Who Cares? Part 21

She was incredulous. "Don't go,--to a dance? Why?"

"It's rather a mixed business," he said. "The hotel pours its crowd out. It isn't amusing. We can dance here if you want to."

But her attention was caught by young Oldershaw who came out carrying a gla.s.s and a jug of iced water. She sprang up and went to meet him, the dance forgotten, Hosack forgotten. Her mood was that of a bird, irresponsible, restless. "Good for you," she said, and drank like a thirsty plant. "Nothing like water, is there?" She smiled up at him.

He was as pleased with himself as though he owned the reservoir. "Have another?"

"I should think so." And she drank again, put the gla.s.s down on the first place that came to hand, relieved him of the jug, put it next to the gla.s.s, caught hold of his muscular arm, ran him down the steps, and along the board path to the beach. "I'll race you to the sea," she cried, and was off like a mountain goat. He was too young to let her beat him and waited for her with the foam frothing round his ankles and a broad grin on his attractive face.

He was about to cheek her when she held up a finger and with a little exclamation of delight pointed to the sky behind the house. The sun was setting among a ma.s.s of royal clouds. A golden wand had touched the dunes and the tips of the scrub and all over the green of the golf course, still dotted with scattered figures, waves of reflected l.u.s.ters played. To the left of the great red ball one clear star sparkled like an eye. Just for a moment her lips trembled and her young b.r.e.a.s.t.s rose and fell, and then she threw her head up and wheeled round and went off at a run. Not for her to think back, or remember similar sights behind the woods near Marty's place. Life was too short for pain. "Who Cares?"

was her motto once more, and this time joy-riding must live up to its name.

Harry Oldershaw followed, much puzzled at Joan's many quick changes of mood. Several times during their irresponsible chatter on the beach between dips her laughter had fallen suddenly, like a dead bird, and she had sat for several minutes as far away from himself and the other men as though they were cut off by a thick wall. Yesterday, in the evening after dinner, during which her high spirits had infected the whole table, he had walked up and down the board path with her under the vivid white light of a full moon, and she had whipped out one or two such savage things about life that he had been startled. During their ride that afternoon, too, her bubbling chatter of light stuff about people and things had several times shifted into comments as to the conventions that were so careless as to make him ask himself whether they could really have come from lips so fresh and young. And why had that queer look of almost childlike grief come into her eyes a moment ago at the sight of ah everyday sunset? He was mightily intrigued. She was a queer kid, he told himself, as changeable and difficult to follow as some of the music by men with such weird names as Rachmaninoff and Tschaikowsky that his sister was so precious fond of playing. But she was unattached and frightfully pretty and always ready for any fun that was going, and she liked him more than the others, and he liked being liked, and although not hopelessly in love was ready and willing and even anxious to be walked on if she would acknowledge his existence in no other way. It was none of his business, he told himself, to speculate as to what she was trying to hide away in the back of her mind, from herself as well as from everybody else. This was his last vacation as a Yale man, and he was all out to make the most of it.

As soon as he was at her side she ran her hand through his arm and fell into step. The shadow had pa.s.sed, and her eyes were dancing again. "It appears that the Hosacks turn up their exclusive noses at the club dances," she said. "What are we going to do about it?"

"There's one to-night, isn't there? Do you want to go?"

"Of course I do. I haven't danced since away back before the great wind. Let's sneak off after dinner for an hour without a word to a soul and get our fill of it. There's to be a special Jazz band to-night, I hear, and I simply can't keep away. Are you game, Harry?"

"All the way," said young Oldershaw, "and it will be the first time in the history of the Hosacks that any members of their house parties have put in an appearance at the club at night. No wonder Easthampton has nicknamed the place St. James's Palace, eh?"

Joan shrugged her shoulders. "Oh, my dear boy," she said, "life's too short for all that stuff, and there's no hobby so painful as cutting off one's nose to spite one's face. And, after all, what's the matter with Easthampton people? I'd go to a chauffeurs' ball if the band was the right thing. Wouldn't you?"

"With you," said Harry. "Democracy forever!"

"Oh, I'm not worrying about democracy. I'm out for a good time under any conditions. That's the only thing that matters. Now let's go back and change. It's too late to bathe. I'll wear a new frock to-night, made for fox-trotting, and if Mrs. Hosack wants to know where we've been when we come back as innocent as spring lambs, leave it to me. Men can't lie as well as women can."

"It won't be Mrs. Hosack who'll ask," said Harry. "Bridge will do its best to rivet her ubiquitous mind. It's the old man who'll be peeved.

He's crazy about you, you know."

Joan laughed. "He's very nice and means awfully well and all that," she said, "but of course he isn't to be taken seriously. No men of middle age ought to be. They all say the same things with the same expressions as though they got them from the same books, and their gambolling makes their joints creak. It's all like playing with a fire of damp logs. I like something that can blaze and scorch. The game counts then."

"Then you ought to like me," said Harry, doing his best to look the very devil of a fellow. Even he had to join in Joan's huge burst of merriment. He had humor as well as a sense of the ridiculous, and the first made it possible for him to laugh at himself,--a rare and disconcerting gift which would utterly prevent his ever entering the Senate.

"You might grow a moustache and wax the tips, Harry," she said, when she had recovered sufficiently well to be able to speak. "Curl your hair with tongs and take dancing lessons from a tango lizard or go in for a course of sotto voce sayings from a French portrait painter, but you'd still remain the Nice Boy. That's why I like you. You're as refreshing and innocuous as a lettuce salad, and you may glare as much as you like. I hope you'll never be spoilt. Come on. We shall be late for dinner." And she made him quicken his step through the dry sand.

Being very young he was not quite sure that he appreciated that type of approval. He had liked to imagine that he was distinctly one of the bold bad boys, a regular dog and all that. He had often talked that sort of thing in the rooms of his best chums whose mantelpieces were covered with the photographs of little ladies, and he h.o.a.rded in his memory two episodes at least of jealous looks from engaged men. But, after all, with Joan, who was married, although it was difficult to believe it, it wouldn't be wise to exert the whole force of the danger that was in him. He would let her down lightly, he told himself, and grinned as he said it. She was right. He was only a nice boy, and that was because he had had the inestimable luck to possess a mother who was one in a million.

The rather pretentious but extremely civilized house that stood alone in all its glory between the sea and the sixth hole was blazing with lights as they returned to it. The color had gone out of the sky and other twinkling eyes had appeared, and the breeze, now off the sea, had a sting to it. Toad soloists were trying their voices for their evening concert in near-by water and crickets were at work with all their well-known enthusiasm. Bennett, with a sunburned nose, was tidying up the veranda, and some one with a nice light touch was playing the rhythmic jingles of Jerome Kern on the piano in the drawing-room.

Still with her hand on Harry Oldershaw's arm, Joan made her way across the lofty hall, caught sight of Gilbert Palgrave coming eagerly to meet her, and waved her hand.

"Oh, h.e.l.lo, Gilbert," she cried out. "Welcome to Easthampton," and ran upstairs.

With a strange contraction of the heart, Palgrave watched her out of sight. She was his dream come to life. All that he was and hoped to be he had placed forever at her feet. Dignity, individualism, egoism,--all had fallen before this young thing. She was water in the desert, the north star to a man without a compa.s.s. He had seen her and come into being.

Good G.o.d, it was wonderful and awful!

But who was that cursed boy?

III

Six weeks had dropped off the calendar since the night at Martin's house.

Facing Grandmother Ludlow in the morning with her last handful of courage Joan had told her that she had been called back to town. She had left immediately after breakfast in spite of the protests and entreaties of every one, including her grandfather, down whose wrinkled cheeks the tears had fallen unashamed. With a high head and her best wilful manner she had presented to them all in that old house the bluff of easy-mindedness only to burst like a bubble as soon as the car had turned the corner into the main road. She had gone to the little house in New York, and with a numbed heart and a constant pain in her soul, had packed some warm-weather clothes and, leaving her maid behind, hidden herself away in the cottage, on the outskirts of Greenwich, of an old woman who had been in the service of her school. As a long-legged girl of twelve she had stayed there once with her mother for several days before going home for the holidays. She felt like a wounded animal, and her one desire was to drag herself into a quiet place to die.

It seemed to her then, under the first stupendous shock of finding that Marty was with that girl, that death was the next certain thing. Day after day and night after night, cut to the quick, she waited for it to lay its cold hand upon her and snuff her out like a tired candle, whose little light was meaningless in a brutal world. Marty, even Marty, was no longer a knight, and she had put him into broadcloth.

Not in the sun, but in the shadow of a chestnut all big with bloom, her days had pa.s.sed in lonely suffering. Death was in the village, that was certain. She had seen a little procession winding along the road to the cemetery the morning after her arrival. She was ready. Nothing mattered now that Marty, even Marty, had done this thing while she had been waiting for him to come and take her across the bridge, anxious to play the game to the very full, eager to prove to him that she was no longer the kid that he thought her who had coolly shown him her door. "I am here, Death," she whispered, "and I want you. Come for me."

All her first feelings were that she ought to die, that she had failed and that her disillusion as to Marty had been directly brought about by herself. She saw it all honestly and made no attempt to hedge. By day, she sat quietly, big-eyed, amazingly childlike, waiting for her punishment, watched by the practical old woman, every moment of whose time was filled, with growing uneasiness and amazement. By night she lay awake as long as she could, listening for the soft footstep of the one who would take her away. At meals, the old woman bullied for she was of the school that hold firmly to the belief that unless the people who partake of food do not do so to utter repletion a personal insult is intended. At other times she went out into the orchard and sat with Joan and, burning with a desire to cheer her up, gave her, in the greatest detail, the story of all the deaths, diseases and quarrels that had ever been known to the village. And every day the good sun warmed and encouraged the earth, drew forth the timid heads of plants and flowers, gave beauty even to the odd corners once more and did his allotted task with a generosity difficult to praise too highly. And Death paid visits here and there but pa.s.sed the cottage by. At the beginning of the second week, Nature, who has no patience with any attempt to refute her laws, especially on the part of those who are young and vigorous, took Joan in hand. "What is all this, my girl?" she said, "sitting here with your hands in your lap while everybody and everything is working and making and preparing. Stir yourself, bustle up, get busy, there's lots to be done in the springtime if the autumn is to bear fruit. You're sound and whole for all that you've been hurt.

If you were not, Death would be here without your calling him. Up you get, now." And, with good-natured roughness, she laid her hand under Joan's elbow, gave a hoist and put her on her feet.

Whereupon, in the natural order of things, Joan turned from self-blame to find a victim who should be held responsible for the pain that she had suffered, and found the girl with the red lips and the white face and the hair that came out of a bottle. Ah, yes! It was she who had caught Marty when he was hurt and disappointed. It was she who had taken advantage of his loneliness and dragged him clown to her own level, this girl whom she had called Fairy and who had had the effrontery to go up to the place on the edge of the woods that was the special property of Marty and herself. And for the rest of the week, with the sap running eagerly in her veins once more, she moved restlessly about the orchard and the garden, heaping coals of fire on to the all too golden head of Tootles.

Then came the feeling of wounded pride, the last step towards convalescence. Marty had chosen between herself and this girl. Without giving her a real chance to put things right he had slipped away silently and taken Tootles with him. Not she, but the girl with the red lips and the pale face and the hair that came out of a bottle had stripped Marty of his armor, and the truth of it was that Marty, yes, even Marty, was not really a knight but a very ordinary man.

Out of the orchard and the garden she went, once she had arrived at this stage, and tramped the countryside with her ears tuned to catch the alluring strains of the mechanical music of the Round-about. She had not only been making a fool of herself but had been made to look a fool, she thought. Her pain and suffering and disillusion had been wasted. All these dull and lonely days had been wasted and thrown away.

Death must have laughed to see her sitting in the shadow of the apple trees waiting for a visit that was undeserved. Marty could live and enjoy himself without her. That was evident. Very well, then, she could live and enjoy herself without Marty. The earth was large enough for them both, and if he could find love in the person of that small girl she could surely find it in one or other of the men who had whispered in her ear. Also there was Gilbert Palgrave, who had gone down upon his knees.

And that was the end of her isolation, her voluntary retirement. Back she went to the City of Dreadful Nonsense, bought clothes and shoes and hats, found an invitation to join a house party at Southampton, made no effort to see or hear from Marty, and sprang back into her seat in the Merry-go-round. "Who Cares?" she cried again. "n.o.body," she answered.

"What I do with my life matters to no one but myself. Set the pace, my dear, laugh and flirt and play with fire and have a good time. A short life and a merry one."

And then she joined the Hosacks, drank deep of the wine of adulation, and when, at odd times, the sound of Marty's voice echoed in her memory, she forced it out and laughed it away. "Who Cares?" was his motto too,--red lips and white face and hair that came out of a bottle!

And now here was Gilbert Palgrave with the fire of love in his eyes.

IV

When Mrs. Hosack rose from the dinner table and sailed Olympically into the drawing-room, surrounded by graceful light craft in the persons of Primrose and her girl friends, the men, as usual, followed immediately.

The house was bridge mad, and the tables called every one except Joan, the nice boy, and Gilbert Palgrave.

During the preliminaries of an evening which would inevitably run into the small hours, Joan went over to the piano and, with what was a quite unconscious touch of irony, played one of h.e.l.ler's inimitable "Sleepless Nights," with the soft pedal down. The large imposing room, a chaotic mixture of French and Italian furniture with Flemish tapestries and Persian rugs, which accurately typified the ubiquitous mind of the hostess, was discreetly lighted. The numerous screened windows were open and the soft warm air came in tinged with the salt of the sea.

Palgrave, refusing to cut in, stood about like a disembodied spirit, with his eyes on Joan, from whom, since his arrival, he had received only a few fleeting glances. He watched the cursed boy, as he had labelled him, slip over to her, lean across the piano and talk eagerly.

He went nearer and caught, "the car in half an hour," and "not a word to a soul." After which, with jealousy gnawing at his vitals, he saw Harry Oldershaw moon about for a few minutes and then make a fishlike dart out of the room. He had been prepared to find Joan amorously surrounded by the men of the party but not on terms of sentimental intimacy with a smooth-faced lad. In town she had shown preference for sophistication. He went across to the piano and waited impatiently for Joan to finish the piece which somehow fitted into his mood. "Come out," he said, then, "I want to speak to you."

But Joan let her fingers wander into a waltz and raised her eyebrows.

"Do I look so much like Alice that you can order me about?" she asked.