose I'm locoed an' dreamin', an allows he's a b'ar or somethin' in my sleep that a-way, an' tries to kill him. "Son, it's 'way back a long time, but I shudders yet when I reflects on that old man's language. I jumps up when I realizes things, grabs my raiment, an', gettin' my hoss outen the corral, goes p'intin' down the pike more'n a mile 'fore I even stops to dress. The last I sees of the old man lie's buckin' an' pitchin' an'

tossin', an' the females a-holdin' of him, an' he reachin' to get a Hawkins's rifle as hangs over the door. I never goes back no more, 'cause he's mighty tindictive about it. He tries to make it a grandjury matter next co't-time.

"Speakin' of nuptials, however, you can't tell much about women.

Thar's a girl who sh.o.r.ely s'prises us once in a way out in Wolfville. Missis Rucker, who runs the O. K. Restauraw, gets this female from Tucson to fry flap-jacks an' salt hoss, an' he'p her deal her little gastronomic game. This yere girl's name is Jennie- Tucson Jennie. She looks like she's a nice, good girl, too; one of them which it's easy to love, an' in less'n two weeks thar's half the camp gets smitten. "It affects business, it's that bad. Cherokee Hall tells me thar ain't half the money gets changed in at faro as usual, an' the New York Store reports gents goin' broke ag'in biled shirts, an' sim'lar deadfalls daily. Of course this yere first frenzy subsides a whole lot after a month. "All this time Jennie ain't sayin' a word. She jest shoves them foolish yooths their enchiladas an' ckile con carne, an' ignores all winks an' looks complete.

"Thar's a party named Jim Baxter in camp, an' he sets in to win Jennie hard. Jim tries to crowd the game an' get action. It looks like he's due to make the trip too. Missis Rucker is backin' his play, an' Jennie herse'f sorter lets him set 'round in the kitchen an' watch her work; which this yore is license an' riot itse'f compared with how she treats others. Occasionally some of us sorter tries to stack up for Jim an' figger out where he stands with the the game.

"'How's it goin', Baxter?' Enright asks one day.

"'It's too many for me,' says Jim. 'Some-times I thinks I corrals her, an' then ag'in it looks like I ain't in it. Jest now I'm feelin' some dejected.'

"'Somethin' oughter be schemed to settle this yere,' says Enright.

'It keeps the camp in a fever, an' mebby gets serious an' spreads.'

"'If somebody would only prance in,' says Doc Peets, 'an' shoot Jim up some, you'd have her easy. Females is like a rabbit in a bush- pile; you has to shake things up a lot to make 'em come out. Now, if Jim is dyin' an' she cares for him, she's sh.o.r.ely goin' to show her hand.'

"I wants to pause right yere to observe that Doc Peets is the best- eddicated sharp I ever encounters in my life. An' what he don't know about squaws is valueless as information. But to go on with the deal.

"'That's right,' says Cherokee Hall, 'but of course it ain't goin'

to do to shoot Jim up none.'

"'I don't know,' says Jim; 'I stands quite a racket if I'm sh.o.r.e it fetches her.'

"'What for a game,' says Cherokee, 'would it be to play like Jim's shot? Wouldn't that make her come a-runnin' same as if it's sh.o.r.e 'nough?'

"'I don't see why not,' says Enright.