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"Where is she?" Irma inquired.

The countess shrugged. "Even though I knew, I could not prudently tell you in your present excited state."

She went to Pericles for a loan of money. Pericles remarked that there was not much of it in Turin. "But, countess, you whirl the gold-pieces like dust from your wheels; and a spy, my good soul, a lovely secret emissary, she will be getting underpaid if she allows herself to want money. There is your beauty; it is ripe, but it is fresh, and it is extraordinary. Yes; there is your beauty." Before she could obtain a promise of the money, Violetta had to submit to be stripped to her character, which was hard; but on the other hand, Pericles exacted no interest on his money, and it was not often that he exacted a return of it in coin. Under these circ.u.mstances, ladies in need of money can find it in their hearts to pardon mere brutality of phrase. Pericles promised to send it to the countess on one condition; which condition he cancelled, saying dejectedly, "I do not care to know where she is. I will not know."

"She has the score of Hagar, wherever she is," said Violetta, "and when she hears that you have done the scene without her aid, you will have stuck a dagger in her bosom."

"Not," Pericles cried in despair, "not if she should hear Irma's Hagar! To the desert with Irma. It is the place for a crab-apple. Bravo, Abraham! you were wise."

Pericles added that Montini was hourly expected, and that there was to be a rehearsal in the evening.

When she had driven home, Violetta found Barto Rizzo's accusatory paper laid on her writing-desk. She gathered the contents in a careless glance, and walked into the garden alone, to look for Carlo.

He was leaning on the bal.u.s.trade of the terrace, near the water-gate, looking into the deep clear lake-water. Violetta placed herself beside him without a greeting.

"You are watching fish for coolness, my Carlo?"

"Yes," he said, and did not turn to her face.

"You were very angry when you arrived?"

She waited for his reply.

"Why do you not speak, Carlino?"

"I am watching fish for coolness," he said.

"Meantime," said Violetta, "I am scorched."

He looked up, and led her to an arch of shade, where he sat quite silent.

"Can anything be more vexing than this?" she was reduced to exclaim.

"Ah!" said he, "you would like the catalogue to be written out for you in a big bold hand, possibly, with a terrific initials at the end of the page."

"Carlo, you have done worse than that. When I saw you first here, what crimes did you not accuse me of? what names did you not scatter on my head? and what things did I not, confess to? I bore the unkindness, for you were beaten, and you wanted a victim. And, my dear friend, considering that I am after all a woman, my forbearance has subsequently been still greater."

"How?" he asked. Her half-pathetic candour melted him.

"You must, have a lively memory for the uses of forgetfulness, Carlo, When you had scourged me well, you thought it proper to raise me up and give me comfort. I was wicked for serving the king, and therefore the country, as a spy; but I was to persevere, and cancel my iniquities by betraying those whom I served to you. That was your instructive precept. Have I done it or not? Answer, too have I done it for any payment beyond your approbation? I persuaded you to hope for Lombardy, and without any vaunting of my own patriotism. You have seen and spoken to the men I directed you to visit. If their heads master yours, I shall be reprobated for it, I know surely; but I am confident as yet that you can match them. In another month I expect to see the king over the Ticino once more, and Carlo in Brescia with his comrades. You try to penetrate my eyes. That's foolish; I can make them gla.s.s. Read me by what I say and what I do. I do not entreat you to trust me; I merely beg that you will trust your own judgement of me by what I have helped you to do hitherto. You and I, my dear boy, have had some trifling together. Admit that another woman would have refused to surrender you as I did when your unruly Vittoria was at last induced to come to you from Milan. Or, another woman would have had her revenge on discovering that she had been a puppet of soft eyes and a lover's quarrel with his mistress. Instead of which, I let you go. I am opposed to the marriage, it's true; and you know why."

Carlo had listened to Violetta, measuring the false and the true in this recapitulation of her conduct with cool accuracy until she alluded to their personal relations. Thereat his brows darkened.

"We had I some trifling together," he said, musingly.

"Is it going to be denied in these sweeter days?" Violetta reddened.

"The phrase is elastic. Suppose my bride were to hear it?"

"It was addressed to your ears, Carlo."

"It cuts two ways. Will you tell me when it was that I last had the happiness of saluting you, lip to lip?"

"In Brescia-before I had espoused an imbecile-two nights before my marriage-near the fountain of the Greek girl with a pitcher."

Pride and anger nerved the reply. It was uttered in a rapid low breath. Coming altogether unexpectedly, it created an intense momentary revulsion of his feelings by conjuring up his boyish love in a scene more living than the sunlight.

He lifted her hand to his mouth. He was Italian enough, though a lover, to feel that she deserved more. She had reddened deliciously, and therewith hung a dewy rosy moisture on her underlids. Raising her eyes, she looked like a cut orange to a thirsty lip. He kissed her, saying, "Pardon."

"Keep it secret, you mean?" she retorted. "Yes, I pardon that wish of yours. I can pardon much to my beauty."

She stood up as majestically as she had spoken.

"You know, my Violetta, that I am madly in love."

"I have learnt it."

"You know it:-what else would?... If I were not lost in love, could I see you as I do and let Brescia be the final chapter?"

Violetta sighed. "I should have preferred its being so rather than this superfluous additional line to announce an end, like a foolish staff on the edge of a cliff. You thought that you were saluting a leper, or a saint?"

"Neither. If ever we can talk together again, as we have done," Carlo said gloomily, "I will tell you what I think of myself."

"No, but Richelieu might have behaved.... Ah! perhaps not quite in the same way," she corrected her flowing apology for him. "But then, he was a Frenchman. He could be flighty without losing his head. Dear Italian Carlo! Yes, in the teeth of Barto Rizzo, and for the sake of the country, marry her at once. It will be the best thing for you; really the best. You want to know from me the whereabout of Barto Rizzo. He may be in the mountain over Stresa, or in Milan. He also has thrown off my yoke, such as it was! I do a.s.sure you, Carlo, I have no command over him: but, mind, I half doat on the wretch. No man made me desperately in love with myself before he saw me, when I stopped his raving in the middle of the road with one look of my face. There was foam on his beard and round his eyes; the poor wretch took out his handkerchief, and he sobbed. I don't know how many luckless creatures he had killed on his way; but when I took him into my carriage-king, emperor, orator on stilts, minister of police not one has flattered me as he did, by just gazing at me. Beauty can do as much as music, my Carlo."

Carlo thanked heaven that Violetta had no pa.s.sion in her nature. She had none: merely a leaning toward evil, a light sense of shame, a desire for money, and in her heart a contempt for the principles she did not possess, but which, apart from the intervention of other influences, could occasionally sway her actions. Friendship, or rather the shadowy recovery of a past attachment that had been more than friendship, inclined her now and then to serve a master who failed distinctly to represent her interests; and when she met Carlo after the close of the war, she had really set to work in hearty kindliness to rescue him from what she termed "shipwreck with that disastrous Republican crew." He had obtained greater ascendency over her than she liked; yet she would have forgiven it, as well as her consequent slight deviation from direct allegiance to her masters in various cities, but for Carlo's commanding personal coolness. She who had tamed a madman by her beauty, was outraged, and not unnaturally, by the indifference of a former lover.

Later in the day, Laura and Vittoria, with Agostino, reached the villa; and Adela put her lips to Vittoria's ear, whispering: "Naughty! when are you to lose your liberty to turn men's heads?" and then she heaved a sigh with Wilfrid's name. She had formed the acquaintance of Countess d'Isorella in Turin, she said, and satisfactorily repeated her lesson, but with a blush. She was little more than a shade to Vittoria, who wondered what she had to live for. After the early evening dinner, when sunlight and the colours of the sun were beyond the western mountains, they pushed out on the lake. A moon was overhead, seeming to drop lower on them as she filled with light.

Agostino and Vittoria fell upon their theme of discord, as usual-the King of Sardinia.

"We near the vesper hour, my daughter," said Agostino; "you would provoke me to argumentation in heaven itself. I am for peace. I remember looking down on two cats with arched backs in the solitary arena of the Verona amphitheatre. We men, my Carlo, will not, in the decay of time, so conduct ourselves."

Vittoria looked on Laura and thought of the cannon-sounding hours, whose echoes rolled over their slaughtered hope. The sun fell, the moon shone, and the sun would rise again, but Italy lay face to earth. They had seen her together before the enemy. That recollection was a joy that stood, though the winds beat at it, and the torrents. She loved her friend's worn eyelids and softly-shut mouth; the after-glow of battle seemed on them; the silence of the field of carnage under heaven;-and the patient turning of Laura's eyes this way and that to speakers upon common things, covered the despair of her heart as with a soldier's cloak.

Laura met the tender study of Vittoria's look, and smiled.

They neared the Villa Ricciardi, and heard singing. The villa was lighted profusely, so that it made a little mock-sunset on the lake.

"Irma!" said Vittoria, astonished at the ring of a well-known voice that shot up in firework fashion, as Pericles had said of it. Incredulous, she listened till she was sure; and then glanced hurried questions at all eyes. Violetta laughed, saying, "You have the score of Rocco Ricci's Hagar."

The boat drew under the blazing windows, and half guessing, half hearing, Vittoria understood that Pericles was giving an entertainment here, and had abjured her. She was not insensible to the slight. This feeling, joined to her long unsatisfied craving to sing, led her to be intolerant of Irma's style, and visibly vexed her.

Violetta whispered: "He declares that your voice is cracked: show him! Burst out with the 'Addio' of Hagar. May she not, Carlo? Don't you permit the poor soul to sing? She cannot contain herself."

Carlo, Adela, Agostino, and Violetta prompted her, and, catching a pause in the villa, she sang the opening notes of Hagar's 'Addio' with her old glorious fulness of tone and perfect utterance.

The first who called her name was Rocco Ricci, but Pericles was the first to rush out and hang over the boat. "Witch! traitress! infernal ghost! heart of ice!" and in English "humbug!" and in French "coquin!":-these were a few of the t.i.tles he poured on her. Rocco Ricci and Montini kissed hands to her, begging her to come to them. She was very willing outwardly, and in her heart most eager; but Carlo bade the rowers push off. Then it was pitiful to hear the shout of abject supplication from Pericles. He implored Count Ammiani's pardon, Vittoria's pardon, for telling her what she was; and as the boat drew farther away, he offered her sums of money to enter the villa and sing the score of Hagar. He offered to bear the blame of her bad behaviour to him, said he would forget it and stamp it out; that he would pay for the provisioning of a regiment of volunteers for a whole month; that he would present her marriage trousseau to her-yes, and let her marry. "Sandra! my dear! my dear!" he cried, and stretched over the parapet speechless, like a puppet slain.

So strongly did she comprehend the sincerity of his pa.s.sion for her voice that she could or would see nothing extravagant in this demonstration, which excited unrestrained laughter in every key from her companions in the boat. When the boat was about a hundred yards from the sh.o.r.e, and in full moonlight, she sang the great "Addio" of Hagar. At the close of it, she had to feel for her lover's hand blindly. No one spoke, either at the Villa Ricciardi, or about her. Her voice possessed the mountain-shadowed lake.

The rowers pulled l.u.s.tily home through chill air.

Luigi and Beppo were at the villa, both charged with news from Milan. Beppo claiming the right to speak first, which Luigi granted with a magnificent sweep of his hand, related that Captain Weisspriess, of the garrison, had wounded Count Medole in a duel severely. He brought a letter to Vittoria from Merthyr, in which Merthyr urged her to prevent Count Ammiani's visiting Milan for any purpose whatever, and said that he was coming to be present at, her marriage. She was reading this while Luigi delivered his burden; which was, that in a subsequent duel, the slaughtering captain had killed little Leone Rufo, the gay and gallant boy, Carlo's comrade, and her friend.

Luigi laughed scornfully at his rival, and had edged away-out of sight before he could be asked who had sent him. Beppo ignominiously confessed that he had not heard of this second duel. At midnight he was on horseback, bound for Milan, with a challenge to the captain from Carlo, who had a jealous fear that Luciano at Vercelli might have outstripped him. Carlo requested the captain to guarantee him an hour's immunity in the city on a stated day, or to name any spot on the borders of Piedmont for the meeting. The challenge was sent with Countess Ammiani's approbation and Laura's. Vittoria submitted.

That done, Carlo gave up his heart to his bride. A fight in prospect was the hope of wholesome work after his late indecision and double play. They laughed at themselves, accused hotly, and humbly excused themselves, praying for mutual pardon.

She had behaved badly in disobeying his mandate from Brescia.

Yes, but had he not been over-imperious?

True; still she should have remembered her promise in the Vicentino.

She did indeed; but how could she quit her wounded friend Merthyr?

Perhaps not: then, why had she sent word to him from Milan that she would be at Pallanza?

This question knocked at a sealed chamber. She was silent, and Carlo had to brood over something as well. He gave her hints of his foolish pique, his wrath and bitter baffled desire for her when, coming to Pallanza, he came to an empty house. But he could not help her to see, for he did not himself feel, that he had been spurred by silly pa.s.sions, pique, and wrath, to plunge instantly into new political intrigue; and that some of his worst faults had become mixed up with his devotion to his country. Had he taken Violetta for an ally in all purity of heart? The kiss he had laid on the woman's sweet lips had shaken his absolute belief in that. He tried to set his brain travelling backward, in order to contemplate accurately the point of his original weakness. It being almost too severe a task for any young head, Carlo deemed it sufficient that he should say-and this he felt-that he was unworthy of his beloved.

Could Vittoria listen to such stuff? She might have kissed him to stop the flow of it, but kissings were rare between them; so rare, that when they had put mouth to mouth, a little quivering spire of flame, dim at the base, stood to mark the spot in their memories. She moved her hand, as to throw aside such talk. Unfretful in blood, chaste and keen, she at least knew the foolishness of the common form of lovers' trifling when there is a burning love to keep under, and Carlo saw that she did, and adored her for this highest proof of the pa.s.sion of her love.

"In three days you will be mine, if I do not hear from Milan? within five, if I do?" he said.

Vittoria gave him the whole beauty of her face a divine minute, and bowed it a.s.senting. Carlo then led her to his mother, before whom he embraced her for the comfort of his mother's heart. They decided that there should be no whisper of the marriage until the couple were one. Vittoria obtained the countess's permission to write for Merthyr to attend her at the altar. She had seen Weisspriess fall in combat, and she had perfect faith in her lover's right hand.

CHAPTER x.x.xIX

ANNA OF LENKENSTEIN

Captain Weisspriess replied to Carlo Ammiani promptly, naming Camerlata by Como, as the place where he would meet him.

He stated at the end of some temperate formal lines, that he had given Count Ammiani the preference over half-a-dozen compet.i.tors for the honour of measuring swords with him; but that his adversary must not expect him to be always ready to instruct the young gentlemen of the Lombardo-Venetian province in the arts of fence; and therefore he begged to observe, that his encounter with Count Ammiani would be the last occasion upon which he should hold himself bound to accept a challenge from Count Ammiani's countrymen.

It was quite possible, the captain said, drawing a familiar ill.u.s.tration from the gaming-table, to break the stoutest Bank in the world by a perpetual multiplication of your bets, and he was modest enough to remember that he was but one man against some thousands, to contend with all of whom would be exhausting.

Consequently the captain desired Count Ammiani to proclaim to his countrymen that the series of challenges must terminate; and he requested him to advertize the same in a Milanese, a Turin, and a Neapolitan journal.

"I am not a butcher," he concluded. "The task you inflict upon me is scarcely bearable. Call it by what name you will, it is having ten shots to one, which was generally considered an equivalent to murder. My sword is due to you, Count Ammiani; and, as I know you to be an honourable n.o.bleman, I would rather you were fighting in Venice, though your cause is hopeless, than standing up to match yourself against me. Let me add, that I deeply respect the lady who is engaged to be united to you, and would not willingly cross steel either with her lover or her husband. I shall be at Camerlata at the time appointed. If I do not find you there, I shall understand that you have done me the honour to take my humble advice, and have gone where your courage may at least appear to have done better service. I shall sheathe my sword and say no more about it."

All of this, save the concluding paragraph, was written under the eyes of Countess Anna of Lenkenstein.

He carried it to his quarters, where he appended the as he deemed it-conciliatory pa.s.sage: after which he handed it to Beppo, in a square of the barracks, with a buon'mano that Beppo received bowing, and tossed to an old decorated regimental dog of many wounds and a veteran's gravity. For this offence a Styrian grenadier seized him by the shoulders, lifting him off his feet and swinging him easily, while the dog arose from his contemplation of the coin and swayed an expectant tail. The Styrian had dashed Beppo to earth before Weisspriess could interpose, and the dog had got him by the throat. In the struggle Beppo tore off the dog's medal for distinguished conduct on the field of battle. He restored it as soon as he was free, and won unanimous plaudits from officers and soldiers for his kindly thoughtfulness and the pretty manner with which he dropped on one knee, and a.s.suaged the growls, and attached the medal to the old dog's neck. Weisspriess walked away. Beppo then challenged his Styrian to fight. The case was laid before a couple of sergeants, who shook their heads on hearing his condition to be that of a serving-man, the Styrian was ready to waive considerations of superiority; but the "judge" p.r.o.nounced their veto. A soldier in the Imperial Royal service, though he was merely a private in the ranks, could not accept a challenge from civilians below the rank of notary, secretary, hotel- or inn-keeper, and suchlike: servants and tradesmen he must seek to punish in some other way; and they also had their appeal to his commanding officer. So went the decision of the military tribunal, until the Styrian, having contrived to make Beppo understand, by the agency of a single Italian verb, that he wanted a blow, Beppo spun about and delivered a stinging smack on the Styrian's cheek; which altered the view of the case, for, under peculiar circ.u.mstances-supposing that he did not choose to cut him down-a soldier might condescend to challenge his civilian inferiors: "in our regiment," said the sergeants, meaning that they had relaxed the stringency of their laws.

Beppo met his Styrian outside the city walls, and laid him flat. He declined to fight a second; but it was represented to him, by the aid of an interpreter, that the officers of the garrison were subjected to successive challenges, and that the first trial of his skill might have been nothing finer than luck; and besides, his adversary had a right to call a champion. "We all do it," the soldiers a.s.sured him. "Now your blood's up you're ready for a dozen of us;" which was less true of a const.i.tution that was quicker in expending its heat. He stood out against a young fellow almost as limber as himself, much taller, and longer in the reach, by whom he was quickly disabled with cuts on thigh and head. Seeing this easy victory over him, the soldiers, previously quite civil, cursed him for having got the better of their fallen comrade, and went off discussing how he had done the trick, leaving him to lie there. A peasant carried him to a small suburban inn, where he remained several days oppressed horribly by a sense that he had forgotten something. When he recollected what it was, he entrusted the captain's letter to his landlady;-a good woman, but she chanced to have a scamp of a husband, who s.n.a.t.c.hed it from her and took it to his market. Beppo supposed the letter to be on its Way to Pallauza, when it was in General Schoneck's official desk; and soon after the breath of a scandalous rumour began to circulate.

Captain Weisspriess had gone down to Camerlata, accompanied by a Colonel Volpo, of an Austro-Italian regiment, and by Lieutenant Jenna. At Camerlata a spectacled officer, Major Nagen, joined them. Weisspriess was the less pleased with his company on hearing that he had come to witness the meeting, in obedience to an express command of a person who was interested in it. Jenna was the captain's friend: Volpo was seconding him for the purpose of getting Count Ammiani to listen to reason from the mouth of a countryman. There could be no doubt in the captain's mind that this Major Nagen was Countess Anna's spy as well as his rival, and he tried to be rid of him; but in addition to the shortness of sight which was Nagen's plea for pushing his thin transparent nose into every corner, he enjoyed at will an intermittent deafness, and could hear anything without knowing of it. Brother officers said of Major Nagen that he was occasionally equally senseless in the nose, which had been tweaked without disturbing the repose of his features. He waited half-an-hour on the ground after the appointed time, and then hurried to Milan. Weisspriess waited an hour. Satisfied that Count Ammiani was not coming, he exacted from Volpo and from Jenna their word of honour as Austrian officers that they would forbear-to cast any slur on the courage of his adversary, and would be so discreet on the subject as to imply that the duel was a drawn affair. They pledged themselves accordingly. "There's Nagen, it's true," said Weisspriess, as a man will say and feel that he has done his best to prevent a thing inevitable.

Milan, and some of the journals of Milan, soon had Carlo Ammiani's name up for challenging Weisspriess and failing to keep his appointment. It grew to be discussed as a tremendous event. The captain received fifteen challenges within two days; among these a second one from Luciano Romara, whom he was beginning to have a strong desire to encounter. He repressed it, as quondam drunkards fight off the whisper of their lips for liquor. "No more blood," was his constant inward cry. He wanted peace; but as he also wanted Countess Anna of Lenkenstein and her estates, it may possibly be remarked of him that what he wanted he did not want to pay for.

At this period Wilfrid had resumed the Austrian uniform as a common soldier in the ranks of the Kinsky regiment. General Schoneck had obtained the privilege for him from the Marshal, General Pierson refusing to lift a finger on his behalf. Nevertheless the uncle was not sorry to hear the tale of his nephew's exploits during the campaign, or of the eccentric intrepidity of the white umbrella; and both to please him, and to intercede for Wilfrid, the tatter's old comrades recited his deeds as a part of the treasured familiar history of the army in its late arduous struggle.

General Pierson was chiefly anxious to know whether Countess Lena would be willing to give her hand to Wilfrid in the event of his restoration to his antecedent position in the army. He found her extremely excited about Carlo Ammiani, her old playmate, and once her dear friend. She would not speak of Wilfrid at all. To appease the chivalrous little woman, General Pierson hinted that his nephew, being under the protection of General Schoneck, might get some intelligence from that officer. Lena pretended to reject the notion of her coming into communication with Wilfrid for any earthly purpose. She said to herself, however, that her object was pre-eminently unselfish; and as the General pointedly refused to serve her in a matter that concerned an Italian n.o.bleman, she sent directions to Wilfrid to go before General Schoeneck the moment he was off duty, and ask his a.s.sistance, in her name, to elucidate the mystery of Count Ammiani's behaviour. The answer was a transmission of Captain Weisspriess's letter to Carlo. Lena caused the fact of this letter having missed its way to be circulated in the journals, and then she carried it triumphantly to her sister, saying: "There! I knew these reports were abase calumny."

"Reports, to what effect?" said Anna.

"That Carlo Ammiani had slunk from a combat with your duellist."

"Oh! I knew that myself," Anna remarked.

"You were the loudest in proclaiming it."

"Because I intend to ruin him."

"Carlo Ammiani? What has he done to you?"

Anna's eyes had fallen on the additional lines of the letter which she had not dictated. She frowned and exclaimed: "What is this? Does the man play me false? Read those lines, Lena, and tell me, does the man mean to fight in earnest who can dare to write them? He advises Ammiani to go to Venice. It's treason, if it is not cowardice. And see here-he has the audacity to say that he deeply respects the lady Ammiani is going to marry. Is Ammiani going to marry her? I think not."

Anna dashed the letter to the floor.

"But I will make use of what's within my reach," she said, picking it up.

"Carlo Ammiani will marry her, I presume," said Lena.

"Not before he has met Captain Weisspriess, who, by the way, has obtained his majority. And, Lena, my dear, write to inform him that we wish to offer him our congratulations. He will be a General officer in good time."

"Perhaps you forget that Count Ammiani is a perfect swordsman, Anna."

"Weisspriess remembers it for me, perhaps;-is that your idea, Lena?"

"He might do so profitably. You have thrown him on two swords."

"Merely to provoke the third. He is invincible. If he were not, where would his use be?"

"Oh, how I loathe revenge!" cried Lena.

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Vittoria Part 32 summary

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