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"Oh yes--I _used_ to, at least. I used to have to learn the Catechism on Sundays--mamma made me. Whatever her faults and mistakes were, poor mamma was always very particular about _that_! It all seemed very complicated. But papa told me not to bother too much about it, but to be good. He said that G.o.d would make it all right for us somehow, in the end--all of us. And that seems sensible, _doesn't_ it?
"He told me to be good, and not to mind what priests and clergymen tell us. He'd been a clergyman himself, and knew all about it, he said.
"I haven't been very good--there's not much doubt about that, I'm afraid. But G.o.d knows I've repented often enough and sore enough; I do now! But I'm rather glad to die, I think; and not a bit afraid--not a sc.r.a.p! I believe in poor papa, though he _was_ so unfortunate! He was the cleverest man I ever knew, and the best--except Taffy and the Laird and your dear son!
"There'll be no h.e.l.l for any of us--he told me so--except what we make for ourselves and each other down here; and that's bad enough for anything. He told me that _he_ was responsible for me--he often said so--and that mamma was too, and his parents for _him_, and his grandfathers and grandmothers for _them_, and so on up to Noah and ever so far beyond, and G.o.d for us all!
"He told me always to think of other people before myself, as Taffy does, and your son; and never to tell lies or be afraid, and keep away from drink, and I should be all right. But I've sometimes been all wrong, all the same; and it wasn't papa's fault, but poor mamma's and mine; and I've known it, and been miserable at the time, and after! and I'm sure to be forgiven--perfectly certain--and so will everybody else, even the wickedest that ever lived! Why, just give them sense enough in the next world to understand all their wickedness in this, and that'll punish them enough for anything, I think! That's simple enough, _isn't_ it? Besides, there may be _no_ next world--that's on the cards too, you know!--and that will be simpler still!
"Not all the clergymen in all the world, not even the Pope of Rome, will ever make me doubt papa, or believe in any punishment after what we've all got to go through here! _Ce serait trop bete!_
"So that if you don't want me to very much, and he won't think it unkind, I'd rather not talk to Mr. Thomas Bagot about it. I'd rather talk to Taffy if I must. He's very clever, Taffy, though he doesn't often say such clever things as your son does, or paint nearly so well; and I'm sure he'll think papa was right."
And as a matter of fact the good Taffy, in his opinion on this solemn subject, was found to be at one with the late Reverend Patrick Michael O'Ferrall--and so was the Laird--and so (to his mother's shocked and pained surprise) was Little Billee.
And so were Sir Oliver Calthorpe and Sir Jacob Wilc.o.x and Doctor Thorne and Antony and Lorrimer and the Greek!
And so--in after-years, when grief had well pierced and torn and riddled her through and through, and time and age had healed the wounds, and nothing remained but the consciousness of great inward scars of recollection to remind her how deep and jagged and wide the wounds had once been--did Mrs. Bagot herself!
Late on one memorable Sat.u.r.day afternoon, just as it was getting dusk in Charlotte Street, Trilby, in her pretty blue dressing-gown, lay on the sofa by the fire--her head well propped, her knees drawn up--looking very placid and content.
She had spent the early part of the day dictating her will to the conscientious Taffy.
It was a simple doc.u.ment, although she was not without many valuable trinkets to leave: quite a fortune! Souvenirs from many men and women she had charmed by her singing, from royalties downward.
She had been looking them over with the faithful Marta, to whom she had always thought they belonged. It was explained to her that they were gifts of Svengali's; since she did not remember when and where and by whom they were presented to her, except a few that Svengali had given her himself, with many pa.s.sionate expressions of his love, which seems to have been deep and constant and sincere; none the less so, perhaps, that she could never return it!
She had left the bulk of these to the faithful Marta.
But to each of the trois Angliches she had bequeathed a beautiful ring, which was to be worn by their brides if they ever married, and the brides didn't object.
To Mrs. Bagot she left a pearl necklace; to Miss Bagot her gold coronet of stars; and pretty (and most costly) gifts to each of the three doctors who had attended her and been so a.s.siduous in their care; and who, as she was told, would make no charge for attending on Madame Svengali. And studs and scarf-pins to Antony, Lorrimer, the Greek, Dodor, and Zouzou; and to Carnegie a little German-silver vinaigrette which had once belonged to Lord Witlow; and pretty souvenirs to the Vinards, Angele Boisse, Durien, and others.
And she left a magnificent gold watch and chain to Gecko, with a most affectionate letter and a hundred pounds--which was all she had in money of her own.
She had taken great interest in discussing with Taffy the particular kind of trinket which would best suit the idiosyncrasy of each particular legatee, and derived great comfort from the business-like and sympathetic conscientiousness with which the good Taffy entered upon all these minutiae--he was so solemn and serious about it, and took such pains. She little guessed how his dumb but deeply feeling heart was harrowed!
This doc.u.ment had been duly signed and witnessed and intrusted to his care; and Trilby lay tranquil and happy, and with a sense that nothing remained for her but to enjoy the fleeting hour, and make the most of each precious moment as it went by.
She was quite without pain of either mind or body, and surrounded by the people she adored--Taffy, the Laird, and Little Billee, and Mrs. Bagot, and Marta, who sat knitting in a corner with her black mittens on, and her bra.s.s spectacles.
She listened to the chat and joined in it, laughing as usual; "love in her eyes sat playing," as she looked from one to another, for she loved them all beyond expression. "Love on her lips was straying, and warbling in her breath," whenever she spoke; and her weakened voice was still larger, fuller, softer than any other voice in the room, in the world--of another kind, from another sphere.
A cart drove up, there was a ring at the door, and presently a wooden packing-case was brought into the room.
At Trilby's request it was opened, and found to contain a large photograph, framed and glazed, of Svengali, in the military uniform of his own Hungarian band, and looking straight out of the picture, straight at you. He was standing by his desk with his left hand turning over a leaf of music, and waving his baton with his right. It was a splendid photograph, by a Viennese photographer, and a most speaking likeness; and Svengali looked truly fine--all made up of importance and authority, and his big black eyes were full of stern command.
[Ill.u.s.tration: FOR GECKO]
Marta trembled as she looked. It was handed to Trilby, who exclaimed in surprise. She had never seen it. She had no photograph of him, and had never possessed one.
No message of any kind, no letter of explanation, accompanied this unexpected present, which, from the postmarks on the case, seemed to have travelled all over Europe to London, out of some remote province in eastern Russia--out of the mysterious East! The poisonous East--birthplace and home of an ill wind that blows n.o.body good.
Trilby laid it against her legs as on a lectern, and lay gazing at it with close attention for a long time, making a casual remark now and then, as, "He was very handsome, I think"; or, "That uniform becomes him very well. Why has he got it on, I wonder?"
[Ill.u.s.tration: "OUT OF THE MYSTERIOUS EAST"]
The others went on talking, and Mrs. Bagot made coffee.
Presently Mrs. Bagot took a cup of coffee to Trilby, and found her still staring intently at the portrait, but with her eyes dilated, and quite a strange light in them.
"Trilby, Trilby, your coffee! What is the matter, Trilby?"
Trilby was smiling, with fixed eyes, and made no answer.
The others got up and gathered round her in some alarm. Marta seemed terror-stricken, and wished to s.n.a.t.c.h the photograph away, but was prevented from doing so; one didn't know what the consequences might be.
Taffy rang the bell, and sent a servant for Dr. Thorne, who lived close by, in Fitzroy Square.
Presently Trilby began to speak, quite softly, in French: "Encore une fois? bon! je veux bien! avec la voix blanche alors, n'est-ce pas? et puis foncer au milieu. Et pas trop vite en commencant! Battez bien la mesure, Svengali--que je puisse bien voir--car il fait deja nuit! c'est ca! Allons, Gecko--donne-moi le ton!"
Then she smiled, and seemed to beat time softly by moving her head a little from side to side, her eyes intent on Svengali's in the portrait, and suddenly she began to sing Chopin's Impromptu in A flat.
She hardly seemed to breathe as the notes came pouring out, without words--mere vocalizing. It was as if breath were unnecessary for so little voice as she was using, though there was enough of it to fill the room--to fill the house--to drown her small audience in holy, heavenly sweetness.
She was a consummate mistress of her art. How that could be seen! And also how splendid had been her training! It all seemed as easy to her as opening and shutting her eyes, and yet how utterly impossible to anybody else!
Between wonder, enchantment, and alarm they were frozen to statues--all except Marta, who ran out of the room, crying: "Gott im Himmel! wieder zuruck! wieder zuruck!"
She sang it just as she had sung it at the Salle des Bashibazoucks, only it sounded still more ineffably seductive, as she was using less voice--using the essence of her voice, in fact--the pure spirit, the very cream of it.
There can be little doubt that these four watchers by that enchanted couch were listening to not only the most divinely beautiful, but also the most astounding feat of musical utterance ever heard out of a human throat.
The usual effect was produced. Tears were streaming down the cheeks of Mrs. Bagot and Little Billee. Tears were in the Laird's eyes, a tear on one of Taffy's whiskers--tears of sheer delight.
When she came back to the quick movement again, after the adagio, her voice grew louder and shriller, and sweet with a sweetness not of this earth; and went on increasing in volume as she quickened the time, nearing the end; and then came the dying away into all but nothing--a mere melodic breath; and then the little soft chromatic ascending rocket, up to E in alt, the last parting caress (which Svengali had introduced as a finale, for it does not exist in the piano score).
When it was over, she said: "ca y est-il, cette fois, Svengali? Ah! tant mieux, a la fin! c'est pas malheureux! Et maintenant, mon ami, _je suis fatiguee--bon soir_!"
Her head fell back on the pillow, and she lay fast asleep.
Mrs. Bagot took the portrait away gently. Little Billee knelt down and held Trilby's hand in his and felt for her pulse, and could not find it.
He said, "Trilby! Trilby!" and put his ear to her mouth to hear her breathe. Her breath was inaudible.
But soon she folded her hands across her breast, and uttered a little short sigh, and in a weak voice said: "_Svengali.... Svengali....