Travels in China Part 9

After these interviews, they were suffered to remain a day or two at home; but on a bag of dried grapes being brought by a mandarin from the Emperor, they were required to thank him for the present with nine prostrations, as usual. Another time a little pastry from the imperial kitchen demanded the same ceremony. In short, whether at home or in the palace, the Chinese were determined they should be kept in the constant practice of the _koo-too_, or ceremony of genuflexion and prostration.

On the 26th of January, the Emba.s.sadors received notice that it was expected they should attend the procession of the Emperor to the temple, where he was about to make an offering to the G.o.d of Heaven and of earth. Having waited accordingly by the road side, from three o'clock in the morning till six, the weather dismally cold, Fahrenheit's thermometer standing at 16 below the freezing point, the Emperor at length pa.s.sed in his chair, when they made the usual prostrations and returned home.

The next morning they were again required to proceed to the same place, and at the same early hour, to witness his return and again to go through the usual ceremony.

On the 29th, they were again summoned to attend by the road side to do homage before the Emperor, as he pa.s.sed them on his way to a paG.o.da or _Poo-ta-la_, a kind of temple or monastery, where a great number of priests, clothed in yellow, lived together in a state of celibacy; and here he made his burnt-offerings. The mystical rates performed, presents were brought out for the Emba.s.sador and suite, and also for the _King_ of _Holland_, consisting of little purses, flimsey silks, and a coa.r.s.e stuff somewhat similar to that known by seamen under the name of _bunting_; and, in token of grat.i.tude for this mark of imperial kindness, they were directed again to _bow down their heads to the ground_.

On the 30th, it was announced to them that the Emperor intended to pay a visit to his palace at _Yuen-min-yuen_, and that it would be necessary for them to follow him thither; after having, as usual, paid their respects in the Chinese manner by the road side as he pa.s.sed.

On the 31st, they were conducted round the grounds of _Yuen-min-yuen_ by several Mandarins, and received great satisfaction in viewing the vast variety of buildings, and the good taste in which the gardens and pleasure grounds were laid out, and which wore an agreeable aspect, even in the depth of winter. In one of the buildings they saw the several presents deposited, which had been carried the preceding year by the Earl of Macartney. They were stowed away with no great care, among many other articles, in all probability never more to see the light of day.

It seems the elegant carriages of Hatchett, that were finished with so much care and objects of admiration even in London, were here carelessly thrown behind one of their mean and clumsy carts, to which they pretended to bestow a preference. Capricious as children, the toy once played with must be thrown aside and changed for something new; or, in this instance, it would not be out of character to suppose, that the two vehicles had designedly been placed together to point out to Europeans of how little estimation the Chinese considered their articles of ostentation, when they could perform the same services by simpler and less expensive means.

The Dutch Emba.s.sadors and their suite were now to have a specimen of the court entertainments, and the polite amus.e.m.e.nts of this grand empire.

They consisted chiefly of the contortions of the human body, practiced by posture-masters; of rope-dancing, and a sort of pantomimic performance, the princ.i.p.al characters of which were men dressed in skins, and going on all-fours, intended to represent wild beasts; and a parcel of boys habited in the dresses of mandarins, who were to hunt them. This extraordinary chace, and the music, and the rope-dancing, put the Emperor into such good humour, that he rewarded the performers very liberally. And the Empress and the ladies, who were in an upper part of the house concealed behind a sort of venetian blinds, appeared from their t.i.ttering noise to be highly entertained. The whole concluded, though in the middle of the day, with a variety of fire-works; and the Chinese part of the company departed seemingly well satisfied with these diversions.

An eclipse of the moon happening on the fourth of February gave occasion to the Emba.s.sadors to enjoy a little rest at home, though they were summoned to attend the palace at a very early hour in the morning. The Emperor and his mandarins were engaged the whole day in devoutly praying the G.o.ds that the moon might not be eaten up by the great dragon that was hovering about her. Recovered from their apprehensions, an entertainment was given the following day, at which the Emba.s.sadors were required to be present. After a number of juggling tricks and infantine sports, a pantomime, intended to be an exhibition of the battle of the dragon and the moon, was represented before the full court. In this engagement two or three hundred priests, bearing lanterns suspended at the ends of long sticks, performed a variety of evolutions, dancing and capering about, sometimes over the plain, and then over chairs and tables, affording to his Imperial Majesty and to his courtiers the greatest pleasure and satisfaction.

On the fifteenth of February the Dutch Emba.s.sadors left Pekin, having remained there thirty-six days, during which they were scarcely allowed to have a single day's rest, but were obliged, at the most unseasonable hours, in the depth of winter, when the thermometer was seldom higher than 10 or 12 degrees below the freezing point, to dance attendance upon the Emperor and the great officers of state, whenever they might think fit to call upon them; and to submit to the degrading ceremony of knocking the head nine times against the ground, at least on thirty different occasions, and without having the satisfaction of gaining by this unconditional compliance any one earthly thing, beyond a compliment from the Emperor, _that they went through their prostrations to admiration_! And they were finally obliged to leave the capital without being once allowed to speak on any kind of business, or even asked a single question as to the nature of their mission, which, indeed, the Chinese were determined to take for granted was purely complimentary to their great Emperor.

The ma.n.u.script I quote from describes minutely all the pantomimic performances, the tricks of conjurors and jugglers, and the feats of posture-masters, but as they seem to be pretty much of the same kind as were exhibited before the British Emba.s.sy in Tartary, as described by Lord Macartney, I forbear to relate them. Enough has been said to shew the taste of the court in this respect, and the state of the drama in China.

I suspect, however, that the amus.e.m.e.nts of the theatre have in some degree degenerated at court since the time of the Tartar conquest.

Dancing, riding, wrestling, and posture-making, are more congenial to the rude and unpolished Tartar than the airs and dialogue of a regular drama, which is better suited to the genius and spirit of the ceremonious and effeminate Chinese. I am led to this observation from the very common custom among the Chinese officers of state of having private theatres in their houses, in which, instead of the juggling tricks above mentioned, they occasionally entertain their guests with regular dramatic performances. In the course of our journey through the country and at Canton, we were entertained with a number of exhibitions of this kind; and as "the purpose of playing," as our immortal bard has observed, "both at the first, and now, was, and is, to hold as 'twere the mirror up to nature," it may not be foreign to the present subject to take a brief notice of such performances.

The subjects of the pieces exhibited are for the most part historical, and relate generally to the transactions of remote periods, in which cases the dresses are conformable to the ancient _costume_ of China.

There are others, however, that represent the Tartar conquest, but none built on historical events subsequent to that period. But the ancient drama is preferred by the critics. They have also comic pieces, in which there is always a buffoon, whose grimaces and low jests, like those of the buffoons in our own theatres, obtain from the audience the greatest share of applause. The dialogue in all their dramas, whether serious or comic, is conducted in a kind of monotonous recitative, sometimes however rising or sinking a few tones, which are meant to be expressive of pa.s.sionate or querulous cadences. The speaker is interrupted at intervals by shrill harsh music, generally of wind instruments, and the pauses are invariably filled up with a loud crash, aided by the sonorous and deafening gong, and sometimes by the kettle drum. An air or song generally follows. Joy, grief, rage, despair, madness, are all attempted to be expressed in song on the Chinese stage. I am not sure that a vehement admirer of the Italian opera might not take umbrage at the representation of a Chinese drama, as it appears to be something so very like a burlesque on that fashionable species of dramatic entertainment; nor is the Chinese stage wanting in those vocal warblers, the nature of whom, as we are told by the ingenious and very entertaining Martin Sherlock, a French lady explained to her little inquisitive daughter, by informing her, that there was the same difference between them and men, as between an ox and a bull. Such creatures are indeed more necessary to the Chinese theatre, as the manners of the country prohibit women from appearing in public.

The unity of action is so far preserved, that they have actually no change of scene; but change of place must frequently be supposed. To a.s.sist the imagination in this respect, their management is whimsical enough. If it be necessary to send a general on a distant expedition, he mounts a stick, takes two or three turns round the stage, brandishes a little whip, and sings a song; when this is ended, he stops short, and recommences his recitative, when the journey is supposed to be performed. The want of scenery is sometimes supplied by a very uncla.s.sical figure, which, just the reverse of the _prosopopoeia_ or personification of grammarians, considers persons to represent things.

If, for instance, a walled city is to be stormed, a parcel of soldiers, piling themselves on a heap across the stage, are supposed to represent the wall over which the storming party is to scramble. This puts one in mind of the shifts of Nick Bottom. "Some man or other must present wall," and, "let him have some plaister, or some lome, or some rough-cast about him to signify wall."

The audience is never left in doubt as to the character which is produced before it. Like the ancient Greek drama and, in imitation thereof, all our old plays, the _dramatis personae_ introduce themselves in appropriate speeches to the acquaintance of the spectators.

As to the time of action, a single drama will sometimes include the transactions of a whole century, or even of a dynasty more than twice the length of that period; which, among other absurdities, gave Voltaire occasion to compare what he thought to be a literal translation of the _Orphan of the House of Tchao_, "to those monstrous farces of Shakespear, which have been called tragedies;" farces, however, which will continue to be read by those who understand them, which _he_ did not, with heartfelt emotion and delight, when his _Orphan of China_ shall have sunk into the neglect even of his own admiring countrymen.

In this miserable composition of _Father Premare_, for it can scarcely be called a translation, there is neither diction, nor sentiment, nor character; it is a mere tissue of unnatural, or at least very improbable events, fit only for the amus.e.m.e.nt of children, and not capable of raising one single pa.s.sion, but that of contempt for the taste of those who could express an admiration of such a composition. The denouement of the piece is materially a.s.sisted by means of a dog: but this part of the story is told, and not exhibited; the Chinese taste not being quite so depraved, in this instance, as to admit the performance of a four-footed animal on the stage.

This drama, with ninety-nine others, published together in one work, are considered as the cla.s.sical stock-pieces of the Chinese stage; but like ourselves, they complain that a depraved taste prevails for modern productions very inferior to those of ancient date. It is certainly true, that every sort of ribaldry and obscenity are encouraged on the Chinese stage at the present day. A set of players of a superior kind travel occasionally from Nankin to Canton; at the latter of which cities, it seems, they meet with considerable encouragement from the Hong merchants, and other wealthy inhabitants. At these exhibitions the English are sometimes present. The subject and the conduct of one of their stock pieces, which being a great favourite is frequently repeated, are so remarkable, that I cannot forbear taking some notice of it. A woman being tempted to murder her husband performs the act whilst he is asleep, by striking a small hatchet into his forehead. He appears on the stage with a large gash just above the eyes, out of which issues a prodigious effusion of blood, reels about for some time, bemoaning his lamentable fate in a song, till exhausted by loss of blood, he falls, and dies. The woman is seized, brought before a magistrate, and condemned to be flayed alive. The sentence is put in execution; and, in the following act, she appears upon the stage not only naked, but completely excoriated. The thin wrapper with which the creature (an eunuch) is covered, who sustains the part, is stretched so tight about the body, and so well painted, as to represent the disgusting object of a human being deprived of its skin; and in this condition the character sings or, more properly speaking, whines nearly half an hour on the stage, to excite the compa.s.sion of three infernal or malignant spirits who, like aeacus, Minos, and Rhadamanthus, sit in judgment on her future destiny. I have been informed that it is scarcely possible to conceive a more obscene, indelicate, and disgusting object, than this favourite exhibition, which, if intended "to hold the mirror up to nature," it is to nature in its most gross, rude, and uncivilized state, ill-agreeing with the boasted morality, high polish, refined delicacy, and ceremonious exterior of the Chinese nation; but it tends, among other parts of their real conduct in life, to strengthen an observation I have already made with regard to their filial piety, and which, with few exceptions, may perhaps be extended to most of their civil and moral inst.i.tutions, "that they exist more in state maxims, than in the minds of the people." As, however, a Chinese might be led to make similar reflexions on the exhibition of Harlequin Skeleton, and those numerous representations that of late years have crept upon our own stage, where ghosts, hobgoblins, and bleeding statues are called in aid of the _spectacle_, I should hesitate to draw any general conclusion, with regard to their taste, from the particular exhibition of a woman flayed alive, were they not in the constant practice of performing other pieces that, in point of immorality and obscenity, are still infinitely worse; so vulgarly indelicate and so filthy, that the European part of the audience is sometimes compelled by disgust to leave the theatre. These are such as will not bear description, nor do I know to what scenic representations they can with propriety be compared, unless to those gross indecencies of Theodora, which Procopius has described to have been exhibited on the Roman stage, in the reign of Justinian[11]. The people who encourage them must be sunk very deep in intellectual grossness, and have totally lost sight of all decency. These and similar scenes may be considered among the ill effects of excluding women from their due share of influence in society.

[11] See _Gibbon_, under Emperor Justinian; and _Menagiana_, in which is given the translation of a very extraordinary pa.s.sage from _Procopius_.

It would be impossible to compliment the court of Pekin on the elegance and refinement of its entertainments, but at the expence of truth and reason. Those of Tartar origin will no more bear a comparison with the n.o.ble contests of strength and agility displayed by the old hardy Romans in the Circensian games, than the regular drama of the Chinese will admit of being measured by the softer, but more refined and rational amus.e.m.e.nts of a similar kind in Europe. It is true the scenic representations in the decline of the Roman empire, as they are described to us, appear to have been as rude and barbarous as those of the Chinese. They began by exhibiting in their vast amphitheatre the rare and wonderful productions of nature. Forests enlivened with innumerable birds; caverns pouring forth lions, and tygers, and panthers, and other beasts of prey; plains covered with the elephant, the rhinosceros, the zebra, the ostrich, and other curious animals, which the wilds of Africa furnished, were all brought together within the circuit of the _arena_. Not satisfied with the rich productions of the earth, the sea must also become tributary to their amus.e.m.e.nts. The arena was convertible into a sheet of water; and, at length, the two elements concluding a marriage, as on the Chinese theatre, produced a race of monsters which, according to the Latin poet's[12] description, might vie with those of China.

"Non solum n.o.bus sylvestria cernere monstra Contigit, aequoreos ego c.u.m certantibus ursis Spectavi vitulos, et equorum nomine dignum Sed difforme genus."----

Where Sylvan monsters not alone appear, But sea-cows struggle with the s.h.a.ggy bear, And horses of the deep, a shapeless race.----

[12] T. Calpurnius.

In short, the greater part of the amus.e.m.e.nts of the Chinese are, at the present day, of a nature so very puerile, or so gross and vulgar, that the tricks and the puppet-shews which are occasionally exhibited in a common fair of one of the country towns of England, may be considered as comparatively polished, interesting, and rational. In slight-of-hand, in posture-making, rope-dancing, riding, and athletic exercises, they are much inferior to Europeans; but in the variety of their fire-works they, perhaps, may carry the palm against the whole world. In every other respect the amus.e.m.e.nts of the capital of China appear to be of a low and trifling nature, neither suited to the affected gravity of the government nor to the generally supposed state of civilization among the people.

The old Emperor, as he observed to Lord Macartney, seldom partook of such amus.e.m.e.nts. Considering, indeed, all the circ.u.mstances connected with the reign of the present dynasty on the throne, the government of an empire of such vast magnitude, stored with an almost incalculable population, must necessarily be a task of inconceivable vigilance and toil; a task that must have required all the time, the talents, and the attention of the four sovereigns to ensure the brilliant and unparalleled successes that have distinguished their long reign. _Tchien Lung_, at the age of eighty-three, was so little afflicted with the infirmities of age, that he had all the appearance and activity of a hale man of sixty. His eye was dark, quick, and penetrating, his nose rather aquiline, and his complexion, even at this advanced age, was florid. His height I should suppose to be about five feet ten inches, and he was perfectly upright. Though neither corpulent nor muscular at eighty-three, it was not difficult to perceive that he once had possessed great bodily strength. He always enjoyed a vigorous const.i.tution, which the regularity of his life did not impair. Like all the Mantchoo Tartars he was fond of hunting, an exercise that during the summer months he never neglected. He had the reputation of being an expert bowman, and inferior only in drawing this weapon to his grandfather _Caung-shee_, who boasts, in his last will, that he drew a bow of the weight or strength of one hundred and fifty pounds.

Nor were the faculties of his mind less active, or less powerful, than those of his body. As prompt in conceiving as resolute in executing his plans of conquest, he seemed to command success. Kind and charitable, as on all occasions he shewed himself to his subjects, by remitting the taxes, and administering relief in seasons of distress, he was no less vindictive and relentless to his enemies. Impatient of restraint or reverses, he has sometimes been led to act with injustice, and to punish with too great severity. His irascible temper was once the cause of a severe and lasting affliction to himself, and the circ.u.mstances connected with it are said to have produced a gloom and melancholy on his mind which never entirely forsook him. About the middle part of his reign, he made a circuit through the heart of his empire. At _Sau-tchoo-foo_, a city that is celebrated for its beautiful ladies which, being purchased when infants, are educated there for sale to the opulent, he was captivated with a girl of extraordinary beauty and talents, whom he intended to carry back with him to his capital. The Empress, by means of an eunuch, was made acquainted with his new amour, and dreading his future neglect, her spirits were depressed to such a degree, that a few days after receiving the intelligence she put an end to her existence with a cord. The Emperor, on hearing this melancholy news, was greatly distressed and repaired without delay to Pekin. One of his sons, a very amiable youth, fearful of incurring his father's displeasure, had entertained some doubts whether it would be most proper to appear before him in deep mourning for his mother, which might be construed as an insult to the father, who had been the cause of her death, or in his robes of ceremony, which would be disrespectful to the memory of his deceased mother. In this dilemma he consulted his schoolmaster, who, like a true Chinese, advised him to put on both. He did so and, unfortunately for him, covered the mourning with the ceremonial habit. _Tchien-Lung_, whose affection had now returned for his deceased Empress, and whose melancholy fate he was deeply lamenting, on perceiving his son at his feet without mourning, was so shocked and exasperated at the supposed want of filial duty that, in the moment of rage, he gave him a violent kick in an unfortunate place which, after his languishing a few days, proved fatal.

None of his four surviving sons ever possessed any share of his confidence or authority which, of late years, were wholly bestowed on his first minister _Ho-chung-tong_. He had a due sense of religious duties, which he regularly performed every morning. Having made a vow at the early part of his reign that, should it please heaven to grant him to govern his dominions for a complete cycle, or sixty years, he would then retire, and resign the throne to his successor, he religiously observed it on the accomplishment of the event. The sincerity of his faith may partly be inferred from the numerous and splendid temples he built and endowed in different parts of oriental Tartary, of which the _Poo-ta-la_, or convent of Budha at Gehol, is the most magnificent. It is said indeed, from the circ.u.mstance of his long and fortunate reign, he had, in his later years, entertained an idea, that the Lama, or Budha, or Fo, for they are all the same personage, had condescended to become incarnate in his person. "However wild and extravagant," observes Lord Macartney, "such a conceit may be regarded, we know from history how much even the best understandings may be perverted by prosperity, and that human nature, not satisfied with the good things of this world, sometimes wishes to antic.i.p.ate the condition and felicity of the next.

If Alexander scorned to own less than Jupiter Ammon for his father, if many Roman Emperors extorted altars and sacrifices in their lifetime, if, even in the reign of Queen Elizabeth, an English n.o.bleman[13]

encouraged the belief of his descent from a swan, and was complimented in a dedication upon his feathered pedigree, a similar infatuation may be the less inexcusable in _Kien-Long_, a monarch, the length and happiness of whose reign, the unlimited obedience of whose incalculable number of subjects, and the health and vigour of whose body, have hitherto kept out of his view most of those circ.u.mstances that are apt to remind other men of their misery and mortality."

[13] Duke of Buckingham. See the notes on this character in Shakespear's Henry VIII. Act. i, Scene 2.

Till his last illness he continued to rise at three o'clock in the morning, both in winter and summer. He usually took some cordial to fortify his stomach, and then repaired to his private devotions at one of his temples. After this he read the dispatches of his great officers, both civil and military, who from their different stations were ordered to write to him directly, and not to the tribunals as had usually been the case. About seven he took his breakfast of tea, wines, and confectionary, when he transacted business with the first minister, consulting with, or directing, him in the weighty matters of state, previous to their appearing in regular form before the respective departments to which they belonged. He had then a kind of levee, which was usually attended by the Collaos, or ministers, and the presidents of the departments or public boards. At eleven refreshments were again served up and, after business was over, he either amused himself in the women's apartments, or walked round his palace or gardens. Between three and four he usually dined, after which he retired to his private rooms and employed himself in reading or writing till bed-time, which was always regulated by, and seldom later than, the setting of the sun.

He was fully persuaded that his uninterrupted health was chiefly owing to his early retiring to rest, and early rising; an observation, indeed, that in our country has grown into a maxim, and maxims are generally grounded on truth. The late Lord Mansfield made a point for many years of enquiring from all the aged persons, that at any time appeared before him to give evidence, into their particular mode of living, in order that he might be able to form some general conclusion with regard to the causes of their longevity. The result of his observations was, that he could draw no inference from their intemperance or abstemiousness with regard to diet or drinking, but that they all agreed in one point, that of being early risers.

_Tchien-Lung_ resigned the throne of China to his fifteenth son, the present _Kia-king_, in February 1796, having completed a reign of sixty years; and he died in the month of February 1799, at the advanced age of eighty-nine years.

When the Tartars conquered China, they found all the great offices of state filled by eunuchs, and the palace swarmed with these creatures; the greater part was immediately displaced, and other Chinese of talent and education were put into their places. Having, however, adopted the laws and customs of the conquered, it became necessary to keep up the usual establishment of women in the palace, the inevitable consequence of which was the retention of a certain number of eunuchs to look after them. And they are at this moment as numerous, perhaps, in all the palaces, as they were at the conquest, but none of them are dignified with any office of trust or importance in the state. They consider themselves, however, as elevated far above the plebeian rank; and a bunch of keys or a birch broom gives them all the airs and insolence of office.

Of these eunuchs there are two kinds. The one is so far emasculated as never to have the consolation of being a father; the other must submit to lose every trace of manhood. The first are entrusted with the inspection and superintendance of the buildings, gardens, and other works belonging to the imperial palaces, which they are required to keep in order. The _Rasibus_, as the missionaries call them, are admitted into the interior of the palace. These creatures paint their faces, study their dress, and are as coquettish as the ladies, upon whom indeed it is their chief business to attend. The greatest favourite sleeps in the same room with the Emperor, to be ready to administer to his wishes; and in this capacity he finds numberless opportunities to prejudice his master against those for whom he may have conceived a dislike; and instances are not wanting where the first officers in the state have been disgraced by means of these creatures.

They are equally detested and feared by the princes of the blood who reside in the palace, by the court officers, and by the missionaries in the employ of government. The latter find it necessary to make frequent, and sometimes expensive, presents to those in particular about the person of his Imperial Majesty. Should any of these gentlemen happen to carry about with him a watch, snuff-box, or other trinket, which the eunuch condescends to admire, there is no alternative; the missionary takes the hint, and begs his acceptance of it, knowing very well that the only way to preserve his friendship is to share with him his property. An omission of this piece of civility has been productive of great injury to the European. The gentleman who regulates and keeps in order the several pieces of clock-work in the palace a.s.sured me, that the old eunuch, who was entrusted with the keys of the rooms, used to go in by night and purposely derange and break the machinery, that he might be put to the trouble and expence of repairing it. This happened to him so often that, at length, he became acquainted with the secret of applying the proper preventive, which although expensive was still less vexatious than the constant reparation of the mischief done to the articles of which he had the superintendance.

The Chinese eunuchs are addicted to all the vices that distinguish these creatures in other countries. There is scarcely one about the palace, whether of the cla.s.s of porters and sweepers, or of that which is qualified for the inner apartments, but have women in their lodgings, who are generally the daughters of poor people, from whom they are purchased, and are consequently considered as their slaves. It is difficult to conceive a condition in life more humiliating, or more deplorable, than that of a female slave to an eunuch; but happily for such females, in this country the mental powers are not very active.

Several of the missionaries a.s.sured me of the truth of this fact, which indeed I have strong reasons for believing even of the _Rasibus_. The keeper of the hall of audience once took me to his lodgings, but on coming to the door he desired me to wait till he had made some arrangements within; the meaning of which was, until he had removed his lady out of the way; nor was he in the least displeased at my hinting this to him. Being one of the favourite attendants of the ladies of the court, he was of course a _black eunuch_. He was the most capricious creature in the world; being sometimes extremely civil and communicative, sometimes sullen, and not deigning to open his lips: and whenever he took it into his head to be offended, he was sure to practice some little revenge. I fancy he was clerk of the kitchen, for the quality and the quant.i.ty of our dinner generally depended on the state of his humour. When the report of the Emba.s.sador's making conditions with regard to the ceremony of introduction first reached _Yuen-min-yuen_, he was more than usually peevish, and conceived, as he thought, a notable piece of revenge. Some pains had been taken to arrange the presents in such a manner in the great hall as to fill the room well, and set them off to the best advantage. The old creature, determined to give us additional trouble and to break through the arrangement that had been made, desired that the whole might be placed at one end of the room. On my objecting to this he pretended to have received the Emperor's order, and that at all events it must be obeyed; and the reason he a.s.signed for the change was, "that his Majesty might see them at once from his throne, without being at the trouble of turning his head."

The great number of these creatures about the palace of _Yuen-min-yuen_ made my residence there extremely disagreeable. They seemed, indeed, to be placed as spies on our conduct. If I attempted to move ever so little beyond the court of our apartments, I was sure of being watched and pursued by some of them; to persist in my walk would have thrown the whole palace in an uproar. I one day happened inadvertently to stray through a thicket, which it seems led towards the apartments of the ladies, but I had not proceeded far before I heard several squalling voices in the thicket, which I soon recognised to be those of eunuchs.

They had run themselves out of breath in seeking me, and my old friend of the kitchen was not to be pacified for putting him to the hazard, as he pretended, of losing his head by my imprudence.

The eunuchs and the women are the only companions of the Emperor in his leisure hours: of the latter, one only has the rank of Empress, after whom are two Queens and their numerous attendants, which const.i.tute the second cla.s.s of the establishment; and the third consists of six Queens, and their attendants. To these three ranks of his wives are attached one hundred ladies, who are usually called his concubines, though they are as much a legal part of his establishment as the others. They would seem to be of the same description, and to hold the same rank as the handmaids of the ancient Israelites. Their children are all considered as branches of the Imperial family, but the preference to the succession is generally given to the male issue of the first Empress, provided there should be any. This however is entirely a matter of choice, the Emperor having an uncontrouled power of nominating his successor, either in his own family or out of it. The daughters are usually married to Tartar princes, and other Tartars of distinction, but rarely, if ever, to a Chinese.

On the accession of a new Emperor, men of the first rank and situation in the empire consider themselves as highly honoured and extremely fortunate, if the graces of their daughters should prove sufficient to provide them a place in the list of his concubines; in which case, like the nuns in some countries of Europe, they are doomed for ever to reside within the walls of the palace. Such a fate, however, being common in China in a certain degree to all women-kind, is less to be deplored than the similar lot of those in Europe, where one s.e.x is supposed to be ent.i.tled to an equal degree of liberty with the other; and as the custom of China authorizes the sale of all young women by their parents or relations to men they never saw, and without their consent previously obtained, there can be no hardship in consigning them over to the arms of the prince; nor is any disgrace attached to the condition of a concubine, where every marriage is a legal prost.i.tution. At the death of the sovereign all his women are removed to a separate building, called by a term which, divested of its metaphor, implies the _Palace of Chast.i.ty_, where they are doomed to reside during the remainder of their lives.

CHAP. VI.

Language.--Literature, and the fine Arts.--Sciences.--Mechanics, and Medicine.

_Opinion of the Chinese Language being hieroglyphical erroneous.--Doctor Hager's mistakes.--Etymological Comparisons fallacious.--Examples of--Nature of the Chinese written Character.--Difficulty and Ambiguity of.--Curious Mistake of an eminent Antiquarian.--Mode of acquiring the Character.--Oral Language.--Mantchoo Tartar Alphabet.--Chinese Literature.--Astronomy.--Chronology.--Cycle of sixty Years.--Geography.

--Arithmetic.--Chemical Arts.--Cannon and Gunpowder.--Distillation.

--Potteries.--Silk Manufactures.--Ivory.--Bamboo.--Paper.--Ink.

--Printing.--Mechanics.--Music.--Painting.--Sculpture.--Architecture.