What's Bred in the Bone Part 6

A rising painter. Had a capital landscape in the Grosvenor last year, I recollect, and another in the Academy this spring, if I don't mistake--skied--skied, unfairly; yet a very pretty thing, too; 'At the Home of the Curlews.'"

"He's painting a sweet one now," Elma put in quickly, "down here, close by, in Chetwood Forest. He told me about it; it must be simply lovely--all fern and mosses, with, oh! such a beautiful big snake in the foreground."

"I should like to see it," Colonel Kelmscott said slowly, not without a pang. "If it's painted in the forest--and by your brother, Mr.

Waring--that would give it, to me, a certain personal value." He paused a moment; then he added, in a little explanatory undertone, "I'm lord of the manor, you know, at Chetwood; and I shoot the forest."

"Cyril would be delighted to let you see the piece when it's finished,"

Guy answered lightly. "If you're ever up in town our way--we've rooms in Staple Inn. I dare say you know it--that quaint, old-fashioned looking place, with big lattice windows, that overhangs Holborn."

Colonel Kelmscott started, and drew himself up still taller and stiffer than before.

"I may have some opportunity of seeing it some day in one of the galleries," he answered coldly, as if not to commit himself. "To tell you the truth, I seldom have time to lounge about in studios.

It was merely the coincidence of the picture being painted in Chetwood Forest that made me fancy for a moment I might like to see it. But I'm no connoisseur. Mrs. Clifford, may I take you to get a cup of tea? Tea, I think, is laid out in the tent behind the shrubbery."

It was said in a tone to dismiss Guy politely; and Guy, taking the hint, accepted it as such, and fell back a pace or two to his garrulous old lady. But before Colonel Kelmscott could walk off Mrs. Clifford and her daughter to the marquee for refreshments, Elma gave a sudden start, and blushed faintly pink through that olive-brown skin of hers.

"Why, there's MY Mr. Waring!" she exclaimed, in a very pleased tone, holding out her hand, with a delicious smile; and as she said it, Cyril and Montague Nevitt strolled up from behind a great clump of lilacs beside them.

Two pairs of eyes watched those young folks closely as they shook hands once more--Guy's and Mrs. Clifford's. Guy observed that a little red spot rose on Cyril's cheek he had rarely seen there, and that his voice trembled slightly as he said, "How do you do?"

to his pretty fellow-traveller of the famous adventure. Mrs.

Clifford observed that the faint pink faded out of the olive-brown skin as Elma took Cyril Waring's hand in hers, and that her face grew pale for three minutes afterwards. And Colonel Kelmscott, looking on with a quietly observant eye, remarked to himself that Cyril Waring was a very creditable young man indeed, as handsome as Guy, and as like as two peas, but if anything perhaps even a trifle more pleasing.

For the rest of that afternoon, they six kept constantly together.

Elma noted that Colonel Kelmscott was evidently ill at ease; a thing most unusual with that proud, self-reliant aristocrat. He held himself, to be sure, as straight and erect as ever, and moved about the grounds with that same haughty air of perfect supremacy, as of one who was monarch of all he surveyed in the county of Surrey.

But Elma could see, for all that, that he was absent-minded and self-contained; he answered all questions in a distant, unthinking way; some inner trouble was undoubtedly consuming him. His eyes were all for the two Warings. They glanced nervously right and left every minute in haste, but returned after each excursion straight to Guy and Cyril. The Colonel noted narrowly all they said and did; and Elma was sure he was very much pleased at least with her painter. How could he fail to be, indeed?--for Mr. Waring was charming. Elma wished she could have strolled off with him about the lawn alone, were it only ten paces in front of her mother.

But somehow the fates that day were unpropitious. The party held together as by some magnetic bond, and Mrs. Clifford's eye never for one moment deserted her.

The Colonel glowered. The Colonel was moody. His speech was curt.

He occupied himself mainly in listening to Guy and Cyril. A sort of mesmeric influence seemed to draw him towards the two young men.

He drew them out deliberately. Yet the start he had given as either young man came up towards his side was a start, not of mere neutral surprise, but of positive disinclination and regret at the meeting.

Nay, even now he was angling hard, with all the skill of a strategist, to keep the Warings out of Lady Emily's way. But the more he talked to them, the more interested he seemed. It was clear he meant to make the most of this pa.s.sing chance--and never again, if he could help it, Elma felt certain, to see them.

Once, and once only, Granville Kelmscott, his son, strolled casually up and joined the group by pure chance for a few short minutes.

The heir of Tilgate Park was tall and handsome, though less so than his father; and Mrs. Clifford was not wholly indisposed to throw him and Elma together as much as possible. Younger by a full year than the two Warings, Granville Kelmscott was not wholly unlike them in face and manner. As a rule, his father was proud of him, with a pa.s.sing great pride, as he was proud of every other Kelmscott possession. But to-day, Elma's keen eye observed that the Colonel's glance moved quickly in a rapid dart from Cyril and Guy to his son Granville, and back again from his son Granville to Guy and Cyril.

What was odder still, the hasty comparison seemed to redound not altogether to Granville's credit. The Colonel paused, and stifled a sigh as he looked; then, in spite of Mrs. Clifford's profound attempts to retain the heir by her side, he sent the young man off at a moment's notice to hunt up Lady Emily. Now why on earth did he want to keep Granville and the Warings apart? Mrs. Clifford and Elina racked their brains in vain; they could make nothing of the mystery.

It was a long afternoon, and Elma enjoyed it, though she never got her tete-a-tete after all with Cyril Waring. Just a rapid look, a dart from the eyes, a faint pressure of her hand at parting--that was all the romance she was able to extract from it, so closely did Mrs. Clifford play her part as chaperon. But as the two young men and Montague Nevitt hurried off at last to catch their train back to town, the Colonel turned to Mrs. Clifford with a sigh of relief.

"Splendid young fellows, those," he exclaimed, looking after them.

"I'm not sorry I met them. Ought to have gone into a cavalry regiment early in life; what fine leaders they'd have made, to be sure, in a dash for the guns or a charge against a battery! But they seem to have done well for themselves in their own way: carved out their own fortunes, each after his fashion. Very plucky young fellows.

One of them's a painter, and one's a journalist; and both of them are making their mark in their own world. I really admire them."

And on the way to the station, that moment, Mr. Montague Nevitt, as he lit his cigarette, was saying to Cyril, with an approving smile, "Your Miss Clifford's pretty."

"Yes," Cyril answered drily, "she's not bad looking. She looked her best to-day. And she's capital company."

But Guy broke out unabashed into a sudden burst of speech.

"Not bad looking!" he cried contemptuously. "Is that all you have to say of her? And you a painter, too! Why, she's beautiful! She's charming! If Cyril was shut up in a tunnel with HER---"

He broke off suddenly.

And for the rest of the way home he spoke but seldom. It was all too true. The two Warings were cast in the self-same mould. What attracted one, it was clear, no less surely and certainly attracted the other.

As they went to their separate rooms in Staple Inn that night, Guy paused for a moment, candle in hand, by his door, and looked straight at Cyril.

"You needn't fear ME," he said, in a very low tone. "She's yours.

You found her. I wouldn't be mean enough for a minute to interfere with your find. But I'm not surprised at you. I would do the same myself, if I could have seen her first. I won't see her again. I couldn't stand it. She's too beautiful to see and not to fall in love with."

CHAPTER VIII.

ELMA BREAKS OUT.

Mrs. Clifford returned from Chetwood Court that clay in by no means such high spirits as when she went there. In the first place, she hadn't succeeded in throwing Elma and Granville Kelmscott into one another's company at all, and in the second place Elma had talked much under her very nose, for half-an-hour at a stretch, with the unknown young painter fellow. When Elma was asked out anywhere else in the country for the next six weeks or so, Mrs. Clifford made up her mind strictly to inquire in private, before committing herself to an acceptance, whether that dangerous young man was likely or not to be included in the party.

For Mrs. Clifford admitted frankly to herself that Cyril was dangerous; as dangerous as they make them. He was just the right age; he was handsome, he was clever, his tawny brown beard had the faintest little touch of artistic redness, and was trimmed and dressed with provoking nicety. He was an artist too; and girls nowadays, you know, have such an unaccountable way of falling in love with men who can paint, or write verses, or play the violin, or do something foolish of that sort, instead of sticking fast to the solid attractions of the London Stock Exchange or of ancestral acres.

Mrs. Clifford confided her fears that very night to the sympathetic ear of the Companion of the Militant and Guardian Saints of the British Empire.

"Reginald," she said solemnly, "I told you the other day, when you asked about it, Elma wasn't in love. And at the time I was right, or very near it. But this afternoon I've had an opportunity of watching them both together, and I've half changed my mind. Elma thinks a great deal too much altogether, I'm afraid, about this young Mr. Waring."

"How do you know?" Mr. Clifford asked, staring her hard in the face, and nodding solemnly.

The British matron hesitated. "How do I know anything?" she answered at last, driven to bay by the question. "I never know how. I only know I know it. But whatever we do we must be careful not to let Elma and the young man get thrown together again. I should say myself it wouldn't be a bad plan if we were to send her away somewhere for the rest of the summer, but I can tell you better about all this to-morrow."

Elma, for her part, had come home from Chetwood Court more full than ever of Cyril Waring. He looked so handsome and so manly that afternoon at the Holkers'. Elma hoped she'd be asked out where he was going to be again.

She sat long in her own bedroom, thinking it over with herself, while the candle burnt down in its socket very low, and the house was still, and the rain pattered hard on the roof overhead, and her father and mother were discussing her by themselves downstairs in the drawing-room.

She sat long on her chair without caring to begin undressing. She sat and mused with her hands crossed on her lap. She sat and thought, and her thoughts were all about Cyril Waring.

For more than an hour she sat there dreamily, and told herself over, one by one, in long order, the afternoon's events from beginning to the end of them. She repeated every word Cyril had spoken in her ear. She remembered every glance, every look he had darted at her. She thought of that faint pressure of his hand as he said farewell. The tender blush came back to her brown cheek once more with maidenly shame as she told it all over. He was so handsome and so nice, and so very, very kind, and, perhaps, after this, she might never again meet him. Her bosom heaved. She was conscious of a new sense just aroused within her.

Presently her heart began to beat more violently. She didn't know why. It had never beaten in her life like that before--not even in the tunnel, nor yet when Cyril came up to-day and spoke first to her. Slowly, slowly, she rose from her seat. The fit was upon her.

Could this be a dream? Some strange impulse made her glide forward and stand for a minute or two irresolute, in the middle of the room.

Then she turned round, once, twice, thrice, half unconsciously. She turned round, wondering to herself all the while what this strange thing could mean; faster, faster, faster, her heart within her beating at each turn with more frantic haste and speed than ever.

For some minutes she turned, glowing with red shame, yet unable to stop, and still more unable to say to herself why or wherefore.

At first that was all. She merely turned and panted. But as she whirled and whirled, new moods and figures seemed to force themselves upon her. She lifted her hands and swayed them about above her head gracefully. She was posturing she knew, but why she had no idea.

It all came upon her as suddenly and as uncontrollably as a blush.

She was whirling around the room, now slow, now fast, but always with her arms held out lissom, like a dancing-girl's. Sometimes her body bent this way, and sometimes that, her hands keeping time to her movements meanwhile in long graceful curves, but all as if compelled by some extrinsic necessity.

It was an instinct within her over which she had no control. Surely, surely, she must be possessed. A spirit that was not her seemed to be catching her round the waist, and twisting her about, and making her spin headlong over the floor through this wild fierce dance.