Ulysses Part 81

Ben Dollard's famous. Night he ran round to us to borrow a dress suit for that concert. Trousers tight as a drum on him. Musical porkers.

Molly did laugh when he went out. Threw herself back across the bed, screaming, kicking. With all his belongings on show. O saints above, I'm drenched! O, the women in the front row! O, I never laughed so many!

Well, of course that's what gives him the base barreltone. For instance eunuchs. Wonder who's playing. Nice touch. Must be Cowley. Musical.

Knows whatever note you play. Bad breath he has, poor chap. Stopped.

Miss Douce, engaging, Lydia Douce, bowed to suave solicitor, George Lidwell, gentleman, entering. Good afternoon. She gave her moist (a lady's) hand to his firm clasp. Afternoon. Yes, she was back. To the old dingdong again.

--Your friends are inside, Mr Lidwell.

George Lidwell, suave, solicited, held a lydiahand.

Bloom ate liv as said before. Clean here at least. That chap in the Burton, gummy with gristle. No-one here: Goulding and I. Clean tables, flowers, mitres of napkins. Pat to and fro. Bald Pat. Nothing to do.

Best value in Dub.

Piano again. Cowley it is. Way he sits in to it, like one together, mutual understanding. Tiresome shapers sc.r.a.ping fiddles, eye on the bowend, sawing the cello, remind you of toothache. Her high long snore.

Night we were in the box. Trombone under blowing like a grampus, between the acts, other bra.s.s chap uns.c.r.e.w.i.n.g, emptying spittle. Conductor's legs too, bagstrousers, jiggedy jiggedy. Do right to hide them.

Jiggedy jingle jaunty jaunty.

Only the harp. Lovely. Gold glowering light. Girl touched it. p.o.o.p of a lovely. Gravy's rather good fit for a. Golden ship. Erin. The harp that once or twice. Cool hands. Ben Howth, the rhododendrons. We are their harps. I. He. Old. Young.

--Ah, I couldn't, man, Mr Dedalus said, shy, listless.

Strongly.

--Go on, blast you! Ben Dollard growled. Get it out in bits.

--_M'appari,_ Simon, Father Cowley said.

Down stage he strode some paces, grave, tall in affliction, his long arms outheld. Hoa.r.s.ely the apple of his throat hoa.r.s.ed softly. Softly he sang to a dusty seascape there: _A Last Farewell._ A headland, a ship, a sail upon the billows. Farewell. A lovely girl, her veil awave upon the wind upon the headland, wind around her.

Cowley sang:

_--M'appari tutt'amor: Il mio sguardo l'incontr..._

She waved, unhearing Cowley, her veil, to one departing, dear one, to wind, love, speeding sail, return.

--Go on, Simon.

--Ah, sure, my dancing days are done, Ben... Well...

Mr Dedalus laid his pipe to rest beside the tuningfork and, sitting, touched the obedient keys.

--No, Simon, Father Cowley turned. Play it in the original. One flat.

The keys, obedient, rose higher, told, faltered, confessed, confused.

Up stage strode Father Cowley.

--Here, Simon, I'll accompany you, he said. Get up.

By Graham Lemon's pineapple rock, by Elvery's elephant jingly jogged.

Steak, kidney, liver, mashed, at meat fit for princes sat princes Bloom and Goulding. Princes at meat they raised and drank, Power and cider.

Most beautiful tenor air ever written, Richie said: _Sonnambula._ He heard Joe Maas sing that one night. Ah, what M'Guckin! Yes. In his way.

Choirboy style. Maas was the boy. Ma.s.sboy. A lyrical tenor if you like.

Never forget it. Never.

Tenderly Bloom over liverless bacon saw the tightened features strain.

Backache he. Bright's bright eye. Next item on the programme. Paying the piper. Pills, pounded bread, worth a guinea a box. Stave it off awhile.

Sings too: _Down among the dead men._ Appropriate. Kidney pie. Sweets to the. Not making much hand of it. Best value in. Characteristic of him.

Power. Particular about his drink. Flaw in the gla.s.s, fresh Vartry water. f.e.c.king matches from counters to save. Then squander a sovereign in dribs and drabs. And when he's wanted not a farthing. Screwed refusing to pay his fare. Curious types.

Never would Richie forget that night. As long as he lived: never. In the G.o.ds of the old Royal with little Peake. And when the first note.

Speech paused on Richie's lips.

Coming out with a whopper now. Rhapsodies about d.a.m.n all.

Believes his own lies. Does really. Wonderful liar. But want a good memory.

--Which air is that? asked Leopold Bloom.

--_All is lost now_.

Richie c.o.c.ked his lips apout. A low incipient note sweet banshee murmured: all. A thrush. A throstle. His breath, birdsweet, good teeth he's proud of, fluted with plaintive woe. Is lost. Rich sound. Two notes in one there. Blackbird I heard in the hawthorn valley. Taking my motives he twined and turned them. All most too new call is lost in all.

Echo. How sweet the answer. How is that done? All lost now. Mournful he whistled. Fall, surrender, lost.

Bloom bent leopold ear, turning a fringe of doyley down under the vase.

Order. Yes, I remember. Lovely air. In sleep she went to him. Innocence in the moon. Brave. Don't know their danger. Still hold her back. Call name. Touch water. Jingle jaunty. Too late. She longed to go. That's why. Woman. As easy stop the sea. Yes: all is lost.

--A beautiful air, said Bloom lost Leopold. I know it well.

Never in all his life had Richie Goulding.

He knows it well too. Or he feels. Still harping on his daughter. Wise child that knows her father, Dedalus said. Me?

Bloom askance over liverless saw. Face of the all is lost. Rollicking Richie once. Jokes old stale now. Wagging his ear. Napkinring in his eye. Now begging letters he sends his son with. Crosseyed Walter sir I did sir. Wouldn't trouble only I was expecting some money. Apologise.

Piano again. Sounds better than last time I heard. Tuned probably.

Stopped again.

Dollard and Cowley still urged the lingering singer out with it.

--With it, Simon.

--It, Simon.

--Ladies and gentlemen, I am most deeply obliged by your kind solicitations.