What's Bred in the Bone Part 7

It was terrible, terrible. Yet she could not prevent it. A force not her own seemed to sustain and impel her.

And all the time, as she whirled, she was conscious also of some strange dim need. A sense of discomfort oppressed her arms. She hadn't everything she required for this solitary orgy. Something more was lacking her. Something essential, vital. But what on earth it could be she knew not; she knew not.

By-and-by she paused, and, as she glanced right and left, the sense of discomfort grew clearer and more vivid. It was her hands that were wrong. Her hands were empty. She must have something to fill them. Something alive, lithe, curling, sinuous. These wavings and swayings, to this side and to that, seemed so meaningless and void--without some life to guide them. There was nothing for her to hold; nothing to tame and subdue; nothing to cling and writhe and give point to her movements. Oh! heavens, how horrible!

She drew herself up suddenly, and by dint of a fierce brief effort of will repressed for awhile the mad dance that overmastered her.

The spirit within her, if spirit it were, kept quiet for a moment, awed and subdued by her proud determination. Then it began once more and led her resistlessly forward. She moved over to the chest of drawers still rhythmically and with set steps, but to the phantom strain of some unheard low music. The music was running vaguely through her head all the time--wild Aeolian music--it sounded like a rude tune on a harp or zither. And surely the cymbals clashed now and again overhead; and the timbrel rang clear; and the castanets tinkled, keeping time with the measure. She stood still and listened.

No, no, not a sound save the rain on the roof. It was the music of her own heart, beating irregularly and fiercely to an intermittent lilt, like a Hungarian waltz or a Roumanian tarantella.

By this time, Elina was thoroughly frightened. Was she going mad?

she asked herself, or had some evil spirit taken up his abode within her? What made her spin and twirl about like this--irresponsibly, unintentionally, irrepressibly, meaninglessly? Oh, what would her mother say, if only she knew all? And what on earth would Cyril Waring think of her?

Cyril Waring! Cyril Waring! It was all Cyril Waring. And yet, if he knew--oh, mercy, mercy!

Still, in spite of these doubts, misgivings, fears, she walked over towards the chest of drawers with a firm and rhythmical tread, to the bars of the internal music that rang loud through her brain, and began opening one drawer after another in an aimless fashion.

She was looking for something--she didn't know what; and she never could rest now until she'd found it.

Drawer upon drawer she opened and shut wearily, but nothing that her eyes fell upon seemed to suit her mood. Dresses and jackets and underlinen were there; she glanced at them all with a deep sense of profound contempt; none of these gewgaws of civilized life could be of any use to supply the vague want her soul felt so dimly and yet so acutely. They were dead, dead, dead, so close and clinging!

Go further! Go further! At last she opened the bottom drawer of all, and her eye fell askance upon a feather boa, curled up at the bottom--soft, smooth, and long; a winding, coiling, serpentine boa. In a second, she had fallen upon it bodily with greedy hands, and was twisting it round her waist, and holding it high and low, and fighting fiercely at times, and figuring with it like a posturant.

Some dormant impulse of her race seemed to stir in her blood, with frantic leaps and bounds, at its first conscious awakening. She gave herself up to it wildly now. She was mad. She was mad. She was glad. She was happy.

Then she began to turn round again, slowly, slowly, slowly. As she turned, she raised the boa now high above her head; now held it low on one side, now stooped down and caressed it. At times, as she played with it, the lifeless thing seemed to glide from her grasp in curling folds and elude her; at others, she caught it round the neck like a snake, and twisted it about her arm, or let it twine and encircle her writhing body. Like a snake! like a snake! That idea ran like wildfire through her burning veins. It was a snake, indeed, she wanted; a real live snake; what would she not have given, if it were only Sardanapalus!

Sardanapalus, so glossy, so beautiful, so supple, that glorious green serpent, with his large smooth coils, and his silvery scales, and his darting red tongue, and his long lithe movements. Sardanapalus, Sardanapalus, Sardanapalus! The very name seemed to link itself with the music in her head. It coursed with her blood. It rang through her brain. And another as well. Cyril Waring, Cyril Waring, Cyril Waring, Cyril Waring! Oh! great heavens, what would Cyril Waring say now, if only he could see her in her mad mood that moment!

And yet it was not she, not she, not she, but some spirit, some weird, some unseen power within her. It was no more she than that boa there was a snake. A real live snake. Oh, for a real live snake!

And then she could dance--tarantel, tarantella--as the spirit within her prompted her to dance it.

"Faster, faster," said the spirit; and she answered him back, "Faster!"

Faster, faster, faster, faster she whirled round the room; the boa grew alive; it coiled about her; it strangled her. Her candle failed; the wick in the socket flickered and died; but Elma danced on, unheeding, in the darkness. Dance, dance, dance, dance; never mind for the light! Oh! what madness was this? What insanity had come over her? Would her feet never stop? Must she go on till she dropped? Must she go on for ever?

Ashamed and terrified with her maidenly sense, overawed and obscured by this hateful charm, yet unable to stay herself, unable to resist it, in a transport of fear and remorse, she danced on irresponsibly. Check herself she couldn't, let her do what she would. Her whole being seemed to go forth into that weird, wild dance. She trembled and shook. She stood aghast at her own shame.

She had hard work to restrain herself from crying aloud in her horror.

At last, a lull, a stillness, a recess. Her limbs seemed to yield and give way beneath her. She half fainted with fatigue. She staggered and fell. Too weary to undress, she flung herself upon the bed, just as she was, clothes and all. Her overwrought nerves lost consciousness at once. In three minutes she was asleep, breathing fast but peacefully.

CHAPTER IX.

AND AFTER?

When Elma woke up next morning, it was broad daylight. She woke with a start, to find herself lying upon the bed where she had flung herself. For a minute or two she couldn't recollect or recall to herself how it had all come about. It was too remote from anything in her previous waking thought, too dream-like, too impossible. Then an unspeakable horror flashed over her unawares. Her face flushed hot. Shame and terror overcame her. She buried her head in her hands in an agony of awe. Her own self-respect was literally outraged.

It wasn't exactly remorse; it wasn't exactly fear; it was a strange creeping feeling of ineffable disgust and incredulous astonishment.

There could be but one explanation of this impossible episode. She must have gone mad all at once! She must be a frantic lunatic!

A single thought usurped her whole soul. If she was going mad--if this was really mania--she could never, never, never--marry Cyril Waring.

For in a flash of intuition she knew that now. She knew she was in love. She knew he loved her.

In that wild moment of awakening all the rest mattered nothing.

The solitary idea that ran now through her head, as the impulse to dance had run through it last night, was the idea that she could never marry Cyril Waring. And if Cyril Waring could have seen her just then! her cheeks burned yet a brighter scarlet at that thought than even before. One virginal blush suffused her face from chin to forehead. The maidenly sense of shame consumed and devoured her.

Was she mad? Was she mad? And was this a lucid interval?

Presently, as she lay still on her bed all dressed, and with her face in her hands, trembling for very shame, a little knock sounded tentatively at the door of her bedroom. It was a timid, small knock, very low and soft, and, as it were, inquiring. It seemed to say in an apologetic sort of undertone, "I don't know whether you're awake or not just yet; and if you're still asleep, pray don't let me for a moment disturb or arouse you."

"Who's there?" Elma mustered up courage to ask, in a hushed voice of terror, hiding her head under the bed-clothes.

"It's me, darling," Mrs. Clifford answered, very softly and sweetly.

Elma had never heard her mother speak in so tender and gentle a tone before, though they loved one another well, and were far more sympathetic than most mothers and daughters. And besides, that knock was so unlike mamma's. Why so soft and low?

Had mamma discovered her? With a despairing sense of being caught she looked down at her tell-tale clothes and the unslept-in bed.

"Oh, what shall I ever do?" she thought to herself, confusedly. "I can't let mamma come in and catch me like this. She'll ask why on earth I didn't undress last night. And then what could I ever say?

How could I ever explain to her?"

The awful sense of shame-facedness grew upon her still more deeply than ever. She jumped up and whispered through the door, in a very penitent voice, "Oh, mother, I can't let you in just yet. Do you mind waiting five minutes? Come again by-and-by. I--I--I'm so awfully tired and queer this morning somehow."

Mrs. Clifford's voice had an answering little ring of terror in it, as she replied at once, in the same soft tone--

"Very well, darling. That's all right. Stay as long as you like.

Don't trouble to get up if you'd rather have your breakfast in bed.

And don't hurry yourself at all. I'll come back by-and-by and see what's the matter."

Elma didn't know why, but by the very tone of her mother's voice she felt dimly conscious something strange had happened. Mrs. Clifford spoke with unusual gentleness, yet with an unwonted tremor.

"Thank you, dear," Elma answered through the door, going back to the bedside and beginning to undress in a tumult of shame. "Come again by-and-by. In just five minutes." It would do her good, she knew, in spite of her shyness, to talk with her mother. Then she folded her clothes neatly, one by one, on a chair; hid the peccant boa away in its own lower drawer; b.u.t.toned her neat little embroidered nightdress tightly round her throat; arranged her front hair into a careless disorder; and tried to cool down her fiery red cheeks with copious bathing in cold water. When Mrs. Clifford came back five minutes later, everything looked to the outer eye of a mere casual observer exactly as if Elma had laid in bed all night, curled up between the sheets, in the most orthodox fashion.

But all these elaborate preparations didn't for one moment deceive the mother's watchful glance, or the keen intuition shared by all the women of the Clifford family. She looked tenderly at Elma--Elma with her face half buried in the pillows, and the tell-tale flush still crimsoning her cheek in a single round spot; then she turned for a second to the clothes, too neatly folded on the chair by the bedside, as she murmured low--

"You're not well this morning, my child. You'd better not get up.

I'll bring you a cup of tea and some toast myself. You don't feel hungry, of course. Ah, no, I thought not. Just a slice of dry toast--yes, yes. I have been there. Some eau de Cologne on your forehead, dear? There, there, don't cry, Elma. You'll be better by-and-by. Stop in bed till lunch-time. I won't let Lucy come up with the tea, of course. You'd rather be alone. You were tired last night. Don't be afraid, my darling. It'll soon pa.s.s off. There's nothing on earth, nothing at all to be alarmed at."

She laid her hand nervously on Elma's arm. Half dead with shame as she was, Elma noticed it trembled. She noticed, too, that mamma seemed almost afraid to catch her eye. When their glance met for an instant the mother's eyelids fell, and her cheek, too, burned bright red, almost as red, Elma felt, as her own that nestled hot so deep in the pillow. Neither said a word to the other of what she thought or felt. But their mute sympathy itself made them more shame-faced than ever. In some dim, indefinite, instinctive fashion, Elma knew her mother was vaguely aware what she had done last night. Her gaze fell half unconsciously on the bottom drawer.

With quick insight, Mrs. Clifford's eye followed her daughter's.

Then it fell as before. Elma looked up at her terrified, and burst into a sudden flood of tears. Her mother stooped down and caught her wildly in her arms. "Cry, cry, my darling," ahe murmured, clasping her hard to her breast. "Cry, cry; it'll do you good; there's safety in crying. n.o.body but I shall come near you to-day. n.o.body else shall know! Don't be afraid of me! Have not I been there, too? It's nothing, nothing."

With a burst of despair, Elma laid her face in her mother's bosom.

Some minutes later, Mrs. Clifford went down to meet her husband in the breakfast-room.

"Well?" the father asked, shortly, looking hard at his wife's face, which told its own tale at once, for it was white and pallid.

"Well!" Mrs. Clifford answered, with a pre-occupied air. "Elma's not herself this morning at all. Had a nervous turn after she went to her room last night. I know what it is. I suffered from them myself when I was about her age." Her eyes fell quickly and she shrank from her husband's searching glance. She was a plump-faced and well-favoured British matron now, but once, many years before, as a slim young girl, she had been in love with somebody--somebody whom by superior parental wisdom she was never allowed to marry, being put off instead with a well-connected match, young Mr. Clifford of the Colonial Office. That was all. No more romance than that.

The common romance of every woman's heart. A forgotten love. Yet she tingled to remember it.