Widdershins Part 30

"Then I struck in, quite out of temper by this time.

"'How much would the rent be?' I asked, as if I really thought of taking the place just to get back at him.

"He mentioned something ridiculously small in the way of francs.

"'One might at least see the place,' says I. 'Can the key be got?'

"He bowed. The key was at the baker's, not a hundred yards away, he said....

"We got the key. It was the key of the inner wooden door--that grid of rusty iron didn't need one--it came clean off its single hinge when Carroll touched it. Carroll opened, and we stood for a moment motioning to one another to step in. Then Rangon went in first, and I heard him murmur 'Pardon, Mesdames.'...

"Now this is the odd part. We pa.s.sed into a sort of vestibule or hall, with a burst lead pipe in the middle of a dry tank in the centre of it.

There was a broad staircase rising in front of us to the first floor, and double doors just seen in the half-light at the head of the stairs. Old tubs stood against the walls, but the palms and aloes in them were dead--only a cabbage-stalk or two--and the rusty hoops lay on the ground about them. One tub had come to pieces entirely and was no more than a heap of staves on a pile of spilt earth. And everywhere, everywhere was dust--the floor was an inch deep in dust and old plaster that m.u.f.fled our footsteps, cobwebs hung like old dusters on the walls, a regular goblin's tatter of cobwebs draped the little bracket inside the door, and the wrought-iron of the hand-rail was closed up with webs in which not even a spider moved. The whole thing was preposterous....

"'It is possible that for even a less rental--'

"Rangon murmured, dragging his forefinger across the hand-rail and leaving an inch-deep furrow....

"'Come upstairs,' said I suddenly....

"Up we went. All was in the same state there. A clutter of stuff came down as I pushed at the double doors of the _salon_, and I had to strike a stinking French sulphur match to see into the room at all. Underfoot was like walking on thicknesses of flannel, and except where we put our feet the place was as printless as a snowfield--dust, dust, unbroken grey dust. My match burned down....

"'Wait a minute--I've a _bougie_,' said Carroll, and struck the wax match....

"There were the old sconces, with never a candle-end in them. There was the large oval mirror, but hardly reflecting Carroll's match for the dust on it. And the broken chairs were there, all gutless, and the rickety old round table....

"But suddenly I darted forward. Something new and bright on the table twinkled with the light of Carroll's match. The match went out, and by the time Carroll had lighted another I had stopped. I wanted Rangon to see what was on the table....

"'You'll see by my footprints how far from that table _I've_ been,' I said. 'Will you pick it up?'

"And Rangon, stepping forward, picked up from the middle of the table--my cigarette case."

Loder had finished. n.o.body spoke. For quite a minute n.o.body spoke, and then Loder himself broke the silence, turning to me.

"Make anything of it?" he said.

I lifted my eyebrows. "Only your _vigneron's_ explanation--" I began, but stopped again, seeing that wouldn't do.

"_Any_body make anything of it?" said Loder, turning from one to another.

I gathered from Smith's face that he thought one thing might be made of it--namely, that Loder had invented the whole tale. But even Smith didn't speak.

"Were any English ladies ever found to have lived in the place--murdered, you know--bodies found and all that?" young Marsham asked diffidently, yearning for an obvious completeness.

"Not that we could ever learn," Loder replied. "We made inquiries too.... So you all give it up? Well, so do I...."

And he rose. As he walked to the door, myself following him to get his hat and stick, I heard him humming softly the lines--they are from _Oft in the Stilly Night_--

"_I seem like one who treads alone Some banquet-hall deserted, Whose guests are fled, whose garlands dead, And all but he--departed!_"

THE ROCKER

I

There was little need for the swart gipsies to explain, as they stood knee-deep in the snow round the bailiff of the Abbey Farm, what it was that had sent them. The unbroken whiteness of the uplands told that, and, even as they spoke, there came up the hill the dark figures of the farm men with shovels, on their way to dig out the sheep. In the summer, the bailiff would have been the first to call the gipsies vagabonds and roost-robbers; now ... they had women with them too.

"The hares and foxes were down four days ago, and the liquid-manure pumps like a snow man," the bailiff said.... "Yes, you can lie in the laithes and welcome--if you can find 'em. Maybe you'll help us find our sheep too--"

The gipsies had done so. Coming back again, they had had some ado to discover the spot where their three caravans made a hummock of white against a broken wall.

The women--they had four women with them--began that afternoon to weave the mats and baskets they hawked from door to door; and in the forenoon of the following day one of them, the black-haired, soft-voiced quean whom the bailiff had heard called Annabel, set her babe in the sling on her back, tucked a bundle of long cane-loops under her oxter, and trudged down between eight-foot walls of snow to the Abbey Farm. She stood in the latticed porch, dark and handsome against the whiteness, and then, advancing, put her head into the great hall-kitchen.

"Has the lady any chairs for the gipsy woman to mend?" she asked in a soft and insinuating voice....

They brought her the old chairs; she seated herself on a box in the porch; and there she wove the strips of cane in and out, securing each one with a little wooden peg and a tap of her hammer. The child remained in the sling at her back, taking the breast from time to time over her shoulder; and the silver wedding ring could be seen as she whipped the cane, back and forth.

As she worked, she cast curious glances into the old hall-kitchen. The snow outside cast a pallid, upward light on the heavy ceiling-beams; this was reflected in the polished stone floor; and the children, who at first had shyly stopped their play, seeing the strange woman in the porch--the nearest thing they had seen to gipsies before had been the old itinerant glazier with his frame of gla.s.s on his back--resumed it, but still eyed her from time to time. In the ancient walnut chair by the hearth sat the old, old lady who had told them to bring the chairs. Her hair, almost as white as the snow itself, was piled up on her head _a la Marquise_; she was knitting; but now and then she allowed the needle in the little wooden sheath at her waist to lie idle, closed her eyes, and rocked softly in the old walnut chair.

"Ask the woman who is mending the chairs whether she is warm enough there," the old lady said to one of the children; and the child went to the porch with the message.

"Thank you, little missie--thank you, lady dear--Annabel is quite warm,"

said the soft voice; and the child returned to the play.

It was a childish game of funerals at which the children played. The hand of Death, hovering over the dolls, had singled out Flora, the articulations of whose sawdust body were seams and whose boots were painted on her calves of fibrous plaster. For the greater solemnity, the children had made themselves sweeping trains of the garments of their elders, and those with cropped curls had draped their heads with shawls, the fringes of which they had combed out with their fingers to simulate hair--long hair, such as Sabrina, the eldest, had hanging so low down her back that she could almost sit on it. A cylindrical-bodied horse, convertible (when his flat head came out of its socket) into a locomotive, headed the sad _cortege_; then came the defunct Flora; then came Jack, the raffish sailor doll, with other dolls; and the children followed with hushed whisperings.

The youngest of the children pa.s.sed the high-backed walnut chair in which the old lady sat. She stopped.

"Aunt Rachel--" she whispered, slowly and gravely opening very wide and closing very tight her eyes.

"Yes, dear?"

"Flora's dead!"

The old lady, when she smiled, did so less with her lips than with her faded cheeks. So sweet was her face that you could not help wondering, when you looked on it, how many men had also looked upon it and loved it.

Somehow, you never wondered how many of them had been loved in return.

"I'm so sorry, dear," Aunt Rachel, who in reality was a great-aunt, said.

"What did she die of this time?"

"She died of ... Brown t.i.tus ... 'n now she's going to be buried in a grave as little as her bed."

"In a what, dear?"