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Wild Kitty Part 40

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In her own room the miserable child fell on her knees, and gave way to a burst of pa.s.sionate weeping. She cried as she had never cried in the whole course of her life before; her tears seemed as though they could not cease. She was so exhausted at last that, kneeling by her little bed, she fell into a sound sleep. In her sleep she dreamed that she was home again; but all was confusion, worry, distress. Laurie was going to a school in England; Laurie's heart was broken. Old Paddy Wheel-about was dead; the squire was so upset and so angry that he would not even allow Kitty herself to comfort him. Aunt Honora was grumbling and going from room to room in the old Castle. Aunt Bridget was talking about dress, and scolding Kitty with regard to the state of her wardrobe.

Kitty's head ached, and she felt a sense of irritation.

"And it's so pretty," said Aunt Honora. "Those ruffles round the skirt are done in such a dainty manner, and--oh, I won't disturb you if you'll allow me just to take the pattern. I can in a moment--don't move, don't move!"

Kitty opened her eyes in some bewilderment, and gazed full into the fat and somewhat red face of Carrie Lewis. It was Carrie's voice she had heard, piercing through her dreams. It was Carrie who was bending by her side and holding up a length of her skirt in her hand.

"Oh, don't move, pray; I have just got the set of it; it's very curious and very fashionable. I know Sam would like it awfully."

"Who are you, and what do you want?" said Kitty, jumping to her feet and confronting her unwelcome visitor with flushed cheeks and sparkling eyes.

"I knocked at your door several times, and you didn't answer," said Carrie; "so then I opened it softly and came in, and you were half-sitting, half-kneeling by your bed, sound asleep; and your skirt did look so very fashionable that I was tempted!--oh yes, I have taken the pattern in my mind's eye. I'll alter my blue nun's-veiling. I can easily get a bit more of the stuff to match, and it will make it quite _comme il fait_,"

"But who are you?" said Kitty, who had never laid eyes on Carrie before.

"I'm Elma's sister. Now you know."

"Elma's sister?" said Kitty. "But what have you come to my room for?

What do you want here?"

"To speak to you. I want to help you if you'll let me."

"To help me?" said Kitty languidly. "I would much rather you went away.

You cannot help me; you know nothing whatever about me. I am in great great trouble, and I would much rather be alone."

"You would not rather be alone if you could be helped," said Carrie. "I know all about it. You have got a brother in Ireland who has got into a sc.r.a.pe. Bless you, I know all about the sc.r.a.pes of young men. Now, poor Sam Raynes, he----. Yes, what is it, Miss Malone?"

"I wish you would leave me," said Kitty in a haughty tone. "I am not friends with Elma just now, and I would rather not see any of her family."

"Yes, but I think you'll see me when I tell you my errand," said Carrie, in no way abashed by Kitty's manner. She crossed the room as she spoke, and deliberately placing herself in the one easy-chair the room possessed, crossed her legs, and leaning back, looked fixedly at Kitty.

"Very well, if you won't go, then I must," said Kitty. "I don't understand English people. They talk a great deal about manners; but no Irishwoman, none that I ever heard of, would dream----"

"Oh, bosh! Stop all that," said Carrie in her rudest voice. "I have come here to help you, and I see that I must explain myself. You want some money, don't you?"

"Yes; but I cannot get it," answered Kitty.

"Oh, my dear, do just stay still a moment. What a sweet little shoe!

Did you get it at any shop here?"

"No," answered Kitty, interested for the moment in spite of herself.

"Aunt Honora bought these in Grafton Street, Dublin. They have the nicest shoes in that special shop of any place I know. Do you like it?"

"Oh, it is quite sweet; it is the way the heel is arranged, and that little buckle."

"Well, never mind about my shoes now," said Kitty, pushing the attractive little foot well in under her skirt. "What is it you have come to say? Please say it, and then--go."

"I will, if you wish me to. Look here, I know all about your story. You are in dreadful trouble, and so is Elma; but I do declare I think poor Elma's trouble much worse than yours."

"You know nothing about it," cried Kitty, with pa.s.sion. "Elma in worse trouble! Oh, if you only could guess!"

"I guess well enough," said Carrie, "and so does Elma. You want money, which, evidently, as a rule, is as plentiful to you as blackberries on the hedges in September; and you think, because you cannot lay your hand on that money immediately, the whole world is going to change. But let me tell you that Elma and I want money far, far more badly than you have any idea of. Until you gave Elma that eight pounds, we neither of us ever in our lives had so much in our possession."

"I didn't give it--you make a mistake--I lent it."

"Oh, it is all the same. Elma had it, and, for practical purposes, it was just as valuable as if it were really her own."

"Well, I want her to give it back to me now. I surely have a right to ask for my own money back again?"

"No, you have not--not without reasonable notice. She asked you to lend her some money--she never asked for eight pounds--you let her take it.

You said she might have as much as she liked. When she explained the position of things to me, I said: 'Elma, you were a rare fool not to take the whole fifteen.'"

"You must be a very queer girl," said Kitty, astonished at this remarkable specimen of young ladyhood.

"Am I? I don't know. I am frank, and I am generally hard-up. I know, if any one does, where the shoe pinches. Bless you! it would do you good to open your eyes. You don't know what poverty means--a little house, a disgusting little house, shabby paper, dirty ceilings, badly-carpeted floors, the drains wrong, the water-supply as likely to poison us as not, an invalid mother--"

"Oh, have you a mother? Then, I am sure you are not to be pitied,"

interrupted Kitty.

"Little you know! What good is a mother who is in bed most of the day, a father who--Well, I need not mention him; he is not in the country at any rate. No education to speak of; no dress worth considering; toil, toil from morning till night; and life a mere scramble, a scramble for bread without b.u.t.ter. That's what our life is!"

Kitty had ceased to fidget; she even sank down on the corner of the nearest chair. Her pretty figure, her beautifully-appointed dress, her whole appearance, from the crown of her head to the sole of her foot, betokened what the other girl could never aspire to, never hope to have--abundance of money. And yet at the present moment Kitty was breaking her heart for want of money. No wonder Carrie was puzzled.

Kitty's own eyes were opened to an extent they had never been opened before.

"Yes, our life is a rough one," continued Carrie; "very rough indeed; but I don't grumble. I was brought up to it, and use is half the battle, as perhaps you don't know, but you ought. You'll get accustomed to doing without your eight pounds after a bit, and never give it another thought."

"Oh, no, that I won't," said Kitty, now jumping to her feet in her indignation; "and it is not for myself, it is for----"

"Oh, never mind who it is for. You want it, and you think the world is going to stand still because you cannot get it. Well, the world won't stand still. I, who am quite used to doing without money, can a.s.sure you as to the truth of that fact. Would you like to know, now, how I spend my days? I teach some horrid children in a small private school from ten to one each morning, and then in the afternoon I go to a family and teach some more little brats; and I am scarcely paid anything for all this toil--starvation wages I call it--and I hate it, hate it. But I have my consolations. I am not overparticular; very small pleasures content me; and there's a fellow whom I love."

"A fellow whom you love?" echoed Kitty; "is it a brother?"

"Bless you, I'm not likely to put myself out about a brother; not that I have one, and so much the better, thank goodness. There's a man whom I love, and a right jolly fellow he is--his name is Sam Raynes. He is not one of your fine, bread-and-b.u.t.ter gentlemen--not he. He is rough and ready, and he has his joke, and he isn't too handsome, although some people admire red hair; but, anyhow, I'm fond of him and he's fond of me, and some day--I don't know when--when we can sc.r.a.pe enough together, we are going to set up housekeeping."

"You are going to marry; is that it?" said Kitty.

"Yes; some day we'll marry. Now, you see, that's a bit of fun for me; and I can go out with Sam on bank holidays and on Sunday afternoons just like any other girl with her young man. Bless you, I don't mind."

"I wonder what all this is leading up to," said Kitty, with a slight yawn. "Of course, it is very interesting to you; but I don't care about your young man."

"No more you do, you haughty little minx; and I wouldn't bother you about him, for, with all his faults, he's too good to have words wasted about him to a little independent chit of a thing like you. But, as I was saying, I'm not talking for nothing, I'm leading up to something.

Now, I am content enough with our lot; but Elma isn't. Elma is quite different from me--she has got a great deal of refinement about her."

"Has she indeed?" said Kitty in a voice of scorn.

"Yes, she has, and you needn't contradict me. She's a very clever girl, is Elma. I don't say that she's always as straight as a die--I don't pretend that she is; but she is a clever girl, and she is fond of her books, and she's likely to get on--that is, if you don't spike her guns."

"What do you mean?"

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Wild Kitty Part 40 summary

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