Widdershins Part 12

The inspector advanced, put out his hand to the little k.n.o.b, and slid the hatch along its groove.

Then he took an involuntary step back again.

Framed in the aperture, and falling forward a little before it jammed again in its frame, was something that resembled a large lumpy pudding, done up in a pudding-bag of faded browny red frieze.

"Ah!" said the inspector.

To close the hatch again he would have had to thrust that pudding back with his hand; and somehow he did not quite like the idea of touching it. Instead, he turned the handle of the cupboard itself. There was weight behind it, so much weight that, after opening the door three or four inches and peering inside, he had to put his shoulder to it in order to close it again. In closing it he left sticking out, a few inches from the floor, a triangle of black and white check skirt.

He went into the small hall.

"All right!" he called.

They had got Oleron into his clothes. He still used his hands as blinkers, and his brain was very confused. A number of things were happening that he couldn't understand. He couldn't understand the extraordinary mess of dead flowers there seemed to be everywhere; he couldn't understand why there should be police officers in his room; he couldn't understand why one of these should be sent for a four-wheeler and a stretcher; and he couldn't understand what heavy article they seemed to be moving about in the kitchen--his kitchen....

"What's the matter?" he muttered sleepily....

Then he heard a murmur in the square, and the stopping of a four-wheeler outside. A police officer was at his elbow again, and Oleron wondered why, when he whispered something to him, he should run off a string of words--something about "used in evidence against you." They had lifted him to his feet, and were a.s.sisting him towards the door....

No, Oleron couldn't understand it at all.

They got him down the stairs and along the alley. Oleron was aware of confused angry shoutings; he gathered that a number of people wanted to lynch somebody or other. Then his attention became fixed on a little fat frightened-eyed man who appeared to be making a statement that an officer was taking down in a notebook.

"I'd seen her with him ... they was often together ... she came into my shop and said it was for him ... I thought it was all right ... 111333 the number was," the man was saying.

The people seemed to be very angry; many police were keeping them back; but one of the inspectors had a voice that Oleron thought quite kind and friendly. He was telling somebody to get somebody else into the cab before something or other was brought out; and Oleron noticed that a four-wheeler was drawn up at the gate. It appeared that it was himself who was to be put into it; and as they lifted him up he saw that the inspector tried to stand between him and something that stood behind the cab, but was not quick enough to prevent Oleron seeing that this something was a hooded stretcher. The angry voices sounded like a sea; something hard, like a stone, hit the back of the cab; and the inspector followed Oleron in and stood with his back to the window nearer the side where the people were. The door they had put Oleron in at remained open, apparently till the other inspector should come; and through the opening Oleron had a glimpse of the hatchet-like "To Let" boards among the privet-trees. One of them said that the key was at Number Six....

Suddenly the raging of voices was hushed. Along the entrance-alley shuffling steps were heard, and the other inspector appeared at the cab door.

"Right away," he said to the driver.

He entered, fastened the door after him, and blocked up the second window with his back. Between the two inspectors Oleron slept peacefully. The cab moved down the square, the other vehicle went up the hill. The mortuary lay that way.

PHANTAS

_"For, barring all pother, With this, or the other, Still Britons are Lords of the Main._"

THE CHAPTER OF ADMIRALS

I

As Abel Keeling lay on the galleon's deck, held from rolling down it only by his own weight and the sun-blackened hand that lay outstretched upon the planks, his gaze wandered, but ever returned to the bell that hung, jammed with the dangerous heel-over of the vessel, in the small ornamental belfry immediately abaft the mainmast. The bell was of cast bronze, with half-obliterated bosses upon it that had been the heads of cherubs; but wind and salt spray had given it a thick incrustation of bright, beautiful, lichenous green. It was this colour that Abel Keeling's eyes liked.

For wherever else on the galleon his eyes rested they found only whiteness--the whiteness of extreme eld. There were slightly varying degrees in her whiteness; here she was of a white that glistened like salt-granules, there of a greyish chalky white, and again her whiteness had the yellowish cast of decay; but everywhere it was the mild, disquieting whiteness of materials out of which the life had departed.

Her cordage was bleached as old straw is bleached, and half her ropes kept their shape little more firmly than the ash of a string keeps its shape after the fire has pa.s.sed; her pallid timbers were white and clean as bones found in sand; and even the wild frankincense with which (for lack of tar, at her last touching of land) she had been pitched, had dried to a pale hard gum that sparkled like quartz in her open seams. The sun was yet so pale a buckler of silver through the still white mists that not a cord or timber cast a shadow; and only Abel Keeling's face and hands were black, carked and cinder-black from exposure to his pitiless rays.

The galleon was the _Mary of the Tower_, and she had a frightful list to starboard. So canted was she that her mainyard dipped one of its steel sickles into the gla.s.sy water, and, had her foremast remained, or more than the broken stump of her bonaventure mizzen, she must have turned over completely. Many days ago they had stripped the mainyard of its course, and had pa.s.sed the sail under the Mary's bottom, in the hope that it would stop the leak. This it had partly done as long as the galleon had continued to glide one way; then, without coming about, she had begun to glide the other, the ropes had parted, and she had dragged the sail after her, leaving a broad tarnish on the silver sea.

For it was broadside that the galleon glided, almost imperceptibly, ever sucking down. She glided as if a loadstone drew her, and, at first, Abel Keeling had thought it was a loadstone, pulling at her iron, drawing her through the pearly mists that lay like face-cloths to the water and hid at a short distance the tarnish left by the sail. But later he had known that it was no loadstone drawing at her iron. The motion was due--must be due--to the absolute deadness of the calm in that silent, sinister, three-miles-broad waterway. With the eye of his mind he saw that loadstone now as he lay against a gun-truck, all but toppling down the deck. Soon that would happen again which had happened for five days past.

He would hear again the chattering of monkeys and the screaming of parrots, the mat of green and yellow weeds would creep in towards the Mary over the quicksilver sea, once more the sheer wall of rock would rise, and the men would run....

But no; the men would not run this time to drop the fenders. There were no men left to do so, unless Bligh was still alive. Perhaps Bligh was still alive. He had walked half-way down the quarter-deck steps a little before the sudden nightfall of the day before, had then fallen and lain for a minute (dead, Abel Keeling had supposed, watching him from his place by the gun-truck), and had then got up again and tottered forward to the forecastle, his tall figure swaying and his long arms waving. Abel Keeling had not seen him since. Most likely, he had died in the forecastle during the night. If he had not been dead he would have come aft again for water....

At the remembrance of the water Abel Keeling lifted his head. The strands of lean muscle about his emaciated mouth worked, and he made a little pressure of his sun-blackened hand on the deck, as if to verify its steepness and his own balance. The mainmast was some seven or eight yards away.... He put one stiff leg under him and began, seated as he was, to make shuffling movements down the slope.

To the mainmast, near the belfry, was affixed his contrivance for catching water. It consisted of a collar of rope set lower at one side than at the other (but that had been before the mast had steeved so many degrees away from the zenith), and tallowed beneath. The mists lingered later in that gully of a strait than they did on the open ocean, and the collar of rope served as a collector for the dews that condensed on the mast. The drops fell into a small earthen pipkin placed on the deck beneath it.

Abel Keeling reached the pipkin and looked into it. It was nearly a third full of fresh water. Good. If Bligh, the mate, was dead, so much the more water for Abel Keeling, master of the _Mary of the Tower_. He dipped two fingers into the pipkin and put them into his mouth. This he did several times. He did not dare to raise the pipkin to his black and broken lips for dread of a remembered agony, he could not have told how many days ago, when a devil had whispered to him, and he had gulped down the contents of the pipkin in the morning, and for the rest of the day had gone waterless.... Again he moistened his fingers and sucked them; then he lay sprawling against the mast, idly watching the drops of water as they fell.

It was odd how the drops formed. Slowly they collected at the edge of the tallowed collar, trembled in their fullness for an instant, and fell, another beginning the process instantly. It amused Abel Keeling to watch them. Why (he wondered) were all the drops the same size? What cause and compulsion did they obey that they never varied, and what frail tenuity held the little globules intact? It must be due to some Cause.... He remembered that the aromatic gum of the wild frankincense with which they had parcelled the seams had hung on the buckets in great sluggish gouts, obedient to a different compulsion; oil was different again, and so were juices and balsams. Only quicksilver (perhaps the heavy and motionless sea put him in mind of quicksilver) seemed obedient to no law.... Why was it so?

Bligh, of course, would have had his explanation: it was the Hand of G.o.d.

That sufficed for Bligh, who had gone forward the evening before, and whom Abel Keeling now seemed vaguely and as at a distance to remember as the deep-voiced fanatic who had sung his hymns as, man by man, he had committed the bodies of the ship's company to the deep. Bligh was that sort of man; accepted things without question; was content to take things as they were and be ready with the fenders when the wall of rock rose out of the opalescent mists. Bligh, too, like the waterdrops, had his Law, that was his and n.o.body else's....

There floated down from some rotten rope up aloft a flake of scurf, that settled in the pipkin. Abel Keeling watched it dully as it settled towards the pipkin's rim. When presently he again dipped his fingers into the vessel the water ran into a little vortex, drawing the flake with it.

The water settled again; and again the minute flake determined towards the rim and adhered there, as if the rim had power to draw it....

It was exactly so that the galleon was gliding towards the wall of rock, the yellow and green weeds, and the monkeys and parrots. Put out into mid-water again (while there had been men to put her out) she had glided to the other wall. One force drew the chip in the pipkin and the ship over the tranced sea. It was the Hand of G.o.d, said Bligh....

Abel Keeling, his mind now noting minute things and now clouded with torpor, did not at first hear a voice that was quakingly lifted up over by the forecastle--a voice that drew nearer, to an accompaniment of swirling water.

_"O Thou, that Jonas in the fish Three days didst keep from pain, Which was a figure of Thy death And rising up again--"_

It was Bligh, singing one of his hymns:

_"O Thou, that Noah keptst from flood And Abram, day by day, As he along through Egypt pa.s.sed Didst guide him in the way--"_

The voice ceased, leaving the pious period uncompleted. Bligh was alive, at any rate.... Abel Keeling resumed his fitful musing.

Yes, that was the Law of Bligh's life, to call things the Hand of G.o.d; but Abel Keeling's Law was different; no better, no worse, only different. The Hand of G.o.d, that drew chips and galleons, must work by some method; and Abel Keeling's eyes were dully on the pipkin again as if he sought the method there....

Then conscious thought left him for a s.p.a.ce, and when he resumed it was without obvious connection.

Oars, of course, were the thing. With oars, men could laugh at calms.

Oars, that only pinnaces and gallia.s.ses now used, had had their advantages. But oars (which was to say a method, for you could say if you liked that the Hand of G.o.d grasped the oar-loom, as the Breath of G.o.d filled the sail)--oars were antiquated, belonged to the past, and meant a throwing-over of all that was good and new and a return to fine lines, a battle-formation abreast to give effect to the shock of the ram, and a day or two at sea and then to port again for provisions. Oars ... no.

Abel Keeling was one of the new men, the men who swore by the line-ahead, the broadside fire of sakers and demi-cannon, and weeks and months without a landfall. Perhaps one day the wits of such men as he would devise a craft, not oar-driven (because oars could not penetrate into the remote seas of the world)--not sail-driven (because men who trusted to sails found themselves in an airless, three-mile strait, suspended motionless between cloud and water, ever gliding to a wall of rock)--but a ship ... a ship ...

"_To Noah and his sons with him G.o.d spake, and thus said He: A covenant set I up with you And your posterity_--"

It was Bligh again, wandering somewhere in the waist. Abel Keeling's mind was once more a blank. Then slowly, slowly, as the water drops collected on the collar of rope, his thought took shape again.

A gallia.s.se? No, not a gallia.s.se. The gallia.s.se made shift to be two things, and was neither. This ship, that the hand of man should one day make for the Hand of G.o.d to manage, should be a ship that should take and conserve the force of the wind, take it and store it as she stored her victuals; at rest when she wished, going ahead when she wished; turning the forces both of calm and storm against themselves. For, of course, her force must be wind--stored wind--a bag of the winds, as the children's tale had it--wind probably directed upon the water astern, driving it away and urging forward the ship, acting by reaction. She would have a wind-chamber, into which wind would be pumped with pumps.... Bligh would call that equally the Hand of G.o.d, this driving-force of the ship of the future that Abel Keeling dimly foreshadowed as he lay between the mainmast and the belfry, turning his eyes now and then from ashy white timbers to the vivid green bronze-rust of the bell above him....