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So you've got it! You never know your luck. Up to-day and down to-morrow. I'll 'ave a gla.s.s over this to-night. What d'you get?
FAITH. Thirty.
BLY. It's not the market price, still, you're not the market article.
Now, put a good heart into it and get to know your job; you'll find Cook full o' philosophy if you treat her right--she can make a dumplin' with anybody. But look 'ere; you confine yourself to the ladies!
FAITH. I don't want your advice, father.
BLY. I know parents are out of date; still, I've put up with a lot on your account, so gimme a bit of me own back.
FAITH. I don't know whether I shall like this. I've been shut up so long. I want to see some life.
BLY. Well, that's natural. But I want you to do well. I suppose you'll be comin' 'ome to fetch your things to-night?
FAITH. Yes.
BLY. I'll have a flower for you. What'd you like--daffydils?
FAITH. No; one with a scent to it.
BLY. I'll ask at Mrs Bean's round the corner.
She'll pick 'em out from what's over. Never 'ad much nose for a flower meself. I often thought you'd like a flower when you was in prison.
FAITH. [A little touched] Did you? Did you really?
BLY. Ah! I suppose I've drunk more gla.s.ses over your bein' in there than over anything that ever 'appened to me. Why! I couldn't relish the war for it! And I suppose you 'ad none to relish. Well, it's over. So, put an 'eart into it.
FAITH. I'll try.
BLY. "There's compensation for everything," 'Aigel says. At least, if it wasn't 'Aigel it was one o' the others. I'll move on to the study now. Ah! He's got some winders there lookin' right over the country.
And a wonderful lot o' books, if you feel inclined for a read one of these days.
COOK'S Voice. Faith!
FAITH sets down the salt cellar in her hand, puts her tongue out a very little, and goes out into the hall. MR BLY is gathering up his pail and cloths when MR MARCH enters at the window.
MR MARCH. So it's fixed up, Mr Bly.
BLY. [Raising himself] I'd like to shake your 'and, sir. [They shake hands] It's a great weight off my mind.
MR MARCH. It's rather a weight on my wife's, I'm afraid. But we must hope for the best. The country wants rain, but--I doubt if we shall get it with this Government.
BLY. Ah! We want the good old times-when you could depend on the seasons. The further you look back the more dependable the times get; 'ave you noticed that, sir?
MR MARCH. [Suddenly] Suppose they'd hanged your daughter, Mr Bly. What would you have done?
BLY. Well, to be quite frank, I should 'ave got drunk on it.
MR MARCH. Public opinion's always in advance of the Law. I think your daughter's a most pathetic little figure.
BLY. Her looks are against her. I never found a man that didn't.
MR MARCH. [A little disconcerted] Well, we'll try and give her a good show here.
BLY. [Taking up his pail] I'm greatly obliged; she'll appreciate anything you can do for her. [He moves to the door and pauses there to say] Fact is--her winders wants cleanin', she 'ad a dusty time in there.
MR MARCH. I'm sure she had.
MR BLY pa.s.ses out, and MR MARCH busies himself in gathering up his writing things preparatory to seeking his study. While he is so engaged FAITH comes in. Glancing at him, she resumes her placing of the decanters, as JOHNNY enters by the window, and comes down to his father by the hearth.
JOHNNY. [Privately] If you haven't begun your morning, Dad, you might just tell me what you think of these verses.
He puts a sheet of notepaper before his father, who takes it and begins to con over the verses thereon, while JOHNNY looks carefully at his nails.
MR MARCH. Er--I--I like the last line awfully, Johnny.
JOHNNY. [Gloomily] What about the other eleven?
MR MARCH. [Tentatively] Well--old man, I--er--think perhaps it'd be stronger if they were out.
JOHNNY. Good G.o.d!
He takes back the sheet of paper, clutches his brow, and crosses to the door. As he pa.s.ses FAITH, she looks up at him with eyes full of expression. JOHNNY catches the look, jibs ever so little, and goes out.
COOK'S VOICE. [Through the door, which is still ajar] Faith!
FAITH puts the decanters on the table, and goes quickly out.
MR MARCH. [Who has seen this little by-play--to himself--in a voice of dismay] Oh! oh! I wonder!
CURTAIN.
ACT II
A fortnight later in the MARCH'S dining-room; a day of violent April showers. Lunch is over and the table littered with, remains-- twelve baskets full.
MR MARCH and MARY have lingered. MR MARCH is standing by the hearth where a fire is burning, filling a fountain pen. MARY sits at the table opposite, pecking at a walnut.
MR MARCH. [Examining his fingers] What it is to have an inky present!
Suffer with me, Mary!
MARY. "Weep ye no more, sad Fountains!
Why need ye flow so fast?"