Union Alliance - Cyteen. Part 19

xii He had thought there could be no more shocks.

But Petros Ivanov met him at the door of the hospital, took him away from his Security escort and walked with him to Grant's room.

"How is he?" he asked before they got there.

"Not doing well," Ivanov said. "I wanted to warn you." Ivanov said other things, how they had had to put Grant under probe again; and how he had gone into shock; how they took him out to the garden in a chair every day, how they ma.s.saged him and bathed him and waited on treatment because Denys had kept telling them Justin was going to come, this day, and the next day and the next-they were afraid afraid to probe Grant again, because he was right on the edge, and they thought there might be illegal codewords, words not in the psych record. to probe Grant again, because he was right on the edge, and they thought there might be illegal codewords, words not in the psych record.

"No," he said before he pushed Grant's door open. And wanted to kill Ivanov. Wanted to beat him to a b.l.o.o.d.y pulp and go for the staff next and Giraud Nye into the bargain. "No. There aren't any codewords. Dammit, I told told him I'd come back. And he was waiting." him I'd come back. And he was waiting."

Grant was still waiting. Right now he had his hair combed, looked comfortable enough unless you knew he did not move on his own. Unless you knew he had lost weight and the skin was too transparent and you saw the gla.s.siness in the eyes and took his hand and felt the lack of muscle tone. "Grant," he said, sitting down on the edge of the bed. "Grant, it's me. It's all right."

Grant did not even blink.

"Get out of here," he said to Ivanov, with a glance over his shoulder; and did not try to be polite. Ivanov left.

He shifted over and gently unfastened the restraints they kept on him. He was calmer than he had thought he could be. He picked up Grant's arm and laid it across him so he had room to sit, and raised the head of the bed a little. He reached then and with two fingers along Grant's jaw, turned his face toward him. It was like moving a mannequin. But Grant blinked. "Grant? It's Justin." Another blink.

O G.o.d, he had thought Grant would be gone. He had thought he was coming in here to find a half-corpse that they could not do anything with except put down. He was prepared for that... in five minutes from the front door to Grant's room he had gone from the hope of recovering Grant to the expectation of losing him. Now it was full circle.

Now he was scared. He was safe safe if Grant was dead. if Grant was dead. O G.o.d! O G.o.d! d.a.m.n d.a.m.n me for thinking like that! Where did I learn to think like that? Where did I learn to be that cold? Is it tape-flash too? What did she me for thinking like that! Where did I learn to think like that? Where did I learn to be that cold? Is it tape-flash too? What did she do do to me? to me?

He felt like he was coming apart-felt hysteria welling up like a tide; and Grant did not need that. His hand was shaking when he took Grant's hand in his. And even then he thought of Ari's apartment, how the room had looked. He began talking to distract himself, not knowing what he was saying, not wanting to think again the thought that had flashed through his mind, like it was somebody else's. He knew that he could not touch people anymore without it being s.e.xual. He could not hold on to a friend. Or embrace his father. He kept remembering, day and night; and he knew that it was dangerous to love anyone because of the ugliness in his mind, because he was always thinking thoughts that would horrify them if they knew.

And because Ari was right, if you loved anyone They could get to you, the way They had gotten to Jordan. Grant was the way to him. Of course. That was why They had let him have Grant back.

He was not on his own now. Someday Grant was going to lay him wide open to his enemies. Maybe get him killed. Or worse-do to him what he had done to Jordan.

But until then he was not alone, either. Until then, for a few years, he could have something precious to him. Until Grant found out what kind of ugliness he had in him. Or even after Grant found out. Grant, being azi, would forgive anything.

"Grant, I'm here. I told you I'd come. I'm here."

Perhaps for Grant it was still that night. Perhaps he could go back to that, and pick it up again at the morning after.

Another blink, and another.

"Come on, Grant. No more nonsense. You fooled them. Come on. Squeeze my hand. You can do that."

Fingers tightened. Just slightly. The breathing rate increased. He shook at Grant slightly, reached up and flicked a finger against his cheek.

"Hey. Feel that? Come on. I'm not taking any of this. It's me. Dammit, I want to talk to you. Pay attention."

The lips acquired muscle tone. Relaxed again. The breaths were hard now. Several rapid blinks.

"Are you listening?"

Grant nodded.

"Good." He was shaking. He tried to stop it. "We've got a problem. But I've got permission to get you out of here. If you can wake up."

"Is it morning?"

He drew a quick breath, thought at first to say yes, then thought that disorientation was dangerous. That Grant was wary. That Grant might pull back at a lie. "A little later than that. There was a glitch-up. A bad one. I'll explain later. Can you move your arm?"

Grant moved it, a little twitch. A lift of the hand, then. "I'm weak. I'm awfully weak."

"That's all right. They're going to take you over in the bus. You can sleep in your own bed tonight if you can prove you can sit up."

Grant's chest rose and fell rapidly. The arm moved, dragged over, fell at his side like something dead. He gulped air and made a convulsive move of his whole body, lifting his shoulders barely enough to let the pillow slip before he fell back.

"Close enough," Justin said.

Food tasted very strange to him. Too strong. Even soggy cereal was work, and made his jaws ache. He ate about half the bowl that Justin spooned into his mouth and made a weak movement of his hand. " 'Nough."

Justin looked worried when he set the bowl aside.

"It's a lot for me," Grant said. Talking was an effort too, but Justin looked so scared. Grant reached put and put his hand on Justin's because that was easier than talking. Justin still looked at him with all h.e.l.l in his eyes. And he wished like h.e.l.l he could take that pain away.

Justin had told him everything last night, poured it on him while he was still groggy and exhausted, because, Justin had said, that's the way they hit me with it, and I guess it hurts less while you're numb.

Grant had cried then. And Justin had cried. And Justin had been so tired and so unwilling to leave him that he had stretched himself out on Grant's bed beside him, still dressed and on top of the covers, and fallen to sleep.

Grant had struggled to throw the bedspread over him, had not had the strength in his arm; so he had rolled over, left the spread with Justin and rolled back again.

And lay there with just the sheet, too cold until Justin woke up midway through the night and got a blanket for him. And hugged him and cried on his shoulder, a long, long time.

"I need you so much," Justin had said.

Perhaps because he was azi, perhaps because he was human, he did not know-that was the most important thing anyone had ever said to him. He had wept too. He did not know why, except Justin was his life. Justin was everything to him. "I need you too," he had said. "I love you."

In the dark hours. In the hours before morning. When people could say things that were too real to say by daylight.

Justin had fallen to sleep by his side a second time. Grant had waked first, and lain there a long time, content to know Justin was there. Until Justin had waked and gotten up, apologizing for having slept there.

As if he had not wanted Justin there, all night. As if Justin was not the most important thing in the world to him, who made him feel safe. Who was the one he would do anything for.

Whom he loved, in a way that no woman and nothing he had ever longed for could matter to him.

xiii "Ari's set is positive," the voice from the lab informed Giraud Nye, and he drew a long breath of relief. the voice from the lab informed Giraud Nye, and he drew a long breath of relief.

"That's wonderful," he said. "That's really wonderful. How are the other two?"

"Both positive. We've got a take on all three in all the tanks."

"Wonderful."

Schwartz signed off. Giraud Nye leaned back with a sigh.

There were nine womb-tanks active on the Rubin project. Triple redundancy on each of the subjects, over Stra.s.sen's loud complaints. It was rare that Reseune ran any backups at all on a CIT replication; if a set failed to implant or had some problem, the restart just put it a few weeks late, that was all, and the recipient could wait, unless the recipient wanted to pay double the already astronomical cost to have a backup. In the case of a contracted run of azi sets, or somebody's project, the normal rule was one spare for every pair, the spares to be voided after six weeks.

This one was going to tie up nine tanks for three weeks, and six for six weeks, before they made a final selection and voided the last backups.

Reseune was taking no chances.

Verbal Text from: PATTERNS OF GROWTH.

A Tapestudy in Genetics: #1 Reseune Educational Publications: 8970-8768-1 approved for 80+

Everyone who has ever taken a tape with prescriptive drugs is familiar with the sensor patch. The simplest home-use machines use a one-way cardiac sensor, a simple patch which monitors pulse rate. Any tape, whether entertainment or informational, when taken with a prescription cataphoric, has the potential to produce severe emotional stress where the content triggers memory or empathy. In experiencing the cla.s.sic play Oth.e.l.lo, Oth.e.l.lo, for instance, a certain individual, viewing a certain performance, and bringing to it his own life experience, may empathize with one or the other characters to an extent no ma.s.s-production tape can antic.i.p.ate. for instance, a certain individual, viewing a certain performance, and bringing to it his own life experience, may empathize with one or the other characters to an extent no ma.s.s-production tape can antic.i.p.ate.

This viewer is undergoing stress natural to the drama. The heart rate increases. The sensor picks it up and carries it to the machine's monitor-circuits. If it rises above the level set by the tape-technician the tape will automatically switch to a different program, a small tape-hop that provides only relaxing music and sound.

This young boy has come to a learning clinic to acquire a skill-improvement in penmanship. As he tenses muscles in his hand and lower arm his clinical technician's skilled fingers locate the muscles and place the numbered patches precisely on the skin. More are added to the muscles about the eye. Others go beneath the arm, over the heart, and over the carotid artery.

These small gray strips have two contacts: this much more advanced machine has a biofeedback loop. The numbers on the patches correspond to the numbers the tape-manual gives to the technician, who need not, for this kind of manual skill tape, be a licensed psychotherapist. Attaching these to the skin above the muscles indicated in the manual makes it possible for the machine to sense the activity of an individual muscle or muscle group and immediately send or cease sending impulses.

This woman, skilled in penmanship, wears identical sensors as she writes the exercise. Her muscle actions are being recorded. This is the actual recording of the tape.

The young student is somewhat anxious as he waits for the cataphoric to take effect. This is his first experience with prescriptive tape. The technician rea.s.sures him that this is very little different from the entertainment tapes. The patches are uncomfortable, but only for the moment. The drug takes effect and the technician tests to be sure the boy is ready. The tape begins, and the boy experiences stress as he sees the exercise. The technician quietly rea.s.sures him. In a moment, through the output-input function of the patches, the boy feels the muscle action of the skilled penman as she takes up the pen and begins to write. He experiences the success, sees the shape of the letters, feels the small precise movements of the hand and fingers and feels the relaxation of the calligrapher at her work.

It may take several sessions, but the improvement is already evident as the boy writes the exercise immediately after waking. He holds the pen easily and comfortably, no longer cramps his fingers with a hard grip, and his entire posture has improved as he has found the proper pivot point on which to rest his hand He is amazed and delighted at the result. He will practice the exercise several times during the day, to reinforce the pattern. He will do it again just after breakfast, and several times the following day. His enthusiastic practice will set the habit. He may repeat the tape until he and his parents are satisfied with the result.

This Beta-cla.s.s azi is a.s.signed to the special forces. He stands patiently tensing muscles in his back at the technician's request. He shuts his eyes, quite evi-aentty bored by the procedure which caused the young student such anxiety. He looks forward to the tape, but the skill he is learning requires the entire body. He has been through this twice a month for much of his life, and the biofeedback patches are more important in his estimation than the cataphoric. He has acquired a skill at tape-learning: his concentration is much more skilled than the student's. He knows the names of the muscles, knows how to attach the patches himself, and does a great deal of optional study in his own quarters, under a cataphoric dose hardly more than you might use in your own home for an entertainment tape, because he has learned now to induce a learning-state without the use of the drug.

At the end of the month, he receives another kind of tape, which citizens do not receive: it is a very private experience, which he cannot describe in words, because much of it is non-verbal. He calls it good tape. The term frequently heard at Reseune is reward tape.

The woman who administers the tape is not a technician. She is a Beta-qualified supervisor, and she uses a much more complex machine. This one has a blood-chemistry loop: it a.n.a.lyzes the blood it receives and injects natural mood-elevators-a procedure used in the general population only when psych-adjustment is called for.

For the azi, who has taken this sort of tape all his life, it is a pleasant experience, which he values more than the other rewards the service provides. This one is internal, and profound.

Unlike an intervention in a citizen patient, which depends heavily on the psychologist's investigative skills to tailor a tape, this tape is precisely targeted, prepared by the same designers who prepared the azi's psychset. It has an accuracy virtually impossible with a non-azi patient whose life has been shaped by unrecorded experiences in a random world. This azi, cloistered from birth and given his psychset by tape, is a much more known quant.i.ty, even after he has served in the armed forces and lived with naturally born citizens.

Everyone who has ever held authority over him has had special training in dealing with azi. No azi Supervisor is permitted to raise his voice with his charges. Reward or the withholding of reward is the rule of discipline; and the trust between this man and any psychologist-supervisor is more profound than that between parent and child. That this is a different Supervisor than last month does not trouble him. He has absolute confidence in her once he is sure that she is licensed.

People who have had their first experience working with unsocialized azi generally comment first that they feel they have to whisper; and then that they find themselves overwhelmed by the emotional attachment the azi are instantly ready to give them.

They trust me too much, is the almost universal complaint. is the almost universal complaint.

But this man is a soldier and works regularly with unlicensed citizens. He has developed emotional defenses and interacts freely with his citizen comrades. His commanding officer has had a training course and pa.s.sed a test that qualifies him to deal with azi, but he holds no license and does not treat this man any differently than the others in his command. The commanding officer is only aware that a request from this man to undergo counseling has to be honored immediately, and if the azi requests the intervention of a Beta-supervisor, he must be sedated and sent to hospital without delay, because while problems in azi are very rare and a socialized azi's emotional defenses are generally as strong as any citizen's, an azi's psychset is not built by experience, but by instruction, and the defenses are not a network of social reliances as they are in a normal human mind. An azi who feels that shield weakened is vulnerable to everyone around him. He has entered something very like a cataphoric-induced learning-state, in which he is less and less capable of rejecting stimuli that impinge on him. The result is very like taking a cataphoric in a crowded room, intensely uncomfortable for the azi and potentially damaging.

The tape this man is enjoying is more than pleasurable for him. It is also reaffirming his values and reinforcing his self-esteem. His trust right now is absolute. He experiences what no citizen will experience in a random world: he is in touch with absolute truth and agrees perfectly with what he is.

This is Reseune, where our soldier was born. This three-year-old azi, much younger than our student, is preparing himself for what is commonly called deep-tape. He is anxious not about the procedure, which he has had before, but about the machine, which he has finally begun to notice as significant in the room. The psychsurgeon hugs him and rea.s.sures him, and finally makes a face and gets a laugh from him. He helps the surgeon attach the patches.

The dosage of cataphoric he receives is very heavy. His thresholds are completely flat and his blood chemistry is constantly monitored.

The tape is reinforcing his value-sets in words he is capable of understanding.

It tells him how to win approval. It tells him what his talents are and what his strengths are.

It may remind him that he has tendencies to avoid, much in the same way a parent may tell a child he must mind and not sulk. But the tape dwells continually on positive things and praise, and always ends that way.

As it closes the Supervisor tells him a word he must lock this up with; and he will remember it. The next time the Supervisor will access that set of instructions with that particular key, which is recorded in the azi's file, with his tapes. As he grows, his deep-tape will become more abstract. The verbal keys will be integrated into larger and larger complexes as his psychstructures are merged into complete sets, and he will accept the values he is given with an azi's complete openness to a licensed Supervisor.

Because the child has shown distress at the machine the Supervisor remembers to rea.s.sure him about the equipment while he is still receptive to instruction. Any distress the azi may feel with any of these procedures, no matter how minor, is carefully traced for cause and dealt with seriously. At no time does a Supervisor wish one of his charges to fear these procedures.

All the azi tape is designed here, in these ordinary-looking offices, by designers some of whom are azi themselves. Much of it is done with the help of computers, which a.n.a.lyze the extremely meticulous physiological testing done on azi types . . . . . such things as hand-eye coordination in a particular azi geneset, reaction time, balance, vision, hearing, physical strength, hormonal activity, Rezner scores, reaction to stress. The designer takes all of these things into account in making a tape specifically for that geneset, tailored precisely to that geneset's strengths and weaknesses, and linking into a particular pyschset. such things as hand-eye coordination in a particular azi geneset, reaction time, balance, vision, hearing, physical strength, hormonal activity, Rezner scores, reaction to stress. The designer takes all of these things into account in making a tape specifically for that geneset, tailored precisely to that geneset's strengths and weaknesses, and linking into a particular pyschset.

It is a designer who consults Reseune's library to select a geneset which can be given the special skills necessary to a new technology.

It is a designer who attends an azi returned to the labs by his Supervisor for what the report calls severe problems. It is a designer who will order the tests and interview the azi to discover whether the problem lies with the Supervisor or the azi. It is a designer who will prepare a tape to cure the problem-or issue a binding order regarding the handling of all azi of that geneset, restricting them from certain duties.

It is a designer who has destined this boy for civilian security duties, a change from the military training his genotype generally gets. Designers are usually conservative in shifting a genotype into new applications, because they, as much as their subjects, want to a.s.sure success. At Reseune, where azi test subjects are used, a keyword procedure creates a retrieval tab on the test set so that a psychsurgeon can maintain it separate for a considerable time before integrating it into the psychset. The few azi who run what are called short-term tests are specially trained in isolating and handling the interventions, and are themselves the judges of whether they should accept a particular test. Reseune's rule is to experiment slowly, and to deal with only one change at a time.

Occasionally an azi, like any member of the general public, develops severe psychological problems.

Many of these are sent to Reseune, where designers and psychsurgeons work with them, attempting to devise solutions to the psychological difficulties, solutions which also benefit science and find their way into general psychotherapy.

In some instances the solution has to be retraining, which necessitates mind-wipe and a long period of recovery. In an azi of proven genotype and psychset a problem of this magnitude is always due to extreme trauma, and Reseune will take legal measures on the azi's behalf in the event of negligence or mistreatment.

In other instances the solution is only in the genetics wing; Reseune forbids reproduction of a genotype that has met difficulty until the designers working with the afflicted azi can find a fix for the problem.

In very, very few cases, there is no fix, no remedial psychset to install even with mindwipe, and a panel of qualified staff members can find no humane solution, except to terminate. The azi's quality of life is the main consideration, and Reseune, which has made the rules which forbid a Supervisor to speak sharply to one of its azi in the workplace, likewise must take the decision any next of kin must face when a body functions after reasoning, meaningful life has ceased. ... ...

CHAPTER 4.

i The womb-tank tilted, spilled its contents into the fluid-filled receiving tank, and Ariane Emory struggled and twisted, small swimmer in an unfamiliar dim light and wider sea.

Until Jane Stra.s.sen reached down into the water and took her up, and the attendants tied off the cord and took her to a table for a quick examination while Jane Stra.s.sen hovered.

"She's perfect, isn't she?" There was worry in that question. An hour ago it would have been clinical worry, professional worry, anxiety about a project which could go very wrong if there was something wrong with the baby. But there was a certain personal anguish involved of a sudden, which she would not have expected to feel.

You're the closest match to Olga Emory's tests, her cousin Giraud had said; and Jane had thrown a tantrum, refused, protested that her management of Wing One labs did not include time to take on motherhood at a slightly fragile, overworked one hundred and thirty-two years of age. her cousin Giraud had said; and Jane had thrown a tantrum, refused, protested that her management of Wing One labs did not include time to take on motherhood at a slightly fragile, overworked one hundred and thirty-two years of age.

Olga took it on at eighty-three, Giraud had said. Giraud had said. You're a strong-minded woman, you're busy as h.e.l.l-so was Olga-you have Olga's interest in art, you were born in s.p.a.ce, and you've got the professional skill and the brains. You're the best match we've got. And you're old enough to You're a strong-minded woman, you're busy as h.e.l.l-so was Olga-you have Olga's interest in art, you were born in s.p.a.ce, and you've got the professional skill and the brains. You're the best match we've got. And you're old enough to remember remember Olga. Olga.