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Wilhelm Meister's Apprenticeship and Travels Part 25

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He has left her a memorial, or I much mistake. There is a boy running about the house, of three years old or so: the papa must be a very pretty fellow. Commonly I cannot suffer children, but this brat quite delights me. I have calculated Aurelia's business. The death of her husband, the new acquaintance, the child's age,--all things agree.

"But now her spark has gone his ways: for a year she has not seen a glimpse of him. She is beside herself and inconsolable on this account.

The more fool she! Her brother has a dancing-girl in his troop, with whom he stands on pretty terms; an actress with whom he is intimate; in the town, some other women whom he courts; I, too, am on his list. The more fool he! Of the rest thou shalt hear to-morrow. And now one word about Philina, whom thou knowest: the arch-fool is fallen in love with thee." She swore it was true and prime sport. She earnestly requested Wilhelm to fall in love with Aurelia, for then the chase would be worth beholding. "She pursues her faithless swain, thou her, I thee, her brother me. If that will not divert us for a quarter of a year, I engage to die at the first episode which occurs in this four times complicated tale." She begged of him not to spoil her trade, and to show her such respect as her external conduct should deserve.

CHAPTER XV.

Next morning Wilhelm went to visit Frau Melina, but found her not at home. On inquiring here for the other members of the wandering community, he learned that Philina had invited them to breakfast. Out of curiosity, he hastened thither, and found them all in very good spirits and of good comfort. The cunning creature had collected them, was treating them with chocolate, and giving them to understand that some prospects still remained for them; that, by her influence, she hoped to convince the manager how advantageous it would be for him to introduce so many clever hands among his company. They listened to her with attention; swallowed cup after cup of her chocolate; thought the girl was not so bad, after all, and went away proposing to themselves to speak whatever good of her they could.

"Do you think, then," said our friend, who staid behind, "that Serlo will determine to retain our comrades?"--"Not at all," replied Philina; "nor do I care a fig for it. The sooner they are gone, the better!

Laertes alone I could wish to keep: the rest we shall by and by pack off."

Next she signified to Wilhelm her firm persuasion that he should no longer hide his talent, but, under the direction of a Serlo, go upon the boards. She was lavish in her praises of the order, the taste, the spirit, which prevailed in this establishment: she spoke so flatteringly to Wilhelm, with such admiration of his gifts, that his heart and his imagination were advancing towards this proposal as fast as his understanding and his reason were retreating from it. He concealed his inclination from himself and from Philina, and pa.s.sed a restless day, unable to resolve on visiting his trading correspondents, to receive the letters which might there be lying for him. The anxieties of his people during all this time he easily conceived; yet he shrank from the precise account of them, particularly at the present time, as he promised to himself a great and pure enjoyment from the exhibition of a new play that evening.

Serlo had refused to let him witness the rehearsal. "You must see us on the best side," he observed, "before we can allow you to look into our cards."

The performance, however, where our friend did not fail to be present, yielded him a high satisfaction. It was the first time he had ever seen a theatre in such perfection. The actors were evidently all possessed of excellent gifts, superior capacities, and a high, clear notion of their art; they were not equal, but they mutually restrained and supported one another; each breathed ardor into those around him; throughout all their acting, they showed themselves decided and correct. You soon felt that Serlo was the soul of the whole: as an individual, he appeared to much advantage. A merry humor, a measured vivacity, a settled feeling of propriety, combined with a great gift of imitation, were to be observed in him the moment he appeared upon the stage. The inward contentment of his being seemed to spread itself over all that looked on him; and the intellectual style in which he could so easily and gracefully express the finest shadings of his part, excited more delight, as he could conceal the art which, by long-continued practice, he had made his own.

Aurelia, his sister, was not inferior: she obtained still greater approbation; for she touched the souls of the audience, which he had it in his power to exhilarate and amuse.

After a few days had pa.s.sed pleasantly enough, Aurelia sent to inquire for our friend. He hastened to her: she was lying on a sofa; she seemed to be suffering from headache; her whole frame had visibly a feverish movement. Her eye lighted up as she noticed Wilhelm. "Pardon me!" she cried, as he entered: "the trust you have inspired me with has made me weak. Till now I have contrived to bear up against my woes in secret; nay, they gave me strength and consolation: but now, I know not how it is, you have loosened the bands of silence. You will now, even against your will, take part in the battle I am fighting with myself!"

Wilhelm answered her in kind and obliging terms. He declared that her image and her sorrows had not ceased to hover in his thoughts; that he longed for her confidence, and devoted himself to be her friend.

While he spoke, his eyes were attracted to the boy, who sat before her on the floor, and was busy rattling a mult.i.tude of playthings. This child, as Philina had observed, might be about three years of age; and Wilhelm now conceived how that giddy creature, seldom elevated in her phraseology, had likened it to the sun. For its cheerful eyes and full countenance were shaded by the finest golden locks, which flowed round in copious curls; dark, slender, softly bending eyebrows showed themselves upon a brow of dazzling whiteness; and the living tinge of health was glancing on its cheeks. "Sit by me," said Aurelia: "you are looking at the happy child with admiration; in truth, I took it into my arms with joy; I keep it carefully; yet, by it, too, I can measure the extent of my sufferings; for they seldom let me feel the worth of such a gift.

"Allow me," she continued, "to speak to you about myself and my destiny; for I have it much at heart that you should not misunderstand me. I thought I should have a few calm instants; and, accordingly, I sent for you. You are now here, and the thread of my narrative is lost.

"'One more forsaken woman in the world!' you will say. You are a man.

You are thinking, 'What a noise she makes, the fool, about a necessary evil; which, certainly as death, awaits a woman, when such is the fidelity of men!' O my friend! if my fate were common, I would gladly undergo a common evil; but it is so singular! why cannot I present it to you in a mirror,--why not command some one to tell it you? Oh! had I, had I been seduced, surprised, and afterwards forsaken, there would then still be comfort in despair; but I am far more miserable. I have been my own deceiver; I have wittingly betrayed myself; and this, this, is what shall never be forgiven me."

"With n.o.ble feelings, such as yours," said Wilhelm, "you cannot be entirely unhappy."

"And do you know to what I am indebted for my feelings?" asked Aurelia.

"To the worst education that ever threatened to contaminate a girl; to the vilest examples for misleading the senses and inclinations.

"My mother dying early, the fairest years of my youth were spent with an aunt, whose principle it was to despise the laws of decency. She resigned herself headlong to every impulse, careless whether the object of it proved her tyrant or her slave, so she might forget herself in wild enjoyment.

"By children, with the pure, clear vision of innocence, what ideas of men were necessarily formed in such a scene! How stolid, brutally bold, importunate, unmannerly, was every one she allured! How sated, empty, insolent, and insipid, as soon as he had had his wishes gratified! I have seen this woman live, for years, humbled under the control of the meanest creatures. What incidents she had to undergo! With what a front she contrived to accommodate herself to her destiny; nay, with how much skill, to wear these shameful fetters!

"It was thus, my friend, that I became acquainted with your s.e.x; and deeply did I hate it, when, as I imagined, I observed that even tolerable men, in their conduct to ours, appeared to renounce every honest feeling, of which nature might otherwise have made them capable.

"Unhappily, moreover, on such occasions, a mult.i.tude of painful discoveries about my own s.e.x were forced upon me; and, in truth, I was then wiser, as a girl of sixteen, than I now am, now that I scarcely understand myself. Why are we so wise when young,--so wise, and ever growing less so?"

The boy began to make a noise: Aurelia became impatient, and rang. An old woman came to take him out. "Hast thou toothache still?" said Aurelia to the crone, whose face was wrapped in cloth. "Unsufferable,"

said the other, with a m.u.f.fled voice, then lifted the boy, who seemed to like going with her, and carried him away.

Scarcely was he gone, when Aurelia began bitterly to weep. "I am good for nothing," cried she, "but lamenting and complaining; and I feel ashamed to lie before you like a miserable worm. My recollection is already fled: I can relate no more." She faltered, and was silent. Her friend, unwilling to reply with a commonplace, and unable to reply with any thing particularly applicable, pressed her hand, and looked at her for some time without speaking. Thus embarra.s.sed, he at length took up a book, which he noticed lying on the table before him: it was Shakspeare's works, and open at "Hamlet."

Serlo, at this moment entering, inquired about his sister, and, looking in the book which our friend had hold of, cried, "So you are again at 'Hamlet'? Very good! Many doubts have arisen in me, which seem not a little to impair the canonical aspect of the play as you would have it viewed. The English themselves have admitted that its chief interest concludes with the third act; the last two lagging sorrily on, and scarcely uniting with the rest: and certainly about the end it seems to stand stock-still."

"It is very possible," said Wilhelm, "that some individuals of a nation, which has so many masterpieces to feel proud of, may be led by prejudice and narrowness of mind to form false judgments; but this cannot hinder us from looking with our own eyes, and doing justice where we see it due. I am very far from censuring the plan of 'Hamlet': on the other hand, I believe there never was a grander one invented; nay, it is not invented, it is real."

"How do you demonstrate that?" inquired Serlo.

"I will not demonstrate any thing," said Wilhelm: "I will merely show you what my own conceptions of it are."

Aurelia raised herself from her cushion, leaned upon her hand, and looked at Wilhelm, who, with the firmest a.s.surance that he was in the right, went on as follows: "It pleases us, it flatters us, to see a hero acting on his own strength, loving and hating at the bidding of his heart, undertaking and completing, casting every obstacle aside, and attaining some great end. Poets and historians would willingly persuade us that so proud a lot may fall to man. In 'Hamlet' we are taught another lesson: the hero is without a plan, but the play is full of plan. Here we have no villain punished on some self-conceived and rigidly accomplished scheme of vengeance: a horrid deed is done; it rolls along with all its consequences, dragging with it even the guiltless: the guilty perpetrator would, as it seems, evade the abyss made ready for him; yet he plunges in, at the very point by which he thinks he shall escape, and happily complete his course.

"For it is the property of crime to extend its mischief over innocence, as it is of virtue to extend its blessings over many that deserve them not; while frequently the author of the one or of the other is not punished or rewarded at all. Here in this play of ours, how strange! The Pit of darkness sends its spirit and demands revenge: in vain! All circ.u.mstances tend one way, and hurry to revenge: in vain! Neither earthly nor infernal thing may bring about what is reserved for Fate alone. The hour of judgment comes; the wicked falls with the good; one race is mowed away, that another may spring up."

After a pause, in which they looked at one another, Serlo said, "You pay no great compliment to Providence, in thus exalting Shakspeare; and besides, it appears to me, that for the honor of your poet, as others for the honor of Providence, you ascribe to him an object and a plan such as he himself had never thought of."

CHAPTER XVI.

"Let me also put a question," said Aurelia. "I have looked at Ophelia's part again: I am contented with it, and confident, that, under certain circ.u.mstances, I could play it. But tell me, should not the poet have furnished the insane maiden with another sort of songs? Could not some fragments out of melancholy ballads be selected for this purpose? Why put double meanings and lascivious insipidities in the mouth of this n.o.ble-minded girl?"

"Dear friend," said Wilhelm, "even here I cannot yield you one iota. In these singularities, in this apparent impropriety, a deep sense is hid.

Do we not understand from the very first what the mind of the good, soft-hearted girl was busied with? Silently she lived within herself, yet she scarce concealed her wishes, her longing: the tones of desire were in secret ringing through her soul; and how often may she have attempted, like an unskilful nurse, to lull her senses to repose with songs which only kept them more awake? But at last, when her self-command is altogether gone, when the secrets of her heart are hovering on her tongue, that tongue betrays her; and in the innocence of insanity she solaces herself, unmindful of king or queen, with the echo of her loose and well-beloved songs,--'To-morrow is Saint Valentine's Day,' and 'By Gis and by Saint Charity.'"

He had not finished speaking, when all at once an extraordinary scene took place before him, which he could not in any way explain.

Serlo had walked once or twice up and down the room, without evincing any special object. On a sudden, he stepped forward to Aurelia's dressing-table, caught hastily at something that was lying there, and hastened to the door with his booty. No sooner did Aurelia notice this, than, springing up, she threw herself in his way, laid hold of him with boundless vehemence, and had dexterity enough to clutch an end of the article he was carrying off. They struggled and wrestled with great obstinacy, twisted and threw each other sharply round; he laughed; she exerted all her strength; and as Wilhelm hastened towards them, to separate and soothe them, Aurelia sprang aside with a naked dagger in her hand; while Serlo cast the scabbard, which had staid with him, angrily upon the floor. Wilhelm started back astonished; and his dumb wonder seemed to ask the cause why so violent a strife, about so strange an implement, had taken place between them.

"You shall judge betwixt us," said the brother. "What business she with sharp steel? Do but look at it. That dagger is unfit for any actress,--point like a needle's, edge like a razor's! What good's the farce? Pa.s.sionate as she is, she will one day chance to do herself a mischief. I have a heart's hatred at such singularities: a serious thought of that sort is insane, and so dangerous a plaything is not in taste."

"I have it back!" exclaimed Aurelia, and held the polished blade aloft: "I will now keep my faithful friend more carefully. Pardon me," she cried, and kissed the steel, "that I have so neglected thee."

Serlo was like to grow seriously angry. "Take it as thou wilt, brother,"

she continued: "how knowest thou but, under this form, a precious talisman may have been given me, so that, in extreme need, I may find help and counsel in it? Must all be hurtful that looks dangerous?"

"Such talk without a meaning might drive one mad," said Serlo, and left the room with suppressed indignation. Aurelia put the dagger carefully into its sheath, and placed it in her bosom. "Let us now resume the conversation which our foolish brother has disturbed," said she, as Wilhelm was beginning to put questions on the subject of this quarrel.

"I must admit your picture of Ophelia to be just," continued she; "I cannot now misunderstand the object of the poet: I must pity; though, as you paint her, I shall rather pity her than sympathize with her. But allow me here to offer a remark, which in these few days you have frequently suggested to me. I observe with admiration the correct, keen, penetrating glance with which you judge of poetry, especially dramatic poetry: the deepest abysses of invention are not hidden from you, the finest touches of representation cannot escape you. Without ever having viewed the objects in nature, you recognize the truth of their images: there seems, as it were, a presentiment of all the universe to lie in you, which by the harmonious touch of poetry is awakened and unfolded.

For in truth," continued she, "from without, you receive not much: I have scarcely seen a person that so little knew, so totally misknew, the people he lived with, as you do. Allow me to say it: in hearing you expound the mysteries of Shakspeare, one would think you had just descended from a synod of the G.o.ds, and had listened there while they were taking counsel how to form men; in seeing you transact with your fellows, I could imagine you to be the first large-born child of the Creation, standing agape, and gazing with strange wonderment and edifying good nature at lions and apes and sheep and elephants, and true-heartedly addressing them as your equals, simply because they were there, and in motion like yourself."

"The feeling of my ignorance in this respect," said Wilhelm, "often gives me pain; and I should thank you, worthy friend, if you would help me to get a little better insight into life. From youth, I have been accustomed to direct the eyes of my spirit inwards rather than outwards; and hence it is very natural, that, to a certain extent, I should be acquainted with man, while of men I have not the smallest knowledge."

"In truth," said Aurelia, "I at first suspected, that, in giving such accounts of the people whom you sent to my brother, you meant to make sport of us: when I compared your letters with the merits of these persons, it seemed very strange."

Aurelia's remarks, well founded as they might be, and willing as our friend was to confess himself deficient in this matter, carried with them something painful, nay, offensive, to him; so that he grew silent, and retired within himself, partly to avoid showing any irritated feeling, partly to search his mind for the truth or error of the charge.

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Wilhelm Meister's Apprenticeship and Travels Part 25 summary

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