Tripwire Part 42

She was stooped over next to him, numb with shock.

'He's got my mobile,' she said suddenly. 'I just remembered.'

'OK, press nine for a line.'

She dabbed the cradle and dialled nine and then her mobile number. It rang four times. Four loud urgent electronic squawks. Each one, she prayed: answer, answer, answer, answer. Then there was a click in the earpiece.

'h.e.l.lo?' he said.

She breathed out.

'Hi, Jack,' she said.

'Hey, Jodie,' he said. 'What's new?'

'Where are you?'

She realized there was urgency in her voice. It made him pause.

'I'm in St Louis, Missouri,' he said. 'Just flew down. I had to go to the NPRC again, where we were before.'

She gasped. St Louis? Her mouth went dry.

'You OK?' he asked her.

Hobie leaned across and put his mouth next to her ear.

'Tell him to come right back to New York,' he whispered. 'Straight here, soon as he can.'

She nodded nervously and he pressed the gun harder against her side.

'Can you come back?' she asked. 'I sort of need you here, as soon as possible.'

'I'm booked on the six o'clock,' he said. 'Gets me in around eight-thirty, East Coast time. Will that do?'

She could sense Hobie grinning next to her.

'Can you make it any time sooner? Like maybe right away?'

She could hear talking in the background. Major Conrad, she guessed. She remembered his office, dark wood, worn leather, the hot Missouri sun in the window.

'Sooner?' he said. 'Well, I guess so. I could be there in a couple of hours, depending on the flights. Where are you?'

'Come to the World Trade Center, south tower, eighty-eighth floor, OK?'

'Traffic will be bad. Call it two and a half hours, I'll be there.'

'Great,' she said.

'You OK?' he asked again.

Hobie brought the gun around into her view.

'I'm fine,' she said. 'I love you.'

Hobie leaned over and hit the cradle with the tip of his hook. The earpiece clicked and filled with dial tone. She put the phone down, slowly and carefully on to the console. She was shattered with shock and disappointment, numb, still stooped over the counter, one hand laid flat on the wood propping her weight, the other hand shaking in the air an inch above the phone.

'Two and a half hours,' Hobie said to her with exaggerated sympathy. 'Well, it looks like the cavalry ain't going to arrive in time for you, Mrs Jacob.'

He laughed to himself and put the gun back in his pocket. Got out of the chair and caught the arm that was supporting her weight. She stumbled and he dragged her towards the office door. She caught the edge of the counter and held on tight. He hit her, backhanded with the hook. The curve caught her high on the temple and she lost her grip on the counter. Her knees gave way and she fell and he dragged her to the door by the arm. Her heels scuffed and kicked. He swung her around in front of him and straight-armed her back into the office. She sprawled on the carpet and he slammed the door.

'Back on the sofa,' he snarled.

The sunbeams were off the desk. They were inching around the floor and creeping across the table. Marilyn Stone's splayed fingernails were vivid in their light. Jodie crawled on her hands and knees and pulled herself up on the furniture and staggered all the way back to her place alongside Curry. She put her hands back where they had been before. There was a narrow pain in her temple. It was an angry throb, hot and alien where the metal had thumped against bone. Her shoulder was twisted. The guy with the shotgun was watching her. Tony was watching her, the automatic pistol back in his hand. Reacher was far away from her, like he had been most of her life.

Hobie was back at the desk, squaring the stack of equity certificates into a pile. They made a brick four inches tall. He b.u.t.ted each side in turn with the hook. The heavy engraved papers slid neatly into place.

'UPS will be here soon,' he said happily. 'Then the developers get their stock, and I get my money, and I've won again. About half an hour, probably, and then it's all over, for me, and for you.'

Jodie realized he was talking to her alone. He had selected her as a conduit for information. Curry and the Stone couple were staring at her, not him. She looked away and gazed down through the gla.s.s at the rug on the floor. It had the same pattern as the faded old item in DeWitt's office in Texas, but it was much smaller and much newer. Hobie left the brick of paper where it was and walked around behind the square of furniture and took the shotgun away from the guy holding it.

'Go bring me some coffee,' he said to him. The guy nodded and walked out to the lobby. Closed the door gently behind him. The office went silent. There was just tense breathing and the faint rumble of the building underneath it. The shotgun was in Hobie's left hand. It was pointing at the floor. Swinging gently, back and forth through a tiny arc. A loose grip. Jodie could hear the rub of metal on the skin of his hand. She saw Curry glancing around. He was checking Tony's position. Tony had stepped back a yard. He had put himself outside the shotgun's field of fire and he was aiming directly across it at a right angle. His automatic was raised. Jodie felt Curry testing the strength in his shoulders. She felt him moving. She saw his arms bunching. She saw him glance ahead at Tony, maybe twelve feet in front of him. She saw him glance left at Hobie, maybe eight feet to the side. She saw the sunbeams, exactly parallel with the bra.s.s edges of the table. She saw Curry push up on to his fingertips.

'No,' she breathed.

Leon had always simplified his life with rules. He had a rule for every situation. As a kid, they had driven her crazy. His catch-all rule for everything from her term papers to his missions to legislation in Congress was do it once and do it right. Curry had no chance of doing it right. No chance at all. He was triangulated by two powerful weapons. His options were nonexistent. If he jumped up and hurdled the table and headed for Tony, he would catch a bullet in the chest before he was even halfway there, and probably a shotgun blast in the side as well which would kill the Stone couple along with himself. And if he headed for Hobie first, then maybe Tony wouldn't fire for fear of hitting his boss, but Hobie would fire for sure, and the shotgun blast would shred Curry into a hundred small pieces, and she was in a direct line right behind him.

Another of Leon's rules was hopeless is hopeless and don't ever pretend it ain't.

'Wait,' she breathed.

She felt a fractional nod from Curry and she saw his shoulders go slack again. They waited. She stared down through the gla.s.s at the rug and fought the pain, minute by minute. Her torn shoulder was shrieking against her weight. She folded her fingers and rested on her knuckles. She could hear Marilyn Stone breathing hard opposite her. She looked defeated. Her head was resting sideways on her arms, and her eyes were closed. The sunbeams had moved away from parallel and were creeping towards her edge of the table.

'What the h.e.l.l is that guy doing out there?' Hobie muttered. 'How long does it take to fetch me a d.a.m.n cup of coffee?'

Tony glanced at him, but he made no reply. Just kept the automatic held forward, favouring Curry more than anybody. Jodie turned her hands and leaned on her thumbs. Her head throbbed and burned. Hobie kicked the shotgun up and rested the muzzle on the back of the sofa in front of him. He brought the hook up and rubbed the flat of the curve over his scars.

'Christ,' he said. 'What's taking so long? Go give him a hand, OK?'

Jodie realized he was looking straight at her. 'Me?'

'Why not? Make yourself useful. Coffee is woman's work, after all.'

She hesitated.

'I don't know where it is,' she said.

'Then I'll show you.'

He was staring at her, waiting. She nodded, suddenly glad to get a chance just to move a little. She straightened her fingers and eased her hands backward and pushed herself upright. She felt weak and she stumbled once and caught her shin on the table's bra.s.s frame. She walked uneasily through Tony's field of fire. Up close, his automatic was huge and brutal. He tracked her with it all the way as she approached Hobie. Back there, she was beyond the reach of the sunbeams. Hobie led her through the gloom and juggled the shotgun up under his arm and grasped the handle and pulled the door open.

Check the outer door first, and then the telephone. That was what she had been rehearsing as she walked. If she could get out into the public corridor, she might have a chance. Failing that, there was the 911 speed-dial. Knock the handset out of the cradle, hit the b.u.t.ton, and even if she got no opportunity to speak the automatic circuitry would give the cops a location. The door, or the phone. She rehea.r.s.ed looking ahead at the door, looking left at the phone, the precise turn of her head in between. But when it came to it she looked at neither thing. Hobie stopped dead in front of her and she stepped alongside him and just looked at the guy who had gone to fetch the coffee.

He was a thickset man, shorter than Hobie or Tony, but broad. He was wearing a dark suit. He was lying on his back on the floor, precisely centred in front of the office door. His legs were straight. His feet were turned out. His head was propped at a steep angle on a stack of phone books. His eyes were wide open. They stared forward, sightlessly. His left arm was dragged up and back, and the hand was resting palm up on another stack of books in a grotesque parody of greeting. His right arm was pulled straight, at a shallow angle away from his body. His right hand was severed at the wrist. It was lying on the carpet six inches away from his shirt cuff, arranged in a precise straight line with the arm it had come from. She heard Hobie making a small sound in his throat and turned to see him dropping the shotgun and clutching at the door with his good hand. The burn scars were still vivid pink, but the rest of his face was turning a ghastly white.

SEVENTEEN

Reacher had been named Jack by his father, who was a plain New Hampshire Yankee with an implacable horror of anything fancy. He had walked into the maternity ward one late October Tuesday, the morning after the birth, and he had handed his wife a small bunch of flowers and told her we'll call him Jack. There was no middle name. Jack Reacher was the whole of it, and it was already on the birth certificate, because he had visited the company clerk on his way to the infirmary and the guy had written it down and reported it by telex to the Berlin Emba.s.sy. Another United States citizen, born overseas to a serving soldier, name of Jack-none-Reacher.

His mother made no objection. She loved her husband for his ascetic instincts, because she was French and they gave him a kind of European sensibility that made her feel more at home with him. She had found an enormous gulf between America and Europe in those postwar decades. The wealth and excess of America contrasted uneasily with the exhaustion and poverty of Europe. But her very own New Hampshire Yankee had no use for wealth and excess. No use at all. Plain simple things were what he liked, and that was absolutely fine with her, even if it did extend all the way to her babies' names.

He had called her firstborn Joe. Not Joseph, just Joe. No middle name. She loved the boy, of course, but the name was hard for her. It was very short and abrupt, and she struggled with the initial J because of her accent. It came out like zh. Like the boy was called Zhoe. Jack was much better. Her accent made it sound like Jacques, which was a very traditional old French name. Translated, it meant James. Privately, she always thought of her second boy as James.

But paradoxically n.o.body ever called him by his first name. n.o.body knew how it came about, but Joe was always called Joe and Jack was always called Reacher. She did it herself, all the time. She had no idea why. She would stick her head out of some service bungalow window and yell Zhoe! Come get your lunch! And bring Reacher with you! And her two sweet little boys would come running inside for something to eat. The exact same thing happened in school. It was Reacher's own earliest memory. He was an earnest, serious boy, and he was puzzled why his names were backward. His brother was called by his first name first and his last name last. Not him. There was a schoolyard softball game and the kid who owned the bat was choosing up sides. He turned to the brothers and called out I'll have Joe and Reacher. All the kids did the same thing. The teachers, too. They called him Reacher, even in kindergarten. And somehow it travelled with him. Like any Army kid, he changed elementary schools dozens of times. First day in some new place somewhere, maybe even on a new continent, some new teacher would be yelling come here, But he got used to it fast and had no problem living his whole life behind a one-word name. He was Reacher, always had been, always would be, to everybody. The first girl he ever dated was a tall brunette who sidled shyly up to him and asked what's your name? Reacher, he replied. The loves of his life had all called him that. Mmm, Reacher, I love you, they had whispered in his ear. All of them. Jodie herself had done the exact same thing. He had appeared at the top of the concrete steps in Leon's yard and she had looked up at him and said h.e.l.lo, Reacher. After fifteen long years, she still knew exactly what he was called. But she hadn't called him Reacher on the mobile. He had clicked the b.u.t.ton and said h.e.l.lo and she had said hi, Jack. It went off in his ear like a siren. Then she had asked where are you? and she had sounded so tense about it he panicked and his mind started racing and for a second he missed exactly what she meant. His given name, just a lucky chance. Hi, Jack meant hijack. It took him a second to catch on. She was in trouble. Big trouble, but she was still Leon's daughter, smart enough to think hard and warn him with two little syllables at the start of a desperate phone call.

Hijack. An alert. A combat warning. He blinked once and crushed down the fear and went to work. First thing he did was lie to her. Combat is about time and s.p.a.ce and opposing forces. Like a huge four-dimensional diagram. First step is misinform the enemy. Let him think your diagram is a completely different shape. You a.s.sume all communications are penetrated, and then you use them to spread lies and deceit. You buy yourself an advantage.

He wasn't in St Louis. Why should he be? Why fly himself all the way down there when there were telephones in the world and he had already built a working relationship with Conrad? He called him from the Greenwich Avenue sidewalk and told him what he needed and Conrad called back just three minutes later because the file in question was right there in the A section nearest the hara.s.sed runner's desk. He listened with the pedestrians swirling around him and Conrad read the file aloud and twelve minutes later he clicked the phone off with all the information he was ever going to need.

Then he hustled the Lincoln south on Seventh and dumped it in a garage a block north of the Twin Towers. He hurried down and crossed the plaza and he was already inside the south tower's lobby when Jodie called. Just eighty-eight floors below her. He was talking to the security guy at the desk, which was the voice she heard in the background. His face went blank with panic and he clicked the phone off and took the express elevator to eighty-nine. He stepped out and breathed hard and forced himself to calm down. Stay calm and plan. His guess was eighty-nine would be laid out the same as eighty-eight. It was quiet and empty. Corridors ran around the elevator cores, narrow, lit by bulbs in the ceiling. There were doors opening into the individual office suites. They had rectangular wired-gla.s.s portholes set off-centre at a short person's eye level. Each suite door had a metal plate listing the name of the occupant and a buzzer to press for entry. He found the fire stairs and ran down one level. The stairwell was utilitarian. No finesse in the decor. Just plain dusty concrete with metal handrails. Behind every fire door was an extinguisher. Above the extinguisher was a bright red cabinet with a red-painted axe clipped into place behind gla.s.s. On the wall next to the cabinet was a giant stencil in red, marking the floor number.

He came out into the eighty-eighth-floor corridor. It was equally quiet. Identical narrow width, identical lighting, same layout, same doors. He ran the wrong way and came around to CCT last. It had a light oak door, with a bra.s.s plate next to it, and a bra.s.s pushb.u.t.ton for the buzzer. He pulled the door, gently. It was locked tight. He stooped and looked in through the wired-gla.s.s porthole. He saw a reception area. Bright lights. Bra.s.s-and-oak decor. A counter to his right. Another door, straight ahead. That door was shut, and the reception area was deserted. He stood and stared straight through at the closed inner door and felt panic rising in his throat.

She was in there. She was in the inner office. He could feel it. She was in there, alone, a prisoner, and she needed him. She was in there and he should be in there with her. He should have gone with her. He stooped down and put his forehead against the cold gla.s.s and stared through at the office door. Then he heard Leon in his head, starting up with another of his golden rules. Don't worry about why it went wrong. Just d.a.m.n well put it right.

He stepped back and glanced left and right along the corridor. Put himself underneath the light nearest the door. Reached up and unscrewed the bulb until it went out. The hot gla.s.s burned his fingers. He winced and stepped back to the door and checked again, a yard from the porthole, well out in the corridor. The reception area was brightly lit and the corridor was now dark. He could see in, but n.o.body would see out. You can see from a dark place into a light place, but you can't see from a light place into a dark place. A crucial difference. He stood and waited.

The inner door opened and a thickset guy stepped out of the office into reception. Closed the door gently behind him. A thickset guy in a dark suit. The guy he'd pushed down the stairs in the Key West bar. The guy who had fired the Beretta up in Garrison. The guy who had clung to the Bravada's door handle. He walked through reception and disappeared from view. Reacher stepped forward again and studied the inner door through the gla.s.s. It stayed closed. He knocked gently on the outer door. The guy came to the porthole and peered through. Reacher stood up straight and turned his shoulder so his brown jacket filled the view.

'UPS,' he said softly.

It was an office building and it was dark and it was a brown jacket, and the guy opened the door. Reacher stepped around the arc of its swing and shot his hand in and caught the guy by the throat. Do it fast enough and hard enough and you numb the guy's voice box before he can get going with any sounds. Then you dig your fingers in and keep him from falling over. The guy went heavy against his grip and Reacher ran him all the way along the corridor to the fire door and threw him backward into the stairwell. The guy bounced off the far wall and went down on the concrete, with a cracked rasping sound coming from his throat.

'Time to choose,' Reacher whispered. 'You help me, or you die.'

A choice like that, there's only one sensible thing to do, but the guy didn't do it. He struggled up to his knees and made like he was going to fight it out. Reacher tapped him on the top of the head, just enough to send some shock down through his neck bones, and then stepped back and asked him again.

'Help me out,' he said. 'Or I'll kill you.'

The guy shook his head to clear it and launched himself across the floor. Reacher heard Leon say ask once, ask twice if you must, but for G.o.d's sake don't ask three times. He kicked the guy in the chest and spun him around backward and wedged his forearm across the top of his shoulders and put a hand under his chin and wrenched it once and broke his neck.

One down, but he was down without releasing any information, and in combat information is king. His gut still told him this was a small operation, but two guys or three or five could equally be called small, and there was a h.e.l.l of a big difference between going in blind against two or three or five opponents. He paused in the stairwell and glanced at the fire-axe in the red cabinet. Next best thing to solid information is some kind of an arresting diversion. Something to make them worried and unsettled. Something to make them pause.

He did it as quietly as he could and checked the corridor was truly empty before dragging the body back. He swung the door open soundlessly and got the guy arranged in the middle of the lobby floor. Then he closed the door again and dodged down behind the reception counter. It was chest high, and more than ten feet long. He lay on the floor behind it and eased the silenced Steyr out of his jacket and settled down to wait.

It felt like a long wait. He was pressed to the thin office carpet, and he could feel the unyielding concrete under it, alive with the tiny vibrations of a giant building at work. He could feel the faint ba.s.s shudder of the elevators stopping and starting. He could feel the tingle of the tension in their cables. He could hear the hum of air-conditioning and the tremor of the wind. He hooked his toes back against the resistance of the nylon pile and bunched his legs against them, ready for action.

He felt the fall of footsteps a second before he heard the click of the latch. He knew the inner door had opened because he heard the change in the acoustic. The reception area was suddenly open to a larger s.p.a.ce. He heard four feet on the carpet and he heard them stop, like he knew they would. He waited. Present somebody with an astonishing sight, and it takes about three seconds for the maximum effect to develop. That was Reacher's experience. They look at it, they see it, their brain rejects it, their eyes bounce it back again, and it sinks in. Three whole seconds, beginning to end. He counted silently one, two, three, and pushed out at the base of the counter, pressed to the floor, leading with the long black silencer on the end of the Steyr. He got his arms out, then his shoulders, then his eyes.

What he saw was a disaster. The guy with the hook and the burned face was dropping a weapon and gasping and clutching at the door frame, but he was on the wrong side of Jodie. The far side. He was on Jodie's right and the reception counter was on her left. She was a foot nearer than he was. She was much shorter but Reacher was down on the floor looking up at an angle that put her head directly in front of his head, her body directly in front of his body. There was no clear shot. No clear shot anywhere. Jodie was in the way. The guy with the hook and the face was making sounds in his throat and Jodie was staring down at the floor. Then there was a second guy behind them in the open doorway. The Suburban driver. He stopped behind Jodie's shoulder and stared. He was carrying a Beretta in his right hand. He stared forward and down at the floor and then he stepped alongside Jodie and pushed his way past her. He stepped a yard into the room. He stepped into clear air.

Reacher squeezed the trigger, fourteen whole pounds of pressure, and the silencer banged loud and the guy's face blew apart. It took the nine-millimetre bullet in the exact centre and exploded. Blood and bone hit the ceiling and sprayed the far wall behind him. Jodie froze in direct line with the guy with the hook. And the guy with the hook was very fast. Faster than he should have been for a crippled fifty-year-old.

He went one way with his left arm and scooped the shotgun off the floor. He went the other way with his right arm and folded it around Jodie's waist. The steel hook was bright against her suit. He was moving her before the other guy had even hit the floor. He clamped his right arm hard around her and lifted her off her feet and dragged her backward. The crash of the shot from the Steyr was still rumbling.

'How many?' Reacher screamed.

She was as fast as Leon ever was.

'Two down, one up,' she screamed back.

So the guy with the hook was the only one, but he was already swinging the shotgun around. It arced up through the air and he used the momentum to crunch the pump. Reacher was caught half-exposed, low down, scrambling out from behind the counter. It was only a tiny fractional opportunity, but the guy went right ahead and took it. He fired low and the gun flashed and boomed and the reception counter splintered into ten thousand pieces. Reacher ducked his head but sharp needles of wood and metal and hot stray pellets smashed him in the side of the face like a blow from a sledgehammer, all the way from his cheek to his forehead. He felt the dull crump and the sharp agonizing sting of serious injury. It was like falling from a window and hitting the ground head first. He rolled up dazed and the guy was hauling Jodie backward through the doorway, crunching the pump once more against the shotgun's weight as it moved. Reacher was dull and motionless against the back wall and the muzzle was coming up on him. His forehead was numb and icy. There was terrible pain there. He raised the Steyr. The silencer pointed straight at Jodie. He jerked it a fraction left and right. It still pointed at Jodie. The guy was making himself small behind her. He was craning around with his left hand, levelling the shotgun. His finger was tightening on the trigger. Reacher was immobile against the wall. He stared at Jodie, fixing her face in his mind before he died. Then a fair-haired woman was suddenly behind her, shouldering desperately into the guy's back, pushing him off balance. He staggered and whirled and clubbed at her with the shotgun barrel. Reacher caught a glimpse of a pink dress as she went down.

Then the shotgun was swinging back towards him. But Jodie was bouncing and wrestling against the guy's arm. She was stamping and kicking. The guy was staggering around against her energy. He blundered with her all the way back out into the reception area and tripped against the Suburban driver's legs. He fell with Jodie and the shotgun fired against the corpse. There was deafening sound and smoke and the obscene bloom and spray of dead blood and tissue. The guy came up on his knees and Reacher tracked him all the way with the Steyr. The guy dropped the shotgun and went for his pocket and came back with a shiny short-barrel revolver. He thumbed the hammer. The click was loud. Jodie was heaving left and right against his arm tight around her waist. Left and right, left and right, furiously, randomly. Reacher had no clear shot. Blood was pouring into his left eye. His forehead was pounding and bleeding. He closed the useless eye against the wetness and squinted with the right. The shiny revolver came all the way up and jammed hard into Jodie's side. She gasped and stopped moving and the guy's face came out from behind her head, smiling savagely.

'Drop the gun, a.s.shole,' he panted.

Reacher kept the Steyr exactly where it was. One eye open, one eye closed, jagged bolts of pain hammering in his head, the length of the silencer trained on the guy's distorted grin.

'I'll shoot her,' the guy snarled.

'Then I'll shoot you,' Reacher said. 'She dies, you die.'

The guy stared. Then he nodded.

'Impa.s.se,' he said.

Reacher nodded back. It looked that way. He shook his head to clear it. It just made the pain worse. Stalemate. Even if he could fire first, the guy might still get a shot off. With his finger tense on the trigger like that and the gun hard in her side, the pulse of death would probably be enough to do it. It was too much to risk. He kept the Steyr where it was and stood up slowly and pulled his shirt tail out and wiped his face with it, all the time squinting one-eyed down the barrel. The guy took a breath and stood up too, hauling Jodie with him. She tried to ease away from the pressure of the gun, but he kept her pulled in tight with his right arm. He turned his elbow outward and the hook pivoted and the point dug in against her waist.

'So we need to deal,' he said.

Reacher stood and mopped his eye and said nothing. His head was buzzing with pain. Buzzing and screaming. He was beginning to understand he was in serious trouble.

'We need to deal,' the guy said again.

'No deal,' Reacher replied.

The guy twisted the hook a little more and jammed the revolver in a little harder. Jodie gasped. It was a Smith and Wesson Model 60. Two-inch barrel, stainless steel,.38 calibre, five shots in the cylinder. The sort of thing a woman carries in her purse or a man conceals on his body. The barrel was so short and the guy was digging it in so hard his knuckles were hard up against Jodie's side. She was hanging forward against the pressure of his arm. Her hair was falling over her face. Her eyes were looking straight up at Reacher, and they were the loveliest eyes he had ever seen.

'n.o.body says no deal to Victor Hobie,' the guy snarled.