Whispers. Part 53

"You're asking me if it's possible that she made up the whole thing about Mary Gunther and merely went away to San Francisco to have her own illegitimate baby?"

"That's what I'm asking," Tony said.

"No," Joshua said. "She wasn't pregnant."

"Are you sure?"

"Well," Joshua said, "I didn't personally take her urine sample and perform a rabbit test with it. I wasn't even living in the valley in 1940. I didn't get here until '45, after the war. But I've heard her story repeated, sometimes in part and sometimes in its entirety, by people who were here in '40. Now you'll say that they were probably just repeating what she had told them. But if she was pregnant, she couldn't have hidden the fact. Not in a town as small as St. Helena. Everyone would have known."

"There's a small percentage of women who don't swell up a great deal when they're carrying a child," Hilary said. "You could look at them and never know."

"You're forgetting that she had no interest in men," Joshua said. "She didn't date anyone. How could she possibly have gotten pregnant?"

"Perhaps she didn't date any locals," Tony said. "But at harvest time, toward the end of summer, aren't there a lot of migrant workers in the vineyards? And aren't a lot of them young, handsome, virile men?"

"Wait, wait, wait," Joshua said. "You're reaching way out in left field again. You're trying to tell me that Katherine, whose lack of interest in men was widely remarked upon, suddenly fell for a field hand."

"It's been known to happen."

"But then you're also trying to tell me that this unlikely pair of lovers carried out at least a brief affair in a virtual fish bowl without being caught or even causing gossip. And then you're trying to tell me that she was a unique woman, one in a thousand, a woman who didn't look pregnant when she was. No." Joshua shook his white-maned head. "It's too much for me. Too many coincidences. You think Katherine's story sounds too neat, too smooth, but next to your wild suppositions, her tale has the gritty sound of reality."

"You're right," Hilary said. "So another promising theory bites the dust." She finished her wine.

Tony scratched his chin and sighed. "Yeah. I guess I'm too d.a.m.ned tired to make a whole lot of sense. But I still don't think Katherine's story makes perfect sense, either. There's something more to it. Something she was hiding. Something strange."

In Sally's kitchen, standing on broken dishes, Bruno Frye opened the telephone book and looked up the number of Topelis & a.s.sociates. Their offices were in Beverly Hills. He dialed and got an answering service, which was what he had expected.

"I've got an emergency here," he told the answering service operator, "and I thought maybe you could help me."

"Emergency?" she asked.

"Yes. You see, my sister is one of Mr. Topelis's clients. There's been a death in the family, and I've got to get hold of her right away."

"Oh, I'm sorry," she said.

"The thing of it is, my sister's apparently off on a short holiday, and I don't know where she's gone."

"I see."

"It's urgent that I get in touch with her."

"Well, ordinarily, I'd pa.s.s your message right on to Mr. Topelis. But he's out tonight, and he didn't leave a number where he could be reached."

"I wouldn't want to bother him anyway," Bruno said. "I thought, with all the calls you take for him, maybe you might know where my sister is. I mean, maybe she called in and left word for Mr. Topelis, something that would indicate where she was."

"What's your sister's name?"

"Hilary Thomas."

"Oh, yes! I do know where she is."

"That's wonderful. Where?"

"I didn't take a message from her. But someone called in just a while ago and left a message for Mr. Topelis to pa.s.s on to her. Hold the line just a sec. Okay?"

"Sure."

"I've got it written down here somewhere."

Bruno waited patiently while she sorted through her memos.

Then she said, "Here it is. A Mr. Wyant Stevens called. He wanted Mr.Topelis to tell Miss Thomas that he, Mr. Stevens, was eager to handle the paintings. Mr. Stevens said he wanted her to know he wouldn't be able to sleep until she got back from St. Helena and gave him a chance to strike a deal. So she must be in St. Helena."

Bruno was shocked.

He couldn't speak.

"I don't know what hotel or motel," the operator said apologetically. "But there aren't really many places to stay in all of Napa Valley, so you shouldn't have any trouble finding her."

"No trouble," Bruno said shakily.

"Does she know anyone in St. Helena?"

"Huh?"

"I just thought maybe she's staying with friends," the operator suggested.

"Yes," Bruno said. "I think I know just where she is."

"I'm really sorry about the death."

"What?"

"The death in the family."

"Oh," Bruno said. He licked his lips nervously. "Yes. There have been quite a few deaths in the family the past five years. Thank you for your help."

"No trouble."

He hung up.

She was in St. Helena.

The brazen b.i.t.c.h had gone back.

Why? My G.o.d, what was she doing? What was she after? What was she up to?

Whatever she had in mind, it would not do him any good. That was for d.a.m.ned sure.

Frantic, afraid that she was planning some trick that would be the death of him, he began to call the airlines at Los Angeles International, trying to get a seat on a flight north. There were no commuter planes until morning, and all of the early flights were already booked solid. He wouldn't be able to get out of L.A. until tomorrow afternoon.

That would be too late.

He knew it. Sensed it.

He had to move fast.

He decided to drive. The night was still young. If he stayed behind the wheel all night and kept the accelerator to the floor, he could reach St. Helena by dawn.

He had a feeling his life depended on it.

He hurried out of the bungalow, stumbling through ruined furniture and other rubble, leaving the front door wide open, not bothering to be careful, not taking time to see if anyone was nearby. He sprinted across the lawn, into the dark and deserted street toward his van.

After they enjoyed coffee with brandy in the den, Joshua showed Tony and Hilary to the guest room and connecting bath at the far end of the house from his own sleeping quarters. The chamber was large and pleasant, with deep window sills and leaded gla.s.s windows like those in the dining room. The bed was an enormous fourposter that delighted Hilary.

After they said goodnight to Joshua and closed the bedroom door, and after they drew the drapes over the windows to prevent the eyeless night from gazing blindly in at them, they took a shower together to soothe their aching muscles. They were quite exhausted, and they intended only to try to recapture the sweet, relaxing, childlike, as.e.xual pleasure of the bath that they had shared the previous night at the airport hotel in L.A. Neither of them expected pa.s.sion to raise its lovely head. However, as he lathered her b.r.e.a.s.t.s, the gentle, rhythmic, circular movements of his hands made her skin tingle and sent wonderful shivers through her. He cupped her b.r.e.a.s.t.s, filled his large hands with them, and her nipples hardened and rose through the soapy foam that sheathed them. He went to his knees and washed her belly, her long slim legs, her b.u.t.tocks. For Hilary, the world shrank to a small sphere, to just a few sights and sounds and exquisite sensations: the odor of lilac-scented soap, the hiss and patter of falling water, the swirling patterns in the steam, his lean and supple body glistening as water cascaded over his well-defined muscles, the eager and incredible growth of his manhood as she took her turn lathering him. By the time they finished showering, they had forgotten how tired they were, they had forgotten their aching muscles; only desire remained.

On the fourposter bed, in the soft glow of a single lamp, he held her and kissed her eyes, her nose, her lips. He kissed her chin, her neck, her turgid nipples.

"Please," she said. "Now."

"Yes," he said against the hollow of her throat.

She opened her legs to him, and he entered her.

"Hilary," he said. "My sweet, sweet Hilary."

He drove into her with great strength and yet with tenderness, filled her up.

She rocked in time with him. Her hands moved over his broad back, tracing the outlines of his muscles. She had never felt so alive, so energized. In only a minute, she began to come, and she thought she might never stop, just rise from peak to peak, on and on, forever and ever, without end.

As he moved within her, they became one body and soul in a way she had never been with any other man. And she knew Tony felt it, too, this unique and astonishingly deep bonding. They were physically, emotionally, intellectually, and psychically joined, molded into a single being that was far superior to the sum of its two halves, and in that moment of phenomenal synergism--which neither of them had experienced with other lovers--Hilary knew that what they had was so special, so important, so rare, so powerful, that it would last as long as they lived. As she called his name and lifted up to meet his thrusts and climaxed yet again. and as he began to spurt within the deep darkness of her, she knew, as she had known the first time they'd made love, that she could trust him and rely on him as she'd never been able to trust or rely upon another human being; and, best of all, she knew that she would never be alone again.

Afterwards, as they lay together beneath the covers, he said, "Will you tell me about the scar on your side?"

"Yes. Now I will."

"It looks like a bullet wound."

"It is. I was nineteen, living in Chicago. I'd been out of high school for a year. I was working as a typist, trying to save enough money so I could get a place of my own. I was paying Earl and Emma rent for my room."

"Earl and Emma?"

"My parents."

"You called them by their first names?"

"I never thought of them as my father and mother."

"They must have hurt you a lot," he said sympathetically.

"Every chance they got."

"If you don't want to talk about it now--"

"I do," she said. "Suddenly, for the first time in my life, I want to talk about it. It doesn't hurt to talk about it. Because now I've got you, and that makes up for all the bad days."

"My family was poor," Tony said. "But there was love in our house."

"You were lucky."

"I'm sorry for you, Hilary."

"It's over," she said. "They've been dead a long time, and I should have exorcised them years ago."

"Tell me."

"I was paying them a few dollars rent each week, which they used to buy a little more booze, but I was socking away everything else I earned as a typist. Every penny. Not much, but it grew in the bank. I didn't even spend anything for lunch; I went without. I was determined to get an apartment of my own. I didn't even care if it was another shabby place with dark little rooms and bad plumbing and c.o.c.kroaches just so Earl and Emma didn't come with it."

Tony kissed her cheek, the corner of her mouth.

She said, "Finally, I saved up enough. I was ready to move out. One more day, one more paycheck, and I was going to be on my way."

She trembled.

Tony held her close.

"I came home from work that day," Hilary said, "and I went into the kitchen--and there was Earl holding Emma against the refrigerator. He had a gun. The barrel was jammed into her teeth."

"My G.o.d."

"He was going through a very bad siege of.... Do you know what delirium tremens are?"

"Sure. They're hallucinations. Spells of mindless fear. It's something that happens to really chronic alcoholics. I've dealt with people who've been having delirium tremens. They can be violent and unpredictable."

"Earl had that gun against her teeth, which she kept clenched, and he started screaming crazy stuff about giant worms that he thought were coming out of the walls. He accused Emma of letting the worms out of the walls, and he wanted her to stop them. I tried to talk to him, but he wasn't listening. And then the worms kept coming out of the walls and started slithering around his feet; he got furious with Emma, and he pulled the trigger."

"Jesus."

"I saw her face blown away."

"Hilary--"

"I need to talk about it."