Trent's Trust, and Other Stories Part 22

Nevertheless, his temper was growing uncertain; the angle of his smart straw hat was becoming aggressive to strangers; his politeness sardonic.

And now Sunday morning had come with an atmosphere of starched piety and well-soaped respectability at the rancho, and the children were to be taken with the rest of the family to the day-long service at Hightown.

As these Sabbath pilgrimages filled the main road, he was fain to take himself and his loneliness to the trails and byways, and even to invade the haunts of some other elegant outcasts like himself--to wit, a crested hawk, a graceful wild cat beautifully marked, and an eloquently reticent rattlesnake. Mr. Hamlin eyed them without fear, and certainly without reproach. They were not out of their element.

Suddenly he heard his name called in a stentorian contralto. An impatient e.j.a.c.u.l.a.t.i.o.n rose to his lips, but died upon them as he turned.

It was certainly Melinda, but in his present sensitive loneliness it struck him for the first time that he had never actually seen her before as she really was. Like most men in his profession he was a quick reader of thoughts and faces when he was interested, and although this was the same robust, long-limbed, sunburnt girl he had met, he now seemed to see through her triple incrustation of human vanity, conventional piety, and outrageous Sabbath finery an honest, sympathetic simplicity that commanded his respect.

"You are back early from church," he said.

"Yes. One service is good enough for me when thar ain't no special preacher," she returned, "so I jest sez to Silas, 'as I ain't here to listen to the sisters cackle ye kin put to the buckboard and drive me home ez soon ez you please.'"

"And so his name is Silas," suggested Mr. Hamlin cheerfully.

"Go 'long with you, Mr. Hamlin, and don't pester," she returned, with heifer-like playfulness. "Well, Silas put to, and when we rose the hill here I saw your straw hat pa.s.sin' in the gulch, and sez to Silas, sez I, 'Ye kin pull up here, for over yar is our new boarder, Jack Hamlin, and I'm goin' to talk with him.' 'All right,' sez he, 'I'd sooner trust ye with that gay young gambolier every day of the week than with them saints down thar on Sunday. He deals ez straight ez he shoots, and is about as nigh onto a gentleman as they make 'em.'"

For one moment or two Miss Bird only saw Jack's long lashes. When his eyes once more lifted they were shining. "And what did you say?" he said, with a short laugh.

"I told him he needn't be Christopher Columbus to have discovered that."

She turned with a laugh toward Jack, to be met by the word "shake," and an outstretched thin white hand which grasped her large red one with a frank, fraternal pressure.

"I didn't come to tell ye that," remarked Miss Bird as she sat down on a boulder, took off her yellow hat, and restacked her tawny mane under it, "but this: I reckoned I went to Sunday meetin' as I ought ter. I kalkilated to hear considerable about 'Faith' and 'Works,' and sich, but I didn't reckon to hear all about you from the Lord's Prayer to the Doxology. You were in the special prayers ez a warnin', in the sermon ez a text; they picked out hymns to fit ye! And always a drefful example and a visitation. And the rest o' the tune it was all gabble, gabble by the brothers and sisters about you. I reckon, Mr. Hamlin, that they know everything you ever did since you were knee-high to a gra.s.shopper, and a good deal more than you ever thought of doin'. The women is all dead set on convertin' ye and savin' ye by their own precious selves, and the men is ekally dead set on gettin' rid o' ye on that account."

"And what did Seth and Mrs. Rivers say?" asked Hamlin composedly, but with kindling eyes.

"They stuck up for ye ez far ez they could. But ye see the parson hez got a holt upon Seth, havin' caught him kissin' a convert at camp meeting; and Deacon Turner knows suthin about Mrs. Rivers's sister, who kicked over the pail and jumped the fence years ago, and she's afeard a'

him. But what I wanted to tell ye was that they're all comin' up here to take a look at ye--some on 'em to-night. You ain't afeard, are ye?" she added, with a loud laugh.

"Well, it looks rather desperate, doesn't it?" returned Jack, with dancing eyes.

"I'll trust ye for all that," said Melinda. "And now I reckon I'll trot along to the rancho. Ye needn't offer ter see me home," she added, as Jack made a movement to accompany her. "Everybody up here ain't as fair-minded ez Silas and you, and Melinda Bird hez a character to lose! So long!" With this she cantered away, a little heavily, perhaps, adjusting her yellow hat with both hands as she clattered down the steep hill.

That afternoon Mr. Hamlin drew largely on his convalescence to mount a half-broken mustang, and in spite of the rising afternoon wind to gallop along the highroad in quite as mischievous and breezy a fashion. He was wont to allow his mustang's nose to hang over the hind rails of wagons and buggies containing young couples, and to dash ahead of sober carryalls that held elderly "members in good standing."

An accomplished rider, he picked up and brought back the flying parasol of Mrs. Deacon Stubbs without dismounting. He finally came home a little blown, but dangerously composed.

There was the usual Sunday evening gathering at Windy Hill Rancho--neighbors and their wives, deacons and the pastor--but their curiosity was not satisfied by the sight of Mr. Hamlin, who kept his own room and his own counsel. There was some desultory conversation, chiefly on church topics, for it was vaguely felt that a discussion of the advisability or getting rid of the guest of their host was somewhat difficult under this host's roof, with the guest impending at any moment. Then a diversion was created by some of the church choir practicing the harmonium with the singing of certain more or less lugubrious anthems. Mrs. Rivers presently joined in, and in a somewhat faded soprano, which, however, still retained considerable musical taste and expression, sang, "Come, ye disconsolate." The wind moaned over the deep-throated chimney in a weird harmony with the melancholy of that human appeal as Mrs. Rivers sang the first verse:--

"Come, ye disconsolate, where'er ye languish, Come to the Mercy Seat, fervently kneel; Here bring your wounded hearts--here tell your anguish, Earth has no sorrow that Heaven cannot heal!"

A pause followed, and the long-drawn, half-human sigh of the mountain wind over the chimney seemed to mingle with the wail of the harmonium.

And then, to their thrilled astonishment, a tenor voice, high, clear, but tenderly pa.s.sionate, broke like a skylark over their heads in the lines of the second verse:--

"Joy of the desolate, Light of the straying, Hope of the penitent--fadeless and pure; Here speaks the Comforter, tenderly saying, Earth has no sorrow that Heaven cannot cure!"

The hymn was old and familiar enough, Heaven knows. It had been quite popular at funerals, and some who sat there had had its strange melancholy borne upon them in time of loss and tribulations, but never had they felt its full power before. Accustomed as they were to emotional appeal and to respond to it, as the singer's voice died away above them, their very tears flowed and fell with that voice. A few sobbed aloud, and then a voice asked tremulously,--

"Who is it?"

"It's Mr. Hamlin," said Seth quietly. "I've heard him often hummin'

things before."

There was another silence, and the voice of Deacon Stubbs broke in harshly,--

"It's rank blasphemy."

"If it's rank blasphemy to sing the praise o' G.o.d, not only better than some folks in the choir, but like an angel o' light, I wish you'd do a little o' that blaspheming on Sundays, Mr. Stubbs."

The speaker was Mrs. Stubbs, and as Deacon Stubbs was a notoriously bad singer the shot told.

"If he's sincere, why does he stand aloof? Why does he not join us?"

asked the parson.

"He hasn't been asked," said Seth quietly. "If I ain't mistaken this yer gathering this evening was specially to see how to get rid of him."

There was a quick murmur of protest at this. The parson exchanged glances with the deacon and saw that they were hopelessly in the minority.

"I will ask him myself," said Mrs. Rivers suddenly.

"So do, Sister Rivers; so do," was the unmistakable response.

Mrs. Rivers left the room and returned in a few moments with a handsome young man, pale, elegant, composed, even to a grave indifference.

What his eyes might have said was another thing; the long lashes were scarcely raised.

"I don't mind playing a little," he said quietly to Mrs. Rivers, as if continuing a conversation, "but you'll have to let me trust my memory."

"Then you--er--play the harmonium?" said the parson, with an attempt at formal courtesy.

"I was for a year or two the organist in the choir of Dr. Todd's church at Sacramento," returned Mr. Hamlin quietly.

The blank amazement on the faces of Deacons Stubbs and Turner and the parson was followed by wreathed smiles from the other auditors and especially from the ladies. Mr. Hamlin sat down to the instrument, and in another moment took possession of it as it had never been held before. He played from memory as he had implied, but it was the memory of a musician. He began with one or two familiar anthems, in which they all joined. A fragment of a ma.s.s and a Latin chant followed. An "Ave Maria" from an opera was his first secular departure, but his delighted audience did not detect it. Then he hurried them along in unfamiliar language to "O mio Fernando" and "Spiritu gentil," which they fondly imagined were hymns, until, with crowning audacity, after a few preliminary chords of the "Miserere," he landed them broken-hearted in the Trovatore's donjon tower with "Non te scordar de mi."

Amidst the applause he heard the preacher suavely explain that those Popish ma.s.ses were always in the Latin language, and rose from the instrument satisfied with his experiment. Excusing himself as an invalid from joining them in a light collation in the dining room, and begging his hostess's permission to retire, he nevertheless lingered a few moments by the door as the ladies filed out of the room, followed by the gentlemen, until Deacon Turner, who was bringing up the rear, was abreast of him. Here Mr. Hamlin became suddenly deeply interested in a framed pencil drawing which hung on the wall. It was evidently a schoolgirl's amateur portrait, done by Mrs. Rivers. Deacon Turner halted quickly by his side as the others pa.s.sed out--which was exactly what Mr.

Hamlin expected.

"Do you know the face?" said the deacon eagerly.

Thanks to the faithful Melinda, Mr. Hamlin did know it perfectly. It was a pencil sketch of Mrs. Rivers's youthfully erring sister. But he only said he thought he recognized a likeness to some one he had seen in Sacramento.

The deacon's eye brightened. "Perhaps the same one--perhaps," he added in a submissive and significant tone "a--er--painful story."

"Rather--to him," observed Hamlin quietly.

"How?--I--er--don't understand," said Deacon Turner.

"Well, the portrait looks like a lady I knew in Sacramento who had been in some trouble when she was a silly girl, but had got over it quietly.

She was, however, troubled a good deal by some mean hound who was every now and then raking up the story wherever she went. Well, one of her friends--I might have been among them, I don't exactly remember just now--challenged him, but although he had no conscientious convictions about slandering a woman, he had some about being shot for it, and declined. The consequence was he was cowhided once in the street, and the second time tarred and feathered and ridden on a rail out of town.

That, I suppose, was what you meant by your 'painful story.' But is this the woman?"

"No, no," said the deacon hurriedly, with a white face, "you have quite misunderstood."