Under the Trees and Elsewhere Part 3

The road, slowly ascending the long wooded slope, wound its way through the forest until it brought me to the mountain path which climbs, with many a halt and pause, to the very summit. Dense foliage overshadows it, a little thinner now that the hand of autumn has begun to disrobe the trees. Great rocks often lie in the course of the path and send it in a narrow curve around them. Sometimes one comes upon a bold ascent up the face of a projecting cliff; sometimes one plunges into the very heart of the shadows as they gather over the rocky channel of the brook that later will run foaming down to the valley. Step by step one widens his horizon, although it is only at intervals that he is able to note his progress upward. At the base of the mountain one saw only a circle of hills, and the long sweep of wooded slopes which converge in the valley; gradually the horizon widens as one climbs beyond the summit lines of the lower hills; at turns in the path, where it crosses some rocky declivity, one looks out upon a landscape into which some new feature enters with every new outlook; one range of hills after another sinks below the level of vision, and discloses another strip of undiscovered country beyond; and so one climbs, step by step, into the glory of a new world. The solitude, the silence, the radiant beauty of the morning, the expanding sweep of hills and valleys at one's feet, fill one with eager longing for the unbroken circle of sky at the summit, and prepare one for the thrill of joy with which the soul answers the outspread vision.

At last only a few rocks interpose between the summit and the last resting-place. I wait a moment longer than I need, as one pushes back for an instant the cup from which he has long desired to drink. I even shun the n.o.ble vistas that open on either side, postponing to the moment of perfect achievement the partial successes already won. But the rocks are soon climbed, the summit is reached! The world is at my feet--the mountain ranges like great billows, and the valleys, deep, far, and shadowy, between; and overhead the unbroken arch of sky melting into illimitable s.p.a.ce through infinite gradations of blue.

The vision which has haunted me so long with illusive hints of range and splendour is mine at last, and I have no greeting for it but the breathless eagerness with which I turn from point to point, as if to drink all in with one compelling glance. But the landscape does not yield its infinite variety to the first nor to the second glance; the agitation of the first outlook gives place to a deep, calm joy; the eager desire to possess on the instant what has been won by long toil and patience is followed by a quiet mood which banishes all thought of self, and waits upon the hour and the scene for the revelation they will make in their own good time. Slowly the n.o.ble landscape reveals itself to me in its vast range and its marvellous variety. The sombre groups of mountains to the west become distinct and majestic as I look into their deep recesses; far off to the north the ma.s.sive bulk and impressive outlines of a solitary peak grow upon me until it seems to dominate the whole country-side. A kingly mountain truly, of whose "night of pines" our saintly poet has sung; from this distance a vast and softened shadow against the stainless sky. To the east one sees the long uplands, with slender spires rising here and there from cl.u.s.tered homes; to the south, a vast stretch of fertile fields, rolling like a fruitful sea to the horizon; within the mighty circle, groups of lower hills, wooded valleys shadowy and mysterious in the distance, villages and scattered homes.

It was a deep saying of Goethe's that "on every height there lies repose." A Sabbath stillness and solemnity reign in this upper sphere, where the sound of human toil never comes and the cry of humanity never penetrates. The boundaries that confine and baffle the vision along the walks of ordinary life have all faded out; great States lie together in this outlook without visible lines of division or separation. The obstacles to sight which hourly baffle and confuse are gone; from horizon to horizon all things are clear and visible, and the world is vast and beautiful to its remotest boundaries. The repose which lies on the heights of life is born of the vast and unclouded vision which looks down upon all obstacles, over all barriers, and takes in at a glance the mighty scope of human activity and the unbroken sky which overhangs it continually like a visible infinity.

On such heights it is the blessed reward of a few elect souls to live; but the paths thither are open to every traveller.

Chapter XV

Under College Elms

Stretched under the spreading branches of this n.o.ble elm, which has seen so many college generations come and go, I have well-nigh forgotten that life has any limitations of s.p.a.ce or time; work, anxiety, weariness fade out of thought under a heaven from which every cloud has vanished, and the eye pierces everywhere the infinite depths of the upper firmament. Days are not always radiant here, and the stream of life as it flows through this tranquil valley is flecked with shadows; but all sweet influences have combined to touch this pa.s.sing hour with unspeakable peace. Here are the old familiar footpaths trodden so often with hurrying feet in other years; here are the well-worn seats about which familiar groups have so often gathered and sent the echoes of their songs flying heavenward; here are the rooms which will never lose the sense of home because of those who have lived in them. The chapel bell tolls as of old, and the crowd comes hurrying along like the generations before them, but the eye sees no familiar faces among them. It is a place of intense and rich living, and yet to-day, and for me, it is a place of memory. The life once lived here is as truly finished as if eternity had placed the impa.s.sable gulf between it and this quiet hour. These are the sh.o.r.es through which the river once pa.s.sed, these the green fields which encircled it, these the mountains which flung their shadows over it, but the river itself has swept leagues onward.

Mr. Higginson has written charmingly about "An Old Latin Text-Book,"

and there is surely something magical in the power with which these well-worn volumes lay their spell upon us, and carry us back to other scenes and men. I have a copy of Virgil from which all manner of old-time things slip out as I open its pages. The eager enthusiasm of the first dawning appreciation of the undying beauty of the old poet, faintly discerned in the language which embalms it, comes back like a whiff of fragrance from some by-gone summer. The potency of college memories lies in the fact that in those years we made the most memorable discoveries of our lives; the unknown river may widen and deepen beyond our thought, but the most noteworthy moment in all our wanderings with it will always be the moment when we first came upon it, and there dawned upon us the sense of something new and great. To most boys this rich and never-to-be-forgotten experience comes in college. Except in cases of rare good fortune, a boy is not ripe for the literary spirit in the cla.s.sic literature until the college atmosphere surrounds him. To many it never discovers itself at all, and the languages which were dead at the beginning of study are dead at the end; but to those in whom the instinct of scholarship is developed there comes a day when Virgil lives as truly as he lived in Dante's imagination, and, like Boccaccio, they light a fire at his tomb which years do not quench.

Who that has ever gone through the experience will forget the hour when he discovered the Greeks in Homer's pages, and felt for the first time the grand impulse of that n.o.ble race stir his blood and fill his brain with the far-reaching aspiration for a life as rich as theirs in beauty, freedom, and strength! It is told of an English scholar that he devoted his winters to the "Iliad" and his summers to the "Odyssey,"

reading each several times every year. One could hardly reconcile such self-indulgence with the claims of to-day on every man's time and strength; but I have no doubt all Grecians have a secret envy for such a career. The Old-World charm of the "Odyssey" is one of the priceless possessions of every fresh student, and to feel it for the first time is like discovering the sea anew. It is, indeed, the Epic of the Sea; the only poem in all literature which gives the breadth, the movement, the mighty sweep of sky belted with stars, the unspeakable splendours of sunrise and sunset,--the grand, free life of the sea. I would place the "Odyssey" in every collection of modern books for the tonic quality that is in it. The dash of wave and the roar of wind play havoc with our melancholy, and fill us with shame that we have so much as asked the question, "Is Life Worth Living?"

There is no grander entrance gate to the great world of thought than the Greek Literature. Universities are broadening their courses to meet the multiplied demands of modern knowledge and to fit men for the varied pursuits of modern life, but for those who desire familiarity with human life in its broadest expression, and especially for those who seek familiarity with the literary spirit and mastery of the literary art, Greek must hold its place in the curriculum to the end of time. This implies no disparagement of our own literature--a literature which spreads its dome over a wider world of feeling and knowledge than the Greek ever saw within the horizon of his experience; but the Greek, like the Hebrew, will remain to the latest generation among the great teachers of men. He was born into the first rank among nations; he had an eye quick to see, a mind clear, open, and bold to grasp facts, set them in order, and generalise their law; an instinct for art that turned all his observation and thinking into literature.

Whether he looked at the world about him or fixed his gaze upon his own nature, his insight was from the very beginning so direct, so commanding, so perfectly allied with beauty, that his speculations became philosophy and his emotions poetry. There was hardly any aspect of life which he did not see, no question which he did not ask, and few which he failed to answer with more or less of truth. He walked through an untrodden world of sights and sounds, and reproduced the vast circle of his life in a literature to which men will look as long as the world stands for models of sweetness, beauty, and power. Greek literature holds its place, not because scholars have combined to keep alive its traditions and make familiarity with it the bond of the fellowship of culture, but because it is the faithful reflection of the life of a race who faced the world on all sides with masterly intelligence and power. It is a liberal education to have travelled from Aeschylus, with his almost Asiatic splendour of imagination, to Theocritus, under whose exquisite touch the soft outlines of Sicilian life took on idyllic loveliness!

And then there were those unbroken winter evenings, when one began really to know the great modern masters of literature. What would one not give to have them back again, with their undisturbed hours ending only when the fire or the lamp gave out! Those were nights of royal fellowships, of introduction into the n.o.blest society the world has ever known, and it is the recollection of this companionship which gives those days under college roofs a unique and perennial charm.

Then first the spirit of our own race was revealed to us in Chaucer, Shakespeare, and Milton; then first we thrilled to that music which has never faltered since Caedmon found his voice in answer to the heavenly vision. There are days which will always have a place by themselves in our memory, nights whose stars have never set, because they brought us face to face with some great soul, and struck into life in an instant some new and mighty meaning. The ferment of soul which Hazlitt describes on the night when he walked home from his first talk with Coleridge is no exceptional experience; it comes to most young men who are susceptible to the influence of great thoughts coming for the first time into consciousness. A lonely country road comes into view as I write these words, and over it the heavens bend with a new and marvellous splendour, because the boy who walked along its winding course had just finished for the first time, and in a perfect tumult of soul, Schiller's "Robbers;" it was the power of a great master, felt through his crudest work, that filled the night with such magical influences.

The hours in which we come in contact with great souls are always memorable in our history, often the crises in our intellectual life; it is the recollection of such hours that gives those bending elms an imperishable charm, and lends to this landscape a deathless interest.

Chapter XVI

A Summer Morning

I do not understand how any one who has watched the breaking of a summer day can question the n.o.blest faiths of man. William Blake, with that integrity of insight which is often the possession of the true mystic, declared that when he was asked if he saw anything more in a sunset than a round disk of fire, he could only answer that he saw an innumerable company of the heavenly host crying "Holy, Holy, Holy Lord G.o.d Almighty!" The birth of a day is a diviner miracle even than its death. They were true poets who wrote the old Vedic hymns and sang those wonderful adorations when the last stars were fading in the splendour of the dawn. Beside the glory of the sun's announcement all royal progresses are tawdry and mean; beside the beauty of the dawn, slowly unveiling the day while the heavens wait in silent worship, all poetry is idle and empty. It is the divinest of all the visible processes of Nature, and the sublimest of all her marvellous symbolism.

On such a morning as this, twelve years ago, Amiel wrote in his diary: "The whole atmosphere has a luminous serenity, a limpid clearness. The islands are like swans swimming in a golden stream. Peace, splendour, boundless s.p.a.ce! . . . I long to catch the wild bird, happiness, and tame it. These mornings impress me indescribably. They intoxicate me, they carry me away. I feel beguiled out of myself, dissolved in sunbeams, breezes, perfumes, and sudden impulses of joy. And yet all the time I pine for I know not what intangible Eden." In these few words this master of poetic meditation suggests without expressing the indescribable impression which a summer carries into every sensitive nature.

Last night the world was sorrowful, worn, and dulled; but lo! the new day has but touched it and all the invisible choirs are heard again; the old hope returns like a tide, and out of the unseen depths a new life breaks soundless upon the unseen sh.o.r.es and sends its hidden currents into every dried and empty channel and pool. The worn old world has been created anew, and G.o.d has spoken again the word out of which all living things grow. In the silence and peace and freshness of this morning hour one feels the inspiration of nature as a direct and personal gift; the inbreathing, which has renewed the beauty and fertility about him, renews his spirit also. He responds to the fresh and invigorating atmosphere with a soul sensitive with sudden return of zest to every beautiful sight and sound. No longer an alien in this world which has never known human care and regret, he enters by right of citizenship into all its privileges of unwatched freedom and unclouded serenity. One is not absorbed by the glory of the morning, but set free by it. There are times when Nature permits no rivalry; she claims every thought and gives herself to us only as we give ourselves to her. She effaces us and takes complete possession of our souls. Not so, however, does she usurp the throne of our own personal life in those early hours when the sun, the master artist, whose touch has coloured every leaf and tinted every flower, demands her adoration.

Then it is, perhaps, that she turns her thoughts from all lesser companionships and, rapt in universal worship, suffers us to pa.s.s and repa.s.s as unnoticed as the idlers in the cathedral by those who kneel at the chancel rail.

I confess I never find myself quite unmoved in this sacred hour, announced only by the stars veiling their faces and the birds breaking the silence with their tumultuous song. The universal faith becomes mine also, and from the common worship I am not debarred. My thought rises whither the mists, parted from the unseen censers, are rising: I feel within me the revival of aspirations and faiths that were fast overclouding; the stir of old hopes is in my heart; the thrill of old purposes is in my soul. Once more Nature is serving me in an hour of need; serving me not by drawing me to herself, but by setting me free from a world that was beginning to master and make me its slave.

Now all that insensibly growing servitude slips from me; once more I am free and my own. The inexhaustible life that is behind all visible things, constantly flowing in upon us when we keep the channels open, recreates whatever was n.o.blest and truest in me. With Nature, I believe; and believing, I also share in the universal worship.

Emerson somewhere says, writing about the most difficult of Plato's dialogues, that one must often wait long for the hour when one is strong enough to grapple with and master it, but sooner or later the fitting morning will come. It is the morning which gives us faith in the most arduous achievements, and invigorates us to undertake them.

In the morning all things are possible because the heavens and the earth are so visibly united in the fellowship of common life; the one pouring down a measureless and penetrating tide of vitality, the other eagerly, worshipfully receptive. Nature has no more inspiring truth for us than this constant and complete enfolding of our life by a higher and vaster life, this unbroken play of a diviner purpose and force through us. Nothing is lost, nothing really dies; all things are conserved by an energy which transforms, reorganises, and perpetuates in new and finer forms all visible things. The silence of winter counterfeits the repose of death, but it is not even a pause of life; invisibly to us the great movement goes on in the earth under our feet.

While we watch by our household fires, the unseen architects are planning the summer, and the sublime march of the stars is noiselessly bringing back the bloom and the perfume that seem to have vanished forever. Every morning restores something we thought lost, recalls some charm that seemed to have escaped.

In all n.o.ble natures there is an ineradicable idealism which constantly interprets life in its higher aspects. In the dust of the road the mountains sometimes disappear from our vision, but we know that they still loom in undiminished majesty against the horizon; the G.o.ds sometimes hide themselves, but there is something within which affirms that we shall again look on their serene faces, calm amid our turbulence and unchanging amid our vicissitudes. It is this heavenly inheritance of insight and faith which makes Nature so divinely significant to us, and matches all its forms and phenomena with spiritual realities not to be taken from us by time or change or by that mysterious angel of the last great transformation which we call death. The morning is always breaking over the low horizon lines of some sea or continent; voices of birds are always "carolling against the gates of day;" and so, through unbroken light and song, our life is solemnly and sublimely moved onward to the dawn in which all the faint stars of our hope shall melt into the eternal day.

Chapter XVII

A Summer Noon

The stir of the morning has given place to a silence broken only by the shrill whir of the locust. The distant sh.o.r.e lines that ran clear and white against the low background of green have become dim and indistinct; all things are touched by a soft haze which changes the sentiment of the landscape from movement to repose, from swift and mult.i.tudinous activity to the hush of sleep. The intense blue of the morning sky is dimmed and the great ma.s.ses of trees are motionless.

The distant harvest fields where the rhythmic lines of the mowers have moved alert and harmonious through the morning hours are deserted. On earth silence and rest, and in the great arch of the sky a sea of light so full and splendid that it seems almost to dim the fiery effluence of the sun itself. In such an hour one stretches himself under the trees, and in a moment the spell is on him, and he cares neither to think nor act; he rejoices to lose himself in the universal repose with which Nature refreshes herself. The heat of the day is at its height, but for an hour the burden slips from the shoulders of care, and the rest comes in which the gains of work are garnered.

The whir of the locust high overhead, by some earlier a.s.sociation, always recalls that matchless singer, some of whose notes Nature has never regained in all these later years. The whir of the cicada and the white light on the remote country road are real to us today, though one went silent and the other faded out of Sicilian skies two thousand years and more ago, because both are preserved in the verse of Theocritus. The poet was something more than a mere observer of Nature, and the beautiful repose of his art more than the native grace and ease of one to whom life meant nothing more strenuous than a dream of a blue sea and fair sky. He had known the din of the crowded street as well as the silence of the country road, the forms and shows of a royal court as well as the simplicity and sincerity of tangled vines and gnarled olives on the hillside. He had seen, with those eyes which overlooked nothing, the pomps and vanities of power, the fret and fever of ambition, the impotence and barrenness of much of that activity in which mult.i.tudes of men spend their lives under the delusion that mere stir and bustle mean progress and achievement. Out of Syracuse, with its petty court about a petty tyrant, Theocritus had come back to the sea and the sky and the hardy pastoral life with a joy which touches some of his lines with penetrating tenderness. Better a thousand times for him and for us the long, tranquil days under the pine and the olive than a great position under Hiero's hand and the weary intrigue and activity which made the melancholy semblance of a successful life for men less wise and genuine. The lines which the hand of Theocritus has left on the past are few and marvellously delicate, but they seem to gain distinctness from the remorseless years that have almost obliterated the features of the age in which he lived. It is better to see clearly one or two things in life than to move confused and blinded in the dust of an impotent activity; it is better to hear one or two notes sung in the overshadowing trees than to spend one's years amid a murmur in which nothing is distinctly audible. Theocritus, shunning courts and cities, sought to a.s.suage the pain of life at the heart of Nature, and did not seek in vain. He gave himself calmly and sincerely to the sweet and natural life which surrounded him, and in his tranquil self-surrender he gained, unsuspecting, the immortality denied his eager and restless cotemporaries [Transcriber's note: contemporaries?].

Life is so vast, so unspeakably rich, that to have reported accurately one swift glimpse, or to have preserved the melody of one rarely heard note, is to have mastered a part of the secret of the Immortals.

Struggle and anguish have their place in every genuine life, but they are the stages through which it advances to a strength which is full of repose. The bursting of the calyx announces the flower; but the beauty of the perfect blossoming obliterated the very memory of its earlier growth. The climb upward is often a long anguish, but the dust and weariness are forgotten when once the eye rests on the vast outlook.

"On every height there lies repose" is the sublime declaration of one who had looked into most things deeper than his fellows, and had learned much of the profounder processes of life. Emerson long ago noted that even in action the forms of the Greek heroes are always in repose; the crudity of pa.s.sion, the distorting agony of half-mastered purpose, are lost in a self-forgetfulness which borrows from Olympus something of the repose of the G.o.ds. The sublime calm which imparts to great works of art a hint of eternity is born of complete mastery of life; all the stages of evolution have been accomplished, the whole movement of growth has been fulfilled, before the hand of art sets the seal of perfection on the thing that is done. Shadow and light, heat and cold, tempest and quiet days, have all wrought together before the blooming of the flower which in its perfect grace and beauty gives no hint of its troubled growth. As the consummation of all toil and struggle and anguish, there comes at last that deep repose, born not of idleness and indifference, but of the harmony of all the elements in their last and finest form.

In the unbroken silence of the noon-tide such thoughts come unbidden and almost unnoticed to one who surrenders himself to the hour and the scene. Nature has her tempests, but her harvests are gathered amid the calm of days that often seem filled with the peace of heaven, and the mighty and irresistible movement of her life goes on in unbroken silence. The deepest thoughts are always tranquillising, the greatest minds are always full of calm, the richest lives have always at heart an unshaken repose.

Chapter XVIII

Eventide

When the shadows lengthen and the landscape becomes indistinct, the common life of men seems to touch the life of Nature most closely and sympathetically. The work of the day is accomplished; the sense of things to be done loses its painful tension; the mind, freed from the cares which engrossed it, opens unconsciously to the sights and sounds of the quiet hour. The fields are given over to silence and the gathering darkness; the roads cease to be thoroughfares of toil; and over all things the peace of night settles like an unspoken benediction. To the most preoccupied there comes a consciousness that the world has changed, and that, while the old framework remains intact, a strange and transforming beauty has touched and spiritualised it. At eventide one feels the soul of Nature as at no other hour. Her labours have ceased, her birds are silent; she, too, rests, and in ceasing to do for us she gives us herself. One by one the silvery points of light break out of the darkness overhead, and the faithful stars look down on the little earth they have watched over these countless years. The very names they bear recall the vanished races who waited for their appearing and counted them friends. Now that the lamps are lighted and the work of the day is done, is it strange that the venerable mother, whose lullabies have soothed so many generations into sleep, should herself appeal to us in some intimate and personal way?

With the fading out of sh.o.r.e and sea and forest line something deeper and more spiritual rises in the soul as the mists rise on the lowlands and over the surface of the waters. We surrender ourselves to it silently, reverently, and a change no less subtle and penetrating is wrought in us. Our personal ambitions, the sharply defined aims of our working hours, the very limitations of our individuality, are gone; we lose ourselves in the larger life of which we are part. After the fret of the day we surrender ourselves to universal life as the bather, worn and spent, gives himself to the sea. There is no loss of personal force, but for an hour the individual activity is blended with the universal movement and the peace and quiet of infinity calm and restore the soul. Meditation comes with eventide as naturally as action with the morning; our soul opens to the soul of Nature, and we discover anew that we are one. In the n.o.blest pa.s.sage in Latin poetry Lucretius invokes the universal spirit of Nature, and identifies it with the creative force which impels the stars and summons the flowers to strew themselves in the path of the sun. There is nothing so refreshing, so reinvigorating, as fresh contact with the fountain whence all visible life flows, as a renewed sense of oneness with the mighty appearance of things in which we live. Now that all outlines are softened, all distinctive features are lost. Nature loses its materialism, and becomes to our thought the vast, silent, unbroken flow of force which the later science has subst.i.tuted for an earlier and cruder conception.

And this invisible stream leads us back, as our thoughts unconsciously follow it, to One whose thought it is and whose mind shares with our mind something of the unsearchable mystery of its purpose and nature.

Some one has said that a man is great rather by reason of his unconscious thought than by reason of his deliberate and self-directed thinking. Released from meditation on definite and special themes, the thought of a great man instinctively returns to the mystery of life.

No poet creates a Hamlet unless he has brooded long and almost unconsciously on the deeper things that make up the inner life; such a figure, forever externalising the profounder and more obscure phases of being, is born of secret and habitual contact with the deepest experiences and the most fundamental problems. The mind of a Shakespeare must often, forsaking the busy world of actuality, meditate in the twilight which seems to release the soul of things seen, and, veiling the actual, reveal the realities of existence.

Revery becomes of the highest importance when it subst.i.tutes for definite thinking that deep and silent meditation in which alone the soul comes to know itself and pierces the wonderful movement of things about it to its source and principle. One of Amiel's magical phrases is that in which he describes revery as the Sunday of the soul. Toil over, care banished, the world forgotten, one communes with that which is eternal. In the long course of centuries the forests are as short-lived as the flowers; all visible forms are but momentary expressions of the creative force. In the work of the greatest mind all spoken and written thoughts are but partial and pa.s.sing utterances of a life of whose volume and movement they afford only half-comprehended hints. After a Shakespeare has written thirty immortal plays he must still feel that what was deepest in him is unuttered. There is that below all expression of life which remains forever unspoken and unspeakable; it is ours, but we cannot share it with others; we drop our plummets into its depths in vain. It is deeper than our thought, and it is only at rare moments, when we surrender ourselves to ourselves, that the sense of what it contains and means fills us with a sudden and overpowering consciousness of immortality. Out of this deeper life all great thoughts rise into consciousness, losing much by imprisonment in any form of speech, but still bringing with them indubitable evidence of their more than royal birth. From time to time, like the elder race of prophets, they enter into our speech and renew the fading sense of the divinity of life, and so, through individual souls, the deeper truths are retold from generation to generation.

As one meditates in this evening hour, the darkness has gathered over the world and folded it out of sight. The few faint stars have become a shining host, and the immeasurable heavens have subst.i.tuted for the near and familiar beauty of the earth their own sublime and awful commingling of unsearchable darkness and unquenchable light. So in every human life the near and the familiar is overarched by infinity and eternity.

Chapter XIX

The Turn of the Tide