Viola Gwyn Part 42

"You set here on this log," ordered the girl as they came down to the water's edge. "I'll do my own washin'. I'm kind o' 'shamed to have any one see me as naked as this. There ain't much left of my dress, is they? We fit fer I don't know how long, like a couple o' dogs. You c'n see the black an' blue places on my arms out here in the daylight,-an' I guess his finger marks must be on my neck, where he wuz chokin' me. I wuz tryin' to wra.s.sle around till I could git nigh to the table, where his knife wuz stickin'. My eyes wuz poppin' right out'n my head when I--"

"For heaven's sake, girl!" cried Rachel Carter. "Don't! Don't tell me any more! I can't bear to hear you talk about it."

Moll stared at her for a moment as if bewildered, and then suddenly turned away, her chin quivering with mortification. She had been reprimanded!

For several minutes Rachel stood in silence, watching her as she washed the blood from her naked breast and shoulders. Presently the girl turned toward her, as if for inspection.

"I'm sorry, ma'am, if I talked too much," she mumbled awkwardly.

"I'd ort to have knowed better. Is--is it all off?"

"I think so," said Rachel, pulling herself together with an effort.

"Let me--"

"No, I'll finish it," said the girl stubbornly. She dried her brown, muscular arms, rubbed her body vigorously with one of the rags and then began to comb out her long, tangled hair,--not gently but with a sort of relentless energy. Swiftly, deftly she plaited it into two long braids, which she left hanging down in front of her shoulders, squaw fashion.

"How long had you known this man Suggs, Moll?" suddenly inquired the other woman.

"Off an' on ever sence I kin remember," replied the girl. "Pap knowed him down south. We hain't seed much of him fer quite a spell.

Four--five year, I guess mebby. He come here last week one day."

The eyes of the two women met. Moll broke the short silence that ensued. She glanced over her shoulder. The nearest man was well out of earshot. Still she lowered her voice.

"He claims he use ter know you a long time ago," she said.

"Yes?"

"Mebby you'd recollect him ef I tole you his right name."

"His name was Simon Braley," said Rachel Carter calmly.

Moll's eyes narrowed. "Then what he sez wuz true?"

"I don't know what he said to you, Moll."

"He sez you run off with some other woman's husband," replied Moll bluntly.

"Did he tell this to any one except you and your father?"

"He didn't tell no one but me, fer as I know. He didn't tell Pap."

"When did he tell you?"

"Las' night," said Moll, suddenly dropping her eyes. "He wuz drinkin',--an' I thought mebby he wuz lyin'."

"You are sure he did not tell your father?"

"I'm purty sh.o.r.e he didn't."

"Why did he tell you?"

The girl raised her eyes. There was a deeper look of pain in them now. "I'd ruther not tell," she muttered.

"You need not be afraid."

"Well, he wuz arguin' with me. He said there wuzn't any good women in the world. 'Why,' sez he, 'I seen a woman this very day that everybody thinks is as good as the angels up in heaven, but when I tell you whut I know about her you'll--'"

"You need not go on," interrupted Rachel Carter, drawing her brows together. "Would you believe me if I told you the man lied, Moll Hawk?"

"Yes, ma'am,--I would," said the girl promptly. "Fer as that goes, I TOLE him he lied."

Rachel started to say something, then closed her lips tightly and fell to staring out over the river. The girl eyed her for a moment and then went on:

"You needn't be skeert of me ever tellin' anybody whut he said to me. Hit wouldn't be right to spread a lie like thet, Mis' Gwyn.

You--"

"I think they are waiting for us, Moll," interrupted Rachel, suddenly holding out her hand to the girl. "Thank you. Come, give me your hand. We will go back to them, hand in hand, my girl."

Moll stared at her in sheer astonishment.

"You--you don't want to hold my hand in yours, do you?" she murmured slowly, incredulously.

"I do. You will find me a good friend,--and you will need good friends, Moll."

Dumbly the girl held out her hand. It was clasped firmly by Rachel Carter. They were half-way up the bank when Moll held back and tried to withdraw her hand.

"I--I can't let you,--why, ma'am, that's the hand I--I held the knife in," she cried, agitatedly.

Rachel gripped the hand more firmly. "I know it is, Moll," she said calmly.

CHAPTER XXII

THE PRISONERS

The grewsome cavalcade wended its way townward. Moll Hawk sat between the sheriff and Cyrus Allen on the springless board that served as a seat atop the lofty sideboards of the wagon. The crude wooden wheels rumbled and creaked and jarred along the deep-rutted road, jouncing the occupants of the vehicle from side to side with unseemly playfulness. Back in the bed of the wagon, under a gaily coloured Indian blanket, lay the outstretched body of Jasper Suggs, seemingly alive and responsive to the jolts and twists and turns of the road. The rear end gate had been removed and three men sat with their heels dangling outside, their backs to the sinister, unnoticed traveller who shared accommodations with them. The central figure was Martin Hawk, grim, saturnine, silent, his feet and hands secured with leather thongs. Trotting along under his heels, so to speak, were his three dogs,--their tongues hanging out, their tails drooping, their eyes turning neither to right nor left. They were his only friends.

Some distance behind rode three hors.e.m.e.n, leading as many riderless steeds. On ahead was another group of riders. Rachel Carter rode alongside the wagon.

Moll had firmly refused to wear the older woman's cape. She had on a coat belonging to one of the men and wore a flimsy, deep-hooded bonnet that once had been azure blue. Her shoulders sagged wearily, her back was bent, her arms lay limply upon her knees. She was staring bleakly before her over the horses' ears, at the road ahead. The reaction had come. She had told the story of the night, haltingly but with a graphic integrity that left nothing to be desired.

Martin Hawk had spent a black and unhappy hour. He was obliged to listen to his daughter's story and, much to his discontent, was not permitted to contradict her in any particular. Two or three mournful attempts to reproach her for lying about her own,--and, he always added, her ONLY--father, met with increasingly violent adjurations to "shut up," the last one being so emphatic that he gave vent to a sharp howl of pain and began feeling with his tongue to see if all his teeth were there.

Luckily for him, he was impervious to the scorn of his fellow-man, else he would have shrivelled under the looks he received from time to time. Especially distressing to him was that part of her recital touching upon his unholy greed; he could not help feeling, with deep parental bitterness, that no man alive ever had a more heartless, undutiful daughter than he,--a conviction that for the time being at least caused him to lament the countless opportunities he had had to beat her to death instead of merely raising a few perishable welts on her back. If he had done that, say a month ago, how different everything would be now!

This part of her story may suffice: