Waverley Part 8

'He is welcome hither,' said one of the elders, 'if he come from Cosmo Comyne Bradwardine.'

'I say nay to that,' said an old man, who apparently did not mean to pledge the toast; 'I say nay to that. While there is a green leaf in the forest, there will be fraud in a Comyne.

'There is nothing but honour in the Baron of Bradwardine,' answered another ancient; 'and the guest that comes. .h.i.ther from him should be welcome, though he came with blood on his hand, unless it were blood of the race of Ivor.'

The old man whose cup remained full replied, 'There has been blood enough of the race of Ivor on the hand of Bradwardine.'

'Ah! Ballenkeiroch,' replied the first, 'you think rather of the flash of the carbine at the mains of Tully-Veolan than the glance of the sword that fought for the cause at Preston.'

'And well I may,' answered Ballenkeiroch; 'the flash of the gun cost me a fair-haired son, and the glance of the sword has done but little for King James.'

The Chieftain, in two words of French, explained to Waverley that the Baron had shot this old man's son in a fray near Tully-Veolan, about seven years before; and then hastened to remove Ballenkeiroch's prejudice, by informing him that Waverley was an Englishman, unconnected by birth or alliance with the family of Bradwardine; upon which the old gentleman raised the hitherto- untasted cup and courteously drank to his health. This ceremony being requited in kind, the Chieftain made a signal for the pipes to cease, and said aloud, 'Where is the song hidden, my friends, that Mac-Murrough cannot find it?'

Mac-Murrough, the family bhairdh, an aged man, immediately took the hint, and began to chant, with low and rapid utterance, a profusion of Celtic verses, which were received by the audience with all the applause of enthusiasm. As he advanced in his declamation, his ardour seemed to increase. He had at first spoken with his eyes fixed on the ground; he now cast them around as if beseeching, and anon as if commanding, attention, and his tones rose into wild and impa.s.sioned notes, accompanied with appropriate gestures. He seemed to Edward, who attended to him with much interest, to recite many proper names, to lament the dead, to apostrophise the absent, to exhort, and entreat, and animate those who were present. Waverley thought he even discerned his own name, and was convinced his conjecture was right from the eyes of the company being at that moment turned towards him simultaneously. The ardour of the poet appeared to communicate itself to the audience. Their wild and sun-burnt countenances a.s.sumed a fiercer and more animated expression; all bent forward towards the reciter, many sprung up and waved their arms in ecstasy, and some laid their hands on their swords. When the song ceased, there was a deep pause, while the aroused feelings of the poet and of the hearers gradually subsided into their usual channel.

The Chieftain, who, during this scene had appeared rather to watch the emotions which were excited than to partake their high tone of enthusiasm, filled with claret a small silver cup which stood by him. 'Give this,' he said to an attendant, 'to Mac-Murrough nan Fonn (i.e. of the songs), and when he has drank the juice, bid him keep, for the sake of Vich Ian Vohr, the sh.e.l.l of the gourd which contained it.' The gift was received by Mac-Murrough with profound grat.i.tude; he drank the wine, and, kissing the cup, shrouded it with reverence in the plaid which was folded on his bosom. He then burst forth into what Edward justly supposed to be an extemporaneous effusion of thanks and praises of his Chief. It was received with applause, but did not produce the effect of his first poem. It was obvious, however, that the clan regarded the generosity of their Chieftain with high approbation. Many approved Gaelic toasts were then proposed, of some of which the Chieftain gave his guest the following versions:-

'To him that will not turn his back on friend or foe.' 'To him that never forsook a comrade.' 'To him that never bought or sold justice.' 'Hospitality to the exile, and broken bones to the tyrant.' 'The lads with the kilts.' 'Highlanders, shoulder to shoulder,'-with many other pithy sentiments of the like nature.

Edward was particularly solicitous to know the meaning of that song which appeared to produce such effect upon the pa.s.sions of the company, and hinted his curiosity to his host. 'As I observe,' said the Chieftain, 'that you have pa.s.sed the bottle during the last three rounds, I was about to propose to you to retire to my sister's tea-table, who can explain these things to you better than I can. Although I cannot stint my clan in the usual current of their festivity, yet I neither am addicted myself to exceed in its amount, nor do I,' added he, smiling, 'keep a Bear to devour the intellects of such as can make good use of them.'

Edward readily a.s.sented to this proposal, and the Chieftain, saying a few words to those around him, left the table, followed by Waverley. As the door closed behind them, Edward heard Vich Ian Vohr's health invoked with a wild and animated cheer, that expressed the satisfaction of the guests and the depth of their devotion to his service.

CHAPTER XXI

THE CHIEFTAIN'S SISTER

The drawing-room of Flora Mac-Ivor was furnished in the plainest and most simple manner; for at Glennaquoich every other sort of expenditure was retrenched as much as possible, for the purpose of maintaining, in its full dignity, the hospitality of the Chieftain, and retaining and multiplying the number of his dependants and adherents. But there was no appearance of this parsimony in the dress of the lady herself, which was in texture elegant, and even rich, and arranged in a manner which partook partly of the Parisian fashion and partly of the more simple dress of the Highlands, blended together with great taste. Her hair was not disfigured by the art of the friseur, but fell in jetty ringlets on her neck, confined only by a circlet, richly set with diamonds. This peculiarity she adopted in compliance with the Highland prejudices, which could not endure that a woman's head should be covered before wedlock.

Flora Mac-Ivor bore a most striking resemblance to her brother Fergus; so much so that they might have played Viola and Sebastian with the same exquisite effect produced by the appearance of Mrs. Henry Siddons and her brother, Mr. William Murray, in these characters. They had the same antique and regular correctness of profile; the same dark eyes, eye-lashes, and eye-brows; the same clearness of complexion, excepting that Fergus's was embrowned by exercise and Flora's possessed the utmost feminine delicacy. But the haughty and somewhat stern regularity of Fergus's features was beautifully softened in those of Flora. Their voices were also similar in tone, though differing in the key. That of Fergus, especially while issuing orders to his followers during their military exercise, reminded Edward of a favourite pa.s.sage in the description of Emetrius:

-whose voice was heard around, Loud as a trumpet with a silver sound.

That of Flora, on the contrary, was soft and sweet-'an excellent thing in woman'; yet, in urging any favourite topic, which she often pursued with natural eloquence, it possessed as well the tones which impress awe and conviction as those of persuasive insinuation. The eager glance of the keen black eye, which, in the Chieftain, seemed impatient even of the material obstacles it encountered, had in his sister acquired a gentle pensiveness. His looks seemed to seek glory, power, all that could exalt him above others in the race of humanity; while those of his sister, as if she were already conscious of mental superiority, seemed to pity, rather than envy, those who were struggling for any farther distinction. Her sentiments corresponded with the expression of her countenance. Early education had impressed upon her mind, as well as on that of the Chieftain, the most devoted attachment to the exiled family of Stuart. She believed it the duty of her brother, of his clan, of every man in Britain, at whatever personal hazard, to contribute to that restoration which the partisans of the Chevalier St. George had not ceased to hope for. For this she was prepared to do all, to suffer all, to sacrifice all. But her loyalty, as it exceeded her brother's in fanaticism, excelled it also in purity. Accustomed to petty intrigue, and necessarily involved in a thousand paltry and selfish discussions, ambitious also by nature, his political faith was tinctured, at least, if not tainted, by the views of interest and advancement so easily combined with it; and at the moment he should unsheathe his claymore, it might be difficult to say whether it would be most with the view of making James Stuart a king or Fergus Mac-Ivor an earl. This, indeed, was a mixture of feeling which he did not avow even to himself, but it existed, nevertheless, in a powerful degree.

In Flora's bosom, on the contrary, the zeal of loyalty burnt pure and unmixed with any selfish feeling; she would have as soon made religion the mask of ambitious and interested views as have shrouded them under the opinions which she had been taught to think patriotism. Such instances of devotion were not uncommon among the followers of the unhappy race of Stuart, of which many memorable proofs will recur to the minds of most of my readers. But peculiar attention on the part of the Chevalier de St. George and his princess to the parents of Fergus and his sister, and to themselves when orphans, had riveted their faith. Fergus, upon the death of his parents, had been for some time a page of honour in the train of the Chevalier's lady, and, from his beauty and sprightly temper, was uniformly treated by her with the utmost distinction. This was also extended to Flora, who was maintained for some time at a convent of the first order at the princess's expense, and removed from thence into her own family, where she spent nearly two years. Both brother and sister retained the deepest and most grateful sense of her kindness.

Having thus touched upon the leading principle of Flora's character, I may dismiss the rest more slightly. She was highly accomplished, and had acquired those elegant manners to be expected from one who, in early youth, had been the companion of a princess; yet she had not learned to subst.i.tute the gloss of politeness for the reality of feeling. When settled in the lonely regions of Glennaquoich, she found that her resources in French, English, and Italian literature were likely to be few and interrupted; and, in order to fill up the vacant time, she bestowed a part of it upon the music and poetical traditions of the Highlanders, and began really to feel the pleasure in the pursuit which her brother, whose perceptions of literary merit were more blunt, rather affected for the sake of popularity than actually experienced. Her resolution was strengthened in these researches by the extreme delight which her inquiries seemed to afford those to whom she resorted for information.

Her love of her clan, an attachment which was almost hereditary in her bosom, was, like her loyalty, a more pure pa.s.sion than that of her brother. He was too thorough a politician, regarded his patriarchal influence too much as the means of accomplishing his own aggrandis.e.m.e.nt, that we should term him the model of a Highland Chieftain. Flora felt the same anxiety for cherishing and extending their patriarchal sway, but it was with the generous desire of vindicating from poverty, or at least from want and foreign oppression, those whom her brother was by birth, according to the notions of the time and country, ent.i.tled to govern. The savings of her income, for she had a small pension from the Princess Sobieski, were dedicated, not to add to the comforts of the peasantry, for that was a word which they neither knew nor apparently wished to know, but to relieve their absolute necessities when in sickness or extreme old age. At every other period they rather toiled to procure something which they might share with the Chief, as a proof of their attachment, than expected other a.s.sistance from him save what was afforded by the rude hospitality of his castle, and the general division and subdivision of his estate among them. Flora was so much beloved by them that, when Mac-Murrough composed a song in which he enumerated all the princ.i.p.al beauties of the district, and intimated her superiority by concluding, that 'the fairest apple hung on the highest bough,' he received, in donatives from the individuals of the clan, more seed-barley than would have sowed his Highland Parna.s.sus, the bard's croft, as it was called, ten times over.

From situation as well as choice, Miss Mac-Ivor's society was extremely limited. Her most intimate friend had been Rose Bradwardine, to whom she was much attached; and when seen together, they would have afforded an artist two admirable subjects for the gay and the melancholy muse. Indeed Rose was so tenderly watched by her father, and her circle of wishes was so limited, that none arose but what he was willing to gratify, and scarce any which did not come within the compa.s.s of his power. With Flora it was otherwise. While almost a girl she had undergone the most complete change of scene, from gaiety and splendour to absolute solitude and comparative poverty; and the ideas and wishes which she chiefly fostered respected great national events, and changes not to be brought round without both hazard and bloodshed, and therefore not to be thought of with levity. Her manner, consequently, was grave, though she readily contributed her talents to the amus.e.m.e.nt of society, and stood very high in the opinion of the old Baron, who used to sing along with her such French duets of Lindor and Cloris, etc., as were in fashion about the end of the reign of old Louis le Grand.

It was generally believed, though no one durst have hinted it to the Baron of Bradwardine, that Flora's entreaties had no small share in allaying the wrath of Fergus upon occasion of their quarrel. She took her brother on the a.s.sailable side, by dwelling first upon the Baron's age, and then representing the injury which the cause might sustain, and the damage which must arise to his own character in point of prudence-so necessary to a political agent, if he persisted in carrying it to extremity. Otherwise it is probable it would have terminated in a duel, both because the Baron had, on a former occasion, shed blood of the clan, though the matter had been timely accommodated, and on account of his high reputation for address at his weapon, which Fergus almost condescended to envy. For the same reason she had urged their reconciliation, which the Chieftain the more readily agreed to as it favoured some ulterior projects of his own.

To this young lady, now presiding at the female empire of the tea- table, Fergus introduced Captain Waverley, whom she received with the usual forms of politeness.

CHAPTER XXII

HIGHLAND MINSTRELSY

When the first salutations had pa.s.sed, Fergus said to his sister, 'My dear Flora, before I return to the barbarous ritual of our forefathers, I must tell you that Captain Waverley is a worshipper of the Celtic muse, not the less so perhaps that he does not understand a word of her language. I have told him you are eminent as a translator of Highland poetry, and that Mac-Murrough admires your version of his songs upon the same principle that Captain Waverley admires the original,-because he does not comprehend them. Will you have the goodness to read or recite to our guest in English the extraordinary string of names which Mac-Murrough has tacked together in Gaelic? My life to a moor-fowl's feather, you are provided with a version; for I know you are in all the bard's councils, and acquainted with his songs long before he rehea.r.s.es them in the hall.'

'How can you say so, Fergus? You know how little these verses can possibly interest an English stranger, even if I could translate them as you pretend.'

'Not less than they interest me, lady fair. To-day your joint composition, for I insist you had a share in it, has cost me the last silver cup in the castle, and I suppose will cost me something else next time I hold cour pleniere, if the muse descends on Mac-Murrough; for you know our proverb,-"When the hand of the chief ceases to bestow, the breath of the bard is frozen in the utterance."-Well, I would it were even so: there are three things that are useless to a modern Highlander,-a sword which he must not draw, a bard to sing of deeds which he dare not imitate, and a large goat-skin purse without a louis-d'or to put into it.'

'Well, brother, since you betray my secrets, you cannot expect me to keep yours. I a.s.sure you, Captain Waverley, that Fergus is too proud to exchange his broardsword for a marechal's baton, that he esteems Mac-Murrough a far greater poet than Homer, and would not give up his goat-skin purse for all the louis-d'or which it could contain.'

'Well p.r.o.nounced, Flora; blow for blow, as Conan [Footnote: See Note 23.] said to the devil. Now do you two talk of bards and poetry, if not of purses and claymores, while I return to do the final honours to the senators of the tribe of Ivor.' So saying, he left the room.

The conversation continued between Flora and Waverley; for two well-dressed young women, whose character seemed to hover between that of companions and dependants, took no share in it. They were both pretty girls, but served only as foils to the grace and beauty of their patroness. The discourse followed the turn which the Chieftain had given it, and Waverley was equally amused and surprised with the account which the lady gave him of Celtic poetry.

'The recitation,' she said, 'of poems recording the feats of heroes, the complaints of lovers, and the wars of contending tribes, forms the chief amus.e.m.e.nt of a winter fire-side in the Highlands. Some of these are said to be very ancient, and if they are ever translated into any of the languages of civilised Europe, cannot fail to produce a deep and general sensation. Others are more modern, the composition of those family bards whom the chieftains of more distinguished name and power retain as the poets and historians of their tribes. These, of course, possess various degrees of merit; but much of it must evaporate in translation, or be lost on those who do not sympathise with the feelings of the poet.'

'And your bard, whose effusions seemed to produce such effect upon the company to-day, is he reckoned among the favourite poets of the mountains?'

'That is a trying question. His reputation is high among his countrymen, and you must not expect me to depreciate it.

[Footnote: The Highland poet almost always was an improvisatore.

Captain Burt met one of them at Lovat's table.]

'But the song, Miss Mac-Ivor, seemed to awaken all those warriors, both young and old.'

'The song is little more than a catalogue of names of the Highland clans under their distinctive peculiarities, and an exhortation to them to remember and to emulate the actions of their forefathers.'

'And am I wrong in conjecturing, however extraordinary the guess appears, that there was some allusion to me in the verses which he recited?'

'You have a quick observation, Captain Waverley, which in this instance has not deceived you. The Gaelic language, being uncommonly vocalic, is well adapted for sudden and extemporaneous poetry; and a bard seldom fails to augment the effects of a premeditated song by throwing in any stanzas which may be suggested by the circ.u.mstances attending the recitation.'

'I would give my best horse to know what the Highland bard could find to say of such an unworthy Southron as myself.'

'It shall not even cost you a lock of his mane. Una, mavourneen! (She spoke a few words to one of the young girls in attendance, who instantly curtsied and tripped out of the room.) I have sent Una to learn from the bard the expressions he used, and you shall command my skill as dragoman.'

Una returned in a few minutes, and repeated to her mistress a few lines in Gaelic. Flora seemed to think for a moment, and then, slightly colouring, she turned to Waverley-'It is impossible to gratify your curiosity, Captain Waverley, without exposing my own presumption. If you will give me a few moments for consideration, I will endeavour to engraft the meaning of these lines upon a rude English translation which I have attempted of a part of the original. The duties of the tea-table seem to be concluded, and, as the evening is delightful, Una will show you the way to one of my favourite haunts, and Cathleen and I will join you there.'

Una, having received instructions in her native language, conducted Waverley out by a pa.s.sage different from that through which he had entered the apartment. At a distance he heard the hall of the Chief still resounding with the clang of bagpipes and the high applause of his guests. Having gained the open air by a postern door, they walked a little way up the wild, bleak, and narrow valley in which the house was situated, following the course of the stream that winded through it. In a spot, about a quarter of a mile from the castle, two brooks, which formed the little river, had their junction. The larger of the two came down the long bare valley, which extended, apparently without any change or elevation of character, as far as the hills which formed its boundary permitted the eye to reach. But the other stream, which had its source among the mountains on the left hand of the strath, seemed to issue from a very narrow and dark opening betwixt two large rocks. These streams were different also in character. The larger was placid, and even sullen in its course, wheeling in deep eddies, or sleeping in dark blue pools; but the motions of the lesser brook were rapid and furious, issuing from between precipices, like a maniac from his confinement, all foam and uproar.

It was up the course of this last stream that Waverley, like a knight of romance, was conducted by the fair Highland damsel, his silent guide. A small path, which had been rendered easy in many places for Flora's accommodation, led him through scenery of a very different description from that which he had just quitted. Around the castle all was cold, bare, and desolate, yet tame even in desolation; but this narrow glen, at so short a distance, seemed to open into the land of romance. The rocks a.s.sumed a thousand peculiar and varied forms. In one place a crag of huge size presented its gigantic bulk, as if to forbid the pa.s.senger's farther progress; and it was not until he approached its very base that Waverley discerned the sudden and acute turn by which the pathway wheeled its course around this formidable obstacle. In another spot the projecting rocks from the opposite sides of the chasm had approached so near to each other that two pine-trees laid across, and covered with turf, formed a rustic bridge at the height of at least one hundred and fifty feet. It had no ledges, and was barely three feet in breadth.

While gazing at this pa.s.s of peril, which crossed, like a single black line, the small portion of blue sky not intercepted by the projecting rocks on either side, it was with a sensation of horror that Waverley beheld Flora and her attendant appear, like inhabitants of another region, propped, as it were, in mid air, upon this trembling structure. She stopped upon observing him below, and, with an air of graceful ease which made him shudder, waved her handkerchief to him by way of signal. He was unable, from the sense of dizziness which her situation conveyed, to return the salute; and was never more relieved than when the fair apparition pa.s.sed on from the precarious eminence which she seemed to occupy with so much indifference, and disappeared on the other side.

Advancing a few yards, and pa.s.sing under the bridge which he had viewed with so much terror, the path ascended rapidly from the edge of the brook, and the glen widened into a sylvan amphitheatre, waving with birch, young oaks, and hazels, with here and there a scattered yew-tree. The rocks now receded, but still showed their grey and s.h.a.ggy crests rising among the copse-wood. Still higher rose eminences and peaks, some bare, some clothed with wood, some round and purple with heath, and others splintered into rocks and crags. At a short turning the path, which had for some furlongs lost sight of the brook, suddenly placed Waverley in front of a romantic waterfall. It was not so remarkable either for great height or quant.i.ty of water as for the beautiful accompaniments which made the spot interesting. After a broken cataract of about twenty feet, the stream was received in a large natural basin filled to the brim with water, which, where the bubbles of the fall subsided, was so exquisitely clear that, although it was of great depth, the eye could discern each pebble at the bottom. Eddying round this reservoir, the brook found its way as if over a broken part of the ledge, and formed a second fall, which seemed to seek the very abyss; then, wheeling out beneath from among the smooth dark rocks which it had polished for ages, it wandered murmuring down the glen, forming the stream up which Waverley had just ascended. [Footnote: See Note 24.] The borders of this romantic reservoir corresponded in beauty; but it was beauty of a stern and commanding cast, as if in the act of expanding into grandeur. Mossy banks of turf were broken and interrupted by huge fragments of rock, and decorated with trees and shrubs, some of which had been planted under the direction of Flora, but so cautiously that they added to the grace without diminishing the romantic wildness of the scene.

Here, like one of those lovely forms which decorate the landscapes of Poussin, Waverley found Flora gazing on the waterfall. Two paces further back stood Cathleen, holding a small Scottish harp, the use of which had been taught to Flora by Rory Dall, one of the last harpers of the Western Highlands. The sun, now stooping in the west, gave a rich and varied tinge to all the objects which surrounded Waverley, and seemed to add more than human brilliancy to the full expressive darkness of Flora's eye, exalted the richness and purity of her complexion, and enhanced the dignity and grace of her beautiful form. Edward thought he had never, even in his wildest dreams, imagined a figure of such exquisite and interesting loveliness. The wild beauty of the retreat, bursting upon him as if by magic, augmented the mingled feeling of delight and awe with which he approached her, like a fair enchantress of Boiardo or Ariosto, by whose nod the scenery around seemed to have been created an Eden in the wilderness.

Flora, like every beautiful woman, was conscious of her own power, and pleased with its effects, which she could easily discern from the respectful yet confused address of the young soldier. But, as she possessed excellent sense, she gave the romance of the scene and other accidental circ.u.mstances full weight in appreciating the feelings with which Waverley seemed obviously to be impressed; and, unacquainted with the fanciful and susceptible peculiarities of his character, considered his homage as the pa.s.sing tribute which a woman of even inferior charms might have expected in such a situation. She therefore quietly led the way to a spot at such a distance from the cascade that its sound should rather accompany than interrupt that of her voice and instrument, and, sitting down upon a mossy fragment of rock, she took the harp from Cathleen.

'I have given you the trouble of walking to this spot, Captain Waverley, both because I thought the scenery would interest you, and because a Highland song would suffer still more from my imperfect translation were I to introduce it without its own wild and appropriate accompaniments. To speak in the poetical language of my country, the seat of the Celtic Muse is in the mist of the secret and solitary hill, and her voice in the murmur of the mountain stream. He who woos her must love the barren rock more than the fertile valley, and the solitude of the desert better than the festivity of the hall.'

Few could have heard this lovely woman make this declaration, with a voice where harmony was exalted by pathos, without exclaiming that the muse whom she invoked could never find a more appropriate representative. But Waverley, though the thought rushed on his mind, found no courage to utter it. Indeed, the wild feeling of romantic delight with which he heard the few first notes she drew from her instrument amounted almost to a sense of pain. He would not for worlds have quitted his place by her side; yet he almost longed for solitude, that he might decipher and examine at leisure the complication of emotions which now agitated his bosom.

Flora had exchanged the measured and monotonous recitative of the bard for a lofty and uncommon Highland air, which had been a battle-song in former ages. A few irregular strains introduced a prelude of a wild and peculiar tone, which harmonised well with the distant waterfall, and the soft sigh of the evening breeze in the rustling leaves of an aspen, which overhung the seat of the fair harpress. The following verses convey but little idea of the feelings with which, so sung and accompanied, they were heard by Waverley:-