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"How is she, Mis' Ridings?"
"She seems quite strong, Mr. Bent. I think you had all better go to bed; if I want you I can call you. Doctor give me directions."
"All right," responded the relieved man. "I'll sleep on the lounge in the other room. If you want me, just rap on the door."
When, after making other arrangements, Martha went back to the bedroom, she was startled to hear the sick woman muttering to herself, or perhaps because she had forgotten Martha's absence.
"But the shadows on the meadow didn't stay; they pa.s.sed on, and then the sun was all the brighter on the flowers. We used to string sweet-williams on spears of gra.s.s--don't you remember?"
Martha gave her a drink of the opiate in the gla.s.s, adjusted her on the pillow, and threw open the window, even to the point of removing the screen, and the gibbous moon flooded the room with light. She did not light a lamp, for its flame would heat the room. Besides, the moonlight was sufficient. It fell on the face of the sick woman, till she looked like a thing of marble--all but her dark eyes.
"Does the moon hurt you, Tilly? Shall I put down the curtain?"
The woman heard with difficulty, and when the question was repeated said slowly:
"No, I like it." After a little--"Don't you remember, Mattie 'how beautiful the moonlight seemed? It seemed to promise happiness--and love--but it never come for us. It makes me dream of the past now--just as it did o' future then; an' the whip-poor-wills too----"
The night was perfectly beautiful, such a night as makes dying an infinite sorrow. The summer was at its liberalest. Innumerable insects of the nocturnal sort were singing in unison with the frogs in the pools. A whip-poor-will called, and its neighbor answered it like an echo. The leaves of the trees, glossy from the late rain, moved musically to the light west wind, and the exquisite perfume of many flowers came in on the breeze.
When the failing woman sank into silence, Martha leaned her elbow on the window sill, and, gazing far into the great deeps of s.p.a.ce, gave herself up to unwonted musings upon the problems of human life. She sighed deeply at times. She found herself at moments in the almost terrifying position of a human soul in s.p.a.ce. Not a wife, not a mother, but just a soul facing the questions which hara.s.s philosophers. As she realized her condition of mind she apprehended something of the thinking of the woman on the bed. Matilda had gone beyond or far back of the wife and mother.
The hours wore on; the dying woman stirred uneasily now and then, whispering a word or phrase which related to her girlhood--never to her later life. Once she said:
"Mother, hold me. I'm so tired."
Martha took the thin form in her arms, and, laying her head close beside the sunken cheek, sang, in half breath, a lullaby till the sufferer grew quiet again.
The eastern moon pa.s.sed over the house, leaving the room dark, and still the patient watcher sat beside the bed, listening to the slow breathing of the dying one. The cool air grew almost chill; the east began to lighten, and with the coming light the tide of life sank in the dying body. The head, hitherto restlessly turning, ceased to move. The eyes grew quiet and began to soften like a sleeper's.
"How are you now, dear?" asked the watcher several times, bending over the bed, and bathing back the straying hair.
"I'm tired--tired, mother--turn me," she murmured drowsily, with heavy lids drooping.
Martha adjusted the pillows again, and turned the face to the wall. The poor, tortured, restless brain slowly stopped its grinding whirl, and the thin limbs, heavy with years of hopeless toil, straightened out in an endless sleep.
Matilda Fletcher had found rest.
UPON IMPULSE
The seminary buildings stood not far from the low, lodgelike railway station, and a path led through a gap in the fence across the meadow.
People were soberly converging toward its central building, as if proceeding to church.
Among the people who alighted from the two o'clock train were Professor Blakesly and his wife and a tall, dark man whom they called Ware.
Mrs. Blakesly was plump and pretty, plainly the mother of two or three children and the sovereign of a modest suburban cottage. Blakesly was as evidently a teacher; even the casual glances of the other visitors might discover the character of these people.
Ware was not so easy to be read. His face was lean and brown, and his squarely clipped mustache gave him a stern look. His body was well rounded with muscle, and he walked alertly; his manner was direct and vigorous, manifestly of the open air.
As they entered the meadow he paused and said with humorous irresolution, "I don't know what I am out here for."
"To see the pretty girls, of course," said Mrs. Blakesly.
"They may be plain, after all," he said.
"They're always pretty at graduation time and at marriage," Blakesly interpreted.
"Then there's the ice cream and cake," Mrs. Blakesly added.
"Where do all these people come from?" Ware asked, looking about. "It's all farm land here."
"They are the fathers, mothers, and brothers of the seminary girls. They come from everywhere. See the dear creatures about the door! Let's hurry along."
"They do not interest me. I take off my hat to the beauty of the day, however."
Ware had evidently come under protest, for he lingered in the daisied gra.s.s which was dappled with shadows and tinkling with bobolinks and catbirds.
A broad path led up to the central building, whose double doors were swung wide with most hospitable intent. Ware ascended the steps behind his friends, a bored look on his dark face.
Two rows of flushed, excited girls with two teachers at their head stood flanking the doorway to receive the visitors, who streamed steadily into the wide, cool hall.
Mrs. Blakesly took Ware in hand. "Mr. Ware, this is Miss Powell. Miss Powell, this is Mr. Jenkin Ware, lawyer and friend to the Blakeslys."
"I'm very glad to see you," said a cool voice, in which gladness was entirely absent.
Ware turned to shake hands mechanically, but something in the steady eyes and clasp of the hand held out turned his listless manner into surprise and confusion. He stared at her without speaking, only for a second, and yet so long she colored and withdrew her hand sharply.
"I beg your pardon, I didn't get the name."
"Miss Powell," answered Mrs. Blakesly, who had certainly missed this little comedy, which would have been so delicious to her.
Ware moved on, shaking hands with the other teachers and bowing to the girls. He seized an early moment to turn and look back at Miss Powell.
His listless indifference was gone. She was a fine figure of a woman--a strong, lithe figure, dressed in a well-ordered, light-colored gown. Her head was girlish, with a fluff of brown hair knotted low at the back.
Her profile was magnificent. The head had the intellectual poise, but the proud bosom and strong body added another quality. "She is a modern type," Ware said, remembering a painting of such a head he had seen in a recent exhibition.
As he studied her she turned and caught him looking, and he felt again a curious fluttering rush at his heart. He fancied she flushed a little deeper as she turned away.
As for him, it had been a very long while since he had felt that singular weakness in the presence of a young woman. He walked on, trying to account for it. It made him feel very boyish. He had a furtive desire to remain in the hall where he could watch her, and when he pa.s.sed up the stairs, it was with a distinct feeling of melancholy, as if he were leaving something very dear and leaving it forever.
He wondered where this feeling came from, and he looked into the upturned faces of the girls as if they were pansies. He wandered about the rooms with the Blakeslys, being bored by introductions, until at last Miss Powell came up the stairway with the last of the guests.
While the girls sang and went through some pretty drills Ware again studied Miss Powell. Her appeal to his imagination was startling. He searched for the cause of it. It could not be in her beauty. Certainly she was fine and womanly and of splendid physique, but all about her were lovely girls of daintier flesh and warmer color. He reasoned that her power was in her eyes, steady, frank as sunlight, clear as water in a mountain brook. She seemed unconscious of his scrutiny.
At last they began moving down the stairs and on to the other buildings.
Ware and Blakesly waited for the ladies to come down. And when they came they were in the midst of a flood of girls, and Ware had no chance to speak to them. As they moved across the gra.s.s he fell in behind Mrs.
Blakesly, who seemed to be telling secrets to Miss Powell, who flushed and shook her head.